- 7/3/2025
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NewsTranscript
00:00Thank you for being there with us, brothers and sisters.
00:15We enjoyed watching the show with you, all young beamers and all our friends, so, I will
00:27feel more happy, how did you really feel about the film?
00:32Mic, can you hear me?
00:34Chachin, can you hear me?
00:37Hi Naveen, my name is Naveen, first of all, all of us for the movie, thank you.
00:44So, after many years, I had a gap-disk, so, after all, I had a bullet, so, after all, I had
00:54a bit of a thing that I had, I had to prove that we had a gap between these people, that
00:58we had a high budget, and now, the thought process of it.
01:03So, the movie is almost one room, two rooms, or one room, the maximum, they used it.
01:08So, here, we are on TV and we are on TV, we are on TV, we are on TV, we are on TV, we are on TV,
01:13so, we are on TV, we are on TV, and we are on TV, we are on TV, and we are on TV, as compared
01:18to, the present situation.
01:20In the small rooms, there was a movie in the small rooms, so there was a duration and the budget was taken.
01:28The next time the director was the best film, so there was proof that there was no proof.
01:37So there was a duration for the movie and the budget.
01:41The director said this, but how did you film the cinema?
01:46First of all, I was watching the movie.
01:50I was watching the movie, but I was watching the thriller.
01:53It was the same thriller.
01:55It was a tension and tension.
01:57After long, I was suspended in the middle of my mind.
02:03So I was aware of the next track.
02:06The next time the recent Andalaraakshasi was released,
02:12I was watching the movie as well.
02:21Hi, Anna.
02:22Hi.
02:23Hi.
02:24First of all, I was watching the movie.
02:28I was watching the movie as well.
02:30I was watching the movie as well.
02:33Thanks.
02:34Andalaraakshasi, that's how it'sfilmed.
02:38Maybe there was a gap in my mind.
02:43Since this time I was watching,
02:46you only watched a film for this.
02:48Why did you film the film?
02:49I was just asking, what's happening now.
02:53You canėr me as a movie.
02:55Last climax we didn't remember.
02:58Okay, this is ok.
03:01What's your name and your name?
03:05Kiran
03:06Kiran
03:07Hi sir.
03:08Yeah.
03:09Are you in the first news introduction scene?
03:11Are you in daily life?
03:13Are you in the evening evening?
03:15Where are you?
03:17Are you in the glass?
03:19Are you in the glass?
03:21Are you in the daily life?
03:23Are you in the glass?
03:25Is it in the glass?
03:27Is it in the glass?
03:29Sir.
03:31If you see it, you can see it.
03:33Are you ready?
03:34Are you ready?
03:35Are you ready?
03:36Yes sir.
03:37Let me see.
03:38Okay.
03:40You are in the acting.
03:44Where are you from here?
03:46No matter where you are.
03:49Congratulations sir.
03:51What's the beauty of this film?
03:54Thriller.
03:55Thriller.
03:56Channa.
03:57Suspense.
03:58At the same time,
03:59Comedy is a deadly cocktail.
04:01If you see it,
04:02Red Bull.
04:03Vodka.
04:04White rum.
04:06Mixes.
04:07The film is a very good actor.
04:08But,
04:09In the cinema,
04:10First off,
04:11Naveen and Kamakshi,
04:12Naveen,
04:13In particular,
04:14Such a beautiful performance.
04:15I love him as a person.
04:16I think.
04:17And of course,
04:18Raja Ravindra,
04:19The scariest best performance.
04:20My captain,
04:21Team captain,
04:22Madan,
04:23Really,
04:24He's a great actor.
04:25That's why I love him as a person.
04:26And of course,
04:28Raja Ravindra,
04:29The scariest best performance.
04:31My captain,
04:34Team Captain,
04:35Madan,
04:36Really.
04:37That's why he's a good actor.
04:38He's a very nice actor.
04:39Because of character orientation.
04:41It's superb.
04:43It's a pretty good photography.
04:47The every performance of the music.
04:49You also have a highlight.
04:51I was like, I was like, I'm the audience.
04:55I'm like, I'm the book of cinema.
04:57I'm like, I'm the book of cinema.
04:59I have a book of cinema.
05:01But, you all are a good response.
05:05It's not that bad.
05:07Anyway, I'm very happy.
05:09Today, it's not about budget.
05:11It's about the subject.
05:13That is there in this film.
05:15If you're the best,
05:17you don't have any other cinema.
05:19Now, I'm going to show you.
05:21I'm going to show you.
05:23I'm going to show you.
05:25So, today,
05:27it is the next generation
05:29and next generation, next generation.
05:31So, my excitement
05:33to be here and spend this time
05:37with you.
05:39Thank you very much.
05:45I'm a fan, sir.
05:49I'm a fan, sir.
05:51You're all my cinema.
05:53You're all my emotions.
05:55You're all my emotions.
05:57You're all my out-and-out comedy.
05:59You're all my cinema,
06:01you're all my balance.
06:03I'm an ultimate, sir.
06:05You're all my energy.
06:07How you be too perfect, sir?
06:09I'm a fan of cinema.
06:11I don't know what I'm doing.
06:13I don't know what I'm doing.
06:15I don't know what I'm doing.
06:17I don't know what I'm doing.
06:19I don't know what I'm doing.
06:21Second, innings,
06:23I've found the success
06:25here, I know.
06:27I've found a success
06:29because I'm young directors,
06:31I'm a young audience.
06:33I've found a lot of youth following.
06:35I've found all young directors,
06:37all between 25 and 40,
06:39all my directors.
06:41Different subjects
06:43I've found different subjects.
06:45I've found a one-day meeting
06:47for this cinema.
06:49I don't know what I'm doing.
06:51But
06:53finally,
06:55I've found a great film.
06:57I've found a great film.
06:59I've found a great film.
07:01I'm a great film.
07:03I'm one of my best characters.
07:05I've found a great film.
07:07Of course, Nabi Nki.
07:09All of us, all of us here.
07:11We thank all of you for being here.
07:15Director, sir, how do you manage all these
07:17greatest actors, sir?
07:19The greatest actors.
07:21So, no need to manage them.
07:23I will do whatever we ask.
07:25Good work, sir. Perfect.
07:27Thank you, thank you, thank you.
07:29Hi, Naveen Chandra.
07:31Hi, my name is Teja.
07:33Hi, Teja.
07:35I just want to ask you a question.
07:37Yeah.
07:39Prema?
07:41Prema?
07:43Prema?
07:45Prema?
07:47Prema?
07:53I'm a man.
08:09I just spread a word about the film. Audience can experience this.
08:13I have the experience here and I have the experience here.
08:17No, no, no. Thank you.
08:21Yes, brother, my name is Teja.
08:25What is Teja?
08:27I am the greatest actor.
08:29I just want to thank you for this actor.
08:33You all make us good actors.
08:35You are an inspiration.
08:37I am 52nd year into my films.
08:39And if you have any energy,
08:43you have encouragement.
08:45Thank you for this generation.
08:49What is your favorite scene?
08:51What is the best dialogue or scene you like?
08:55I am not sure, sir.
08:57I am out and out comedy, sir.
08:59I am not sure.
09:01Thank you, sir.
09:03Thank you, sir.
09:05Director, sir.
09:09Sir, actually, I have a movie system, sir.
09:13Like only the congested movies.
09:15Like a night movie.
09:17Like a group of particular three or four members.
09:21Like Mamuti Garthi Brahma Yogan movie.
09:25Okay.
09:27So, I asked this movie to see it.
09:29There was a congested place.
09:31So, I have a lot of direction and screenplay.
09:35I just want to say thank you.
09:38How do you manage that screenplay, sir?
09:40I am now writing.
09:43So, I have a lot of actors.
09:45You have very good actors.
09:47You have a very good cameraman.
09:49You have a very good editor.
09:51You are all very good.
09:53Sir, I just ask you a simple question, sir, not serious. It's like a joke. Sir, you're a coper, sir.
10:02Why are you still playing coper?
10:07He's a coper.
10:09He's a coper.
10:13Thank you. Sir, you're a senior. You're a senior. I'm very thankful for you.
10:18Because you're a coper. I'm a coper. I'm a coper.
10:24I'm a coper.
10:28Sir, you're a coper.
10:32If you're a coper, you're a coper.
10:36Thank you. All the best, sir.
10:42Hi, sir.
10:44I'm already here.
10:46If you're a coper, you're a coper.
10:48I'm a coper.
10:50I'm shocked.
10:52Oh, thanks.
10:54And, you're a coper.
10:56I think,
10:58I think,
11:00I think,
11:02I think,
11:04I think,
11:06I'm a coper.
11:08Back to back,
11:10I think,
11:12I think,
11:14I mean,
11:16I think,
11:18I'm not right.
11:20I think,
11:22I'm not right.
11:24I don't know.
11:26But,
11:28I think,
11:30There was a lot of crime-suspense films, and he said, okay, I'm going to show you a lot of crime-suspense films.
11:37Thank you, thank you.
11:39My dad was a big fan of the cinema in the school.
11:46He said, hey, my dad was a big fan of my dad.
11:52After the second half, there were fun moments later on.
12:02And you're a hero, you're a chaser, you're a hero.
12:07Second innings, I'm doing nearly four films in lead roles.
12:12Villain, comedy, father, brother.
12:18Forty days, you're a hero.
12:22Super.
12:23I'm in my peak at my 52nd year of my film industry.
12:30I'm really thankful, more than being proud of being an actor, I'm thankful to all my directors, all my audience, producers, everybody who brought me so far.
12:40Even though I support everyone.
12:44It's my talent.
12:46So really, the roles that I've done today, I really idolize them.
12:54So, Sv. Rangaravar, particularly.
12:57Second innings, I'm going to show you that.
13:01That's what I've done.
13:03That's what I've done.
13:05I'm proud of you.
13:07You're a man.
13:09Who needs to be a madman?
13:10Who needs to be a monster?
13:11Who needs to be a trustworthy man?
13:13I don't think so.
13:14Who needs to be a trollier.
13:16I'm a trollier.
13:17Who needs a brand of old man?
13:19Who has your brand of old man?
13:22This is for you.
13:24That's getting me wrong.
13:26Is there a more?
13:28That's why.
13:30S naujjik, my friend.
13:32Don't let the old man know what it is.
13:34If you want to go to your old man, you can go to your old man.
13:36Old man?
13:38How old man?
13:40Do you want to go to the Royal Salute?
13:42Why?
13:44There are many people in the old man.
13:46You don't have to pass.
13:48You don't have to pass.
13:50You don't have to go to the Royal Salute.
13:52Anyway, thank you.
13:54All the best.
13:58Hi, Anana.
14:00The title is the title.
14:04It's the title.
14:06Short time.
14:08It's the title.
14:10It's the title.
14:12You have to go to the show.
14:14I'm not sure if you've done a show.
14:16I'm not sure if you've done a show.
14:18I didn't talk too much.
14:20I am not sure how to play a comedy show.
14:22I'm not sure whether you're a comedy show.
14:24I'm not sure if you're a comedy show.
14:26What's wrong?
14:28The main thing is that the gate is full of innovation, so it's good to see all the acting, so it's good to see all the acting, so it's good to see all the acting, so it's good to see all the acting, so it's good to see all the best.
14:48Naveen Chandra.
14:50Hi.
14:51Hi.
14:52Hi, Satya.
14:53My family is a little.
14:55So, you're involved in this character.
14:58You're involved in this character, and you're involved in this character, and you're involved in this character.
15:01It's a lot of hype, and it's a lot of relief.
15:04You're all the feeling.
15:06You're all the feeling.
15:07Thank you, thank you so much.
15:09Actually, acting is good.
15:11Thank you, thank you.
15:12Actually, I'm a fan of the film from Malayalam, so I'm happy to be here.
15:20Thank you, thank you so much.
15:22Thank you, Mr. Narish.
15:23You're a good singer, sir.
15:24Hi, sir.
15:25Hi, man.
15:26You're all the film, sir, right?
15:27Okay.
15:28You're part of Amritu.
15:29Yes, sir.
15:32Second in your service, you're the emotion, and you're all the best.
15:38Thank you, man.
15:39Thank you so much.
15:40We're all your entertainment, I mean encouragement.
15:45Thank you, sir.
15:46Roger that.
15:49Yes, I am.
15:50You are sad.
15:52Why?
15:53Yes.
15:54There are many dialogues and modulations.
15:57You are talking to us in conversation with friends.
16:00It's not a serious situation.
16:02You are not talking about the dialogue.
16:04Yes, I am.
16:05Yes, I am.
16:06Yes, I am.
16:07Yes, I am.
16:08Yes, I am.
16:09Yes, I am.
16:10Yes, I am.
16:11Yes, I am.
16:12Yes, I am.
16:13Yes, I am.
16:14Yes, I am.
16:15Yes, I am.
16:16Yes, I am.
16:17Yes, I am.
16:18Yes, I am.
16:19Yes, I am.
16:20Yes, I am.
16:21That's why I am saying that with any of you,
16:23you should be a realer.
16:26Yes, I am.
16:32Hi, .
16:33Hi, .
16:34Hi, .
16:35Hi, my name is Sidhu.
16:36Hi, .
16:37I was a Rampa.
16:40First off,
16:45And then, in the second half, I'm going to talk to you.
16:50You're acting a lot. Thank you.
16:55In the second half, I'm actually an expert in the second half.
16:58If you're a body, a body, a body, a body, a body, a body, etc.
17:03I'm an expert in this type of company.
17:06Now, I'm going to talk to you.
17:09I'm going to talk to you.
17:12I'm going to talk to you.
17:15I'm going to talk to you.
17:17That's my director's inspiration.
17:19You're a great writer.
17:21Yes.
17:22And Rajaravinder.
17:24You're a little bit connected.
17:27I'm not talking to you.
17:29I'm not talking to you.
17:31I'm not talking to you.
17:33I'm not talking to you.
17:36I'm not talking to you.
17:38I'm not talking to you.
17:39I'm not talking to you.
17:41You're a favorite person.
17:43If you're a friend, you'll have to go ahead.
17:46Okay, thank you.
17:48First question, I mean, what is the first question?
18:01Sir, you are all senior and talented actors.
18:06Any reason or any best moment with them?
18:12Best moment is to hold two hours.
18:18All artists and other artists work and experience.
18:21One of the best films have worked in recent times.
18:25They are talented and their sense of humor is very good.
18:33And as humans, they are very good humans.
18:37So while we are connected, we enjoy it a lot.
18:40And when you look at the screen,
18:42my emotions are connected.
18:44So it's all mutual respect towards our craft.
18:48And we believed in our script and our director.
18:50And it came out this way.
19:21Hello Narish Bro.
19:42Hi sis, how are you?
19:45Super, super.
19:46Meera, I think super.
19:48Thank you, thank you so much.
19:50We have many challenges.
19:51Why?
19:52Gongura have a chance to have the chance to get 10 rupees.
19:58Is it?
20:02I'm not a man, I'm not a man, but I'm not a man.
20:09I'm not a man.
20:12Okay.
20:13How are you living in Gongura?
20:15No one has gone to Gongura.
20:22No one has gone to Gongura.
20:26Okay. Yes.
20:28Thank you, sir. Thank you.
20:34How did you start?
20:36I don't know.
20:38We are looking for our children, sir.
20:40Oh boy.
20:42Actually, Gongura is the chairman of Gongura.
20:49That's right.
20:51What's your name, sir?
20:53I'm doing a job.
20:55Okay.
20:56I'm sorry.
20:58Thank you, sir.
21:05Thank you, sir.
21:07Thank you, sir.
21:15He's very worried about the cinema.
21:17Everyone's worried about the situation.
21:20I don't know.
21:21If I tell you something,
21:22I'm very thankful.
21:23I said,
21:24I'm very thankful to you.
21:25I have a very thankful name.
21:26I'm very thankful to you.
21:28I'm very thankful to you.
21:30thanks for watching from coming back to the cinema.
21:37Raja Ravindra Garu.
21:56Sir, he is in the show time and he is in the show time.
22:05Tick, tick, tick and return to bond.
22:07What is it, sir?
22:08Tick, tick, tick.
22:09Okay.
22:10Sir, do you maintain that seriousness?
22:13Double it.
22:16Okay, sir. Thank you, sir.
22:19Naveen Chandras, sir.
22:20I think that the cinema is going to be a bully.
22:24Confused people, congested place, contested script.
22:31Excellent result.
22:33So, Pulihara and Annikaal bhi berda wakun nao ruchiga.
22:36But show time, I think, don't you think it's the right thing?
22:39Show time is the right title for this?
22:45Right, right.
22:47Good, good.
22:48Catching on the?
22:49Catching on the right.
22:50Thank you, sir.
22:53Thank you, sir.
23:01Sir, my name is Ividi Sai.
23:03Naveenanda.
23:04Hi.
23:05Hi.
23:06This story, you are convinced.
23:08I mean, it's good.
23:10On-screen, it's good.
23:11But recently, there are a lot of thrillers.
23:14And this is the only place.
23:17It's the duration.
23:19So, you are convinced.
23:22You are convinced.
23:23You are convinced, sir.
23:24The main point is the family.
23:31I am convinced.
23:32I just am convinced.
23:34I am convinced.
23:36It's like me.
23:38Yeah, thank you.
23:39You are convinced.
23:40I am convinced.
23:41I have such a good choice.
23:42I am convinced.
23:43You are choosing.
23:45You are choosing.
23:46On-screen, where you have this.
23:47How are you doing this?
23:48You enjoy it.
23:49You enjoyed it.
23:51What did you say, sir?
23:53So, it's a good thing.
23:55When you narrated the script,
23:57you can talk about the title of the script,
23:59and you can talk about the title of the script,
24:01and you can talk about it.
24:03So, mainly, the last relief for the audience.
24:05That point, I'm very happy.
24:07So,
24:09I like the film script.
24:11Sir, thank you.
24:13Why do I do this movie?
24:15Because there are many thrillers
24:17for example, in 2011,
24:19it's not a good ending or revenge,
24:23but a sad ending.
24:25It's a hero.
24:27So, this is the show.
24:29Our friends,
24:31the exit, the climax.
24:33It's a relief.
24:35And I'm looking for a person
24:37who's a family.
24:39So, I'm happy.
24:41And the director,
24:43Sir,
24:45you're a villain role.
24:47Sir, you're a villain role.
24:49Sir, how is your direction department, sir?
24:51No.
24:53So, I used to write,
24:55most of the times.
24:57And I'm saying my script to my friends.
24:59Everyone encouraged me.
25:01I did a short film very earlier.
25:03Then I got a lot of position.
25:05So, we came well.
25:07So, we came well.
25:09So, we came well.
25:11Super, sir.
25:13And we have a show show set up.
25:15We have a show set up on Twitter.
25:17First, we have a show time.
25:19Okay.
25:21We have two times.
25:23We have a show time.
25:35Thank you so much.
25:37I'm honored.
25:39Thank you for entertaining, sir.
25:42My director,
25:43I'm a script.
25:45He's a very good actor also.
25:49Really.
25:51In the atmosphere,
25:55everybody was involved in making this film.
25:59Finally, our result,
26:01organically.
26:03Whatever the sequence,
26:05anything,
26:06really, that's
26:07well handled by him.
26:08And of course,
26:09verse goes.
26:15Hi, Anna.
26:16Do you want to sing the song?
26:18Yes, I am.
26:26Hi, hi.
26:27Hi, Anna.
26:28No.
26:30No.
26:32No.
26:34You didn't sing the songs?
26:36No.
26:37No.
26:38No.
26:39No, no.
26:40No.
26:41No?
26:42No?
26:43No.
26:44No.
26:45No.
26:46No.
26:47No.
26:48No.
26:49No.
26:50No.
26:52No.
26:53No.
26:54No.
26:56No.
26:57and hope you all have enjoyed it.
27:03You can play a song in the bathroom,
27:05but you don't have time for the cinema.
27:07There is no time for the bathroom.
27:09So there is no song for the cinema.
27:11Yes, sir.
27:13Can you do a day in real life?
27:17How do you do a day in real life?
27:19How do you do a day in real life?
27:21How do you do a day in real life?
27:23How do you do a day in real life?
27:25How do you do a day in real life?
27:27I do my intermittent fasting,
27:29one hour of cardio,
27:33thirty to forty-five minutes of weights,
27:35good sleep,
27:37laughing all the time,
27:39enjoying life,
27:41working hard.
27:43That's the best.
27:49How do you do the director?
27:53Yes,
27:55it will work out.
27:57It's not a comedy, it's not an experiment, but it's 100% success.
28:05How do you manage this comedy and thriller?
28:08We are involved in Ra's.
28:11I want to choose Ra's.
28:13I want to choose Ra's.
28:15I want to choose all the good actors.
28:18Yes, it will work out.
28:21If you choose the actors,
28:23I want to choose the actors.
28:25I want to choose the actors.
28:27It's okay, it will work.
28:29After the Raja Ravindar's entry,
28:31we are very happy when we are shooting.
28:37Shekhar Chandrakhar's music is not working today.
28:41Her contribution is very big.
28:43She didn't come.
28:45She went for another shoot in a foreign village.
28:49Thank you very much.
28:51Thank you very much.
28:55Ustadi Smart Shankar.
28:59Ustadi Smart Shankar.
29:00Shekhar Chandrakhar.
29:01Mr.Rantzです, sir?
29:03Saala Baba Ji, sir.
29:04Thanks and thank you so much.
29:07Ustadi Smart Shankar.
29:11Seemers, bro.
29:13Everybody?
29:14Right here.
29:15You are thinking about the most. You are planning on the next direction.
29:20I am talking about that. You are not in dialects, cinema.
29:24You are not in the last moment. You are not in the last moment.
29:28You are not in the last moment. You are not in the last moment.
29:32Thank you, brother.
29:33I am going to ask you about the question.
29:36Only small rooms were in the first room.
29:42No, unlike the other room, you have no idea.
29:46It is a very thick movie.
29:47There are movies as well as graphics and vfx,
29:50but there are a little less realistic movies.
29:52The only way it is is setting.
29:55Why do you work in your two rooms?
29:59You have no idea where you are.
30:02I am from the first time.
30:05In a small budget level, in case there is a success later, we will have a good idea.
30:13If you have a role model for the upcoming directors, you will have a role model.
30:17Because there is a budget, a parameter, and a subject.
30:22Sure, sure. That's good sir.
30:24How do you have a role model for the 11th season?
30:37See, I tell you, when good actors get some good subjects, they don't worry about remuneration, they don't worry about time.
30:43They will give their maximum to that movie. It was happening in this movie.
30:49Thank you, thank you.
30:51Thank you, sir.
30:52Thank you, sir.
30:54Thank you, sir.
30:57Thank you, sir.
30:59Hello, sir.
31:01Please, what happened?
31:03You are in China, and you are in China.
31:05I am in China.
31:08Okay, you are in China.
31:10You are in China?
31:13Yes, sir.
31:15I am a guy.
31:17I am in China.