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సిద్ధార్థ్ మాటలకు కన్నీరు పెట్టుకున్న దేవా: Siddharth Speech | Deva Emotion | Asianet News Telugu
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00:00
Now, now, now...
00:02
You are able to show a lot of cinema in the future.
00:04
That transformation was...
00:06
It was amazing actually.
00:08
So, I'm going to give you a listen to Siddharth Garg.
00:16
Hello everyone.
00:18
I was introduced to you by 3 BHK.
00:20
After that, I was introduced to you by the family.
00:24
I have already made an introduction to everyone in the Sixers.
00:29
But I will still do it again.
00:31
Shanti Talk is Arun Vishwa.
00:34
He is the second film.
00:36
He is a very promising and exciting producer.
00:39
He is a very promising and exciting producer.
00:43
I have a lot of similarities.
00:45
I am a Kamala Sun fan.
00:48
He is a great fan.
00:50
He is a great fan.
00:52
I am a great fan.
00:55
I am a great fan.
00:57
I am a great fan.
00:58
I am a great fan.
01:00
I am a great fan.
01:02
I am a great fan.
01:04
I am a great fan.
01:06
I am a great fan.
01:09
So, Arun Vishwa, I am so proud of your growth as a producer.
01:14
And I am so proud of how you believed in this content.
01:17
Speaking of content,
01:19
I am a great fan.
01:21
I am so proud of how you look at the cinema.
01:24
I am so proud of how you choose one of your choices.
01:27
I don't know anything about it.
01:29
I am so proud of how you choose one of your choices.
01:32
But what I have experienced, I can tell you.
01:34
And that is where I feel my responsibility lies.
01:37
The possibility lies.
01:38
This script was the first time I was in the movie.
01:43
This was the first time I was in the movie.
01:46
I was in the movie because of the movie.
01:51
I was in the movie.
01:56
Coincidentally, I was in the movie.
01:59
I was in the movie.
02:02
In the movie, it just overcame.
02:06
The emotion, it was overcome by it.
02:09
When I was in the movie,
02:12
when I was in the movie,
02:16
I was in the movie.
02:19
I was in the movie.
02:23
I was in the movie.
02:26
I was in the movie.
02:29
I was in the movie.
02:32
I was in the movie.
02:34
The film was the one who was in the movie.
02:38
I was in the movie.
02:39
I was in the movie.
02:41
So I was exploring a movie like a child.
02:44
As a writer who is in the movie,
02:50
If you want me or want me, you definitely want to know more about this.
02:56
Where you are, where you are, where you are.
02:58
Where you are, where you are, where you are.
03:01
So, I would like to ask a simple suggestion.
03:03
I would like to take you to the theater.
03:05
Because I would like to hug you, I would like to commute.
03:08
I would like to talk to you.
03:10
And I would like to talk to you, Arun Shri,
03:13
to be here and to be there.
03:15
I would like to talk to you,
03:17
I would like to talk to you,
03:19
I would like to talk to you.
03:21
I would like to talk to you,
03:23
if you enjoy your love,
03:25
I just don't like to say all those.
03:27
I would like to talk to you.
03:29
Someone in the wild field.
03:31
Sriganesh,
03:35
Sriganesh is a great writer.
03:37
His first film is one of the best debuts in Indian cinema,
03:41
It's called Eight Bullets.
03:43
That cinema was directed by Rasi.
03:46
When I was looking at the cinema,
03:48
I thought,
03:50
I was thinking,
03:52
I'm not going to direct one day,
03:54
but in the first cinema,
03:56
it was an extraordinary film.
03:58
That was an idea.
04:00
And I thought,
04:02
it was an idea.
04:04
I thought,
04:06
over the years,
04:08
after the release time,
04:10
Nathushree traveled a lot,
04:12
because he loved the film.
04:14
So many directors,
04:16
at that time,
04:18
were not in public.
04:20
He supported me a lot.
04:24
Shri Ganesh.
04:26
At that time, Arunvishwa,
04:28
in my office,
04:30
in my office,
04:32
I didn't produce this film,
04:34
but I thought,
04:36
I thought,
04:38
I didn't produce this film.
04:40
I didn't produce this film.
04:42
I didn't produce this film.
04:44
So,
04:45
at that time,
04:46
Arunvishwa was named,
04:48
Nannu Shri Ganesh.
04:50
Shri Ganesh said,
04:52
I never thought,
04:54
I didn't produce this film in the mainstream movie,
04:55
I didn't have to produce it.
04:56
But,
04:57
I think everyone knew,
04:58
I was drinking this film.
04:59
I don't know it was a 100%
05:01
that a film is a mainstream film.
05:03
So,
05:05
I thought,
05:06
I would work out a script,
05:07
but
05:09
it wouldn't be mainstream,
05:10
I would be commercial,
05:11
and I would have a blockbuster.
05:13
I thought,
05:14
I prepared my script,
05:15
I went to share it.
05:17
I could share it with you.
05:18
I couldn't have hugged him over there.
05:22
I took that story to 3BHK.
05:26
I wanted to keep the first time of cinema today,
05:29
because this film's number is the family.
05:32
There's no hero, heroine, villain.
05:37
Smaller role, bigger role, etc.
05:40
This film's script is hero, this film's script is heroine,
05:42
this film's script is both.
05:46
And the script was written by the family.
05:50
So, the film is the family.
05:52
And in that family, my family is my mother.
05:55
So, my mother is a young couple of these kids.
06:01
They have the most risk for the most risk.
06:07
I was going to study one and a half years.
06:12
So, if we look at the site,
06:15
there is no risk for the most risk.
06:18
But, my mother had a big tension in the front.
06:23
And after that, I was on a tour.
06:26
So, I had a phone and said,
06:27
why did I get there?
06:29
There is one person here.
06:32
One person is on the other side.
06:35
Why did I get there?
06:37
Why did I get there?
06:38
Why did I get there?
06:39
I can't get there.
06:41
Every day,
06:43
To take the budget, the future, the uncertainty, the kids.
06:47
Alright.
06:48
And that was the discussion.
06:49
What are you doing today?
06:50
How do you do this?
06:52
With the parents who love them,
06:53
To take the children,
06:54
To take the family,
06:56
To take the children's children,
06:57
To take the family.
06:59
This is the middle class.
07:00
Alla Ndoka Thalli Thandri is in the cinema of Vasudevan Shanti.
07:03
In this cinema, you don't have the main characters,
07:07
and you don't have the main characters,
07:10
but the main characters are in the cinema,
07:12
but they are in the cinema of Vasudevan Shanti.
07:15
So, Sharath Sir and Devya Nimaam,
07:17
in this cinema,
07:19
I feel like I have a feeling in life in my life.
07:24
This is my 40th film.
07:26
Today, I will announce Siddharth Forty.
07:31
In the cinema, Siddharth Forty is the name of Siddharth Forty,
07:33
because there are 40 times bigger stars here,
07:35
and I will show Siddharth as well.
07:40
In this film,
07:42
there is maximum hand in the film in making me whatever I am today.
07:47
Because the value of Siddharth is the first time in the film,
07:51
and the love of Siddharth is the maximum in the film.
07:55
It is the same as the same as the same as the same.
07:58
In this film in 3BHK,
07:59
Vasudevan Shanti,
08:02
this beautiful family,
08:03
and in that family,
08:05
a family has a family,
08:06
a family,
08:08
a family.
08:09
In the lives of us,
08:10
and every phase,
08:11
we have to deal with a lot of fun in the film.
08:16
And Arun Vishwa said, if you have a trailer, you will try it in this film.
08:20
Because you can tell me that you can't see the film as much as you can see.
08:25
But you can't see the film as much as you can see.
08:28
Because it's not basic necessity.
08:30
When you show kindness and you see a film, you are very lucky.
08:35
Because it is your hobby.
08:37
It is my livelihood, but it is your hobby.
08:40
So, if you can't see the film as much as you can see the trailer, you can see it in a trailer.
08:45
Because I have seen the film as much as I can see,
08:49
I am also reading the film as much as I can see the film as much as I can see.
08:54
Because it is my story.
08:56
If I haven't seen the film as Shri Ganesha, I have seen the film as much as I can see.
09:00
That is definitely the film as I can see in the theatre.
09:03
And as a family, there are many movies that are in the film.
09:09
So, I can't talk to you.
09:10
Because it is not hype.
09:12
It is truth.
09:13
We were watching the movie as always,
09:18
on this set,
09:20
the film was played by Vasudevan Shanti, Arthi, and Prabhu.
09:24
But this film was played by Sharat Kumar, Devayan, Meeta, Siddharth.
09:28
So, in the film,
09:31
both of the stars in this set,
09:34
we were in the short term,
09:36
we were in the van,
09:38
we were talking to the camera.
09:41
Because they were shooting at the time of the film.
09:44
So, when they were shot, they would have a camera on the camera.
09:49
They would have a caravan,
09:51
they would have a pack on the brake,
09:54
they would have a bottle,
09:56
they would behave happily in the family.
09:58
That's very common in the time.
10:00
If you get technology, families are separated.
10:04
They would also have film sets.
10:06
But in this set,
10:07
everyone is equal to this set.
10:12
They are not a senior or junior.
10:14
They are all one family.
10:16
They have a feeling like that.
10:18
And they would have a feeling like that.
10:26
And Chaitra,
10:28
I have already been here.
10:30
First of all,
10:31
if we were talking about the mic,
10:33
then we would have to take care of the mic.
10:36
I would have to take care of the mic.
10:37
I would have to take care of the mic.
10:39
I would have to take care of the mic.
10:40
So,
10:41
I would have to talk about the other people.
10:43
Because I would have to tell the first day of the Telugu.
10:46
It's been like my own tongue.
10:48
It's been like my own tongue.
10:50
It's been like my own tongue.
10:52
It's been like my own tongue.
10:54
It's been like my previous generation.
10:56
So, Subramani Bharati is a great Telugu.
11:00
In that time, Telugu is a great Telugu.
11:02
In Karnataka, Telugu is a very easy one.
11:04
It's very easy to identify yourself.
11:06
It's easy to identify yourself.
11:10
So, that beautiful Telugu,
11:12
the beautiful Telugu,
11:14
this effort, and the love of you,
11:16
it's very hard for me.
11:18
It's very hard for me,
11:20
and I will wait for you.
11:24
So, thank you, Chaitra, Meeta, Devyanimam,
11:28
Sharad sir, for being the best family
11:30
that God has given me after my family.
11:34
And,
11:36
I love this film.
11:42
It's very important.
11:44
Because I want to tell you,
11:46
that is a great family film.
11:48
It's very important.
11:50
It's very important.
11:52
So, it's a great family film,
11:54
that's why Shri Ganesh had a great family film.
11:56
It's been a great family film.
11:58
It's been a great family story.
12:00
If you look at the trailer, there is a reaction to the trailer.
12:04
After the trailer, there is a lot of heavy emotion in the cinema.
12:11
This cinema is an emotional family drama, but there is hope.
12:15
So, if you look at it, you can't see it.
12:18
There is a great, positive, happy hope in the theater.
12:22
And, as I said, it's not my place to tell you the first film.
12:30
It's not my place to tell you the audience.
12:34
It's not my place to tell you the audience.
12:35
It's not my place to tell you the audience.
12:39
So, each individual audience has become important.
12:41
We can watch in the theater, we can watch on the phone.
12:44
Democracy of consumption is a democracy.
12:46
But, for me, I want to see the first day in the theater.
12:51
I want to see the film in a family,
12:54
and I want to see the film in a family.
12:57
I want to see the film that I am interested in.
13:04
I want to see the film as I am interested in.
13:07
I want to see the film in the first place.
13:10
I want to see the film in the first place.
13:12
The cinema music director Amrit Ramnath, Bombay Jashrigar Abbae,
13:15
and the music director of the album is making the magic.
13:19
In this case, the film is making the coolness.
13:23
I was doing post-production film.
13:26
I was doing coolness for the first time.
13:29
There is no fear of this young generation.
13:32
There is no barriers to entry.
13:34
There is no producer or distributor.
13:39
There is no rental camera or lights.
13:43
There is no phone in the film.
13:46
The film is released on the internet.
13:48
The film is going to be viral.
13:50
So, there is no fear.
13:52
So, someone asked me,
13:54
I said, there is a lot of dream.
13:58
I said, what dream is, is it direct?
14:00
Yes, it is.
14:01
Yes, that is your dream direction.
14:02
Yes, it is.
14:04
There is a lot of direction.
14:05
Yes, there is a lot of direction.
14:06
I said, there is a lot of direction.
14:09
I said, what is that?
14:11
So, I am doing a camera.
14:12
Then, I am doing music.
14:14
Then, I am doing cricket.
14:15
I am doing anything.
14:16
I am doing anything.
14:17
I am doing nothing.
14:18
I am doing nothing.
14:19
So, they have no fear.
14:21
And there is also a lot of young people.
14:23
Amrit is a God.
14:25
Varun Vishwa is a God.
14:27
A God is a God.
14:29
When I am doing anything.
14:30
I am doing anything.
14:31
I am doing nothing.
14:32
I am doing anything.
14:33
I am doing nothing.
14:34
Because, hip hop is the music of the people.
14:37
You cannot get on the mind.
14:39
What is happening?
14:40
You cannot do anything.
14:41
What is happening?
14:42
The God has been on us.
14:45
When I am on us.
14:48
I am so proud of you and hip hop will grow. You will grow. Always be the same, always be original and don't ever give up.
15:18
I am so proud of you and I am so proud of you.
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పాక్ కు మరో బిగ్ షాకిచ్చిన భారత్.. సలాల్ డ్యామ్ గేట్ల ఎత్తివేత | Asianet News Telugu
Asianet News Telugu
2 days ago