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00:00Now, now, now...
00:02You are able to show a lot of cinema in the future.
00:04That transformation was...
00:06It was amazing actually.
00:08So, I'm going to give you a listen to Siddharth Garg.
00:16Hello everyone.
00:18I was introduced to you by 3 BHK.
00:20After that, I was introduced to you by the family.
00:24I have already made an introduction to everyone in the Sixers.
00:29But I will still do it again.
00:31Shanti Talk is Arun Vishwa.
00:34He is the second film.
00:36He is a very promising and exciting producer.
00:39He is a very promising and exciting producer.
00:43I have a lot of similarities.
00:45I am a Kamala Sun fan.
00:48He is a great fan.
00:50He is a great fan.
00:52I am a great fan.
00:55I am a great fan.
00:57I am a great fan.
00:58I am a great fan.
01:00I am a great fan.
01:02I am a great fan.
01:04I am a great fan.
01:06I am a great fan.
01:09So, Arun Vishwa, I am so proud of your growth as a producer.
01:14And I am so proud of how you believed in this content.
01:17Speaking of content,
01:19I am a great fan.
01:21I am so proud of how you look at the cinema.
01:24I am so proud of how you choose one of your choices.
01:27I don't know anything about it.
01:29I am so proud of how you choose one of your choices.
01:32But what I have experienced, I can tell you.
01:34And that is where I feel my responsibility lies.
01:37The possibility lies.
01:38This script was the first time I was in the movie.
01:43This was the first time I was in the movie.
01:46I was in the movie because of the movie.
01:51I was in the movie.
01:56Coincidentally, I was in the movie.
01:59I was in the movie.
02:02In the movie, it just overcame.
02:06The emotion, it was overcome by it.
02:09When I was in the movie,
02:12when I was in the movie,
02:16I was in the movie.
02:19I was in the movie.
02:23I was in the movie.
02:26I was in the movie.
02:29I was in the movie.
02:32I was in the movie.
02:34The film was the one who was in the movie.
02:38I was in the movie.
02:39I was in the movie.
02:41So I was exploring a movie like a child.
02:44As a writer who is in the movie,
02:50If you want me or want me, you definitely want to know more about this.
02:56Where you are, where you are, where you are.
02:58Where you are, where you are, where you are.
03:01So, I would like to ask a simple suggestion.
03:03I would like to take you to the theater.
03:05Because I would like to hug you, I would like to commute.
03:08I would like to talk to you.
03:10And I would like to talk to you, Arun Shri,
03:13to be here and to be there.
03:15I would like to talk to you,
03:17I would like to talk to you,
03:19I would like to talk to you.
03:21I would like to talk to you,
03:23if you enjoy your love,
03:25I just don't like to say all those.
03:27I would like to talk to you.
03:29Someone in the wild field.
03:31Sriganesh,
03:35Sriganesh is a great writer.
03:37His first film is one of the best debuts in Indian cinema,
03:41It's called Eight Bullets.
03:43That cinema was directed by Rasi.
03:46When I was looking at the cinema,
03:48I thought,
03:50I was thinking,
03:52I'm not going to direct one day,
03:54but in the first cinema,
03:56it was an extraordinary film.
03:58That was an idea.
04:00And I thought,
04:02it was an idea.
04:04I thought,
04:06over the years,
04:08after the release time,
04:10Nathushree traveled a lot,
04:12because he loved the film.
04:14So many directors,
04:16at that time,
04:18were not in public.
04:20He supported me a lot.
04:24Shri Ganesh.
04:26At that time, Arunvishwa,
04:28in my office,
04:30in my office,
04:32I didn't produce this film,
04:34but I thought,
04:36I thought,
04:38I didn't produce this film.
04:40I didn't produce this film.
04:42I didn't produce this film.
04:44So,
04:45at that time,
04:46Arunvishwa was named,
04:48Nannu Shri Ganesh.
04:50Shri Ganesh said,
04:52I never thought,
04:54I didn't produce this film in the mainstream movie,
04:55I didn't have to produce it.
04:56But,
04:57I think everyone knew,
04:58I was drinking this film.
04:59I don't know it was a 100%
05:01that a film is a mainstream film.
05:03So,
05:05I thought,
05:06I would work out a script,
05:07but
05:09it wouldn't be mainstream,
05:10I would be commercial,
05:11and I would have a blockbuster.
05:13I thought,
05:14I prepared my script,
05:15I went to share it.
05:17I could share it with you.
05:18I couldn't have hugged him over there.
05:22I took that story to 3BHK.
05:26I wanted to keep the first time of cinema today,
05:29because this film's number is the family.
05:32There's no hero, heroine, villain.
05:37Smaller role, bigger role, etc.
05:40This film's script is hero, this film's script is heroine,
05:42this film's script is both.
05:46And the script was written by the family.
05:50So, the film is the family.
05:52And in that family, my family is my mother.
05:55So, my mother is a young couple of these kids.
06:01They have the most risk for the most risk.
06:07I was going to study one and a half years.
06:12So, if we look at the site,
06:15there is no risk for the most risk.
06:18But, my mother had a big tension in the front.
06:23And after that, I was on a tour.
06:26So, I had a phone and said,
06:27why did I get there?
06:29There is one person here.
06:32One person is on the other side.
06:35Why did I get there?
06:37Why did I get there?
06:38Why did I get there?
06:39I can't get there.
06:41Every day,
06:43To take the budget, the future, the uncertainty, the kids.
06:47Alright.
06:48And that was the discussion.
06:49What are you doing today?
06:50How do you do this?
06:52With the parents who love them,
06:53To take the children,
06:54To take the family,
06:56To take the children's children,
06:57To take the family.
06:59This is the middle class.
07:00Alla Ndoka Thalli Thandri is in the cinema of Vasudevan Shanti.
07:03In this cinema, you don't have the main characters,
07:07and you don't have the main characters,
07:10but the main characters are in the cinema,
07:12but they are in the cinema of Vasudevan Shanti.
07:15So, Sharath Sir and Devya Nimaam,
07:17in this cinema,
07:19I feel like I have a feeling in life in my life.
07:24This is my 40th film.
07:26Today, I will announce Siddharth Forty.
07:31In the cinema, Siddharth Forty is the name of Siddharth Forty,
07:33because there are 40 times bigger stars here,
07:35and I will show Siddharth as well.
07:40In this film,
07:42there is maximum hand in the film in making me whatever I am today.
07:47Because the value of Siddharth is the first time in the film,
07:51and the love of Siddharth is the maximum in the film.
07:55It is the same as the same as the same as the same.
07:58In this film in 3BHK,
07:59Vasudevan Shanti,
08:02this beautiful family,
08:03and in that family,
08:05a family has a family,
08:06a family,
08:08a family.
08:09In the lives of us,
08:10and every phase,
08:11we have to deal with a lot of fun in the film.
08:16And Arun Vishwa said, if you have a trailer, you will try it in this film.
08:20Because you can tell me that you can't see the film as much as you can see.
08:25But you can't see the film as much as you can see.
08:28Because it's not basic necessity.
08:30When you show kindness and you see a film, you are very lucky.
08:35Because it is your hobby.
08:37It is my livelihood, but it is your hobby.
08:40So, if you can't see the film as much as you can see the trailer, you can see it in a trailer.
08:45Because I have seen the film as much as I can see,
08:49I am also reading the film as much as I can see the film as much as I can see.
08:54Because it is my story.
08:56If I haven't seen the film as Shri Ganesha, I have seen the film as much as I can see.
09:00That is definitely the film as I can see in the theatre.
09:03And as a family, there are many movies that are in the film.
09:09So, I can't talk to you.
09:10Because it is not hype.
09:12It is truth.
09:13We were watching the movie as always,
09:18on this set,
09:20the film was played by Vasudevan Shanti, Arthi, and Prabhu.
09:24But this film was played by Sharat Kumar, Devayan, Meeta, Siddharth.
09:28So, in the film,
09:31both of the stars in this set,
09:34we were in the short term,
09:36we were in the van,
09:38we were talking to the camera.
09:41Because they were shooting at the time of the film.
09:44So, when they were shot, they would have a camera on the camera.
09:49They would have a caravan,
09:51they would have a pack on the brake,
09:54they would have a bottle,
09:56they would behave happily in the family.
09:58That's very common in the time.
10:00If you get technology, families are separated.
10:04They would also have film sets.
10:06But in this set,
10:07everyone is equal to this set.
10:12They are not a senior or junior.
10:14They are all one family.
10:16They have a feeling like that.
10:18And they would have a feeling like that.
10:26And Chaitra,
10:28I have already been here.
10:30First of all,
10:31if we were talking about the mic,
10:33then we would have to take care of the mic.
10:36I would have to take care of the mic.
10:37I would have to take care of the mic.
10:39I would have to take care of the mic.
10:40So,
10:41I would have to talk about the other people.
10:43Because I would have to tell the first day of the Telugu.
10:46It's been like my own tongue.
10:48It's been like my own tongue.
10:50It's been like my own tongue.
10:52It's been like my own tongue.
10:54It's been like my previous generation.
10:56So, Subramani Bharati is a great Telugu.
11:00In that time, Telugu is a great Telugu.
11:02In Karnataka, Telugu is a very easy one.
11:04It's very easy to identify yourself.
11:06It's easy to identify yourself.
11:10So, that beautiful Telugu,
11:12the beautiful Telugu,
11:14this effort, and the love of you,
11:16it's very hard for me.
11:18It's very hard for me,
11:20and I will wait for you.
11:24So, thank you, Chaitra, Meeta, Devyanimam,
11:28Sharad sir, for being the best family
11:30that God has given me after my family.
11:34And,
11:36I love this film.
11:42It's very important.
11:44Because I want to tell you,
11:46that is a great family film.
11:48It's very important.
11:50It's very important.
11:52So, it's a great family film,
11:54that's why Shri Ganesh had a great family film.
11:56It's been a great family film.
11:58It's been a great family story.
12:00If you look at the trailer, there is a reaction to the trailer.
12:04After the trailer, there is a lot of heavy emotion in the cinema.
12:11This cinema is an emotional family drama, but there is hope.
12:15So, if you look at it, you can't see it.
12:18There is a great, positive, happy hope in the theater.
12:22And, as I said, it's not my place to tell you the first film.
12:30It's not my place to tell you the audience.
12:34It's not my place to tell you the audience.
12:35It's not my place to tell you the audience.
12:39So, each individual audience has become important.
12:41We can watch in the theater, we can watch on the phone.
12:44Democracy of consumption is a democracy.
12:46But, for me, I want to see the first day in the theater.
12:51I want to see the film in a family,
12:54and I want to see the film in a family.
12:57I want to see the film that I am interested in.
13:04I want to see the film as I am interested in.
13:07I want to see the film in the first place.
13:10I want to see the film in the first place.
13:12The cinema music director Amrit Ramnath, Bombay Jashrigar Abbae,
13:15and the music director of the album is making the magic.
13:19In this case, the film is making the coolness.
13:23I was doing post-production film.
13:26I was doing coolness for the first time.
13:29There is no fear of this young generation.
13:32There is no barriers to entry.
13:34There is no producer or distributor.
13:39There is no rental camera or lights.
13:43There is no phone in the film.
13:46The film is released on the internet.
13:48The film is going to be viral.
13:50So, there is no fear.
13:52So, someone asked me,
13:54I said, there is a lot of dream.
13:58I said, what dream is, is it direct?
14:00Yes, it is.
14:01Yes, that is your dream direction.
14:02Yes, it is.
14:04There is a lot of direction.
14:05Yes, there is a lot of direction.
14:06I said, there is a lot of direction.
14:09I said, what is that?
14:11So, I am doing a camera.
14:12Then, I am doing music.
14:14Then, I am doing cricket.
14:15I am doing anything.
14:16I am doing anything.
14:17I am doing nothing.
14:18I am doing nothing.
14:19So, they have no fear.
14:21And there is also a lot of young people.
14:23Amrit is a God.
14:25Varun Vishwa is a God.
14:27A God is a God.
14:29When I am doing anything.
14:30I am doing anything.
14:31I am doing nothing.
14:32I am doing anything.
14:33I am doing nothing.
14:34Because, hip hop is the music of the people.
14:37You cannot get on the mind.
14:39What is happening?
14:40You cannot do anything.
14:41What is happening?
14:42The God has been on us.
14:45When I am on us.
14:48I am so proud of you and hip hop will grow. You will grow. Always be the same, always be original and don't ever give up.
15:18I am so proud of you and I am so proud of you.

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