- 6/22/2025
Shirin Farhad - Episode 15 - 21 June 25
Category
📺
TVTranscript
00:00Oh
00:30Every thing is worth it
00:32Every thing is worth it
00:34What a mess?
00:36No one is wrong with the people
00:38The direction of the people
00:40I want to get married from Shamsa
00:43I want to give her one chance to stay alive
00:46She's not right
00:48Shamsa?
00:50Shamsa?
00:52Shamsa?
00:54You're making a film
00:56Good
00:58Then you can do everything else
01:00We have love
01:04Shiri
01:06Shiri
01:08Yes
01:10I'll leave you on the bus
01:12I'll leave you on the bus
01:14What's happening?
01:16Everything is gone
01:18Everything is gone
01:20Just
01:22Just
01:24Just leave you on the bus
01:26I'll leave you on the bus
01:28It's not easy
01:30She's used to be used to be
01:32And
01:34I'll leave you on the bus
01:36I'll leave you on the bus
01:38I'm not
01:40I'll leave you on the bus
01:42I'll leave you on the bus
01:44I will leave you on the bus
01:46And you'll leave me on the bus
01:48That's how
01:49It's a very strong light.
01:54But it's not a rush.
01:58It's gone.
01:59You don't think so much.
02:04What do you think about our own?
02:07You have to leave it alone, Shamsa.
02:10You have to ask for it.
02:14It's okay.
02:16What are you doing?
02:20I'm going to go to the van.
02:22Why?
02:24I'm waiting for you to wait for me.
02:28This time?
02:40What's going on?
02:46Yes, sir.
02:48Let's go.
02:50I'm starting to see the dialogue.
02:52I'm going to see you on the screen.
02:54Sir,
02:56that...
02:58that's a little bit of a story.
03:00Is it better?
03:02It's better.
03:04It's closer to the truth.
03:06So in the story,
03:08you shouldn't be honest.
03:10No, I don't mean it.
03:12You'll get to know, sir.
03:14It's better than anything.
03:16How many people?
03:18Five,
03:20ten,
03:21twenty,
03:22fifty,
03:23fifty,
03:24fifty,
03:25fifty,
03:26fifty,
03:27fifty,
03:28fifty.
03:29Two,
03:30one,
03:31one,
03:32the one.
03:33The one to cover?
03:34I don't know.
03:35It's better.
03:36It's better.
03:37Yet,
03:38it's better as well.
03:39You're good with the girl's track.
03:43Just on the track,
03:46you can change the girl to the day.
03:48Yes.
03:50She's not a day. She's character.
03:53She's insecure.
03:55She's a bad girl.
03:57She's a short-cut girl.
04:00She's a short-cut girl.
04:02She's not a long-term.
04:04Yes.
04:06You're going to rest.
04:08We'll do these sessions at night.
04:12Yes, sir.
04:14Good night, sir.
04:17Good night.
04:20Hello, hello, hello, my dear Rosie.
04:23Hello.
04:25Sorry.
04:26You have to look at us?
04:28No.
04:30You have to look at us.
04:32And we look very good.
04:37Yes.
04:38Yes.
04:39You're going to take a script.
04:41You'll know.
04:43Yes.
04:44Yes.
04:45Yes.
04:46Yes.
04:47Yes.
04:48Yes.
04:49Yes.
04:50Yes.
04:51Yes.
04:52Yes.
04:53Yes.
04:54Yes.
04:55Yes.
04:56Yes.
04:57Yes.
04:58Yes.
04:59Yes.
05:00Yes.
05:01Yes.
05:02Yes.
05:03Yes.
05:04Yes.
05:05Yes.
05:06Yes.
05:07Yes.
05:08Yes.
05:09Yes.
05:10Yes.
05:11Yes.
05:12Yes.
05:13Yes.
05:14Yes.
05:15Yes.
05:16Yes.
05:17Yes.
05:18Yes.
05:19Yes.
05:20Yes.
05:21Yes.
05:22But you, it's your name, right?
05:30But our thoughts are happening.
05:32Maybe we'll sign the Sultan's film.
05:38Oh, what?
05:41If you want to make a film with us,
05:44then bring the producer to us.
05:47We'll sign the film?
05:54Hmm?
05:56Yes.
05:59Okay, tell me what you'll be drinking, tea or coffee?
06:03Tea.
06:06Salim!
06:17Gonna be a healthy meal!
06:19Good.
06:21You came to a house with your car?
06:22It's not a bad house!
06:24It's good enough.
06:25No, I'm tired.
06:27Let's go to your house.
06:28I ain't gonna go up the office.
06:30You're gonna go to your house with your house.
06:31Your house will come to your house with your house.
06:33You're going to the house?
06:35If you want to go to your house,
06:37You're going to the house?
06:38If you want to have a house,
06:39I'm going to take a house with my house.
06:40What's your house is going to be fine?
06:41What's your house doing?
06:42I'm going to have a house with my house!
06:43Mr. Dudu Kanja, I'm going to close my eyes.
06:48Mr. Master, did you see the rest of the rest of the chock?
06:54Mr. No sir, but you can see that.
06:58Mr. Dudu Kanja, I know that it's your reputation, but it's your reputation.
07:05Mr. Yes sir, but he didn't tell us.
07:10Mr. Dudu Kanja, I know that it's your reputation, but it's your reputation.
07:13Mr. Dudu Kanja, I cannot state his reputation.
07:23Mr. Dudu Kanja, I've never said twice, but he didn't give his reputation.
07:28Mr. Dudu Kanja, I've heard that it's your reputation.
07:32Mr. Dudu Kanja, I've heard that when you're a victim to such a crime,
07:35Mr. Dudu Kanja, I've decided that my reputation didn't mean.
07:37Mr. Dudu Kanja, I gotta understand.
07:40I've been controlling the anger from my uncle.
07:43I've been hit by the film.
07:45Why?
07:46You're doing a bad thing.
07:48No, no, no.
07:50I'm just saying that the film is not going to be married.
07:53I've heard that it's not worth it.
07:56Who said it?
07:57People do so much work.
07:59Muhammad Ali Ziba, Sabiyah Khan Amsantosh,
08:02all are working.
08:04Then you should go to the Shiri and Faraad.
08:08It's impossible.
08:09Why?
08:16Where did you go?
08:18I'm going to the hospital.
08:20There's a house in your house.
08:22Oh, give it to God.
08:24Where did she go from?
08:26She went to college.
08:28She was going to go to Sultan Sultan.
08:32Ahmed is also opening a house in the studio.
08:35What?
08:36Yes, in our meeting.
08:38Is there a place for you?
08:40I don't know.
08:42Will we see?
08:43Trust me.
08:44There's a need for him there.
08:47I have to see.
08:49Let's see.
09:01Do you know who's the story?
09:03I didn't write my story.
09:06What?
09:07What?
09:08What?
09:09What?
09:10What?
09:11It's just so much.
09:12It's just so much.
09:18Peace be upon you.
09:19Peace be upon you.
09:20Peace be upon you.
09:21What are you doing?
09:22I'm better.
09:23Why did you feel the pain?
09:26I met you from the night.
09:28And I met you from the night.
09:30The pain is low.
09:31It's never too high.
09:33Now you don't eat food outside.
09:36Where did you go from?
09:38Where did the writer go?
09:42I'm going to take an autograph.
09:44I'm going to take an autograph.
09:45What?
09:46I don't want to take an autograph.
09:47I'm going to take an autograph.
09:52You've got a autograph.
09:53Which one?
09:56Which one?
09:57You're angry with your brother.
09:59You're angry with your brother.
10:00You're angry with your brother?
10:02You're angry with your brother.
10:03It's easy to do it.
10:05People do it.
10:06No, no, no, no, no, no, no, no.
10:36No, no, no, no, no.
11:06No, no, no, no, no.
11:36No, no, no, no, no, no.
12:06No, no, no, no, no, no.
12:36No, no, no, no.
13:06No, no, no, no, no, no, no, no.
14:06No, no, no, no.
14:08No, no, no.
14:10No, no.
14:12No, no, no.
14:14No, no, no.
14:16No, no, no.
14:18No, no, no.
14:20No, no, no.
14:22No, no, no.
14:24No, no, no.
14:26No, no, no, no.
14:28No, no, no, no.
14:30No, no, no, no.
14:32No, no, no, no, no, no, no, no.
14:34I don't have to do acting.
14:36Is that just this one?
14:38The other reason is that,
14:40that,
14:42that,
14:44that,
14:46that,
14:48that,
14:50that,
14:52that,
14:54that,
14:56that,
14:58that,
15:00that,
15:02oh, come on, grow up, Shiri.
15:04Nafrat ho kamayabhi badal do.
15:06Nishman kodhi much chayega.
15:08Hello, sir.
15:09Hello, Rosie.
15:11I didn't have to disturb you.
15:14Oh, you have to do everything.
15:18Sit down.
15:24Sir, we are from your cello.
15:27Rosie, time is coming.
15:29I have to offer you a film.
15:33Okay.
15:34This is my good fortune.
15:36What did you do with me?
15:38Vamp's character.
15:41Negative?
15:44You talked late to me.
15:46But he was very insecure.
15:48He's doing his job.
15:50He's exposed.
15:52He's a very complicated character.
15:54And who is he?
15:56You.
15:57I mean,
15:59I mean,
16:00I have to be a big name in the other cast.
16:02I mean,
16:03I need to be a big name.
16:04I'm not giving you new people.
16:06I'm not giving you the chance.
16:07I'm giving you the chance.
16:08I'm giving you the chance.
16:09I'm giving you.
16:11Yes.
16:13I'm the heroine of this film.
16:15What?
16:17What?
16:20No, sir.
16:21You told me that...
16:22You're doing me.
16:23You're doing me.
16:24You're sitting in front of me.
16:25Enough, Rosie.
16:26Enough, Rosie.
16:27I'm giving you a chance.
16:30I'm going to tell you about the press conference before.
16:36Am I clear?
16:38Which one?
16:40You can't do this with me.
16:44I've been waiting for you for several years.
16:47I won't do this with you.
16:50And whatever you're saying,
16:52I'll do it now.
16:55Okay.
16:58I'm going to tell you about it.
17:01But I'm going to tell you about it.
17:07Come on.
17:09Are you telling me everything you're telling me?
17:20Sir, don't worry about me.
17:23We're going to have a friend.
17:25I'm going to tell you about it.
17:28I'm going to tell you about it.
17:30I'm going to tell you about it.
17:32I'm going to tell you about it.
17:33I'm going to tell you about it.
17:35I'm going to tell you about it.
17:37That's the money.
17:39You can buy people and buy anything.
17:43I'm going to shoot a film.
17:47I'm going to tell you about it.
17:48I'll handle it.
17:49You just take care of your work.
17:50I'll give you a second.
17:52One more thing.
17:54You've taken such a big film and casted the film.
17:59What do you think?
18:01Will you get a job?
18:02That's the question of you.
18:05What?
18:06Really?
18:08You do?
18:09You're going to tell me about it.
18:10You don't need to tell me about it.
18:11I'm going to tell a lot of people.
18:13I'm going to tell you about it.
18:15I'll tell you about it.
18:18foreign
18:25I'm not a
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28:54that's the story of love.
28:59So, they also tell love. Very good.
29:03The government, leave them all these things.
29:06They are still on the side. You will announce a film.
29:10Do you have any details of the night?
29:12The government has a address of the house.
29:14I'll take a look at you tomorrow.
29:16One day, let's go.
29:18We'll meet with our writers.
29:25What's the law?
29:48Why are you here?
29:50Why do you know I am here?
29:52How did you do it?
29:54How did you do it?
29:56What did you do here, sir?
29:58Are there any news to you?
30:00What do you do?
30:02You have to know that you are here, sir.
30:04I have to know that you are here.
30:06What is the news to you, sir?
30:08Is there any news to you?
30:10You are doing any news news?
30:13We are in our news news.
30:15We are here to help our country.
30:17This is our work.
30:19The power of our country.
30:21What do you do now?
30:23We are going to help.
30:25We are going to help.
30:27We have not been able to help.
30:29Thank you but it is not the power of us.
30:31No.
30:33It is not the power of us.
30:35You have to get the wrong place.
30:37You have to get the wrong place.
30:39You have to get the wrong place.
30:41You are going to get the wrong place.
30:45You are going to get the wrong place.
30:47Your assistant is going to be.
30:49No.
30:51We will be going to press conference.
30:53I am going to talk about a new film.
30:59I am going to get a meeting.
31:01I am going to write the wrong place.
31:05I am going to write the wrong place.
31:07The fact is that
31:09I am going to write the wrong place.
31:11This is not a bad place.
31:13I did not learn anything from you.
31:15My son.
31:16Thank you very much.
31:20I am just going to do compensating the wrong place.
31:23There is nothing to do.
31:25You will not do anything for me.
31:29It is a very sad party.
31:32After that, a film will get the next one.
31:34Carrier starts.
31:36Sochna's rule, sabvillaga.
32:06Shamsa, did you come here?
32:09Yes, Mr. Bhattie.
32:11What did you ask?
32:13No, I asked you. What did you ask?
32:18What did you ask?
32:22Mr. Bhattie, you were the Bhattie who had told me about me and Shiri.
32:28What did you do here?
32:31Mr. Bhattie, I had your own thoughts.
32:34Mr. Bhattie, go.
32:36Mr. Bhattie, Shamsa was asking for forgiveness.
32:39I'm coming, okay?
32:41Now come.
32:49Mr. Bhattie, I'm going to the studio.
32:51Mr. Bhattie, I'll go.
32:54I'll get to meet you.
32:56Mr. Bhattie, you promised me.
32:58Mr. Bhattie, you should know something.
33:03Mr. Bhattie, I'll tell you.
33:05Mr. Bhattie.
33:07Mr. Bhattie, I'll turn you on, that.
33:09Mr. Bhattie, you wouldn't mess up the fire to me.
33:11Mr. Bhattie, you have written a film with you and you're only going to have to talk about the film with the film for you.
33:14Mr. Bhattie, you need to hear me.
33:19Mr. Bhattie.
33:20Mr. Bhattie.
33:21Mr. Bhattie, I'll be in the studio.
33:22Mr. Bhattie, I'll be in the studio.
33:23Mr. Bhattie, I'll have to tell you a photo session.
33:25Mr. Bhattie, you'll be there with me.
33:27If you have to meet with us, then you will send us a message to you, okay?
33:51What happened?
33:57What happened?
33:58That's it!
33:59You're a fool.
34:00You're a fool.
34:01You're a fool.
34:02How do you think about it?
34:03You're a fool.
34:04I will get my love on it.
34:05You can't even go like that.
34:06What was that?
34:07Who would you think about it?
34:08What was that?
34:09I'm sorry, I don't think so.
34:10Who would you think about it?
34:12Who would have happened to me?
34:14He would put the love in his eyes and put the love in his eyes.
34:17And he would put his shame.
34:19He would use it.
34:20He would use it.
34:21With the love and love, you will be able to meet with the children.
34:28Look at my mother. She's gone to find a relationship.
34:39Since 7 years ago, she was like a girl, Mr. Danny.
34:44Mr. Danny, it was a very peak of career.
34:48Give it to her. And two black coffees.
34:50Yes.
34:53Abdukutu abhi bhi farahad pari shak hai.
34:55Naapvali insaan hai nam.
34:57Aparai arz se bahad ni nikal takte hoa.
35:00Lekin sach baat ye hai, mujhe Daini se dder lag raha hai.
35:03Taar akche chiz hai, insaan ko.
35:06Mohtaat rakta hai.
35:08Lekin aga dder se insaan ka mzor pardhna chun ho jaya, to bho thịp nahi hai.
35:13Sir, ab batayin, kya karoom ni?
35:15De film?
35:16Or kya?
35:17Lekin Daini kya chahate hai amaz se?
35:21Ye film karna chahate hai amaz.
35:24Unhne war koi saign ni kar raha hai STA.
35:27Ye film haasil karne ki har muntun ko shish karai ga.
35:30Naam tera meera rahe jayega.
35:32Naam tera meera rahe jayega.
35:34Naam tera meera rahe jayega.
35:36Naam tera meera rahe jayega.
35:46Naam tera meera rahe jayega.
35:50Naam tera meera rahe jayega.
35:52Naam tera meera rahe jayega.
35:54Naam tera meera rahe jayega.
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