00:00Oh
00:30Every thing is worth it
00:32Every thing is worth it
00:34What a mess?
00:36No one is wrong with the people
00:38The direction of the people
00:40I want to get married from Shamsa
00:43I want to give her one chance to stay alive
00:46She's not right
00:48Shamsa?
00:50Shamsa?
00:52Shamsa?
00:54You're making a film
00:56Good
00:58You're making a film
01:00You're making a film
01:02We're making a film
01:04We're making a film
01:06Shiri
01:08Yes
01:10I'm going to leave you on the bus
01:12I'm going to leave you on the bus
01:14What's happening?
01:16Everything is gone
01:18Everything is gone
01:20Just
01:22Just
01:24Just leave you on the bus
01:26You're making a film
01:28It's not easy
01:30She's also used by
01:32And
01:34There's nothing
01:36You're making a film
01:38And
01:40You're making a film
01:41Oh
02:11I am going to go for a while.
02:15This is all about how you are doing.
02:19What are you doing?
02:21I will go for a while.
02:23What do you?
02:25I will wait for you.
02:29This time?
02:30Yes, what is it?
02:43Yes, sir.
02:48Let's cut.
02:51Let's see the dialogue.
02:53Your screen will come back.
02:56Sir, that's a story.
03:01Is it better?
03:03It's better. It's closer to the truth.
03:06So, in the story of the story, it doesn't matter.
03:10No, I don't mean it.
03:12People will know, sir.
03:14Something happened to come.
03:17How many people?
03:195, 10, 20, 50, 100, 500,000?
03:26The story of the film is the whole world, Farad.
03:29Do we all have a story here?
03:32No, sir.
03:35No, it will happen.
03:36It will happen.
03:37As soon as possible, there will also be a lot of things.
03:39You and the girl's track is good.
03:43Only on the track,
03:46do you change the girl to Rosie?
03:49Yes.
03:51Rosie, Rosie, it's not. It's a character.
03:53Insecure.
03:55Hasad.
03:56Lala Chwal.
03:58A small, small, short-cut girl.
04:01And her traits,
04:02not even in 100 years.
04:04Please.
04:06Go and rest.
04:08We will do the sessions at night.
04:11Yes, sir.
04:14Good night, sir.
04:16Good night.
04:18Good night.
04:21Hello, hello, hello, my dear Rosie.
04:23Hello.
04:24Sorry.
04:25Did you have to stop us?
04:27No.
04:28No.
04:29You have to wait to see the people who are watching.
04:32And the people who are watching the people are very good.
04:38Yes.
04:39You have to come and take the script and tell us.
04:43Yes.
04:44You know.
04:46It's only the issue of the producer.
04:49Yes.
04:50With you, it's also the issue of the producer.
04:55Yes.
04:56And the people who are watching the people who are watching us are.
05:03Not in our film.
05:04Yes.
05:05But I feel totally bad if you make a voice.
05:07Because I know that all people come to me in the store.
05:12The big boss was saying that you have a producer.
05:17If you do not try so much, not so much, but you, it's all on your name, right?
05:26But if you think about it, we can sign the Sultan's film.
05:38Oh, wow.
05:40Now, if you want to film with us, take the producer.
05:50We sign the film.
05:59Okay, tell me what you drink, tea or coffee?
06:03Tea.
06:06Celine!
06:10Tea
06:15Tea
06:20Tea
06:23Tea
06:24Tea
06:29Tea
06:32Tea
06:35Oh
06:37Yes, I am
06:39I am
06:41I am
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28:53Shiri's love.
28:57So, they also say love. Very good.
29:04Sir, leave all these things.
29:06All these things are going on to the site.
29:09You will announce a film.
29:11Do you have any details?
29:13Sir, the address of the house is also in the house.
29:15So, I'll show you the news tomorrow.
29:17One day.
29:18We'll meet with our writers.
29:26What's the law?
29:48You're from the house.
30:03You've realized that you are a female.
30:08How are you doing here, sir?
30:11Are there any news about you?
30:13You have come to do it.
30:15There are news for us.
30:17This is our work.
30:19This is our work.
30:21Then what do you do?
30:23We have to do it.
30:25We have to do it.
30:27You didn't meet before.
30:31But it's not that we have to do it.
30:33It's not that we have to do it.
30:35You have to do it wrong.
30:37You have to do it wrong.
30:39You have to do it wrong.
30:41Yes.
30:43You are writing a film.
30:47Who is the assistant?
30:49No.
30:51Hello.
30:53We will have to do it in the press conference.
30:55I was talking about a new film.
30:59We have to do a meeting.
31:01You don't have to write me.
31:03You don't have to write me.
31:07The fact is that
31:09I am not going to do it.
31:11I am going to do it.
31:13You are not going to learn anything.
31:15I am not going to learn anything.
31:19I am going to do it.
31:21I am going to do it.
31:23I am going to do it.
31:25I am not going to do it.
31:27You don't have to do it for me.
31:29There is a lot of party.
31:31There is a lot of party.
31:33After one, another film will be.
31:35Carrier start.
31:37hearing this.
31:39Nothing.
31:40When I do it.
31:41Ohh.
31:43About the call.
31:44Good Lord.
31:45Good Lord.
31:47There is a Queen.
31:48Ma exceeding Jewish age worship.
31:49He will be no matter.
31:51You will be no matter.
31:52In the future.
31:53In the past.
31:54In the past.
31:55Are you ready?
31:56Is back to a county.
31:58The end of Southeast Asia.
31:59He will be the 23rd within us.
32:00The end of Southeast Asia.
32:01I will see.
32:02He will be the topic.
32:03Is back to a place.
32:05Shamsa, did someone come here?
32:09Yes, my sister came here.
32:11What was she asking?
32:13No, I was asking you.
32:17What was she asking?
32:19What was she asking?
32:21No.
32:23This is the sister that I and Shiri have told you.
32:27What was she asking?
32:29What was she doing here?
32:31I was asking you to keep my mind.
32:33What was she asking?
32:35Brother, tell me something.
32:37Nothing, Shamsa.
32:39I was asking for forgiveness.
32:41I'm coming here, okay?
32:43Come here.
32:49Abbu, I'm going to the studio.
32:51Stop, baby.
32:53I'll also go.
32:55I'll also get you.
32:57You have to tell me.
32:59If something happens,
33:01you need to know.
33:03I'll tell you.
33:05I'll tell you.
33:07I'll tell you.
33:09You won't put that in the studio.
33:11There will be a story,
33:12he'll write a film.
33:13You'll talk about it.
33:14No.
33:15I'll tell you,
33:17I'll tell you.
33:19I'll tell you.
33:20I'll tell you.
33:21I'll tell you.
33:22I'll tell you.
33:23I'll tell you.
33:24I'll tell you.
33:25I'll tell you.
33:26If you'll meet with me,
33:28then I'll send you to someone.
33:30Okay?
33:31I'll tell you.
33:51You're welcome.
33:53This is probably going to be the end of the day.
34:06What was that?
34:09You can't even see who can happen.
34:15I don't want to put a purse on my lips.
34:17I don't want to put a purse on my lips.
34:25With the love and love,
34:27I will not be able to put a purse on my lips.
34:29Look at my mother.
34:31She's gone to me.
34:40I've been back with a girl since 7 years ago.
34:42Mr. Danny.
34:44It's a very peak of career.
34:48Give it to me.
34:49And two black coffees.
34:50Yes.
34:53Abdukutu abhi bhi farahad parishak hai.
34:55You're a human being.
34:57You don't have to go beyond your life.
35:00But the truth is that I'm scared from Danny.
35:03It's a good thing.
35:05It's a good thing.
35:06It's a good thing.
35:08But if it's a bad thing, it's a good thing.
35:11It's a good thing.
35:13Sir, you tell me.
35:14What are we going to do?
35:15It's a film.
35:16And what?
35:19But Danny, what do we want to do with him?
35:21We want to do a film.
35:23We want to do a film.
35:25We don't have any sign.
35:27He'll be able to do this film.
35:29He'll be able to do this film.
35:41By the end of the film.
35:44Bye.
35:45Bye.
35:46Bye.
35:47Bye.
35:49Bye.
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