00:00I gave you the introduction of the platform, and you also opened the door to a hero.
00:08What was your real inspiration behind this?
00:15I wanted to tell you.
00:18How did you generate it?
00:20Do you have any inspiration?
00:22I didn't want to tell you.
00:24I just wanted to tell you.
00:26Generally, I don't want to tell you anything about the cinema, or the novel.
00:31Sometimes, something is a tough one.
00:33There are several difficulties in the world.
00:38From all the different cultures, from all the different cultures, from all the different cultures,
00:41there are many different class differences in life.
00:47Sometimes, something is a tough one.
00:49I put it into a thought.
00:51The name is the name of Goppa and the name of Goppa.
00:55And the name is the name of Goppa.
01:00If you have an idea, you can see it.
01:03But then, the name is Naya Arjuna or Dhanusha or Rashmika.
01:11This is script and this is the author.
01:13I am a director.
01:16I am not a director.
01:18I am not a director.
01:20I am not a director.
01:21I am a director.
01:22I am a director.
01:23I am a director.
01:24I have a director.
01:25I am a director who has hit the moment, including the shooting, production values.
01:32They are so much unique and different experience.
01:35Including me.
01:36So, that's the result actually.
01:38But will the movie has been a series of images in film?
01:44No.
01:45Do you know this question?
01:47If you want to know what the answer is,
01:50if you want to be amazed,
01:52if you want to know what the time you learn is,
01:54then answer it,
01:56you know it.
01:58If you want to be amazed at that image,
02:01if you want to play it,
02:03if you want to know what the person wants
02:05to know what needs and how the ability to know
02:07that, that is the accuracy of the image,
02:09like Shiva.
02:11So, going to be a star now,
02:13that is you know the value?
02:14Sir, sir, you continue to be successful, sir.
02:19You continue, sir.
02:21Next, let me talk about it.
02:23We'll talk about it.
02:26We'll talk about it.
02:29We'll talk about it.
02:30Yes, we'll talk about it.
02:33So, sir, we'll talk about it.
02:36We'll talk about it.
02:41First, the song is called.
02:45The song is called.
02:47The song is not the same.
02:50We'll talk about it.
02:53We'll talk about it.
02:54We'll talk about it in the North.
02:58So, we'll talk about it.
03:00We'll talk about it in the pacing.
03:06We'll talk about it in the same way.
03:09We'll talk about it in other parts.
03:12We'll talk about it in the same way.
03:14It's a very good scene.
03:16It's the same way that we're talking about.
03:18So, we'll talk about it in the same way.
03:201-2.
03:27That's it.
03:32That's it.
03:35That's it.
03:37That's it.
03:39Sure.
03:402nd of law is a target that's midway.
03:45So, we have to get our target.
03:47In the 11th court, we have to say that we have to live in the city.
03:52Towards the end, we have to get our target and we have to eliminate them.
03:57That target is achieved and we have to do a climax during the writing process.
04:04No, no.
04:06Basically, that's not the case of the deva point of view.
04:12So, he was reacting.
04:15He said, I am not a man.
04:19But, I know my mother is very important.
04:23I mean we have to talk to people about the issue because of the issue and the issue.
04:30It's very difficult to talk to people about the issue.
04:34Basically there's a goal to talk to people about how much we can talk about.
04:37Mr. Sunil,
04:39Mr. Sir,
04:40Mr. No.
04:41Mr. No.
04:42Mr. No.
04:43Mr. No.
04:44Mr. No.
04:45Mr. No.
04:46Mr. No.
04:47Mr. No.
04:48Mr. No.
04:49Mr. No.
04:50Mr. No.
04:51Mr. No.
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