- 7 months ago
China through the Lenses is a documentary which tells stories from the perspective of foreign photographers who came to the People’s Republic of China in different periods, presents the theme by "images through lenses", and vividly shows the tremendous changes from the founding of the People’s Republic of China to today. It covers the material and spiritual life of Chinese people, the lively construction and blooming development of Chinese society, and presents an objective, realistic and diversified image of China.
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LifestyleTranscript
00:00Arriving in China and pressing their shutters.
00:05From innocent children to vibrant young men.
00:10From heavy traffic to massive buildings.
00:13From hard work to impressive strides.
00:19What monumental changes have photos been able to record?
00:25They record the changes across time and uncover China in an instant.
00:30This is a story of the times as told through pictures.
01:00Andrea Cavatuzzi is an Italian photographer.
01:12He has been living in China for more than 40 years.
01:15And everyone calls him Mr. An.
01:18An.
01:30Three days later Andrea will return to Italy.
01:34His photo collection At Ease will be exhibited in Turin.
01:40He must prepare all the photos for the exhibition before setting off.
01:44At Ease contains photos taken by Andrea in China from 1981 to 1984.
01:52In a
02:07Andrea was born in Milan Italy. In 1981, when he studied Chinese in Venice, he got the chance to study at Nanjing University.
02:18From that moment, Andrea began to take pictures of China and the habit lasted for 40 years.
02:25In 1980, when he studied Chinese in Venice, he got the chance to study at Nanjing University.
02:31From that moment, Andrea began to take pictures of China, and the habit lasted for 40 years.
02:40I was in 1980, I bought all my assets.
02:46So, this 501 has decided my distance.
02:51I can record everything.
02:54China has always changed the change of the world.
02:59So, you have to look at the next step.
03:02It has become a lot of curiosity.
03:11Li Mei, now 70 years old, was once the editor of Infoto, a Chinese photography magazine.
03:18Infoto was first published in the early 1980s, which was also the period of reform and opening up, in Andrea's words.
03:26Li Mei was just 36 years old that year.
03:29In this period, it was the time of Chinese photography.
03:34In photo published works by French photographer Marc Ribo between the 1950s to 1970s, of his time in China.
03:50These works are many years before Andrea's At Ease.
03:53We were told that the book in Google is about to make a fortune when he wastening the fact that
03:56he was 있지 about the fact that he was coming to his attention in his head of his head of the city.
03:57He was guilty of this video to himself before he was watching.
03:59After he saw the document about the time radio, by his head of the day,
04:02that was a huge trauma, that was what he did.
04:03And he also doing the work of your身 and your friends and friends,
04:05and was the relationship between your family and your family and family.
04:06He had told you this.
04:08He was done on the left one on the right one.
04:09He was taken to your face.
04:11A picture of our parents' life.
04:12You can see, he was taken to him with his eyes.
04:13Our parents are taken to him.
04:14He was taken to him with his hands-style.
04:15Another picture of him in the right two-longs.
04:16They are sitting on it.
04:18But for Western people, they are not like that.
04:22They are actually taking distance between women and women.
04:25This makes them feel very warm.
04:29I think many things in the world
04:33will make us, regardless of any age,
04:36that love is in.
04:39Mark Rebo, who first came to China in 1957,
04:42was the first Western photographer allowed to shoot in China
04:46after the founding of the People's Republic of China.
04:49In the subsequent 70 years,
04:51he travelled to and from China 22 times,
04:54and many of his works were related to the country.
04:58This picture is 1979,
05:02in the北京王府井大街.
05:03It's a television camera.
05:05It's tied to a rope.
05:07It wasn't the same.
05:11The next one is a husband who took a horse.
05:14They went to the market.
05:15This one is probably their family's family's life.
05:30They brought us these historical memories
05:33and it's really珍貴.
05:37It's too many people.
05:40Some people go way beyond what Ribo ever did.
05:53Italian photographer Adriano Madaro is one of them.
06:00Madaro's home is like a small Chinese museum,
06:03which houses all his feelings for China throughout his 80 years of life,
06:07as well as the 35,000 pictures he took
06:10over his 226 trips to China in the last 46 years.
06:15In 1976, Madaro strived hard to obtain a Chinese visa
06:38and went to China by himself.
06:42I found the China that I imagined,
06:45but it struck me a lot more, seeing the truth.
06:49The China of poverty, honesty,
06:52the China of good relationships between people,
06:56has shown me its love.
06:57In 1985, a French photographer named Jan Leimer
07:11decided to take photos in China.
07:16Like Ribo, Madaro, Cavatuzzi and other photographers,
07:20he took pictures for international magazines
07:23and told the story of China to the world.
07:25Yan Leimer arrived in China nearly 30 years later than Ribo
07:30and 10 years after Madaro.
07:32Spain, his trip to China,
07:39I thought when I went to China,
07:40I knew that this would be the same.
07:43When I went to China,
07:44I knew first I would have to feel like
07:47it's such a big phenomenon.
07:54It's a dream.
07:56It was the time when I went to China,
07:58It was a wonderful experience.
08:08Everything changed a lot at the time.
08:12I like the look of pride.
08:18Where an artisan vends in the street.
08:21It's the beginning of the commerce.
08:23With the impression that he wore the pagode on the bike.
08:29He found it very funny.
08:31And everyone laughed, like China often.
08:39At the same time, in the early 1980s,
08:42China's brightest smile was captured by a photographer from Japan,
08:46Ryoji Akiyama.
08:53In 1983, Konishi Roku Photo Industry Company published Dear Old Days,
09:00an album of photos shot by Akiyama in China.
09:05About 2,000 copies of this 132-page Chinese-Japanese bilingual album were released.
09:11Akiyama took nearly 10,000 photos in China.
09:21After returning to Japan, he screened 116 of them
09:27and included them in the album titled Dear Old Days.
09:311,000 copies of the 1983 edition of Dear Old Days were sent to China.
09:35They were shared by schools and photographic associations
09:38which supported photography.
09:39They were shared by schools and photographic associations
09:41which supported photography.
09:42And they were sent to Japan.
09:43They were sent to Japan.
09:44Akiyama took nearly 10,000 photos in China.
09:46After returning to Japan, he screened 116 of them
09:49and included them in the album titled Dear Old Days.
09:51In 2015, Xia Nan, a young publisher in China, accidentally saw this album.
10:06I first saw this picture on the internet.
10:09It was very震撼.
10:10Of course, I really liked it because it was very similar to my childhood.
10:14I wanted to find this picture.
10:17In November 2018, Xia Nan contacted Akiyama via a friend
10:28and made an appointment to meet him in Tokyo.
10:31On the day of the meeting, they agreed to reprint Dear Old Days
10:39so that more Chinese people would have the chance to see this album
10:42and recall memories from their childhoods.
10:44If we consider that the children in Dear Old Days acted naturally
10:54without feeling the presence of the lens, then Chinese Interiors,
10:58a photo collection by Dutch photographer Robert van der Hilst,
11:01is the opposite.
11:10In those photos, people stared at the lenses
11:13and looked at the photographer as an intruder.
11:19I traveled throughout China, while most of the time,
11:23when I came to my house, I saw the possibility immediately, immediately.
11:28Immediately.
11:29Where is it?
11:30Where is it?
11:31Where is it?
11:32Where is it?
11:33Where is it?
11:34Where is it?
11:35Where is it?
11:36Where is it?
11:37In the early 1990s, he began to focus his lenses on the ever-changing China.
11:46From the 1950s to the 1990s, no matter if it was Mark Ribot, Adriano Madaro, Andrea Cavatuzzi,
11:56Ryoji Akiyama, Jan Leimer, Robert Hilst, or any other photographer,
11:58they came from all over the world to China.
12:03From the 1950s to the 1990s, no matter if it was Mark Ribot, Adriano Madaro, Andrea Cavatuzzi,
12:10Ryoji Akiyama, Jan Leimer, Robert Hilst, or any other photographer, they came from all over
12:16the world to China.
12:35With curiosity and the desire to explore, they were quietly observing what was happening
12:40in this country.
12:53From 1985 to 1995, it was the life of a family, daily life.
13:02Everything changed a lot.
13:05At the time, the fashion began to change, the fans began to dress differently.
13:10In 1988, we see that it evolved very quickly.
13:23In 1988, Leimer came to China again.
13:26He learned from a Chinese friend about the life and culture of the Dong minority in
13:31southwestern China, which aroused his interest.
13:38I would like to go back a lot.
13:40I dream every night of going back to the Dong.
13:46At that time, the western world had made limited research on the Dong ethnic group,
13:50and few people even knew about this minority in southwest China.
13:54Leimer was stunned by the unending charm of the Dong minority.
14:01It's like the hunting of bears.
14:03We went to the search of magic, beauty, color.
14:13There are everywhere, everywhere, everywhere, everywhere, everywhere, everywhere, everywhere, everywhere.
14:20And every village plays their gabouche in bambou, the most strong possible,
14:31all in keeping harmony.
14:33Usually, it's a beautiful place of wine.
14:34She loves to go.
14:35It's like this.
14:36All people are married, and it's a marriage in every village.
14:38And there, two peasants bring a calf
14:43that are painted with his blood as a wedding gift.
14:47She has turned around the world, so it's been used several times in double pages.
14:54It took Lima three days to drive from the city of Guilin to Sanjiang-dong Autonomous
15:05County, Liuzhou City, Guangxijuan Autonomous Region.
15:24Tangqiao Village, Sanjiang-dong Autonomous County, Liuzhou City, is located in the city of
15:54the mountains at the junction between Guangxi and Guizhou.
15:59Thirty-four years ago, there was only one dirt road connecting Tangqiao Village with the
16:04outside world.
16:10In the 1980s, ethnic minority areas in the mountains faced tough economic and developmental challenges.
16:17When people in cities began to buy household appliances, such as TV sets and refrigerators,
16:23access to regular electricity remained poor in these areas.
16:30It was the first time you saw the television.
16:33Everybody watched it for three days.
16:37Three days, three nights, throughout the village.
16:43We saw a river and wind bridge.
16:48That year, this bridge in Tangqiao Village was under repair.
16:53On this bridge, Lima noticed a woman carrying a pole over her shoulder, and he quickly took
16:58a picture.
17:00That tongue girl, she sang for her children.
17:09Yang Nai Chunjian is 57 years old this year.
17:13Her children have grown up and moved into buildings in the city.
17:16But she is more accustomed to living in a traditional mortise and tenon wooden building,
17:21which is warm in winter and cool in summer.
17:24She and her husband live on picking tea leaves and planting rice.
17:28They are big now.
17:30They also have children.
17:32I saw them four years ago.
17:35It's fine.
17:36In 2018, Lima visited Tangqiao Village again.
17:41He met his old friends from 30 years ago.
17:44Don't you know, we need lots of children.
17:46Tortugged cut to me.
17:47Tortugged cut to two daughters.
17:49Tortugged is mine.
17:51Turns out the one and the one behind me.
17:53I am with my弟弟.
17:55We sent three times a piece and Yesterday, they didn't makeucci of taking care of it,
17:59I have bottling meat and rice, so that the people are working well.
18:03We'll leave them part eerie, we'll come out.
18:04Not giving that too!
18:05Thanks for your time camping!
18:07Let's go.
18:08Come on, you three of them take part.
18:10Come on, let's take a look.
18:11In Tangqiao village 34 years later, there is a highway that goes through the mountains,
18:22and it only takes half an hour to drive from the village to the town.
18:26The convenient transportation network allows the Dong people living here for generations
18:31to be more closely connected with the outside world.
18:34We are a
18:59In 2019, Dear Old Days was reprinted and published.
19:09The reprinted version completely retained the 116 photos from the 1983 version.
19:16This album, which came out again 36 years later, has caused a great impact in China.
19:23The organiser has successfully held photographic exhibitions throughout China, and the exhibition
19:28in Chengdu lasted for two months.
19:46The little girl in the picture is called Chen Ying Yu.
19:49One day in 1982, Ryoji Akiyama took this photo by chance in the street of Wangfujing, Beijing.
19:56At that time, there were very few colour photos in Chinese family photo albums.
20:03Chen Ying Yu now wholeheartedly treasures this photo.
20:09At that time, there were very few colour photos in Chinese family photo albums.
20:15Chen Ying Yu now wholeheartedly treasures this photo.
20:22Chen contacted Xia Nan immediately after learning about Akiyama.
20:26Chen contacted Xia Nan immediately after learning about Akiyama.
20:30Chen Ying Yu, the language QUASSID
20:58Chen and her husband arrived in Tokyo, Japan and visited Akiyama.
21:28She was a busy person, and she was so happy to go to the hospital.
21:37She was a busy person, and she was happy to go to the hospital.
21:42She was very happy to come to the hospital.
21:44She was happy to come back and tell her.
21:47The hospital told me that I was so happy to come back with her.
21:50Chen, who was born in Beijing in 1978, is in her early 40s.
22:10Her family has already moved out of Wangfujing Street.
22:14Today this Wangfujing-centred area east of the Forbidden City has become a bustling commercial
22:19area in Beijing.
22:20For Chen, this is not only a place for leisure and shopping, but also the place with her childhood
22:27memories.
22:35Beijing, the thousand-year-old capital, is the political and cultural centre of the People's
22:40Republic of China.
22:43From French photographer Ribeau in the 1950s to Italian photographer Madaro in the 70s,
22:50Beijing has always been their target, including the people living here and the streets of the
22:54city.
22:55..
22:56..
23:02..
23:04..
23:05..
23:06..
23:11..
23:12..
23:13..
23:14..
23:15..
23:25It's like a C-轢车, it's like a C-轢车.
23:35Hi, you see?
23:36Look, look, look.
23:37Hi, you see?
23:38Now we are in Gong Wang.
23:40You see? Nice?
23:41Yeah, yeah, yeah, yeah.
23:46On the morning of September 20th, 2022,
23:4968-year-old Lu Xin was working in an alley
23:52near Prince Gong's mansion in Beijing.
23:55Lu Xin, who is one of Madaro's partners in Beijing,
23:58is currently sorting out information
24:00about the history of Beijing.
24:19The Hutongs of Beijing have a history
24:21of more than 700 years.
24:23Although Beijing has changed a lot,
24:25Madaro believes that the history
24:27will reveal the secret code to Beijing.
24:30They are simple people on the road,
24:34simple people that I've met,
24:35who opened their door to me.
24:39And when I said,
24:40I'm Italian,
24:41then there was always a smile for me.
24:45There was always a smile for me.
24:57Lu Xin has known Madaro for 36 years.
25:00He was surprised that Madaro knew so much
25:02about Chinese history.
25:04He felt it was in the history of China.
25:06He felt it was in the history of China.
25:07Although he had no communication
25:08and no information,
25:09but he was in the past few years
25:10in the past few years.
25:11This is the camera that Adriana Madaro used
25:13when he first came to China in 1976.
25:14It served as a means for him to learn more
25:15about both China and Beijing.
25:16This is the camera that Adriana Madaro used
25:21when he first came to China in 1976.
25:24It served as a means for him to learn more
25:27about both China and Beijing.
25:29When he brought to China in2017,
25:32at 29th the time in 7th of August,
25:35we showed hot pictures going on a lot.
25:37We got a lot of pictures.
25:38We took a lot of photos.
25:39We took a very long picture.
25:40After we took off from Long Tong.
25:42We had two phones.
25:43After we were going to go to Long Tong.
25:44We put this and find the two phones.
25:45After we put it back,
25:46then we put it back in.
25:47We got off the wheel.
25:48We went off the wheel.
25:49We went on the road to Long Tong.
25:50After we went off the road to Long Tong.
25:51It was like,
25:52the Dominican camera was not done.
25:53It has changed the whole face.
25:55My face was not being a camera.
25:57and there were the best pictures in the last one.
26:00There were 36 pages.
26:02This morning, I heard him say,
26:05I'm not happy.
26:06He didn't even know how to shoot.
26:07I didn't sleep all night
26:09so I didn't like it.
26:11The day after he said,
26:13it's not easy to go back to the big wall.
26:16At 4, 5 o'clock,
26:17he opened the door and opened the door.
26:20He opened the door.
26:22He opened the door.
26:24He was scared.
26:27I find the photograph machine with a ticket
26:32and he says, dear guest,
26:35we found your photograph machine
26:38and we are happy to give you it.
26:41Then there is a typical tip of that time.
26:44Try not to forget your personal effects
26:47because then it's not nice
26:49to return to your country without these objects.
26:52It's very Chinese.
26:54and it's only this thing here
26:56to reconcile with China
26:57if you're angry for some reason.
26:59I wasn't.
27:00that I hadn't slept yet,
27:01but when I came back,
27:03we went back and it's true.
27:05This is what's happening with China.
27:06I was so grateful to take a look.
27:07The photo was very precious.
27:08This photo was kept in the back.
27:09The picture was so valuable.
27:10I was so grateful for that.
27:11The picture was soими
27:14that was being set up.
27:15Over the next 40 years, he continuously took photos of China.
27:45Inside car cars, flex ahead and slide to the operating room API.
28:05That was a visible platform for the internationalist organization.
28:40Beijing, a thousand-year-old capital, is filled with history and tradition and is now also
29:06a home to modernity.
29:10More and more young photographers from all over the world come to Beijing.
29:15They interpret the city from a more modern and diverse perspective.
29:19They are more willing to follow their own feelings through cameras, try their best to
29:23capture these feelings, and then show these pictures to the world online.
29:44Bai Ju is the Chinese name of this young man from the French Alps and is also the name
29:48of a traditional Chinese medicine.
29:51After his first visit to Beijing in 2005, he decided to visit again to photograph its buildings.
30:02I love all the types of architecture that we can find in Beijing.
30:05Why?
30:06Because it retrace in fact, it is just a testimony.
30:09So this photo, I like it because for me it is really what Beijing is.
30:14It is to say that we have the Yongkogong, more than 500 years old, with a whole construction
30:20and we have the wood.
30:21I think it is a two-fois-de-vois that passes a few meters from this temple, which is pluricentennial.
30:27At the rear-plan we have all the Guomong.
30:29We have the Yongkogong, we have all the buildings, the last buildings in Beijing.
30:37Interpreting Beijing through architecture is Bai Ju's unique way of photography.
30:44He not only saw the high-rise buildings, but also interpreted the architectural structures left by
30:49history.
30:52The Chinese realize that they have a very rich and very deep culture.
30:57They say that we have what we have enriched from next to create something new.
31:03In China, they have this force that when they want to do something, they pass to the action.
31:09That is what I was looking for in my photography.
31:19Today's Shanghai, with a population of about 25 million, is a megacity in China.
31:36When Ribo first came to China and visited Shanghai for the first time, he said that he had crossed the Huangpu River on a shabby ferry.
31:51Ribo liked to stay at the Peace Hotel during every one of his visits to Shanghai.
31:54As the tallest international hotel close to the Bund in those days, he could stand on the roof and overlook the Huangpu River.
32:04Many years later, in April 1990, in Paris, France, Robert Hilst, the Dutchman, received the invitation of Vogue France magazine to shoot a cover story with the theme of Shanghai.
32:17Coincidentally, after Robert arrived in Shanghai, he stayed in the same hotel.
32:36I didn't know Shanghai. I've never seen it. I didn't know China.
32:40And for me, it was an extraordinary discovery.
32:43I took my photo bag, with a box, with an optical optics, with a little trichet through the arms.
32:51I started to discover Shanghai.
32:54All the day, I was going to walk on Shanghai streets, first on the Bund, then inside Shanghai.
33:03And I told you, tomorrow, 24 hours later of my arrival at the Peace Hotel Hotel, in Shanghai, I was already in love with Shanghai.
33:16The old people doing morning exercises, the light reflected in the glistening waves, the deep alleys, the tea houses with people enjoying themselves, and the sycamore trees thick in the streets, all fascinated Robert.
33:31Two weeks later, he handed over ten pages of photos to Vogue magazine.
33:35These photos gave him more chances to visit Shanghai.
33:38In 1995, Mark Rebo visited Shanghai again, this time with Xiao Chuan, his Chinese assistant.
33:56We went to the outside, and we saw the outside in the building.
34:03When we were filming, Mark Rebo said,
34:05Mark Rebo said,
34:06You must be serious about your work.
34:19Maybe after five years, after ten years, your work is very important.
34:27In 1993, 34-year-old Xiao Chuan was already very famous in the Chinese photography circle.
34:34When he was assigned to assist Rebo, he was incredibly excited.
34:38In Guangzhou, I saw him in Guangzhou, in Guangzhou, in Guangzhou.
34:41I saw him in Guangzhou, in Guangzhou, in Guangzhou.
34:43He saw him with his face.
34:45He smiled and gave me.
34:46I saw him.
34:47I saw him.
34:48I saw him.
34:49I saw him.
34:50I saw him.
34:51I saw him.
34:52I saw him.
34:53I saw him.
34:54Rebo then noticed the accelerating pace of change in China,
34:57and could always quickly catch the upcoming story.
35:00The footprints of Xiao Chuan and Mark Rebo covered the streets of Shanghai.
35:05The Bund, construction sites, Nanjing Road, and the lanes and alleys,
35:10and other places, all became the subjects of Rebo's photography.
35:15The footprints of Xiao Chuan and Mark Rebo covered the streets of Shanghai.
35:30The Bund, construction sites, Nanjing Road, and the lanes and alleys,
35:35and other places, all became the subjects of Rebo's photography.
35:39The lanes are a unique architectural form in Shanghai, and are filled with life.
36:06In 1995, Rebo and Xiao Chuan also shot in these lanes.
36:11Xiao Chuan's camera recorded the scenes from Rebo's photo walks there.
36:15Xiao Chuan's camera.
36:16Xiao Chuan's camera.
36:17Xiao Chuan's camera.
36:18Xiao Chuan's camera.
36:19Xiao Chuan's camera.
36:20Xiao Chuan's camera.
36:21Xiao Chuan's camera.
36:22Xiao Chuan's camera.
36:23Xiao Chuan's camera.
36:24Xiao Chuan's camera.
36:25Xiao Chuan's camera.
36:26Xiao Chuan's camera.
36:27Xiao Chuan's camera.
36:28Xiao Chuan's camera.
36:29Xiao Chuan's camera.
36:30Xiao Chuan's camera.
36:31Xiao Chuan's camera.
36:32Xiao Chuan's camera.
36:33Xiao Chuan's camera.
36:34Xiao Chuan's camera.
36:35Xiao Chuan's camera.
36:36Xiao Chuan's camera.
36:37Xiao Chuan's camera.
36:38Xiao Chuan's camera.
36:39Xiao Chuan's camera.
36:40Xiao Chuan's camera.
36:41Xiao Chuan's camera.
36:42every one of Ribeau's exhibitions has attracted the attention of Chinese audiences.
36:47In 2010, Ribeau was 86 years old.
36:51On March 5th, the Shanghai Art Museum held his personal exhibition.
37:12After the exhibition, Ribeau took the camera and walked where he had been.
37:19He kept feeling any changes around him and shooting every change.
37:24As for this Shanghai visit, Ribeau had another wish.
37:29I just wanted to go to the Hebin Fan殿 and the Shanghai大廈.
37:35He had a picture here.
37:38As the Peace Hotel was being renovated,
37:41staff took Ribeau to the other place.
37:45We went to the Shanghai大廈.
37:47In the Shanghai大廈, he could see
37:50the flowers in the bottom of the street
37:52of the East and the East.
37:59In 2010, we didn't have the center of Shanghai.
38:02But at this time,
38:04in the middle of the street,
38:06it was like a rainy day,
38:08and it was like a holiday.
38:09It was like a big one.
38:10It's like a big one.
38:11It was like a big one.
38:12And it went to the other place.
38:13It was like a big one.
38:14It was like a big one.
38:15And they finally took the water.
38:16It was like a big one.
38:17It was like an incredible one.
38:18So,
38:21in the middle of the day,
38:25the weather is very cold.
38:30It's still a big time.
38:32But it's still a big time.
38:35It's still a big time.
38:37It's still a big time.
38:41It's still a big time.
38:43It's still a big time.
38:45It's still a big time.
38:52So, I thought,
38:53Mark Lippo has filmed so many people in Shanghai,
38:55so many people in China.
38:56It's still a big time.
38:59I think,
39:01Mark Lippo's reason is
39:05that he knows
39:07that he's in the city of Shanghai,
39:11and he's in the past several years of China.
39:14He's in the past several years of Iran.
39:16He's started to raise his hand.
39:17He's supposed to take his hand.
39:19He's a biggest guy.
39:21He's in the past several years of it.
39:23He's heavy.
39:24So,
39:29many people have to reach the Burki
39:30in his hand.
39:31He's an enemy.
39:32I think he's still a big time!
39:35And he's not an enemy,
39:37but he is not an enemy.
39:39So,
39:40he's still a little mehr.
39:41THE END
40:11The exhibition attracted many locals and descendants of immigrants from China. They may have never been to China and their impression of China is only from books and family stories.
40:41They may have never been to China.
40:43They may have never been to China.
40:47They may have never been to China.
40:49They may have never been to China.
40:51They may have never been to China.
40:53They may have never been to China.
40:55They may have never been to China.
40:57They may have never been to China.
40:59They may have never been to China.
41:01They may have never been to China.
41:03They may have never been to China.
41:05They may have never been to China.
41:07They may have never been to China.
41:09They may have never been to China.
41:11They may have never been to China.
41:13They may have never been to China.
41:15They may have never been to China.
41:16They may have never been to China.
41:17They may have never been to China.
41:18They may have never been to China.
41:19They may have never been to China.
41:33Yan Lime is looking forward to returning to China and achieving his goal of reporting on China.
41:40He is looking forward to such a moment.
41:46At the age of nearly 80, Mr. Madaro still works late at night.
41:50He and Lu Xin keep close contact and work hard to prepare the next book on Beijing.
41:56Xiao Quan, with Mark Ribeau as his mentor, continues to retain images of this era.
42:072023 will mark the 100th anniversary of Ribeau's birth.
42:12This photographer, who has left images of China over more than half a century, is not forgotten.
42:18In Paris, a grand exhibition is held for him.
42:22The supplement of Dear Old Days, under cooperation between Ryoji Akiyama and Sei Sodo, will be published soon.
42:31Akiyama has contributed almost all the negatives of the photos he took 40 years ago,
42:36while his solo exhibition has been held in Changsha City and other places.
42:41These photographers from all over the world met China.
42:45They show the passion in Beijing's hutongs, the glistening light along the waves in the Huangpu River,
42:51the countless songs sung in the mountains, and the innocence of Chinese children to the world.
42:57After the passage of time, these images will become precious memories for Chinese people,
43:02as they will serve as a record of China over the years.
43:06Y'all.
43:19Y'all.
43:21Y'all.
43:22Y'all.
43:23Y'all.
43:24Y'all.
43:25авsakma.
43:26Y'all.
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