#bheemsceciroleo #sankranthikivasthunam #meenakshichaudhary
#AnilRavipudi #sankranthikivasthunam #sankranthikivasthunammovie
Hit Machine Director #AnilRavipudi and Blockbuster Producers Dilraju and Shirish. Touted as an extraordinary triangular crime entertainer, revolving around three characters- the protagonist, his ex-girlfriend, and his excellent wife. Produced by Sri Venkateswara Creations on a massive scale.
Meenakshi Chaudhary and Aishwarya Rajesh are the heroines opposite Venkatesh. Music is composed by Bheems Ceciroleo, Cinematography by Sameer Reddy, Production Designing by A S Prakash.
Cast: Venkatesh Daggubati, Meenakshi Chaudhary, Aishwarya Rajesh, Upendra Limaye, Rajendra Prasad, Sai Kumar, Naresh, VT Ganesh, Muralidhar Goud, Pammi Sai, Sai Srinivas, Anand Raj, Chaitanya Jonnalagadda, Mahesh Balaraj, Pradeep Kabra, and Chitti etc.,
Writer, Director: Anil Ravipudi
Presents: Dil Raju
Banner: Sri Venkateswara Creations
Producer: Shirish
Music: Bheems Ceciroleo
DOP: Sameer Reddy
Production Designer: A S Prakash
Editor: Tammiraju
Co-Writers: S Krishna, G Adhinarayana
Action Director: V Venkat
VFX: Narendra Logisa
PRO: Vamsi-Shekar
Marketing: Nani
Digital Media: Haashtag Media
Event: YouWe Media
#sankranthikivasthunam #sankranthikivasthunammovie #SVC58 #VenkyAnil3 #victoryvenkatesh #anilravipudi #venkateshdaggubatilatest #venkymama #meenakshichaudhary #aishwaryarajesh #svc #dilraju #bheemsceciroleo #sankranthikivasthunampressmeet
#SankranthikiVasthunammovie #sankranthi2025
#AnilRavipudi #sankranthikivasthunam #sankranthikivasthunammovie
Hit Machine Director #AnilRavipudi and Blockbuster Producers Dilraju and Shirish. Touted as an extraordinary triangular crime entertainer, revolving around three characters- the protagonist, his ex-girlfriend, and his excellent wife. Produced by Sri Venkateswara Creations on a massive scale.
Meenakshi Chaudhary and Aishwarya Rajesh are the heroines opposite Venkatesh. Music is composed by Bheems Ceciroleo, Cinematography by Sameer Reddy, Production Designing by A S Prakash.
Cast: Venkatesh Daggubati, Meenakshi Chaudhary, Aishwarya Rajesh, Upendra Limaye, Rajendra Prasad, Sai Kumar, Naresh, VT Ganesh, Muralidhar Goud, Pammi Sai, Sai Srinivas, Anand Raj, Chaitanya Jonnalagadda, Mahesh Balaraj, Pradeep Kabra, and Chitti etc.,
Writer, Director: Anil Ravipudi
Presents: Dil Raju
Banner: Sri Venkateswara Creations
Producer: Shirish
Music: Bheems Ceciroleo
DOP: Sameer Reddy
Production Designer: A S Prakash
Editor: Tammiraju
Co-Writers: S Krishna, G Adhinarayana
Action Director: V Venkat
VFX: Narendra Logisa
PRO: Vamsi-Shekar
Marketing: Nani
Digital Media: Haashtag Media
Event: YouWe Media
#sankranthikivasthunam #sankranthikivasthunammovie #SVC58 #VenkyAnil3 #victoryvenkatesh #anilravipudi #venkateshdaggubatilatest #venkymama #meenakshichaudhary #aishwaryarajesh #svc #dilraju #bheemsceciroleo #sankranthikivasthunampressmeet
#SankranthikiVasthunammovie #sankranthi2025
Category
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FunTranscript
00:00I am ready.
00:04It's nice to see you.
00:06First of all, I want to thank you for 10 years. Congratulations.
00:09Thank you. Thank you.
00:11You can learn all of your collections and success.
00:16You can learn all of it.
00:18If you want to make a poster, you can learn all of it.
00:22As a director, you can tell that you have a lot of viewership.
00:26You can choose the right ticket count.
00:29You can choose the right ticket.
00:31How do you feel about your success?
00:33You can choose the right ticket.
00:37When I was in the morning, there was a lot of energy.
00:43At the high level, there was a lot of fun and cool.
00:49I was able to learn all of the techniques.
00:52I was able to calm down.
00:55I was very happy.
00:58When I was in the morning, there was a lot of appreciation and revenue side.
01:04Extraordinary revenues.
01:06I was very happy.
01:07When I was in the morning, I was able to take all the tickets.
01:10I was able to take all the tickets.
01:12I was able to take all the tickets.
01:14I was able to take all the tickets.
01:16I was able to take all the tickets.
01:18We have a lot of tickets.
01:20I was able to take all the tickets.
01:2230 members, 20 members, all the theatres of all photos.
01:27To be honest, my family genre is very important to me.
01:36I have to add to this cinema.
01:41I have to say that I have to say that I have to say that I have to say that I have to say that.
01:47I was called a friend.
01:52My mother was a famous singer.
01:56She was a famous singer.
02:01We were also interested in the film.
02:06We were also interested in the film.
02:09So, it's a miracle that Sankhra has been given to us as a family, as a family, as a family, as a family, and as a family, it's a little bit more than a film.
02:19That's why we have a terrific revenue.
02:21Vangideshwar.
02:23Vangideshwar, congratulations first of all.
02:25Thank you so much.
02:26Sir, you can switch off your success.
02:31You can switch off your success.
02:33You can switch off that film.
02:35You can switch off your success.
02:37It's a wonderful, happy feeling.
02:40When you know Honest Kavoka, a family film, Iwali, when Anil came and told me the subject, as soon as I heard the thing, I knew we had a good, safe film, which will surely be good in Sankranti.
02:56But when the audience take it to another level, when there's so much love and there's so much appreciation and encouragement, of course, we'll feel much better and it gives us a lot of encouragement and a good feeling.
03:09At the same time, you know, it's also because of the universal energy, it's also because of everybody's positive energy from the beginning.
03:22And I'm waiting for a good, clean film like that.
03:25So, I'm not here for the day, but I'm here for the audience.
03:31And it's a blockbuster, triple blockbuster.
03:35But that is really…
03:36So, I'm very, very grateful actually.
03:38More than…
03:39I think I'm so grateful to everybody for making this film such a big success.
03:45Yeah.
03:46The first question.
03:47You are a senior hero.
03:49And you are one of the leading of the generation of publicity, you are one of your heroes.
03:56When we were to do this film, we would like to do this publicity, we would like to do this film, we would like to do this film, we would like to do shows, we would like to do this film, we would like to do that.
04:08Actually, working in this film, I could feel there was some other energy and every day I was seeing improvisations and expressions.
04:21And since I always look at life like a witness, I watch everything.
04:29And I could see something else is happening in this film.
04:32So, the whole journey itself was very, very encouraging and very magical in the feeling.
04:38Scene improvements, a bottle, beams.
04:43Everything else is happening.
04:45Something else is happening.
04:47So, I could feel that energy and other energy.
04:50As I discussed in the scenes, I don't have any expressions.
04:56And he also is encouraging me a lot.
04:58We could see the other actors also, very comfortable feeling.
05:02And a lot of good things only were happening throughout, throughout, throughout.
05:05And throughout the end of the film also,
05:08it was just going up and up.
05:11The meter was going up and up.
05:13So, I could feel that.
05:14So, that's why it was effortless.
05:17Even in the promotions, everything was happening.
05:23So, you know, it is for sure, sometimes that magic happens.
05:28And it is from the energy, from the divine energy.
05:31There is no doubt about it.
05:32Because when the divine enters once in a while, we go beyond our human level.
05:39And I think that's what happened to all of us.
05:41And I respect that energy.
05:42And that's why I am very, very grateful to the divine.
05:45And
05:47Yes.
05:49workers.
05:50Man crowd that´s experience me.
05:52TheseMusik are great.
05:54They were great.
05:55They're great.
05:56You can connect a lot from theики moment of murder.
05:59You can go on whenever you do the recording.
06:00Like you have?
06:01Has this got the factмотрental comedy?
06:03Like me.
06:04What are you what?
06:06How do you feel?
06:08I am very proud of you.
06:11Because I am talking about the records and the video,
06:15I am looking for a lot of people on Twitter.
06:20The fans and the media are talking about the records,
06:25so I am very happy to have a regional film.
06:30So, this is the record.
06:33And I'm feeling very happy. Whatever coming for this film, everything is very special to me and I'll never forget this success and especially E2025 Sankaranthi.
06:51This film is very close to top four, top three, at least top five.
07:00Are you doing it?
07:01I'm doing it.
07:03Every day, every day, we have a revenue center. We have a weekdays. It's very strong.
07:08We have to see a date, a Vizek, a number. It's very surprising and shocking. Still, it's going very strong.
07:15And this is still on the 10th day. And I have a second weekend on Friday, Saturday, Sunday.
07:20Hope that our audience is very good, very good, very good, very good, very good.
07:29Beamsgar is the backbone of Beamsgar.
07:37That's the only thing I've heard about you and I'm very happy with you.
07:43I'm all happy with you, sir. It's very happy with you, sir.
07:46I'm all happy with you.
07:48I'm always happy with you.
07:49We're always happy with you.
07:51It's not really happy with you.
07:52Even though Beamsgar, should you go to the show, chayi-battu, or ask the show?
07:58If you're in the show, you'll give a show.
08:00Oh, okay.
08:02The beams...
08:03See,
08:04When we were doing a lot of work,
08:06I was thinking about the big quality of the beams.
08:08He was trying to figure out how to make a director,
08:11how to make a case,
08:12how to make a situation,
08:13and how to make a situation.
08:14They would have.
08:15If I did anything,
08:16if I did anything,
08:17if I did anything,
08:18if I did anything,
08:19it would have been a better place.
08:20If we say something,
08:21if we say something,
08:22we can think of something.
08:23If we say something,
08:24we can think of something.
08:25Within seconds, within minutes,
08:26it would have been so sharp.
08:27I think it's like beams.
08:28I think the beams time,
08:32I think the next 5-6 years,
08:3610 years,
08:37beams.
08:38Beams,
08:39You don't have to say anything,
08:40but you don't have to say anything.
08:41You don't have to say anything.
08:42What's the stage with you?
08:43No,
08:44I don't know.
08:45Sir,
08:46Angadash Garu,
08:47Angadash Garu,
08:48here.
08:49Anil Garu,
08:50Angadash Garu.
08:51Hi,
08:52Hi,
08:53Hi, sir.
08:54Sir,
08:55the winds are going to be the best.
08:56I don't have to say anything.
08:57This is the?"
08:58Yes.
08:59No,
09:00not at all.
09:01I don't have to say anything.
09:02Your spring price.
09:03You are poignant.
09:04You are so much.
09:05You are too much.
09:06You bought an imagine,
09:08I don't have to say anything.
09:09No,
09:10I didn't give up.
09:11No,
09:12No,
09:13I don't have to say anything.
09:14What do you want?
09:15Do you want to say anything?
09:16If you want to like to add a title,
09:18I don't have to say anything else.
09:19I think you need to keep trying to go.
09:20So,
09:21I don't know what to do.
09:23But Anil Garu,
09:25Papa, can you tell me about producer or something?
09:28No producer or something.
09:29There are many rights in the industry.
09:31There are no rights in the industry.
09:33And it's too much.
09:35It's a process.
09:37It's a process.
09:39It's a process.
09:41It's a process.
09:43It's a process.
09:45You can't contact them.
09:47If you have a driver,
09:49you can't contact them.
09:51I'll tell you.
09:53If you want to get out of the room,
09:55if you want to get out of the room,
09:57if you want to get out of the room,
09:59I'll give you a clear information.
10:01I'm happy that
10:03I'm not a person in cinema.
10:05I just came here.
10:07You can ask me about it.
10:09I'm not going to shift to my side.
10:11I'm going to shift to my side.
10:13I'm going to shift to my side.
10:15I'm not going to shift to my side.
10:17I'm not going to shift to my side.
10:19I'm going to shift to your side.
10:21Vengdeshgar.
10:23Sir,
10:25we have many heroes in Daili.
10:29But clearly,
10:30Vengdeshgar is a different kind.
10:32You have a self-cats are a person.
10:34You have a self-cats are a person.
10:36You have a very gracious actor.
10:40But you have to promote the bar and restrictions.
10:49You have to say that you have to say that you are more than deserved for it.
11:00And Anil Gargur, I just wanted to say.
11:05Thank you, sir.
11:07I was just saying that you have to say that you have to say that you have rights.
11:12Sorry, I know.
11:14You can talk a joke.
11:15I also tagged on Twitter and a friend of Vignal, my college friend.
11:18You know, it's about news that there are rights here.
11:22In fact, we didn't do that.
11:24So what the answer is, now, what is it?
11:27You have to say, you have to say, you have to say, you have to say, you have to say, you have to say, you have to say, you have to say, you have to say, I have to say.
11:34If you don't have any IT rights, you will be able to talk about it.
11:37No, I don't have any tension.
11:39I don't have any questions.
11:41I'll ask you a question.
11:43I talked about the interview last time.
11:46You have a separate section of audience.
11:52You don't have to talk about the competition in that section.
11:57But I mean it.
11:59If you have any audience in that section, you will be able to talk about the cinema.
12:05Correct.
12:06You will prove the statement.
12:08Yes.
12:09You did a lot of things wrong.
12:11This is what I meant.
12:12Correct.
12:13This film is an entertainment backdrop.
12:16It's a comedy film.
12:18So, if you have a top three or top four revenue,
12:23This film is a very bad movie.
12:25In this film, the audience are always ready to come and watch.
12:29Not this time.
12:30I did a lot of interest.
12:32I don't know what the question is.
12:34I don't know that it is the industry time.
12:36In a situation called Suresh production,
12:37it's equivalent to Arozo.
12:38It's so much revenue.
12:39So, if I have a comedy film.
12:41I will deal with it.
12:43But the revenue makes the same way from each sector of audience.
12:47I am here.
12:54I am here.
12:59I am here.
13:05I am here.
13:13People, people, people, people, people, and all the people in the world.
13:19There is a lot of psychological problems in the market.
13:25We are talking a lot of healthy comedy.
13:27And if you want to ask a little logical answer.
13:30This is the topic of censor officers.
13:32Censor officers also have a lot of cinema.
13:34Now, if you want to ask a lot of people,
13:38you are talking a lot of people.
13:40We are talking about smoking and injury to health.
13:45We are talking about a title card.
13:46We are talking about a title card.
13:49We are talking about cigarette and alcohol.
13:53We are talking about injuries to health.
13:58In this film, we are talking about OTT.
14:01Maybe there is a chance that kids are in the influence.
14:06We are talking about comedy.
14:09This is a topic of Mika Khan's story.
14:10We are talking about a role about alcohol.
14:11Besides, we are talking about equality and generosity,
14:12we are talking about good people.
14:14We are talking about having a good prevention.
14:15We are talking about spoilt kid.
14:16If we are talking about spoilt kid,
14:17we are talking about spoilt kid eventually.
14:19We are talking about healthy and positive.
14:21Let's watch our attention.
14:22We are talking about it.
14:23We should know how to sit with preaching
14:25and prays.
14:26We are talking about positive.
14:27That is Sanil.
14:28Thank you, sir.
14:29Thank you, sir.
14:39I did a sincere job.
14:55I felt it was a little too much.
14:56Second season.
14:57I feel like I was maybe a little too.
14:58What I can do, I'll do.
15:00So, I was just thinking about it.
15:04Season 2 was just finished.
15:05Yeah.
15:06Season 2, one week, I made complaints.
15:08That's all.
15:09I remember the question.
15:12Every day, every day, on the wrong day, on the wrong day, on the wrong day, on the wrong day, on the wrong day, on the wrong day.
15:18And if you didn't take the wrong day...
15:20If you didn't pay the wrong time, or the wrong day as hard...
15:23I have a record break in that cinema for a long time.
15:27I don't know what to do with the content, but I don't have a ticket price.
15:31I don't have a ticket price.
15:35I don't have a ticket price.
15:38I don't have a ticket price.
15:42This is completely other game.
15:44Cinema to Cinema.
15:46We have a lot of budget films.
15:49We have a lot of budget films.
15:55We have a lot of budget films.
15:59If you are doing the revenue,
16:02you can't tell the audience to connect to it.
16:06But for the film, it doesn't work out.
16:11They are $300.
16:14They are very happy.
16:16They are very happy.
16:19So, common audience,
16:21Elant films are not correct,
16:22but the Alant films are not correct.
16:24Venge sir.
16:25Yes.
16:26Here, here.
16:27Hello.
16:28Hi.
16:29So, you've had a long stint in your career.
16:32So, what has been the most fulfilling moment for you as an actor?
16:37And my second question is, you worked with Mr. Anil earlier.
16:41So, how have you seen him evolve as a director
16:44from the first movie you worked with him and now?
16:50As an actor, I am very happy with my career graph
16:53because the audience has always been very encouraging
16:56right from my first film.
16:58And they have given me a warm reception
17:03with all different kind of genres right from the beginning.
17:05You say entertainment films, action films, emotional films.
17:08So, that way I am very, very grateful and thankful to the audience
17:11right from the beginning.
17:12And at different stages,
17:15I have always managed to get big, big hits,
17:18which have shaped my career till now.
17:20So, until Sankranti Kostanam.
17:22So, I am really, very happy.
17:24And as of Anil, well,
17:27I hit it off right from day one, you know,
17:30when I met him as a writer itself.
17:32So, I knew he had the spark and we gel very well.
17:35It's very important to have a very good rapport.
17:37Yeah.
17:38And right from day one, we are more like friends
17:40and I'm not like a hero with him.
17:42I treat him as my own co-writer or, you know, something like that.
17:47So, I think we enjoy working together.
17:49So, that's why I think we see very good results.
17:51And I am, my whole working style with him is,
17:55if there's anything wrong with the script also,
17:58we work more like writers.
18:00So, there's a lot of bounce back ideas within us.
18:03So, that's why, and he's very, very flexible
18:06when it comes in the, you know, on the spot.
18:08So, and he's got so much energy and I just love his energy.
18:12Yeah.
18:15Anilgar.
18:16Anilgar.
18:17Sir, actually, I mean, you just have to keep on right from the beginning.
18:45God has given me an opportunity to work hard in this profession, right?
18:49From day one.
18:50Anilgar.
18:51Anilgar.
18:52Anilgar.
18:53Anilgar.
18:54Anilgar.
18:55Anilgar.
18:56Anilgar.
18:57Anilgar.
18:58Anilgar.
18:59Anilgar.
19:00Anilgar.
19:01Anilgar.
19:02Anilgar.
19:03Anilgar.
19:04Anilgar.
19:05Anilgar.
19:06Anilgar.
19:07Anilgar.
19:08Anilgar.
19:09Anilgar.
19:10Anilgar.
19:11Anilgar.
19:12Anilgar.
19:13Anilgar.
19:14Anilgar.
19:15Anilgar.
19:16Anilgar.
19:17Anilgar.
19:18Anilgar.
19:19Anilgar.
19:20Anilgar.
19:21Anilgar.
19:22Anilgar.
19:23Anilgar.
19:24Anilgar.
19:25Anilgar.
19:26Anilgar.
19:27Anilgar.
19:28Anilgar.
19:29Anilgar.
19:30Anilgar.
19:31Anilgar.
19:32Anilgar.
19:33Anilgar.
19:34Anilgar.
19:35Anilgar.
19:36Anilgar.
19:37Anilgar.
19:38Anilgar.
19:39Anilgar.
19:40Anilgar.
19:41Anilgar.
19:42Anilgar.
19:43Anilgar.
19:44Anilgar.
19:45Anilgar.
19:46Anilgar.
19:47Anilgar.
19:48Anilgar.
19:49Anilgar.
19:50Anilgar.
19:51Anilgar.
19:52Anilgar.
19:53Anilgar.
19:54Anilgar.
19:55They are the ultimate, all I'm like you are any thought you were making,
20:00they were like thezewica of Brahma Ramba,
20:02They have been is the finest.
20:04They might not tell you the same thing.
20:05But because they have a friend,
20:06they have given me a picture.
20:09That's what I said before,
20:10while they are amazing in the second half.
20:12He was there with everyone,
20:14and he said,
20:16I'll give them some help.
20:18So everyone appreciated that.
20:20So we appreciate that.
20:22We suffered from a back,
20:23Thank you, thank you.
20:25Thank you, thank you.
20:27Two, you have a free release function for this cinema.
20:31The cinema chief guest is Ramachandra Puruma,
20:35and the mantra of the mantra.
20:37You also have a Buster and Ramachandra Puruma.
20:40Do you know how his connection is?
20:42I don't think so.
20:45Beams.
20:46Anil.
20:47Anil.
20:48Anil.
20:49Anil.
20:50Here, here.
20:51Yeah.
20:52I'm going to go to the set,
20:54or go to the set,
20:55I'm going to do it.
20:57So, you're going to be doing this in Atlanta.
21:00Actually, it's going to be F2 or F3.
21:03If we go to the sun,
21:05we won't do it.
21:07F2 or F3,
21:08we won't do it.
21:09So, do you know this cinema?
21:11This cinema has a very vibe,
21:13very energy.
21:14There is a lot of people,
21:15and the break is still there.
21:17There is no stress.
21:19There is no stress.
21:20That's why it's not so bad.
21:22Anil.
21:23If we do,
21:24there is a blackbust action.
21:25What happened in the industry?
21:26They can make a success.
21:28They click on it and they click on it.
21:29They click on it,
21:30they click on it and they click on it.
21:31And they go to the channel.
21:32They do have the movie.
21:33They do have the movie.
21:34Yeah, it's pretty cool.
21:36After you, you have a movie from the cinema.
21:37They do have the movie.
21:38At least the movie.
21:40So, this is the discussion stage.
21:44So, you can also see the media myth and the media myth.
21:46And I will officially announce that one or two weeks, three weeks after that.
21:52So, I will definitely announce that number nine.
21:56I will definitely announce it.
21:58So, I will definitely announce it.
22:00So, that's why you have to do it.
22:02Why do you want to do it for Anil Rao?
22:05Why do you want to do it for Anil Rao?
22:09So, I will announce it for 25 years back in Kalsundara cinema.
22:12I will announce it for 24 years.
22:14I will announce it for you.
22:18I will announce it again.
22:19So, I will announce it for you.
22:23I will announce it for 24 years after that.
22:28No, no.
22:30I am very happy.
22:33I mean, when it reaches to that level, it is always very good.
22:37Because, it again shows that anytime, anything can happen.
22:43So, the industry is good.
22:45You know, the budget is in cinema and that is a real good thing for a lot of producers and distributors, exhibitors.
22:54And when they receive the film in such a big way, I am really very happy.
22:58Beamsker.
23:00If you want to do a press meet for a few press meetings, and have a free-release office.
23:06If you are a press meet and you're only going to pre-release, and you are not doing that.
23:09But you were working more, but now and you are working more.
23:13They're inspiring to understand your marketing and you can find any other things.
23:20I'm not sure you should say that the plan is though you are a few.
23:24If you want to promote this promotion, you will be able to play in the film.
23:31If you want to design it, you will be able to design it.
23:35The film is very big because of the concept of the film, the working style.
23:40So we had a lot of material, effortless.
23:43So if you want to design it, we should go with the flow.
23:48So let's try it.
23:50Beams here.
23:52I am very famous.
23:54So actually, Anil Garth is not going to work.
23:58I am not going to work.
24:00I am not going to work.
24:02I am not going to work.
24:04I am not going to work.
24:06So what are your expectations for Anil Garth?
24:10I have a lot of work.
24:16I have a lot of work.
24:18I am 6 years old.
24:20I am not going to work.
24:22Every day, a day, I am 1.
24:24The scope is all that I am.
24:26So I am not going to work.
24:28We are going to work on this song.
24:30We are going to work.
24:32We are going to work.
24:34I've learned a lot of things. I've learned a lot of things.
24:38I've learned a lot of things.
24:41And to be honest, I'm a lyric writer and I've learned a lot.
24:45So, I've learned a lot of things that I've learned.
24:51I've learned a lot of things that I've learned a lot.
24:53And now that you're doing albums, there are many hit numbers.
24:57So, if you ask me to tell you hit numbers,
25:00you can tell me about it.
25:02So, in every part I can tell you.
25:06But to be honest, I've learned a lot of things that I've learned a lot.
25:13I've learned a lot of things that I've learned from a challenge.
25:17I've learned that I've learned a lot of things that have learned.
25:23So, and you know I've learned a lot.
25:25So, what can I tell you about everything?
25:28I angels the other day.
25:29And we must have a number of people in all.
25:31As we all know the characters.
25:35So, if I'm not aware of this, I've seen a movie from the movies.
25:41You will be the only one in the movies.
25:46You will be the only one in the movies.
25:51I've seen a movie from the movies.
25:56I love you.
26:00Anil Garu.
26:03What age are you?
26:05Not 24 years.
26:08That's right.
26:09I'm not going to go to Kalsundara.
26:11I'm going to go to Kalsundara.
26:13I'm going to go to Kalsundara.
26:16Okay, I'm going to go to Kalsundara.
26:19Anil Garu.
26:20Beams Garu.
26:21Beams Garu.
26:23Anil Garu, before Sankranti 2025 and after Sankranti 2025.
26:28What are you?
26:30What are you talking about?
26:31Before Sankranti, after Sankranti.
26:33Okay.
26:34Now you're going to go to Kalsundara.
26:36If you're going to go to Kalsundara,
26:39you're going to go to Kalsundara.
26:42I'm not going to go to nature's grace.
26:44I'm going to go to Kalsundara.
26:46I'll give you a tip.
26:48If you're going to go to Kalsundara,
26:51if I can do it to the US Premier,
26:54you'll go to the time of Kalsundara.
26:55If you're going to go to Kalsundara,
26:57it's an automatic way to Kalsundara.
27:00I'm not going to go to Kalsundara.
27:03You're going to go to Kalsundara.
27:05Anil Garu is the continuation of Kalsundara.
27:08Kalsundara is the continuation of Kalsundara.
27:12If you're going to confirm that you're going to be wrong,
27:15I think I'm going to go to Kalsundara.
27:16Like Vengteshgarh's part of the film, Grace Parang, Chiranjeevgarh's album, Grace Steps is also bound to the film.
27:25So, this is the combination of the film.
27:28100% of the film is done.
27:33It's too early.
27:36I have to answer this question.
27:39There are many announcements in this film.
27:42We have a very short, crispy duration.
27:47Like 2 hours, 20, 2 hours, 2 hours, 15.
27:51Only big stars.
27:54It's not.
27:56It's not.
27:57It's not the case.
27:59It's not the case.
28:00It's not the case.
28:01It's not the case.
28:03Okay, continue.
28:04So, cinema success formula, you will accept that?
28:10100%.
28:11One entertainment film, blockbuster film is the main length of the film.
28:16So, in every cinema, if it's a mass commercial, it's 235-245.
28:23If it's a proper entertainment, it's 222-25.
28:26It's not the case.
28:27So, I've proven that.
28:29I've proven that of that film.
28:31And we talked about it perfectly.
28:322 hours, 22 minutes.
28:34I've been my favorite film.
28:37And I have found the film.
28:39I have found the film so much.
28:40So, we're wanting to watch it.
28:41I want to watch that film again.
28:42Sir, Anilgaru.
28:43Anilgaru.
28:44Hi, my friend.
28:46This is Rani from Telugu Sound Truth.
28:49So, you have a combination of your combination with Aishwara Rajeshkar and Bidi and Aishwara Rajeshkar.
29:00So, you have a combination of these, especially with Bhav.
29:04So, you have a vibe and a lot. So, you have a combination of these.
29:08Sir, can I say Bhav?
29:11Can I, sir?
29:14Bhav.
29:16Sorry Bhav.
29:18Love you Bhav.
29:19Sorry, sir.
29:24Anil Garu.
29:25Sir, let me answer, yaar.
29:27I didn't know.
29:30I am really glad Aishwarya did a very good job and she had a great role and Anil was there to guide her.
29:47She is an experienced actor in Tamil. She has done a lot of films. But in this genre, her first film is a comedy film.
29:54So, I could see her interest in asking Anil how to go about it and Anil was there to guide.
30:01Because Anil's energy will come in every character. So, I am really happy for her.
30:06Anil Garu.
30:07Anil Garu.
30:07Anil Garu.
30:08Anil Garu.
30:08Anil Garu.
30:09Anil Garu.
30:10Anil Garu.
30:11Anil Garu.
30:12Anil Garu.
30:14Next film is to give an Aneelgar permission to send an Aneelgar.
30:21We will tell him what our final answer is.
30:23We will try to give an Aneelgar permission.
30:26If we give an Aneelgar permission, please give an Aneelgar permission to send an Aneelgar permission.
30:29So, what do we call a Aneelgar permission?
30:33A character seems to be very difficult.
30:37One or two person is very worried about it but in the auditorium theatre I feel a lot.
30:44We are creating the path to our audience.
30:48We are not able to reach them.
30:51We are in the second half.
30:53We are in the second half.
30:57Okay, we are in the sequel.
30:59I am in the next first.
31:00I am in the climax.
31:04I am in the climax.
31:07I am in the middle.
31:09We are in the middle.
31:12But anyway, we will conclude that in the second half, we will do wonders in this second half, but definitely in the future, we will do wonders.
31:22And Buliraz, you are ready to get a lot of money.
31:26So, you will get a lot of answers.
31:30So, definitely, we will do whatever you want.
31:35So, we will help you in the future.
31:40So, at the end of the day, it will be hard to get rid of the guidance.
31:45This cinema is the first time in the collection.
31:48One of the busiest artists that you are here first, Buliraz.
31:53Anil Garu, hi.
31:55Sir, you are the most successful comedy writers in Telugu.
32:09So, and Bhagavat Kesari, you have touched the emotional part of your writing also.
32:14So, you expect that comedy thriller?
32:19So, you expect that comedy cinema is 30-40% achieved.
32:24So, dark humor, thrilling basis.
32:27So, I will do it completely.
32:29So, this is a confidence.
32:31This is a success.
32:32So, two hundred percent.
32:33Next.
32:34Next.
32:35Next.
32:36Next.
32:37Next.
32:38Next.
32:39Next.
32:40Next.
32:41Next.
32:42Next.
32:43Next.
32:44Next.
32:45Next.
32:46Next.
32:47Next.
32:48Next.
32:49Next.
32:50Next.
32:51Next.
32:52Next.
32:53Next.
32:54Next.
32:55Next.
32:56Next.
32:57Next.
32:58Next.
32:59Next.
33:00Next.
33:01Next.
33:02Next.
33:03Next.
33:04Next.
33:05Next.
33:06Next.
33:07Next.
33:08Next.
33:09Next.
33:10Next.
33:11Next.
33:12I don't think you should be able to get all of these permits.
33:17No, actually we should be so sporting enough to make the characterization very simple and casual
33:24so that the audience also will feel for it.
33:26So, just do whatever you want.
33:31Because you'll have to be very lovable.
33:33You'll have to be very lovable.
33:34You'll have to be very lovable.
33:35You'll have to be very lovable.
33:42We want to be very lovable.
33:44You can take a look for everything.
33:46You can take a look at the vroom.
33:48So, it's not easy.
33:50I'm not sure if I keep doing anything.
33:53I think the beginning of this video is already.
33:56Yes, sir.
33:57If you take a look at the vroom.
33:59I would like to take a look at the vroom.
34:00I've seen my entertainment videos.
34:02I think you should not feel like a thing, either a character, he'll go.
34:13So that's why he looks like simple, he make it like simple.
34:19Thank you brother, thank you so much.
34:31Beams Gar.
34:33Hello.
34:34In 2022, we played Damakha.
34:36We played Damakha.
34:37After two years, we played Mad and Twillies.
34:42We played a lot of hits in promotions.
34:45In this film, we did a lot of promotions.
34:48This energy is because of it.
34:50No, sir.
34:52I don't have to worry about it.
34:57I don't have to worry about it.
34:59A lot of things have been done.
35:05I did not to worry about it as a small part.
35:07I love my job.
35:09I love my job.
35:11I only learned that this film can be done.
35:13When I was working at the cinema, I didn't have anything to do with it.
35:20I don't have to worry about it.
35:23I don't have to worry about it.
35:26That's all.
35:28One question.
35:29The first day, there was a high-tee ride.
35:31There were posters and numbers.
35:33There were a few producers who had the promotional numbers.
35:37So, you were saying that in 9 days.
35:39So, you were saying that 100% of people.
35:41I'm not accurate.
35:43I'm talking about GST.
35:45I'm talking about the perfect number.
35:47I'm talking about the film.
35:49I'm talking about the film.
35:51I'm talking about the film.
35:53I'm talking about the genre.
35:55I'm talking about the genre.
35:57If you're talking about the genre, you can see the genre.
36:01But yes, these kind of family genre films and entertainment films have a great pull.
36:05And they're not even the chance of editing.
36:07Since we're talking about the film, we're showcasing it, yes.
36:13This film has this strength.
36:17Thank you?
36:19Do you see us in the cashew?
36:21Yes?
36:23I don't see much.
36:25How are you doing it?
36:27How are you doing it?
36:29No.
36:30Do you notice any problem?
36:31I.T. rate backdrop is cinema, isn't it?
36:36Yes, sir.
36:38I.T. rate backdrop is a serious point to say that
36:45the hero is not a black J.S.
36:52I.T. rate backdrop is a big thing in terms of the heros, black J.S.
36:59He, I.T. rate backdrop is a big thing,
37:02I.T.K. size of a black J.S.
37:07I.T. rate backdrop at all.
37:09If I have a black J.S.
37:12I.T. rate backdrop is a big thing,
37:16I am a non-zeal fan management company,
37:19White is white.
37:21You can't get it.
37:23You can't get it.
37:25You can't get it.
37:27You can't get it.
37:29You can't get it.
37:31You can't get it.
37:33It's for expenses.
37:35That's all.
37:37Vendashgar, hi.
37:39Sir, here.
37:41This is Prekyat from Guilty.com.
37:43In India, there are many hits
37:45and obviously fans have high hits.
37:47But this hit
37:49feels personal to a lot of your fans
37:51because of a clean blockbuster
37:53and after a lot of
37:55last few years was a little dull for you.
37:57So what was the response for your fans?
37:59I'm really very very happy.
38:01I think differently
38:03but I'm really happy my fans
38:05after so long, they've got
38:07a very very big hit.
38:09You know, they can really
38:11go around telling
38:13double, triple blockbusters.
38:15I'm really very happy
38:17and fans
38:19and encourage you
38:21but be happy
38:23what you got.
38:25Thank you so much.
38:27I'm also very happy.
38:29Once you get to know
38:30how many fans
38:31even though
38:32they've played
38:33Pan India's cinema
38:34and that's what they're doing.
38:35So they're all
38:36now.
38:37You can see
38:38that you've seen
38:39the postulation.
38:40So they're all
38:41playing a good game.
38:42This is a movie.
38:43They're all playing
38:44in the world.
38:45You're playing a good game.
38:46You're playing a good game.
38:47You're playing a good game?
38:49No, no. I'm going to wait.
38:52Now, I'm going to take a look.
38:55Take a look.
38:56Take a look.
38:58I'm not going to take a look.
39:00I'm not going to take a look.
39:02But I'm going to take a look.
39:04When I pray also, I'm like that.
39:06I don't ask for anything, but I take whatever he gives.
39:09This is a great bonus.
39:11I'm very, very happy because we knew we were going to come with a very good film, a hit film.
39:15But when it becomes like this, we have to feel grateful and thankful to everybody.
39:19Because we have all the energy.
39:20I last time I said it.
39:22It is all because of the positive energy from everybody.
39:24Riland cinema is a little light-hearted film.
39:28We have to feel the theater.
39:29If you don't like it, we have to feel the theater.
39:32This is the blockbuster series.
39:34You're the only musical musical for the first film.
39:39You're the only musical musical for the first film.
39:41You're the only musical musical for the first film.
39:46That's why I came to Ramana Gokula.
39:48You're the only musical musical for the first film.
39:51You're the only musical musical for the first film.
39:53If you're the only musical musical for the first film, you're the only musical musical for the first film.
39:57I was really happy.
39:58Ramana was a big fan.
40:00After 18 years, he came back and gave a super-hit song.
40:03And I was about to sing and sing along.
40:07We knew we had a blockbuster tune.
40:10The Onlyboy time was a casual example.
40:13As I sang, I used to sing along with the first film.
40:15If I sang along with the last film, I sang along with the last film.
40:17If I could sing along with that figuring out this film.
40:19I sang along with that I sang along with that.
40:21I sang along with that.
40:23I sang along with that.
40:24Him singing along with that, I sang along with that...
40:25Hey, Bims!
40:27Patsh!
40:29Anilgaru.
40:30Hi, Beansgaru. Hi.
40:32What's your name?
40:34What's your name?
40:35Mahesh Baba.
40:36Mahesh Baba.
40:37You're very happy.
40:39You're very happy.
40:41I'm telling you.
40:43I'm telling you.
40:45Anilgaru.
40:47Hi.
40:49Anilgaru.
40:51Without script general.
40:53What's your name?
40:55What's your name?
40:57We both have a sync.
40:59This is a three film.
41:01We'll have a hat trick.
41:03I don't have a sync.
41:05I don't have a sync.
41:07It's happening.
41:09We have a single single hero.
41:11We have a double blockbuster.
41:13Next, we'll have three.
41:15Hi.
41:17Sir, Aitha Aitha.
41:19Aitha, aitha.
41:21Aitha, aitha.
41:23Aitha, aitha.
41:25Here, sir.
41:27I've had a kind of vibe in this film.
41:29After that, Anilgaru came in a drive.
41:31So, Anilgaru was a full-pled romantic entertainer.
41:35I was told to you.
41:37So, Anilgaru's plan is for Anilgaru's plan.
41:41It's not all.
41:43It's not all.
41:45It's not all.
41:47It's not all.
41:49We have to be very honest with ourselves.
41:51Anil, sir.
41:53Teachers episode.
41:55Sir, Beamsgaru, hi.
41:57It's not all.
41:59It's not all.
42:01It's not all.
42:03It's not all.
42:05It's all.
42:07It's all.
42:09It's all.
42:11It's all.
42:13It's all.
42:15It's all.
42:16I've seen people who are excited.
42:17It's all.
42:18We're a part of it.
42:21So not all.
42:27I'm happy.
42:29So, I think that the publicity is not a part of the person.
42:39So, I think that's enough.
42:43That means that there are two people in the beams.
42:49There are two people in the beams.
42:51If you look at each other, you look at each other and you look at each other.
42:55My name is Madhuri Bhat.
42:57I have been in the music studio to be an artist,
42:59but if you don't like that,
43:01we'll have a great deal.
43:03I just like this.
43:05Van Greshgaru.
43:07Anil Rai Puri, sorry.
43:09Naagam Siharu has a recent comment.
43:13Bollywood's bandhra juhu cinema
43:15and a general audience
43:17who has a similar theme.
43:19So, do you think
43:21Tollywood, people are making movies for all the BCs and the mass audience and they are missing movies for family. That's why this Sangranthi Vassana is such a blockbuster.
43:31In the theatre, there is a vacuum space, there is a gap. So, if there is a gap, there is a set of audience.
43:39So, if there is a set of audience, then we can see the audience in the cinema.
43:43So, if there is a theatre, we can see the audience. So, if there is a space, I am very happy.
43:50So, if there is a set of audience, then we can see the audience.
43:53So, if there is a set of audience, then we can see the audience.
43:57So, I am very happy.
43:59Vimkar, hi. I was going through some old videos yesterday.
44:03I found one of your videos during Alayala, 2014.
44:08So, it feels like it was a hit.
44:13So, later, you did some movies, but it was not that great.
44:19Now, with Sangranthi Vassana, you scored a clean blockbuster.
44:22So, almost 20 years.
44:25So, in the success, people will go on giving a lot of interviews, promoting yourself a lot.
44:31But, you don't have a lot of interviews.
44:34So, do you have any training or promotion?
44:37First of all, correction.
44:38Damaka is 100 crore grass.
44:40That is the biggest hit for Bhimkar and Raviteja.
44:42Yeah, yeah.
44:43But, again.
44:44So, Damaka has a lot of hits.
44:45Damaka has a lot of hits.
44:46So, Bhimkar has a lot of hits.
44:47So, Bhimkar gave you that confidence to me.
44:48So, Bhimkar gave you that confidence to me.
44:50So, Bhimkar proved.
44:52This is an extension to that career.
44:53What is Bhimkar?
44:54What is Bhimkar?
44:55Sir, I didn't do that one important question.
44:56Important?
44:57Yes, sir.
44:58I didn't ask you.
44:59I didn't ask you.
45:00This is the comedy company in the cinema.
45:01I just said, Bhimkar is a good promotion.
45:02That's right.
45:03But, my friend I didn't ask you.
45:04If you didn't know that the publicity company, you said it.
45:05I don't ask you.
45:06I didn't ask you.
45:07I don't ask you.
45:08Important. Yes, sir.
45:09Sir, answer is not.
45:10This is comedy pradhananga in cinema.
45:12I think the answer is not.
45:13Yes, but I think the answer is not.
45:15Anil Garmin is not.
45:16Tell me.
45:17Tell me.
45:18Publicity is not.
45:19No.
45:20No.
45:21No.
45:22No.
45:23No.
45:24No.
45:25No.
45:26No.
45:27No.
45:28No.
45:29No.
45:30No.
45:31No.
45:32No.
45:33No.
45:34No.
45:35No.
45:36No.
45:37No.
45:38No.
45:39No.
45:40No.
45:41No.
45:42No.
45:43No.
45:44No.
45:45No.
45:46No.
45:47No.
45:48No.
45:49No.
45:50No.
45:51No.
45:52No.
45:53No.
45:54No.
45:55No.
45:56No.
45:57No.
45:58No.
45:59No.
46:00No.
46:01No.
46:02No.
46:03No.
46:04No.
46:05specific inspiration to incorporate this teacher's episode, sir.
46:35If you have any character realisation or content, you can see any character realisation.
46:40If you try it, you can see a mastercard track.
46:43So, if you have a teacher's episode, you can see a lot of content.
46:50Anil, here.
46:52Anil, right?
46:54Important, controversy or tricky, casual?
46:58Personal.
47:00Personal?
47:01Personal, I don't answer many.
47:04Anil Garu.
47:05Actually, we are in a movie, we have a message,
47:08we can tell you about this love story,
47:11and tell you about it.
47:12What is the situation in your personal life,
47:14and the story?
47:15No.
47:16High five.
47:18No, don't you say anything?
47:20Anil Garu.
47:21Anil Garu.
47:22This is Kirthi.
47:24The movie is already running on the second week,
47:27so the second week, third week is completed.
47:29The OTT is released.
47:31So, we have to release the OTT platform.
47:34It's G5.
47:35It's G5.
47:36It's G5.
47:37It's G5.
47:38It's G5.
47:39It's G5.
47:40It's the biggest package.
47:41It's the biggest package.
47:42And the other one,
47:43this song is called Black Buster song,
47:46so,
47:47how do you take these for the single time?
47:49Single take?
47:50Single take.
47:51Single take.
47:52Single take.
47:53Single take.
47:54Single take.
47:56Single take.
47:57Single take.
47:58Single take.
47:59Single take.
48:00Sure, sir.
48:02Actually you are a lot of the audience, but you are a lot of the audience.
48:06Babu, you have the most most important audience.
48:09You have the most amazing audience.
48:11They have the most amazing audience.
48:12They have the most amazing audience.
48:14They can watch a lot of tickets.
48:16That's the camera.
48:17That's the camera entertainment.
48:19They have a lot of cinema.
48:21Sir, please.
48:23I'll talk about a lot of the industry.
48:25A lot of the industry that you are having.
48:27If it is meant to happen, it will happen.
48:57If it is meant to happen, it will happen.
49:27If it is meant to happen, it will happen.
49:34If it is meant to happen, it will happen.
49:39If it is meant to happen, it will happen.
49:41If it is meant to happen, it will happen.
49:45If it is meant to happen, it will happen.
49:48Thank you, thank you to all the media.
49:50Think about it.
49:51Finally, we have a question.
49:52Please do a promise.
49:54Promise me first.
49:56I have promised to promise first.
49:58I know it will promise.
50:00If you are promised, you can promise that.
50:02I want to make a sequel for my sake.
50:06He wants to make a sequel for me.
50:09Promise?
50:10I don't know what is it.
50:11What promise?
50:13What is it?
50:14I don't know what I mean.
50:15The code words.
50:16You can say it.
50:17You can say it.
50:18You can say it.
50:19You can say it.
50:21You can say it.
50:23You can say it.
50:25You can say it.
50:27You can say it.
50:28No fake promise.
50:30No fake promise.
50:31No fake promise.
50:32No fake promise.
50:33It's true promise.
50:35Thank you so much.
50:36Yes.
50:37And ten years complete.
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