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Kurzfilme
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00:00Musik
00:06Women had to fight to put their hands on the technology.
00:10I continue to be astonished that we managed to produce as much media as we did.
00:18Studio D was given very little resources.
00:22Kathleen had an office in the basement of the Film Board.
00:26I think it was a former janitor's hangout.
00:28As we got into the industry, sort of seeing that lack of representation of particularly women of colour.
00:34Our lives was the first black women's newspaper in Canada.
00:38And it came about because black women needed a voice in Canada.
00:42It was very hard to get into print because you had to have a scoop.
00:47You couldn't write about something if it happened to you.
00:51Wanting to make a video in the early 80s would entail getting a port-a-pack.
00:57It was the first portable video camera.
01:00Took over the streets, occupied spaces.
01:02You set the deck up here. It was reel-to-reel.
01:06The way of editing was manually turning, bing, bing, bing.
01:10I heard that there had been a slaughter of students at Ecole Polytechnique.
01:17There was a reluctance to name misogyny as the driving factor behind the crime.
01:24That night, I went crazy.
01:26And I hold myself, not taking my car, and just hit some guys.
01:30The level of rage against women, the level of sexism, it was something that I think we never experienced before.
01:43Being a black lesbian in the movement, and it was as if we didn't exist.
01:49Power was in the hands of white women, and now women of colour were coming to have some of it.
01:55It was the first documentary directed by a Chinese-Canadian filmmaker in the history of the film board at that time.
02:06The Third International Feminist Book Fair, it was the only one that happened in North America.
02:12It was the first feminist newspaper in Canada.
02:15Dykes on Mikes, the longest-running lesbian show in the world.
02:19I think we would say that.
02:24Métis women are the cultural carriers.
02:27They're the story keepers.
02:28For us, our responsibility is to pass the culture on to future generations.
02:33We are the future ancestors.
02:37The archive is a warning and a promise to the future.
02:41I have to say
02:44So you women want to make films?
02:51It was like, yeah.

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