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পরিচালক-ফেডারেশন দ্বন্দ্ব মিটিয়ে নিক, ক'দিন পর সব কাজ তো করবে এআই: সুব্রত দত্ত
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6 months ago
ইটিভি ভারতের মুখোমুখি হয়ে তাঁর আসন্ন ছবি 'ম্যাডাম সেনগুপ্ত' নিয়ে অভিজ্ঞতা ভাগ করে নিলেন সুব্রত দত্ত ৷
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00:00
Thank you so much for joining us today, Amina Bhunita, and today we will be happy to be here today.
00:22
In the moment, Swabha said that he was a good person. If he could do something like that,
00:28
then we can say that he was a good person.
00:32
But in Kolkata, he was a good person.
00:34
I think he was a good person.
00:36
I think he was a good person.
00:38
He was a good person.
00:40
Thank you. I'm very happy.
00:42
What's your good person about Madam Sangupta?
00:47
I'm proud to say that Madam Sangupta, and I think he was a good person.
00:55
I have seen him film in Bangala.
00:57
They're very happy to be able to be an actor.
00:59
I think it's like Rahula, Gosik Senda, Paranda, Khawraj, Shanti, Ami, Devokriyo.
01:07
A very good actor.
01:09
In the main direction was the main actor.
01:11
Yes, I've got the character in the name of this character.
01:13
In the main character, it's really important.
01:16
And this character is a primary character.
01:17
So he does another promotion.
01:20
But in this particular position, what will you find?
01:22
When someone is in the middle there, the actor is in the middle of the corner.
01:26
Every actor is in the middle of the corner.
01:29
And the actor's second character is on the screen.
01:31
So I'll leave the mouth and just say, I'm going to get the right majority.
01:33
But in this particular action, then the actor is in the middle of the corner.
01:38
So this character is in the middle of the corner.
01:39
And that is very interesting.
01:41
Yes.
01:42
And to me?
01:44
I did not know the teaser version of the trailer, but I was the first one.
01:50
But I am not the main protagonist, I am the main pillar.
01:55
I am the main pillar of Ritu Anunna Rahul.
02:00
This is a very good idea.
02:02
Even the action sequences shoot.
02:05
I am going to talk about this character.
02:09
The fourth one is interesting.
02:11
I am very proud to be aware of this character.
02:14
But when I am the first one that I am the main pillar of Ritu Anunna Rahul,
02:19
I am very proud of the mountain.
02:21
I am very disciplined and I am very disciplined.
02:24
So a lot of people can learn.
02:26
I am not the only one who has done it.
02:29
So, I am always happy to be with this character.
02:32
It is always a pleasure to be working with Sayantan and Nandi Mubishi.
02:36
I am very proud to be with you.
02:38
So, the whole discipline of the day is not to be able to compromise, and the second release of the movies is a great amount of money.
02:49
It is a great amount of money, and it is a great amount of money.
02:55
So, this day, what did you say about this journey...
02:59
what did you go to this journey?
03:01
What did you tell me when you said...
03:03
that was technical, you were thinking...
03:05
what were the reasons you were thinking about.
03:08
So did you say that you were going to be the best?
03:11
I was asked for a few things...
03:13
I didn't work the script for it earlier.
03:17
I was asked for two things...
03:20
I was asked for a few things...
03:21
I was told to be the best,
03:23
But I think that Shantan said that this is the best thing.
03:27
And other director has said that this is not the best thing to do.
03:31
But Shantan said that someone said that that's how he's going to edit.
03:36
So that way he's, you know, that he's like,
03:39
you know, he's like, you know, there's a lot of shots in the post.
03:42
He's going to edit it.
03:44
That's why he's going to do that.
03:46
He's going to shoot a whole scene action.
03:48
He's going to cut.
03:50
So, that way, the poster is very difficult to shoot.
04:01
That's why we have to shoot.
04:04
And this is the question, as you know,
04:07
that in the 14th of the year, we have to shoot.
04:12
So, when we get to the perfect scene,
04:16
So, in this case, I would like to speak to you that a lot.
04:22
But, it seems that if you go to the end of the day after a day,
04:25
you would need to be very careful.
04:28
How do you think that is the fact that you have to speak to the end?
04:30
The end of the day after a day after a day, it depends on the content.
04:34
The one thing that tells you about the topic is very important.
04:37
Even if we can shift it by the RIT, then we will start shooting there.
04:40
It depends on which place it is and location.
04:43
So, I said that it depends on the content.
04:47
The government has been shooting 8 days.
04:49
Ramoji said that he was not.
04:52
And he said that he was shooting 9 days after the election.
04:55
He said exactly the rate of the election.
04:58
But the government has been talking about action,
05:01
and the action of the election, the action of the election.
05:03
So, I said that it depends on the election.
05:08
So, we have to do a lot of work.
05:09
Even though AI is not the same, we have to do a lot of work.
05:13
We have to do a lot of work.
05:15
Even though we have to do a lot of work.
05:17
I am watching this interview on Google and YouTube.
05:22
We have launched a lot of content.
05:26
We have to do AI-generated content.
05:28
So, we have to do a lot of work.
05:30
And then, if you don't have a film,
05:32
It is not real.
05:34
There are no cyber cafe.
05:35
There are no landlines.
05:38
They are very difficult.
05:39
The whole making will change.
05:41
But there will change.
05:42
What do you say?
05:44
I have to do a lot of work.
05:46
We are doing more work.
05:48
We are doing more work.
05:50
We are doing more work.
05:52
We are doing more work.
05:54
How do you say things like AI?
05:56
How do you say things like AI?
05:58
How do you say things like AI?
06:00
Is it a very good job?
06:02
No. When we were coming to the theatre, we were shooting all the time when it was cut.
06:06
We were going to the cinema and we were doing the cinema.
06:08
We were going to the bomb.
06:11
Bombay was involved in the US century.
06:14
Bombay was going to the first time in 2002.
06:17
We were not going to the main role in the theatre.
06:20
We were going to the main role in that film.
06:21
In that film, we had to do the theatre.
06:26
I think that there is no one in the past.
06:30
There is no one in the landline, there is no one in the landline.
06:32
There is no one in the format.
06:34
I was shooting U.P. to the same day,
06:36
but I was in the Indian city.
06:39
I was thinking,
06:40
what would you do on YouTube?
06:42
I would have to be a little bit of a hall.
06:44
I would have to be a small hall,
06:46
but I would have to be a small hall.
06:48
I would have to be a multi-place hall.
06:51
The whole idea is that it is in 2013.
06:54
There are a lot of people who are in the South.
06:56
And, at least they are in the South.
06:58
They are in the South.
07:00
They are going to shoot 300 and they are going to shoot 300.
07:02
And, they are going to generate AI.
07:04
But, we are going to do this with a lot of things.
07:08
What do we do in the rights?
07:12
The first thing is, you don't know about the industry.
07:16
The Federation Director Gilder has a very important thing.
07:21
It doesn't affect the industry.
07:25
Is there another family?
07:28
Is there another family?
07:30
Does this family have a family?
07:32
If it's particularly an act, multiply the things.
07:35
It's a very sad community.
07:37
We are concerned about the people of Parliament.
07:39
We are not concerned about the family.
07:41
We are concerned about the family.
07:43
We know based on the territory of the family.
07:45
But what happens?
07:47
I'm sure we are concerned about the fact that the military is not the right.
07:50
Mothel Rameel is still in the middle of the shooting.
07:52
However, I think that the industry has to be a problem
07:55
that makes it clear that the cinema industry doesn't exist.
07:58
This is the making process.
07:59
If it exists in the cinema,
08:00
this is the making process that we will have a relay shoot.
08:03
If we have a camera shoot on the mobile,
08:05
then we will have a steel photograph on the relay.
08:07
We will have a few photos.
08:09
So the making process is to be able to become a particular character.
08:13
There is no character in the world.
08:14
But when we see a particular scene at the weekend,
08:17
there is a complete problem solved.
08:20
How do you think about the Bangalore?
08:25
Who saw the Bangalore?
08:29
No, it's not the case.
08:32
We have been doing regular things.
08:34
We have not done the BAA.
08:37
We have been doing the BAA.
08:39
We have been doing the BAA.
08:42
We have been doing the BAA.
08:44
We have seen the BAA.
08:46
We have seen the BAA.
08:48
We have seen the BAA.
08:51
We have seen BAA in Bahand.
08:53
This is the reason we are doing some very well.
08:55
This is the case.
08:57
We were told that we have been working with a wife.
09:00
We would basically be doing a divorce.
09:02
If we had a BAA,
09:05
then we have not seen the BAA.
09:07
They have been taking the BAA.
09:08
We will usually wait for the BAA.
09:11
We have to leave a lot of the way for the BAA.
09:15
...but it's not the case.
09:18
We are still working very well.
09:21
But it's not that it's our industry that's very hard.
09:24
We're also working very well in hotels with the budget.
09:28
And we're still working with our budget.
09:31
But there's a gap that we'll have to produce.
09:34
From about to about 4 or 6 days in this place, I'm a producer.
09:37
So we're still working with our own business.
09:40
We're still being mobile.
09:42
So, it's a good job. It's a good job. I think it's a good job.
09:48
It's a good job. I'm always happy. I was very well-appreciated.
09:56
I'm very well-appreciated. I think I was very satisfied with a good job.
10:08
And Ritu Swam is the hardest part.
10:10
Hello, Ritu Swam is the hardest part.
10:15
I can't wait to see Ritu Swam.
10:17
So, Ritu Swam is the hardest part.
10:22
And Ritu Swam is the hardest part.
10:24
And the character is the most important part.
10:27
He tells us that he's not the best of this.
10:30
But Ritu is the hardest part.
10:32
That's the hardest part.
10:34
This is what you have seen in July, Madam Shenruth, which is a fantastic actress, Rahul Koshigda.
10:49
Thank you so much.
10:53
Thank you very much.
10:54
Thank you very much.
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