THE WOMAN IN GREEN (1945, Full Movie, English, Classics) HD
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Short filmTranscript
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00:01:00I won't forget that morning, not if I left to be 100.
00:01:12I counted the men as they marched out of the yard.
00:01:15They'd hardly slept for weeks.
00:01:17We of the CID had slept even less,
00:01:20for the nightmare that kept us awake was all the same nightmare.
00:01:25That's why we weren't surprised when the commissioner asked us up to the conference room
00:01:29for a bit of a talk.
00:01:30He'd talked to us plenty, we knew that.
00:01:33It didn't help any to know what was ahead of us.
00:01:43Must we have that window open, Braxton?
00:01:46Oh, shut it if you want to.
00:01:48See for being enough of a temper without having a ruddy blast down the back of his neck.
00:01:52Gentlemen, the commissioner.
00:02:03Stuffy in here.
00:02:09You sit here, won't you?
00:02:12Gentlemen, if you wish to know what able men you are,
00:02:15read any of the works of popular fiction that glamorize your achievements,
00:02:19but don't, I beg of you, read the daily papers.
00:02:23They might give you an inferiority complex.
00:02:27I hate to mention it,
00:02:29but we're confronted with a series of the most atrocious murders since Jack the Ripper.
00:02:35And in the meantime,
00:02:37the CID might as well be playing at Shalhaveney
00:02:40for all the good we've accomplished.
00:02:44Now look.
00:02:44Here, here, and here.
00:02:51Each of these red flags scattered through the city
00:02:53stands for a woman brutally murdered,
00:02:56a woman's terror,
00:02:57a woman's death agony.
00:03:00These are no ordinary crimes.
00:03:02These are the works of a fiend
00:03:04who kills first and mutilates afterwards.
00:03:07A ghoul who hacks off a part of his victim body
00:03:10and carries it away with him,
00:03:12a loathsome souvenir of his butchery.
00:03:15Three women murdered so far,
00:03:18and you haven't turned in one clue.
00:03:20You haven't given me one lead.
00:03:23Here you sit
00:03:24and wait for news of a fourth victim
00:03:26with your arms folded.
00:03:29Well, we hadn't long to wait.
00:03:37It was down Lambeth Way
00:03:38where a young woman was hurrying home late last night.
00:03:41She saw something and stopped.
00:03:44It was a constable.
00:03:46He spoke to her,
00:03:47and he walked along with her,
00:03:48just in case.
00:03:52He saw her down the stairway
00:03:54to the basement lodging where she lived.
00:03:57We can only surmise what happened after that.
00:04:14Well, I put my pride in my pocket
00:04:16and went to see the man
00:04:18who so often helped out Inspector Lestrade
00:04:20and myself in the past,
00:04:23Mr. Sherlock Holmes.
00:04:26If ever a man needed help,
00:04:33I did.
00:04:41This makes four, Inspector.
00:04:44Four defenseless women
00:04:45here in the heart of London.
00:04:46And everyone with the right forefinger hacked off.
00:04:49Not hacked, Inspector Gregson.
00:04:51Cleanly, expertly severed.
00:04:56I work for skilled surgeons.
00:04:58That's our only clue.
00:05:00Much about the age of my sister's girl.
00:05:03Is there no way of stopping this, Mr. Holmes?
00:05:04Yes.
00:05:08There's a way, somehow.
00:05:11Fiender did this.
00:05:13I promise.
00:05:15I promise.
00:05:16We've nothing to go on.
00:05:17That's the rotten part of it.
00:05:19We can't get far without knowing the motive.
00:05:21Well, at least we know what the motives were not.
00:05:23It wasn't robbery.
00:05:24No passion, thanks be,
00:05:25nor yet vengeance.
00:05:27Because they all came of totally unrelated families.
00:05:29Steady, Inspector Steady.
00:05:30I'm sorry, Mr. Holmes.
00:05:34I don't turn a hair when it's a bloke
00:05:35that can look after himself.
00:05:37A little slip of a thing like that.
00:05:39Yes, it's horrible.
00:05:40Come on, let's get a drink.
00:06:00Good evening, Mr. Holmes.
00:06:05Good evening, Vincent.
00:06:06Miss Kinseter, please,
00:06:06and a double for my friend here,
00:06:07Inspector Gregson.
00:06:09Thank you, sir.
00:06:09I think mine Irish.
00:06:11Please don't be to give me a hand
00:06:12on this thing, Mr. Holmes.
00:06:13Always a pleasure to be of help
00:06:14to scuttle in the island, Inspector.
00:06:15A little out of my line,
00:06:17looking for a maniac.
00:06:19That is just for the fun of it.
00:06:22Or perhaps just to get a human finger.
00:06:24In all four cases,
00:06:31a murderer risk capture
00:06:32and stop him to secure a finger.
00:06:38One of a four.
00:06:39Who knows?
00:06:40He's just a madman.
00:06:43Perhaps there's nothing in his madness.
00:06:46If we could just trace those missing fingers,
00:06:48if we could just drag the English channel,
00:06:51we might find a penny.
00:06:52Oh, well, thank you.
00:06:57Thank you, Mr. Holmes.
00:07:05Sir George Fenwick, isn't he?
00:07:07Yes.
00:07:07That is daughter with him.
00:07:09Don't be so naive, Inspector.
00:07:13You know everyone, don't you, darling?
00:07:15Well, hardly.
00:07:18A week ago, I didn't know you.
00:07:19A week?
00:07:21How fast has it come?
00:07:22I collect these things.
00:07:37How very quaint of you.
00:07:39Shall we go?
00:07:40Yes.
00:07:40What are you looking at, Mr. Holmes?
00:07:49Looking at a very handsome woman.
00:07:51Not born to the purple,
00:07:52but giving an excellent invitation.
00:07:54Would you like to come to my flat for a night, Cap?
00:07:56Lovely idea.
00:07:57Yes, isn't it?
00:07:58I wonder where she's taking Sir George Fenwick.
00:08:09Don't be so naive, Mr. Holmes.
00:08:12Good night.
00:08:13I'm looking for a such a deep week.
00:08:14Hi, Mr. Holmes.
00:08:16I am not looking at her.
00:08:17I'm looking for a deep like she's looking for a dark horse,
00:08:18To be a natural light.
00:08:19But, you know.
00:08:20See you next time?
00:08:21I can't see me.
00:08:22I'll take a deep like she's looking for a light.
00:08:22I can't take a deep like she's looking for a light.
00:08:24I can't maybe go on.
00:08:25I don't think she's looking for a light.
00:08:26I can't see you next time.
00:08:27Oh, my Lord.
00:08:28I can't see you.
00:08:29You can see that.
00:08:30I can't see you.
00:08:31I can't see you.
00:08:32I can see you.
00:09:03Good evening, Mum.
00:09:09Hello, Crandon. Any messages?
00:09:11No, Mum.
00:09:16Drinks, Crandon. One of your nice surprises.
00:09:19Yes, Mum.
00:09:20I say, you don't mean that...
00:09:21Crandon's a marvel. Aren't you, Crandon?
00:09:23Yes, Mum.
00:09:25You wouldn't believe the things she can do.
00:09:28Ah, charming.
00:09:31Delightful.
00:09:32Really? You think so?
00:09:33Oh, I'm so glad.
00:09:35Do you sit down.
00:09:37Do you mind?
00:09:39Do I mind?
00:09:40What a question.
00:09:43I don't mind anything, really.
00:09:46Except not being with you.
00:09:48Now, you really don't want me to believe that, do you?
00:09:50Not too seriously.
00:09:52Good.
00:09:53We're both quite grown-up, aren't we?
00:09:55Quite.
00:09:55You're a treasure, Crandon.
00:10:10And lower the light a little as you leave.
00:10:11I prefer a more flattering light.
00:10:21In any light, you'd be...
00:10:23Would I?
00:10:25And don't you know it.
00:10:26Oh, perhaps I do.
00:10:28Oh, that priceless woman.
00:10:40You wouldn't believe it, but she's absurdly romantic.
00:10:43She loves dreamy music, and...
00:10:45She thinks that we...
00:10:46But, uh...
00:10:47We do, don't we?
00:10:49Do we?
00:10:50Well, it's...
00:10:51Well, it's rather soothing.
00:10:53Restful.
00:10:54Yes.
00:10:54And we all need rest of time.
00:10:58Like tired children who played too long.
00:11:03You've played with wooden soldiers, I suppose.
00:11:06Hmm.
00:11:07Funny.
00:11:08I haven't thought of that for years.
00:11:10Toy boats were my special joy.
00:11:13Anything I could set afloat anywhere.
00:11:16Like this.
00:11:19And this.
00:11:21Toy boats sailing into the nether, neverland.
00:11:25The land of beautiful dreams.
00:11:28Look.
00:11:30Look, odd isn't it how the light is reflected?
00:11:34Little specks of light that move in the moon.
00:11:39Like stars on a slowly moving stream.
00:11:44You know, Holmes, I'm very sensitive to atmosphere.
00:11:46Oh?
00:11:47Yes, I can tell by the feel of this room there's been a murder committed here.
00:11:49It may interest you to know, my dear fellow.
00:11:51It was the other side of that door that put up the stairs that the poor girl was murdered.
00:11:54If only I could find it.
00:11:56Find what?
00:11:58The one thing these unfortunate victims have in common that might give us a motive for these murders.
00:12:03There must be something.
00:12:04Another Jack the Ripper, if you ask me.
00:12:05A homicidal maniac.
00:12:06No, Watson.
00:12:07In the case of Jack the Ripper, there was one thing in common.
00:12:10His victims were all from one walk of life living in the same section of the city.
00:12:13In this case, the murderer chooses his victims from all walks of life and from different sections of the city.
00:12:18Now, my dear fellow, this is not the work of a homicidal maniac.
00:12:22It's something infinitely more sinister.
00:12:24You mean the creeps?
00:12:25What the earth are you talking about?
00:12:26Watson, I'm convinced that these murders are only incidental to some larger and more diabolical scheme.
00:12:33That may be, but why the severed fingers?
00:12:34The answer to that question, my dear fellow, is I'll only hope of solving these mysteries.
00:12:39Dear sister, I am so happy I had such a lovely holiday at Brighton with you and Alf.
00:12:44And I'm looking forward to being with you again.
00:12:47Poor little thing.
00:12:49Sort of raises a lump in your throat.
00:12:51I can picture her sitting here happily writing this letter.
00:12:54And I'm not bitter realizing that she's shortly going to her death.
00:12:58Hello?
00:12:59Gregson?
00:13:00Oh, there you are, Mr. Holmes. I've been looking for you over to her.
00:13:07What's happened?
00:13:08Murder in Edgeway Road, not half an hour ago.
00:13:10Woman?
00:13:10Yes.
00:13:11On the right forefinger, cut off clean.
00:13:30MAN?
00:13:30One?
00:13:33Oh, my God.
00:13:39One?
00:13:40Oh, my God.
00:13:53I took a stand.
00:13:54Hold me.
00:13:54Get better.
00:13:55Get your paper, paper, all about the murder, all about the murder, paper, all about the
00:14:17murder.
00:14:18Another young woman found murder, paper, sir, horrible murder, paper, paper, read all about
00:14:29it.
00:14:30Get your paper, murdering Ezra Road, horrible thing to murder, shocking murder, murdering
00:14:41Ezra Road, horrible murder for young woman.
00:14:48It's been another of those horrible murders.
00:14:58Dear, dear, how shocking.
00:14:59Yes, ma'am.
00:15:00I really don't feel quite safe here myself.
00:15:03Oh, dear.
00:15:05Why, Sir George.
00:15:06I must see Miss Marlowe at once.
00:15:07I don't know if she...
00:15:08I must see her.
00:15:09Where is she?
00:15:10Lydia.
00:15:11Why, Sir George.
00:15:12Why, Sir George.
00:15:13I must see Miss Marlowe at once.
00:15:14I don't know if she...
00:15:15I must see her.
00:15:16Where is she?
00:15:17Lydia.
00:15:18Why, Sir George.
00:15:19What is it?
00:15:20What happened?
00:15:21I don't know.
00:15:22I don't know.
00:15:23You'll have to help me.
00:15:24You've got to help me.
00:15:25But I don't understand.
00:15:26Listen.
00:15:27I woke up a few minutes ago in a cheap boarding house off Edgware Road.
00:15:30I don't know how I came there.
00:15:31I don't know when.
00:15:32The last thing I remember is being here with you.
00:15:34Calm yourself, Sir George.
00:15:35When did I leave here?
00:15:36Well, it was about...
00:15:37It was 10.45, Mum.
00:15:38Precisely.
00:15:39It was 10.45, Mum.
00:15:40Precisely.
00:15:41What is it?
00:15:42What is it?
00:15:43What happened?
00:15:44I don't know.
00:15:45You'll have to help me.
00:15:46You've got to help me.
00:15:47But I don't understand.
00:15:48Listen.
00:15:49I woke up a few minutes ago in a cheap boarding house off Edgware Road.
00:15:52I don't know how I came there.
00:15:53I don't know when.
00:15:54The last thing I remember is being here with you.
00:15:55Calm yourself, Sir George.
00:15:57When did I leave here?
00:15:58Well, it was about...
00:15:59It was 10.45, Mum.
00:16:00Precisely.
00:16:04You seemed...
00:16:05Forgive me.
00:16:06Just a little distressed.
00:16:08Detached.
00:16:09Not interested.
00:16:10I thought I'd said something to offend you.
00:16:13I don't remember.
00:16:22I can't remember.
00:16:24Tell me.
00:16:25Has this happened to you before?
00:16:27Before?
00:16:28Well, there is such a thing as amnesia, you know.
00:16:31It was 10.45 when I left you.
00:16:34It was 9 this morning when I woke.
00:16:36Over 10 hours lost.
00:16:4010 hours that I can't account for.
00:16:45And in my pocket when I woke, I found...
00:16:48Yeah, in my pocket.
00:16:50That... that isn't...
00:16:52Oh, it's not for you, of course.
00:16:53It can't be.
00:16:54Excuse me, Mum.
00:16:55But there's a man asking to see the gentleman.
00:16:56Send him away.
00:16:57Yes, Mum.
00:16:58No, no, no, no.
00:16:59No, please.
00:17:00I'll see him.
00:17:01Well?
00:17:02Delightful room.
00:17:03Not much like the place you went to.
00:17:04Well?
00:17:05Delightful room.
00:17:06Not much like the place you went to.
00:17:07Well?
00:17:08Delightful room.
00:17:10Not much like the place you woke up in this morning.
00:17:25You followed me here?
00:17:26Yes.
00:17:27Are you, uh, a detective?
00:17:30Oh, no.
00:17:32Quite the contrary.
00:17:34Don't be afraid, Sir George.
00:17:36You know my name?
00:17:38Oh, yes.
00:17:39a very old and highly honored name and being the bearer of such a name and also
00:17:46a very wealthy man I thought you might care to possess yourself this trifle
00:17:54rather than let it fall into the hands of the police it is yours if I'm not
00:17:59mistaken the initials GF
00:18:02where did you get this it came out of your pocket I saw it fall that you'd ever
00:18:11noticed
00:18:14you were very busy bending over something with a knife
00:18:23then you put something in your pocket
00:18:32come along come along come along how many more times as I tell you you're missing a treat this is delicious
00:18:41little jam tarts to follow aren't you tempted
00:18:44you and your flesh parts
00:18:49they tell me that fish is good for the brain brains haven't any you realize that a day a whole day
00:19:00and a night has gone by since the best you've affair in Edgewell Road
00:19:03I'm as much in the dark as ever
00:19:12well here comes a client to miss I'm very much mistaken
00:19:15well attractive very attractive
00:19:27obviously she left home under the stress of some very great emotion
00:19:36how do you know that she's wearing any gloves
00:19:38a startling omission on the young lady of fashion
00:19:40well she didn't put her coat on
00:19:42open car too
00:19:43well the more there's something in that bag she wants to show me
00:19:51what makes you say that
00:19:53bag doesn't match her dress indicating he was picked for size rather than style
00:19:57to accommodate some bulky object
00:20:00you're amazed me
00:20:02what do you mention my dear fellow
00:20:04well that's it
00:20:10what is
00:20:11a cab
00:20:14tearing at the empty house
00:20:15I wonder why he followed her here
00:20:21oh wasn't you
00:20:22I was assuming he was lousy's
00:20:24yes mrs hudson
00:20:33it's a young lady sir most urgent ask her to come in oh go right in miss
00:20:39mr holmes yes this is my friend dr watson how do you do mr holmes i you must excuse me please i
00:20:58yes well won't you sit down come along may i it's quite all right
00:21:09thank you
00:21:19now try to control yourself miss manicure with friends
00:21:21you know my name no magic i assure you i've often seen your picture you're the daughter of sir george
00:21:27very can't you yes it's about my father that i
00:21:31what about your father miss fenwick oh i don't know what to do
00:21:35he's always been the nicest dearest person
00:21:40only since mother died
00:21:42yes yes we know
00:21:45so i didn't think anything of it when he was away all night before last
00:21:49but he didn't come home until yesterday at tea time he didn't come in for dinner at all
00:21:54just paced up and down in the library hour after hour
00:21:57i begged him to let me in but he wouldn't
00:22:00steady steady
00:22:03now take your time
00:22:05i couldn't sleep a wink last night
00:22:08then i started hearing things hearing things what sort of things
00:22:13i heard someone in the garden underneath my window
00:22:15and then i saw figure moving down the garden path and i recognized my father
00:22:23dealing through his own garden like a thief
00:22:31he had a spade in his hand and he stopped by the greenhouse where he started to dig
00:22:36this morning at daybreak i i stole onto the garden and
00:22:44i found this
00:22:45a finger a human finger
00:22:56bring up scotland yard buddy watson
00:22:59ask them to get hold of inspector gregson and tell him to meet us at once it's george fennick's house
00:23:03kingston operator get the scotland yard quick
00:23:10where's my father morris he's still in the library miss thank you we'll see him right away
00:23:14will you come with me please thank you i got your message mr holmes yes indeed
00:23:17please
00:23:22dad now come in
00:23:26dad
00:23:28honey
00:23:31don't know
00:23:33you mind
00:23:35thank you
00:23:38watson quick come on
00:23:39no no no no take charge miss phinnock please please come along with me
00:23:50dead
00:23:55how do you make of it doctor shot the back to the second and third ribs the bullet undoubtedly
00:24:00had penetrated the heart look at the powder marks on his coat i'm afraid of this what do
00:24:05you mean don't you remember the man in the cab who followed miss phinnock to baker street well
00:24:09you don't think he had anything to do with the deal i think it's reasonable to assume that he
00:24:12tipped off someone that i've been sent for george has obviously been murdered to keep him from
00:24:17telling me what he knew what was the weapon used small caliber revolver point-blank range
00:24:25the murderer came in through those french windows the mud from the garden he brought in in
00:24:29his boots the george must have surprised the intruder how's the room to him here
00:24:37what follows we can't tell but from the location of the wound
00:24:41i'd say that he turned his back for a moment and as he turned
00:24:44the muzzle of the revolver was placed between his ribs and one muscle shot fired
00:24:48you mean to say he kept on going even after he was shot there's no doubt about it look there
00:24:53the trail of blood leads us back to the desk there's something that george was after
00:25:03something i know he was trying to summon help poacher i don't think so watson there's the bell
00:25:08pulled by the fireplace no you'll notice from the trail of blood that sir george made straight to
00:25:15this desk here i wonder something he was desperately anxious to get hello his right hand's clenched
00:25:25perfectly natural death agony the left hand lies open why only one hand clenched into death agony
00:25:31the right hand the hand here is the desk please note that it's that george took something off this
00:25:37desk something so important that he spilled his last drop of blood to get it i want to know what it is
00:25:45it's nothing but an ordinary match folder where does that leave us
00:26:03i imagine it's something very important gregson this match folder's from fembrook house why shouldn't
00:26:08it be he was there you know we saw him yesterday yes but the effort he made after he was shot to get
00:26:14hold of this match folder it's just possible i wanted someone to remember pembrook house
00:26:23i may have wished to recall it for someone who saw him there someone who like ourselves saw him with a
00:26:28come in oh dr watson this came by hand for mr holmes not 10 minutes ago thank you mrs
00:26:54that would be the report from george's bank oh really don't you remember his account had it looked into at once
00:27:10hmm he drew out his entire balance in cash nearly ten thousand pounds yesterday just after that young
00:27:18woman was murdered what does that suggest you watson he paid it out to someone precisely i smelled a faint
00:27:24sweet odor of blackmail you don't think he paid it out to someone who saw him murder the mclean woman
00:27:29sir george never murdered anyone but he didn't have that woman's finger and he empty did have a lot of
00:27:34and pay out a lot of cash that's the terrifying part about blackmail watson the victim is afraid to fight the
00:27:40accusation no matter how false once the accusation is made name is smeared and sometimes his life is
00:27:47ruined well george didn't commit these murders i've seen dead i rather think they're not the work of
00:27:55any one man oh come home you don't expect me to believe there's a whole organization going about
00:28:00killing people and chopping off their fingers that's possible quite possible whoever's behind all this
00:28:07thing must be out of his mind on the contrary my dear fellow if my assumptions are correct this
00:28:12little scheme has behind it the most brilliant and ruthless intellect the world has ever known
00:28:17you don't mean professor moriarty i do well steady homes you've got him on the brave this is a third
00:28:22time in as many months he was suspected of unsolved crimes he's dead you know is he you know he is he
00:28:28was hanged in montevideo all over a year ago i know that someone was hanged in montevideo under that name
00:28:34but i'll stake my reputation that moriarty is alive and here now in london
00:28:44hello yes the dr watson williams me
00:28:51well yes this is dr watson speaking no no i'm afraid i've retired i don't practice anymore
00:28:58what what oh that's a different thing the emergency case where just a minute
00:29:09yes yes well see she's not moved remember that don't touch it till i get there
00:29:14it's a practice case in the carless muse heavy woman 14 stone
00:29:2614 stone this is the sort of person who would hoist herself up on a stool to feed the canary
00:29:32there ought to be a law against fat people keeping little dicky birds well
00:29:36there ought to be a little amelia what's the name in the world
00:29:43you have to be an attractive child oh who would it be the name of amelia what amelia
00:29:49is
00:30:06stupid about it
00:30:45Oh, Professor Moriarty, not that I wish to appear inquisitive, not to what am I indebted for the pleasure of this visit. Scotland Yard will be interested.
00:31:11It's very convenient for me to have Scotland Yard think that I'm still dead in Montevideo. I've never dreamed of fooling you.
00:31:21Well, the thought occurs to me, Mr. Holmes, that there are some advantages in living within the law.
00:31:30They are very comfortably fixed there, aren't you?
00:31:34As I get on in life, the little comforts appeal to me more and more.
00:31:39Oh, I beg your pardon. Won't you sit down?
00:31:45And now, Professor Moriarty, what can I do for you?
00:32:02Everything that I have to say to you has already crossed your mind.
00:32:05And my answer is no doubt crossed yours.
00:32:09Yes, final.
00:32:11What do you think?
00:32:13I shall not rest until you are hanged for the finger millers.
00:32:18There's no proof, you know.
00:32:19Oh, the shred.
00:32:26But I have you.
00:32:27I could turn you over to the police here and now.
00:32:30You could.
00:32:32But if you did, you'd never see Dr. Watson again.
00:32:36Oh, the telephone call.
00:32:38Quite.
00:32:39I rather assumed you had taken some such precaution.
00:32:43Or I should have snatched up a revolver
00:32:45and indulged in a fit of your works when you came in.
00:32:48Very smart, aren't you?
00:32:52Not smart enough.
00:32:54Well, I should have anticipated you.
00:32:56But if any harm comes to Dr. Watson, I shall seek you out.
00:33:01I shall not rest until I find you.
00:33:02And when I do...
00:33:03No harm will come to Dr. Watson this time.
00:33:06But I can't answer for the future.
00:33:09Mr. Holmes, I should strongly advise you to drop this case.
00:33:13Don't be silly.
00:33:14Think it over.
00:33:15We've had many encounters in the past.
00:33:17You hope to place me on the gallows.
00:33:20I tell you, I shall never stand up on the gallows.
00:33:23But...
00:33:23If you are instrumental in any way in bringing about my destruction,
00:33:28you will not be alive to enjoy your satisfaction.
00:33:31And we shall walk together through the gates of eternity hand in hand.
00:33:34What a charming picture that would make.
00:33:36Yes, wouldn't it?
00:33:36My relative, it might be worth it.
00:33:38Shoe-laces, Captain, are tons of pain.
00:33:47And strong enough to hang yourself.
00:33:49How many more times since I tell you I don't want your filthy shoe-laces or your company?
00:33:55Shoe-laces, Captain?
00:33:56Nothing impertinence.
00:33:57Run along, my good man.
00:33:58Or I'll give you in charge.
00:33:59Shoe-laces, Captain?
00:34:05Shoe-laces, Captain?
00:34:07You're a poor bloke.
00:34:08What's only got one arm?
00:34:11Any luck with Mr. Holmes?
00:34:12You can read his obituary in tomorrow's papers.
00:34:25Oh, there you are, Watson.
00:34:26Come in.
00:34:27How is that?
00:34:29Just going out to look for you.
00:34:31Look for me what for?
00:34:33Well, you don't think I know my way about?
00:34:35Well, you're right, I don't.
00:34:36Blast old practical jokers, anyhow.
00:34:38Know where I've been?
00:34:39On a wild goose chase.
00:34:41Exactly.
00:34:41There's no such number in McArdle's muse.
00:34:44Some fool's idea of a joke.
00:34:47Did you, uh...
00:34:48Did you see anyone?
00:34:50No, nobody especially.
00:34:51Only a whining old idiot selling bootlaces.
00:34:54It was St. Becker, wasn't he?
00:34:56Stuck you like good death.
00:34:57Oh, how do you know?
00:34:59He finally left you for someone who looked like Philip Pickings.
00:35:03Someone, my dear Watson, was Professor Moriarty himself.
00:35:06What?
00:35:06Just called on me.
00:35:08Moriarty here and you let him go?
00:35:09Just the other you mind.
00:35:11Why?
00:35:12Well, he bluffed me into believing that he was holding a friend of mine as hostage.
00:35:15Friendly of who?
00:35:16Oh, nobody very important.
00:35:17Just a fat lazy fellow.
00:35:18Medical man, I believe.
00:35:19Medical man?
00:35:20Do I know him?
00:35:20Yes, I think you do.
00:35:21A fellow by the name of Watson.
00:35:22Watson, Watson, never heard.
00:35:25Who?
00:35:25Me?
00:35:25I'm afraid so, old fellow.
00:35:28Your street hawker's job was to do away with you in a certain contingency.
00:35:35You let Moriarty go because of me?
00:35:38I have no choice.
00:35:39I can't afford to lose you, old fellow.
00:35:40Well, it's very decent of me, old chap, I must say.
00:35:43But, uh, well, I wish you'd nabbed him.
00:35:48We shall never fear.
00:35:50I know the motive for the finger murders.
00:35:52All I have to find out now is the method used with the blackmail victims.
00:35:55Method?
00:35:56Yes.
00:35:58How does Moriarty get them to the scene of the crime?
00:36:01How does he plant those severed fingers on them?
00:36:04And how does he scare them into believing that, uh,
00:36:08he may have committed those atrocious murders themselves?
00:36:13Curious.
00:36:19Very curious.
00:36:22Curious?
00:36:23What's curious?
00:36:23That window in the empty house across the street.
00:36:31First floor front.
00:36:33Huh?
00:36:34What's wrong with it?
00:36:35It's open.
00:36:36Well, shouldn't it be open?
00:36:38Well, it wasn't open half an hour ago.
00:36:39I'll stake my life on that.
00:36:41Well, it's not our business.
00:36:42It's very open.
00:36:44I, uh, wonder if you'd go over, old fellow,
00:36:47and see what's the matter.
00:36:48Oh, trust him.
00:36:50Against the law.
00:36:51Well, I'll go, Mr. Stoltz.
00:36:52Oh, well, if you're going to put it like that,
00:36:54ridiculous waste of time.
00:36:56Think about shutting windows at this hour of the night.
00:36:58Yeah, you'd better take this torch.
00:36:59Okay, what?
00:37:01Well, dignified job for a doctor.
00:37:03Dr. Watson, the torchbearer.
00:37:05Well, what do you propose to do?
00:37:06Sit in a comfortable chair, I suppose, and read a good book.
00:37:08That's a very good idea.
00:37:09Yeah, that's a very good idea.
00:37:10Well, I play night watchman.
00:37:12You have a nice read.
00:37:13Good night, have a good time.
00:37:15Have a good time, when we have to...
00:37:29There you go.
00:37:32Oh, I'm very scared.
00:37:35A little thing to keep about the house.
00:37:38Must have been a pet.
00:37:41Oh, I'm very scared.
00:37:44Oh, I'm very scared.
00:37:47A little thing to keep about the house.
00:37:50Must have been a pet.
00:37:53Oh, dear.
00:38:02Oh.
00:38:19Word.
00:38:20Good work, Barbara.
00:38:22Hello.
00:38:24What do you want?
00:38:25Yes, sir.
00:38:26I can't believe it.
00:38:27I can't believe it.
00:38:28I can't believe it.
00:38:29That's not apretent.
00:38:31Oh!
00:38:50Well, he's such comfortable reading a book.
00:39:01I'm sorry.
00:39:09I'm sorry.
00:39:16I'm sorry.
00:39:18You can't tell me.
00:39:22Don't bother me here.
00:39:24I'm sorry.
00:39:25He killed whom? He killed someone!
00:39:28What, sir?
00:39:29You? But I saw him shoot you a second ago!
00:39:32Not me, my dear fellow.
00:39:33Nearly the bust of Julius Caesar.
00:39:35Incidentally, you may have noticed that all through the ages,
00:39:38prominent men have prominent noses.
00:39:45Well, I'm afraid we're in for terrible trouble again with Mrs. Hudson.
00:39:49Windows smashed, plaster all over the floor.
00:39:51Get up, you.
00:39:55Corporal Williams, Middlesex Regiment.
00:39:59Discharge from the Army is physically unfit.
00:40:03Papers seem in order.
00:40:09Now, Corporal Williams,
00:40:11you've seen the service in the Far East, haven't you?
00:40:13The East?
00:40:15I thought so.
00:40:17Look at his complexion, Watson.
00:40:18Yellow is saffron.
00:40:19He's been taking atabrine.
00:40:21Cure for malaria.
00:40:22Sniper, aren't you?
00:40:24Sniper.
00:40:28Why did you try to kill me?
00:40:31I had to kill him.
00:40:33I had to.
00:40:35Oh, snap out of it!
00:40:36Stop it, Watson.
00:40:37He's shamming.
00:40:38No, he isn't.
00:40:39Who told you to kill me?
00:40:43She told me.
00:40:44She told you?
00:40:45I couldn't miss.
00:40:46Well, luckily you did miss, you murderer.
00:40:47Isn't a murderer, Watson.
00:40:48Listen, Corporal Williams.
00:40:50She told you you had to do it, didn't she?
00:40:51I had to do it.
00:40:52I've got it, Watson.
00:40:53I've got it.
00:40:54Got what?
00:40:55The method used in the finger murders.
00:40:56Well, what is it?
00:40:57Hypnotism, my dear fellow, hypnotism.
00:40:58And it wasn't against his nature.
00:40:59That's the devilish part of it.
00:41:00They picked a man for that purpose whose job was smiping.
00:41:01Who are they?
00:41:02Professor Moriarty and his finger murderers.
00:41:03William's book of a woman.
00:41:04I think you will find a man for that purpose whose job was smiping.
00:41:07Who are they?
00:41:08Professor Moriarty and his finger murderers.
00:41:09William's book of a woman.
00:41:11I think you will find that she asked him home tonight for a drink.
00:41:14Nice, quiet rooms.
00:41:15Soft lights, music.
00:41:16You've got it all packed, Mr. Holmes.
00:41:17What's the lady look like?
00:41:18Oh, well.
00:41:19Up 30.
00:41:20Up 30.
00:41:2120.
00:41:2220.
00:41:2320.
00:41:2420.
00:41:2520.
00:41:2620.
00:41:2720.
00:41:2820.
00:41:2920.
00:41:3020.
00:41:3120.
00:41:3220.
00:41:3320.
00:41:3420.
00:41:3520.
00:41:3620.
00:41:3720.
00:41:3820.
00:41:3920.
00:41:4020.
00:41:4120.
00:41:4220.
00:41:4320.
00:41:4420.
00:41:4520.
00:41:4620.
00:41:4720.
00:41:4820.
00:41:4920.
00:41:5020.
00:41:5120.
00:41:5220.
00:41:5320.
00:41:5420.
00:41:5520.
00:41:5620.
00:41:5720.
00:41:5820.
00:41:5920.
00:42:0020.
00:42:0120.
00:42:0220.
00:42:0320.
00:42:0420.
00:42:0520.
00:42:0620.
00:42:0720.
00:42:0820.
00:42:0920.
00:42:1020.
00:42:11Well, if you believe that fellow Williams was hypnotized, I suppose you think Sir George
00:42:15Fenwick was hypnotized, too.
00:42:17I'm quite sure of it.
00:42:18Have a cup of tea?
00:42:19Thanks, old boy.
00:42:20Nothing to eat.
00:42:21Well, why didn't these people make Sir George do the murder himself?
00:42:24Because they didn't want to get him hanged.
00:42:26They, uh...
00:42:27They wanted to blackmail him.
00:42:28They wanted to blackmail him.
00:42:30They didn't want to get him hanged.
00:42:31They wanted to blackmail him.
00:42:33They didn't want to get him hanged.
00:42:36They didn't want to get him hanged.
00:42:38They wanted to blackmail him.
00:42:41Well, who do you think the actual murderer is?
00:42:43What a Moriarty's gang.
00:42:45A diabolically simple technique.
00:42:48Kill a woman.
00:42:49Yes, yes, yes.
00:42:50But why cut off the fingers?
00:42:52My dear fellow, don't you understand?
00:42:54The severed finger is what links the blackmail victim to the murderer.
00:42:58He wakes.
00:42:59Finds the grizzly thing in his pocket.
00:43:01Doesn't know how he got there.
00:43:03He has no idea that he's been hypnotized.
00:43:05For all he knows,
00:43:06he may have committed the atrocious crime
00:43:09during some dreadful lapse of sanity.
00:43:12In that state,
00:43:13when he's utterly demoralized,
00:43:15he blackmailed us take over.
00:43:16Is that it?
00:43:17Undoubtedly.
00:43:18You see,
00:43:19they swear that they saw him commit the murder.
00:43:20And, being human,
00:43:21the victim will pay anything
00:43:23rather than stand trial on a charge
00:43:24that will make his very name loathsome.
00:43:26Well, it all fits in,
00:43:27if you believe in hypnotism.
00:43:29The only possible explanation.
00:43:31Do you think the hypnotist is that, uh,
00:43:33woman with the blonde hair,
00:43:35the lustrous eyes,
00:43:36the woman you invented?
00:43:38I didn't invent her.
00:43:39I saw her.
00:43:40What are you talking about?
00:43:42That woman, my dear Watson,
00:43:44was with Sir George when he left Pembroke House.
00:43:48I saw her there.
00:43:49I shall see her again.
00:43:51And Williams will lead me to her.
00:43:53That's why it's so important to keep him safe.
00:43:55He will identify her.
00:44:02Hello?
00:44:03Yes?
00:44:04Inspector Gregson?
00:44:08What?
00:44:10Well, get every constable in the district.
00:44:12Yes, I'll be over at once.
00:44:14What's happened, Holmes?
00:44:15Williams is missing.
00:44:16Great Scott!
00:44:17Come on.
00:44:23Laurie crashed into Gregson's car,
00:44:24during computer.
00:44:25Williams disappeared.
00:44:26Escaped, eh?
00:44:27No.
00:44:28Kidnapped.
00:44:29To keep him from talking when he came to.
00:44:30You don't think that Moriarty...
00:44:31Moriarty?
00:44:32Anything is possible.
00:44:39Williams!
00:44:40Dead.
00:44:41You see?
00:44:42Anything is possible.
00:44:44It is possible.
00:45:09Good morning, Professor Moriarty.
00:45:11You startled me.
00:45:13I'm dressing another dolly.
00:45:15A dear little nurse.
00:45:19Is there anything wrong with your finger?
00:45:22Just a splinter.
00:45:23Nasty things splinters.
00:45:25Most trying.
00:45:27One can't be too careful.
00:45:29But I'll get it out for you.
00:45:32I have the very instrument to help you.
00:45:38Sharp enough to split a hair.
00:45:40Put those tools away until they're needed.
00:45:42But they're not tools, sir.
00:45:44They're instruments.
00:45:45Put them away.
00:45:46Is Lydia in?
00:45:47Yes.
00:45:48But really, you should let me.
00:45:52Get dressed.
00:45:53Holmes and Watson just left Baker Street to the Mesmer Club.
00:45:55Mesmer Club?
00:45:56The meeting place of all the top hypnotists in London.
00:45:58Do you suppose that Mr. Holmes is on to our method?
00:46:00It is suspects.
00:46:01It's merely a suspicion.
00:46:02It's our business to see that it ends there.
00:46:03I hope you're right.
00:46:04William has passed away before he could talk.
00:46:05Remember?
00:46:06What do you want me to do?
00:46:07Go to the Mesmer Club.
00:46:08Meet Holmes.
00:46:09And induce him to come back here.
00:46:11Isn't that a bit dangerous?
00:46:12Every meeting with Sherlock Holmes is potentially dangerous.
00:46:13However you say, he didn't see your face at Flembrough House.
00:46:14And how would you suggest I get Mr. Holmes to accompany me here?
00:46:15I don't know.
00:46:16I don't know.
00:46:17I don't know.
00:46:18I don't know.
00:46:19I don't know.
00:46:20I don't know.
00:46:21I don't know.
00:46:22I don't know.
00:46:23I don't know.
00:46:24I don't know.
00:46:25I don't know.
00:46:26I don't know.
00:46:27I don't know.
00:46:28I don't know.
00:46:29I agree.
00:46:30You don't know.
00:46:31I don't know.
00:46:32Things you can do in your house.
00:46:33You can see why.
00:46:34I don't know.
00:46:35Can't wait for a second.
00:46:36Is that not a bit dangerous?
00:46:37Every meeting with Sherlock Holmes is potentially dangerous.
00:46:40However you say, he didn't see your face at Flembrough House.
00:46:42And how would you suggest I get Mr. Holmes to accompany me here?
00:46:45Kidnap him?
00:46:46Oh, no.
00:46:47Holmes has one weakness.
00:46:48His insatiable curiosity.
00:46:49If you can arouse that you can lead him anywhere.
00:46:51It's up to you to take advantage of any opportunity that may arise.
00:46:56This way, please, Dangleberry.
00:46:58I'll tell Dr. Onslow that you're here.
00:47:02This is the Mesmer Club.
00:47:05If you ask me, hypnotism is a lot of mumbo-jumbo.
00:47:08Oh, come now, Watson. As a medical man, you must admit that hypnotism has its place in modern science.
00:47:13That may be, but 90% of hypnotists are crooks of the worst kind.
00:47:17Nothing more than a lot of charlatans exploiting weak-willed morons.
00:47:20Ah. Dr. Onslow, I believe.
00:47:22Ah, happy to meet you, Mr. Holmes.
00:47:24Hello. Your brother Mycroft suggested I might be of help to you.
00:47:28He's a valued member of our little group of charlatans and crooks.
00:47:33Oh, I beg your pardon, sir. I didn't know you were listening.
00:47:35Oh, behind the curtain.
00:47:36My friend, Dr. Watson.
00:47:37Ah, delighted.
00:47:38Pardon, sir.
00:47:39I wonder, now. You see, we're in the midst of a little experimental session at this very moment.
00:47:43If you'd, uh, care to join us.
00:47:46Oh, certainly, certainly.
00:47:47I'll be very instructive.
00:47:48Oh, well, will you follow me?
00:47:50What's going on with the way behind the blasted clinical?
00:47:52In treating this patient.
00:47:54For today, the therapeutic value of hypnotism, as we now call it, is conceded by innumerable physicians.
00:48:02Especially is of value in surgical cases where the administration of local or of general anaesthetic is inadvisable.
00:48:09Inadvisable poppycock.
00:48:11What?
00:48:12For the sake of latecomers, I may say that I have placed this subject under profound hypnosis.
00:48:18In this condition, he can feel no pain, even under applications which normally would be excruciating.
00:48:24Excruciating?
00:48:25Oh, excuse me, please.
00:48:27Carter, you are having a peaceful sleep. You feel nothing.
00:48:32Your arms and your hands are without sensation.
00:48:37Mowbray, the long needle.
00:48:47Carter, give me your right hand.
00:48:49As you observe, the needle has been thrust completely through the subject's hand.
00:49:03No feeling, no pain.
00:49:05This lack of feeling is the one infallible test of profound hypnosis.
00:49:10Nonsense.
00:49:11The fellow's full of drugs.
00:49:12Oh, isn't he?
00:49:13Definitely.
00:49:14You're not, Doctor.
00:49:20Wake up, Carter.
00:49:21Wake up.
00:49:22You'll feel well and rested, remember.
00:49:24No pain anywhere.
00:49:25Wake up.
00:49:26Wake up.
00:49:30I say, when are you going to begin?
00:49:31All through, Carter.
00:49:32Stand up.
00:49:37This way, sir.
00:49:38And, uh, are these all the people that come here?
00:49:42Oh, no, no, no.
00:49:43Others keep dropping in all the time.
00:49:45I suppose it's all right for those who believe in it.
00:49:47But, of course, I'm a professional man myself.
00:49:49Then you don't believe in hypnotism, Doctor Watson.
00:49:52I don't deny that there are certain types of hysterical people-minded people
00:49:56who go under a few point of finger at them.
00:49:58But anyone with an ounce of character.
00:50:01How right you are.
00:50:03You see right through our little artifices, don't you, Doctor?
00:50:06Right through, my dear sir.
00:50:07Right through.
00:50:08Right through.
00:50:09Right, sir.
00:50:10But with the feeble-minded, as you say...
00:50:13Excuse us, Mr. Holmes.
00:50:15Oh, certainly.
00:50:16Step over here, won't you?
00:50:17Certainly, sir.
00:50:18Anything to oblige.
00:50:19Let me show you how easily we charlatans take advantage of them.
00:50:25Now, sit down, Doctor.
00:50:27Now, will you put a thing like this in motion?
00:50:37It's wonderful, the attraction.
00:50:39On the feeble-minded, of course.
00:50:42The continuous motion, if they just let themselves follow it.
00:50:48Of course, you could stare at it till doomsday, Doctor Watson.
00:50:53With no effect at all.
00:50:56Still, it might make you a little drowsy.
00:51:01Like the white ribbon of road at night when you're driving.
00:51:07The rhythm is smooth, unbroken.
00:51:14And the road goes on and on.
00:51:17Round and round.
00:51:19Always the same.
00:51:21Winding and winding.
00:51:24And you're drowsy.
00:51:26You're tired.
00:51:28Let the road come into you, as it were.
00:51:33The long road.
00:51:35The smooth road.
00:51:38The road to sleep.
00:51:41Sleep.
00:51:51Open your eyes.
00:51:53Stand up.
00:51:58Turn around.
00:52:02And now, Doctor Watson, you're on a holiday in Scotland.
00:52:06The country is amazingly beautiful.
00:52:08We're coming to a stream.
00:52:12It isn't deep.
00:52:15Better take your shoes and socks off.
00:52:23Remove and Supplette!
00:52:24I'm not sleeping.
00:52:26Helen, don't rain.
00:52:27occupies again, there.
00:52:28Please, it Kristoff.
00:52:29There's more rain that you need to have to.
00:52:30Wherever I Eric organisation.
00:52:31Join us for wintertime.
00:52:32Ready, Sharon.
00:52:35Don't wait, I'm hungry.
00:52:36I'm hungry pak yes.
00:52:38Hold yourreath to lunch.
00:52:39Lawn-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and-and.
00:52:41Turn around.
00:52:43Mind the pedals.
00:52:50Sit down.
00:52:56Wake up now.
00:53:03There you are, you see? What did I tell you? It didn't work with me.
00:53:06Why, nobody will announce of character...
00:53:15I think your niece is...
00:53:24Watson, she's here.
00:53:26The woman you're looking for?
00:53:27Yes, I'm good to meet her.
00:53:29Perhaps I can induce her to take me to Moriarty.
00:53:31Do you think it's wise, Holmes?
00:53:32May not be wise, but it's essential.
00:53:34After all, I've held me on with Moriarty in the past.
00:53:36But isn't it dangerous?
00:53:37She might be a hypnotist.
00:53:38My will isn't stronger than hers.
00:53:40I deserve to be hypnotized.
00:53:41Shh.
00:53:42I feel I must protest, Dr. Onslow.
00:53:44I was told this was a gathering of serious students of a great science.
00:53:47And I find myself in a company of the fools.
00:53:49Oh, my dear madam.
00:53:50Ellison, Esdell, brave.
00:53:52Were those men martyrs for the truth?
00:53:54That you may laugh over your childish, cruel tricks.
00:53:56I must say I'm in complete agreement with you, madam.
00:53:59This was the most unnecessary performance, Dr. Onslow.
00:54:01Beg your pardon, sir.
00:54:03My name is Holmes.
00:54:04Sherlock Holmes.
00:54:05At your service, madam.
00:54:06Thank you, Mr. Holmes.
00:54:08I'm afraid I've created a rather embarrassing situation.
00:54:10But you see, I'm interested in the serious study of Hitchford.
00:54:13So am I, too.
00:54:14Perhaps we have something in common, Mr. Holmes.
00:54:16Perhaps we have.
00:54:17Would you join me for a cocktail at Pembroke House?
00:54:19I should be delighted.
00:54:20Good.
00:54:37Thank you all.
00:54:38I didn't know there was such a pleasant place in London.
00:54:40It was so nice of you to suggest our coming here.
00:54:42I thought a little pick-me-up would do us good.
00:54:44You mean you thought I loved you, Ted?
00:54:45I like the way you look.
00:54:51I suppose I did lose my head a little at the Mesmer Club.
00:54:53But you see, hypnotism is almost a religion with me.
00:54:56I know so well what it can do to help, heal.
00:54:59And I can't bear to see it's used for trivial purposes.
00:55:01I know very little about it.
00:55:02That's why I went to the Mesmer Club.
00:55:03You see, another puzzle just now with a case that I'm working on.
00:55:04How fascinating.
00:55:05Tell me about it.
00:55:06It's the murder of Sir George Fenwick.
00:55:07Fenwick?
00:55:08Who's he?
00:55:09Quite a well-known figure.
00:55:10Odd now, I come to think of it.
00:55:11Last time I saw Sir George, he was here at Pembroke House.
00:55:12Strange.
00:55:13Yes, isn't it?
00:55:14He was sitting, um...
00:55:15I believe he was sitting at this very table.
00:55:17Or...
00:55:18I believe he was sitting at this very table.
00:55:20Or...
00:55:21...or...
00:55:22...or...
00:55:23...or...
00:55:24...or...
00:55:25...or...
00:55:26...or...
00:55:27...or...
00:55:28...or...
00:55:29...or...
00:55:30...or...
00:55:31...or...
00:55:32...or...
00:55:34...and...
00:55:35...or...
00:55:36...it's been sitting at this very table.
00:55:37Cigarette?
00:55:38Thanks.
00:55:39Do go on.
00:55:40There was a charming lady by them.
00:55:41He was, um...
00:55:42He was lighting her cigarette.
00:55:49Charming.
00:55:50Did you see her face?
00:55:51No, Westlife.
00:55:52It's merely her back.
00:55:56How unençprising of you.
00:55:58Yes, wasn't it...
00:55:59I'm way down getting a little older.
00:56:00shouldn't say so that's nice of you still the first time in my life I've got hold
00:56:06of the case that's beyond me I'm actually losing sleep over it you know
00:56:10mr. Holmes I believe I could help you really I should be very grateful you're
00:56:16amused they're skeptical how would you go about it I've used hypnotism more than
00:56:22once in healing not for profit I'm not a professional but I do think I could
00:56:28help you if you care to I can't think of a pleasanter experience
00:56:49low light music is that all there is to it you must relax mr. Holmes I'm afraid you're a
00:56:54rather difficult subject
00:56:59so I hope perhaps a little help
00:57:03material America might be advisable drugs
00:57:11no I'd rather not if you don't mind as a matter of fact I rather not myself but
00:57:17strength not from your practice in Munich you know believe it's the best means for difficult subjects
00:57:21do you mind
00:57:23well as a matter of fact I don't approve of sedatives
00:57:26just as you wish we don't have to go on with it at all really wait a minute
00:57:31wait a minute
00:57:35inaudible
00:57:41you
00:57:42don't take a chance it's really quite calm
00:57:46how did you
00:57:47cannabis Japanica
00:57:48and oriented so breath
00:57:50you need what
00:57:52I'll get home.
00:57:55I can't.
00:58:01There we go.
00:58:04You can't.
00:58:09You feel yourself going drowned.
00:58:13Don't fight it.
00:58:15Give in to it.
00:58:17Because you do want to sleep, you know.
00:58:20You will be part of it.
00:58:21Just fix your eyes on this one white flower floating on the water.
00:58:30Empty your mind of every other thought.
00:58:36Follow the motion of the water.
00:58:39So smooth.
00:58:41Not a ripple.
00:58:44Water's a forgetful.
00:58:47Steady.
00:58:50Deep.
00:58:55Strong.
00:58:58Strange, isn't it?
00:59:01How the light is reflected.
00:59:04Little specks of light that move and move.
00:59:13Dressed for here.
00:59:16Peaceful.
00:59:19Friendly.
00:59:22Friendly.
00:59:24And you're very close to finding what you're looking for.
00:59:29You'll find them soon now.
00:59:32The guilty one.
00:59:34When you're resting.
00:59:35Gentle waters closing over you.
00:59:37Deadly.
00:59:38Deep.
00:59:39Strong.
00:59:40Drawing you down.
00:59:41Down.
00:59:42Down.
00:59:43Down.
00:59:44Down.
00:59:45Down.
00:59:46Down.
00:59:47Down.
00:59:48Down.
00:59:50Down.
00:59:52Down.
00:59:53Drawing you down, down, down.
01:00:11Please, please, please.
01:00:23Please, please.
01:00:29Please, please.
01:00:34Please, please.
01:01:09Here he is, Professor Moriarty.
01:01:15Stand up, Mr. Holmes.
01:01:19Open your eyes.
01:01:23Face this way.
01:01:28Are you satisfied?
01:01:32We are dealing with a clever man.
01:01:35He made the shamming.
01:01:38There's just one infallible test for profound hypnosis.
01:01:42Are you ready, Dr. Simmel?
01:01:46Are you ready, Dr. Simmel?
01:01:59That will do, Doctor.
01:02:00He couldn't fake insensibility to the knife.
01:02:04I congratulate you, Lydia.
01:02:08Turn around, Mr. Holmes.
01:02:11Now walk to the desk.
01:02:20Sit down.
01:02:22Take that pen and write what I tell you to write.
01:02:27I have at last found a case which I cannot solve.
01:02:35I have outlived my usefulness.
01:02:37Therefore, I have decided to end my life.
01:02:50Sign your name.
01:02:54Now blot it.
01:02:55Hold it up.
01:03:05Put it in your pocket.
01:03:08Come, Mr. Sherlock Holmes.
01:03:11Go out onto the terrace.
01:03:15But it won't look like suicide, sir.
01:03:17I am sorry for Mr. Holmes's injuries must all be self-inflicted.
01:03:23Let's walk a little, Mr. Holmes.
01:03:27It's so pleasant here in the garden.
01:03:33Just step up here onto the terrace.
01:03:36It's a nice, broad terrace.
01:03:41Now turn to the left.
01:03:42Walk slowly to the end of the terrace.
01:03:44Don't stop.
01:04:00You must walk to the end, you know.
01:04:07The end leads to an open doorway.
01:04:09You can pass through it in perfect safety.
01:04:11In the room beyond the doorway,
01:04:12you'll find what you've been looking for.
01:04:15Must you drag this on?
01:04:17This is the moment I've been anticipating for a long time, my dear.
01:04:20Go on, Mr. Holmes.
01:04:27Through the open doorway you will find the man
01:04:30responsible for the finger murders
01:04:32and the death of Sir George Penny.
01:04:34Professor Moriarty.
01:04:36Holmes!
01:04:37Stand still!
01:04:39What a beautiful view, Watson.
01:04:41I'm quite enjoying it.
01:04:43No, you're not.
01:04:45You're hypnotized.
01:04:46You're under a spell.
01:04:48Stand still.
01:04:49Don't move.
01:04:51Steady, Holmes.
01:04:52Steady, does it.
01:04:53Stand perfectly still where you are.
01:04:54Nonsense, Watson.
01:04:56You don't know what you're doing.
01:04:57Of course I know what I'm doing.
01:04:58You mean you're not hypnotized?
01:04:59Certainly not.
01:05:00You can get off the wall, you idiot.
01:05:01Oh!
01:05:02Oh!
01:05:03Oh!
01:05:05What were you doing up there?
01:05:07Holding the fort until you arrived.
01:05:08What kept you?
01:05:09All right.
01:05:10Ran into a spot of trouble on my way to Scotland Yard.
01:05:13I was arrested for proceeding with speed limit.
01:05:15Your luck seems to hold, Mr. Holmes.
01:05:17I'd hardly call it luck, Professor.
01:05:19You see, I substituted a drug of my own
01:05:21for the one that this dear lady pressed on me.
01:05:24You are clever, aren't you?
01:05:25A drug that, although it leaves the subject conscious,
01:05:28renders him quite insensitive to pain.
01:05:30I have not accounted for my lack of reaction to Dr. Simrel's knife.
01:05:33Well, Gregson, quite an impressive haul.
01:05:35Even Inspector Lestrade himself couldn't have done any better.
01:05:38Thanks, Mr. Holmes.
01:05:39Take him away.
01:05:40All right.
01:05:41Put her in the van.
01:05:44I was right, Mr. Holmes.
01:05:45You are a difficult subject.
01:05:51And now, Professor, our score is settled.
01:05:55But if while until I see you on the gallows,
01:05:58the rope has not been made that'll go around my neck.
01:06:00Come on.
01:06:15I'll take care of things, Mr. Holmes.
01:06:16Thank you, Inspector.
01:06:17Come on.
01:06:18An evil man, Holmes.
01:06:19But what a horrible death.
01:06:20Better than he deserved.
01:06:21What are you thinking of?
01:06:22I'm thinking of all the women who can come and go in safety
01:06:23in the streets of London tonight.
01:06:25The stars keep watching, my heavens.
01:06:26And in our own little way, we too, old friend.
01:06:27A privilege to watch over our city.
01:06:31Oh, my.
01:06:32Thank you, Mr. Holmes.
01:06:33I'm happy to have an old man.
01:06:34I'll come back to you, Mr. Holmes.
01:06:35I'll come back to you.
01:06:36I'll go back to you, Mr. Holmes.
01:06:37And the stars keep watching, my heavens.
01:06:38And in our own little way, we too, old friend.
01:06:41A privilege to watch over our city.
01:06:44THE END