In this exclusive interview, Manonmani shares her inspiring journey as South India's first female sarangi player. Manonmani's contribution to the song "Muththa Mazhai" from the film Thug Life showcases her exceptional skill and the emotive power of the sarangi. In this interview, she delves into her experiences working with Rahman and the nuances of incorporating the sarangi into contemporary film music.
#ThugLife #MuththaMazhai #ARahman #Manonmani #Sarangi #TamilFilmMusic #KamalHaasan #ManiRatnam #Dhee #IndianClassicalMusic #Chinmayi #ManonmaniSarangi #FilmibeatTamil #FBUpdates #StarBuzz #CineBuzz #StarSights #StarTalk
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#ThugLife #MuththaMazhai #ARahman #Manonmani #Sarangi #TamilFilmMusic #KamalHaasan #ManiRatnam #Dhee #IndianClassicalMusic #Chinmayi #ManonmaniSarangi #FilmibeatTamil #FBUpdates #StarBuzz #CineBuzz #StarSights #StarTalk
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NewsTranscript
00:00This is a bit different.
00:06This is a bit different.
00:08This is a bit different.
00:10This is a bit different.
00:12This is a bit different.
00:14This is a bit different.
00:16So, Dug Life is the first part.
00:18What are you talking about?
00:20It's a bit of magic.
00:22It's a bit different.
00:24Dug Life is a bit different.
00:26Dug Life is a bit different.
00:28This is a bit different.
00:30First of all, Mersel was the first part.
00:38Last year, Hamaran.
00:40It was a big hit.
00:42In the climax of that,
00:44you came to the BGM theater.
00:46It was a lot of emotion.
00:48It was a lot of emotion in the theater.
00:50You can hear me.
00:52I can't see the screen.
01:10I am Ranjit.
01:12Today, we have a lot of people in the show.
01:14We have a lot of people in the show.
01:16We have a lot of people in the show.
01:18Who are there?
01:20Who is here?
01:21Who is here?
01:22Who is here?
01:24I mean,
01:24She is a big hit.
01:26She is here.
01:27She is here.
01:29I am here.
01:30I am here.
01:32I am here.
01:34How are you?
01:37You are a great person, so you are here.
01:44You are here.
01:45We are here.
01:46We are here.
01:47We will talk a little later.
01:49But in the meantime, we will talk a little later.
01:51We will talk a little later about Manonmani.
01:55Manonmani is a fourth generation of family.
01:58We are here.
02:00So we will talk a little later.
02:02We will talk a little later.
02:07My grandfather is a P.V. Shanmugam.
02:11He is a Dilruba.
02:13It is similar to this.
02:15He is a Dilruba.
02:17He is a musician.
02:19He is a musician.
02:21He is a musician.
02:24He is a musician.
02:27He is a musician.
02:29He is a musician.
02:31He is a musician.
02:33He is a musician.
02:34He is a musician.
02:35He is a musician.
02:37He is a musician.
02:39But I don't want to try this instrument.
02:42So in my mind,
02:43you have to think the art is you a little different.
02:47And I think the playing style is you.
02:50No, no, but I'm not a Dilruba.
02:52But my heart is there in my mind.
02:56So after marriage, I tried to go to Bombay.
03:02Then I went to Delhi for a classical artist.
03:09I tried to travel for 10 years.
03:12But why did you do all these things?
03:16I don't know about them.
03:18I tried to go to a 10th standard.
03:22But when I went to Van Dance Studies, I tried to go to Van Dance.
03:30So after marriage, I started music.
03:34And I told you how to do this instrument.
03:38That's why it's still a good instrument.
03:40But it's still a good instrument.
03:42What do you think about the history of this instrument?
03:44This is a Persian country.
03:48It's a folk style of Rajasthan.
03:52It's like a violin in Carnatic.
03:54It's a accompanying instrument.
03:57And it's full of 37 strings.
04:01But the main thing is that this is an art.
04:05It's a gut.
04:06You can play that.
04:08It's like a goat skin and bones.
04:15That's a very powerful instrument.
04:18Do you find the strings in strings?
04:20Not in 37 strings.
04:21Do you have a lot of instruments in the string?
04:22In dessas strings, do you have different instruments?
04:23Normally there are 10 or 5 strings.
04:26While the violin is only a 4 strings.
04:30There are three strings like reverb and resonance.
04:34It's 3 strings.
04:36If you look at V4, it's 8 strings.
04:40I don't know if I'm correct.
04:42But this instrument has 37 strings.
04:45We can tune in the same way.
04:47We can tune in the same way.
04:51We can tune in the same way.
04:55And if it's related to human voice,
04:58that's why it's a human voice.
05:02Do you have the highest string?
05:05Yes, we can tune in the same way.
05:08But this is my father.
05:12Do you have this instrument?
05:16It's 100 years old.
05:18Guruji has gifted this instrument.
05:22Are you ready now?
05:24I'm ready.
05:26Guruji's making is very strong.
05:30If you go to the shop,
05:32you can do the same thing.
05:35Okay, okay.
05:36Old is golden.
05:38Yeah, yeah.
05:39Okay.
05:40So, I've said recently about Maramath.
05:42You've already been here.
05:44You've already been here.
05:46How do you feel like this?
05:47How do you feel like this?
05:48How do you feel like this?
05:49Sir, it's a little bit.
05:50It's a little bit.
05:51I first introduced it to Marcel.
05:54I've said that.
05:56I missed an opportunity for a long time.
06:00So, I've waited for him.
06:01So, I've said that.
06:02I've said that.
06:03I've said that.
06:04I don't know anything about this movie.
06:06I don't know anything about this movie.
06:08It's a full song.
06:10I'm excited.
06:12You can't say anything about that movie.
06:14You can't say anything about that movie.
06:15I've said that movie.
06:16How do you feel like that movie?
06:17That movie.
06:18So, I know.
06:19We know that movie.
06:21You did not say that movie.
06:23What about the movie?
06:24It's a macho.
06:25Okay.
06:26But it's a lot.
06:27It's a lot of electronics.
06:29So, you can try it.
06:31And you can play it.
06:32It's a lot of cake and violent.
06:34But I think I'm going to try and creative.
06:37It's a bit of a piece that is beautiful.
06:40I don't think I'm going to use it.
06:45I'm not going to play it.
07:04the song of the full song is dominated by the wave,
07:06and I think I will be in a free song.
07:09Why didn't you listen to that?
07:12I was told you about that.
07:15What did you say?
07:15Is it a song for the only part of the song?
07:16There is no song for the first time.
07:20It is a song for the whole song.
07:23When did you sing it?
07:24Yes, that song is very small.
07:26It is a song for you.
07:28She wrote a song for the five songs.
07:31So what's this song?
07:32That's the full song and the voice.
07:35In between, we can follow each other.
07:38So, did you do that before?
07:41I missed it, sir. I'm not available at all.
07:45So, this is the next one.
07:47Are you busy?
07:47No, I'm not.
07:49I'm tired of seeing you. I'm not available at all.
07:53So, I'm not.
07:54So, let's talk about the first part of Daghlaif.
07:57That's why he's called Manir Thrams.
07:59He told you about Manir Thrams.
08:02I don't know. I'm telling you about the first part of Daghlaif.
08:05You can't talk about the first part of Daghlaif.
08:07No, I don't.
08:09I'm not talking about the first part of Daghlaif.
08:09We are listening to Daghlaif.
08:12When we listen to the song,
08:13we can hear the song and the first part of Daghlaif.
08:18First, you're not a mother.
08:21Yes, it's a mother.
08:21I have two names.
08:22My mother was a full song and she was a mother.
08:26So, there are two names in the song.
08:29If you have a trend now, it's because of Chinmai's voice.
08:35You can watch Chinmai's voice.
08:38You can watch Chinmai's voice.
08:41You can watch Chinmai's voice.
08:43You can watch Chinmai's voice.
08:45Do you see anything about Chinmai's voice?
08:47No, there's a lot of magic.
08:51You can watch Chinmai's voice.
08:59I'm a Nithya Shree ma'am.
09:03I have a lot of voice.
09:06I have a lot of voice.
09:09But Chinmai's voice is a lot of voice.
09:14I have a lot of voice.
09:16The other side is different.
09:19So, I think I'm not.
09:22Are you aware of Chinmai's voice?
09:25I know what you're doing.
09:26No, I don't know.
09:28But in Telugu and Hindi in all versions,
09:32I think I'm very happy.
09:34So, I think you can watch Chinmai's voice.
09:37Do you adjust your voice?
09:41No, the song, the notes, that's what I told you.
09:46So, I followed that. But, the voice is a lot.
09:51So, there are a lot of voices.
09:54But, in this version, there are a lot of voices.
09:57In the ready-made version, there are a lot of voices.
10:00Yes.
10:11So, the voice is a lot.
10:26Yes.
10:27The line is a lot.
10:31Yes, yes.
10:32Yes.
10:33Yes, yes.
10:36Yes.
10:37Yes, yes.
10:38Yes.
10:39Yes.
10:40So, part reason is that you have to be aware of the parts.
10:43But it is similar to all of the parts.
10:45It is not a difference between the parts and the parts.
10:48The instruments are similar.
10:51You have already written the notes.
10:54How do you read the notes?
10:57That is correct.
10:58You can play it.
10:59You can play it.
11:00You can play it.
11:01You can play it.
11:02You can play it.
11:04But you can play it.
11:06You can play it.
11:08So, what are you talking about?
11:10I am talking about it.
11:12You have a lot of people in this show.
11:15What are you talking about?
11:17What are you talking about?
11:18I am not a creative person.
11:23I am a very favorite of all the songs.
11:27I am a creative person.
11:30I am a very creative person.
11:33I am a very creative person.
11:35I am a very creative person.
11:38But, it is a great feeling of doing more.
11:40I am a very creative person.
11:42I am a great person.
11:56Is there any other composer?
11:58No. Every composer has a style.
12:01He has a style of style when he has a very strong style.
12:07He has a style of style and he has a different style.
12:14But he has a different style of creative style.
12:18He has a different style of movie songs.
12:22Do you know all of these things?
12:26Or are they still well-known?
12:30Yes, I am also a very good composer.
12:34I also have a very good composer.
12:37I have recently called the Anu.
12:40They call the same feel to the same person.
12:51However, all music directors are used.
12:56But who used to use?
12:58I used to use to experience the music directors.
13:04I used to know how to use the music directors.
13:08I used to know the upcoming composers.
13:11Like Telugu, Malayalam, Kannadam.
13:14I don't know who to play.
13:19I didn't know what to play.
13:21I didn't know what to play.
13:23I didn't know what to play.
13:25I didn't know what to play.
13:27But I didn't know what to play.
13:29I was excited about all the composers.
13:32But I knew that there was a lot of assistance.
13:37You know, the industry is a lot of people.
13:40Do you think you're comfortable in Tamil?
13:44In Malayalam, it's a lot of music.
13:51It's a lot of detail.
13:53It's a lot of tough pieces.
13:56It's a lot easier.
13:58It's a lot easier.
13:59It's a lot of challenging.
14:04In Malayalam?
14:05Do you have any help?
14:08Yes, I'm happy.
14:10I'm excited.
14:12I'm going to ask both of them.
14:14I'm going to ask suggestions.
14:17I'm going to ask them.
14:19I'm going to ask them.
14:21I'm going to ask them how to ask them.
14:24I'm going to ask them.
14:25Are you coming to your next generation?
14:28Yes.
14:29I'm coming to my next generation.
14:31I'm not going to ask them.
14:33I'm going to ask them for the next generation.
14:35So, there's no one in the south.
14:37I teach them.
14:40But, if I'm busy, I have to start my job.
14:45Do you want to ask them in your next generation?
14:47Yes, I have been practicing and practicing.
14:54That's right.
14:57So, last time I talked to you, I asked you two questions.
15:01Raja Sir and Yon-Changaraja.
15:03Have you been doing anything?
15:05Yes, I have been waiting for you.
15:08Sir, I don't know.
15:11But you have been waiting for you?
15:13Yes, I have been working for you.
15:16So, I have been waiting for you.
15:18But you have been doing anything about Raja Sir?
15:21What is your favourite of Raja Sir?
15:25I have been watching a lot of movies.
15:28I have watched a lot of movies.
15:32But, Sir, I have played a lot of different colors.
15:38So, I don't know.
15:42I don't know.
15:43Now, the music directors are playing some instruments in the B-jim.
15:49So, they are playing a lot of different songs.
15:51Or, Sir, there are many songs.
15:53But, if you are doing a mix, I don't know.
15:55Like, if you want to play a lot of different songs.
15:59There are many songs.
16:01I don't know.
16:02I don't know.
16:03I don't know.
16:04Okay.
16:05I don't know.
16:06You can play a lot of songs.
16:07I don't know.
16:08I don't know.
16:09I don't know.
16:10I don't know.
16:11I don't know.
16:12I don't know.
16:32Can you help us with the showshin media?
16:37Is it useful to us on the showshin media?
16:40Yes, I know.
16:42I know a generation of new instruments.
16:47It's different from the showshin media.
16:50It's different from the showshin media.
16:54There's a lot of response.
16:57Can you tell us about the showshin media?
17:01Yes, if you tell us about the showshin media,
17:03I have a request for a few years.
17:07Yes.
17:08If you tell us about the showshin media,
17:11then you have an electric vehicle.
17:16Yes, I know.
17:18There's a lot of patience.
17:22If you tell us about the showshin media,
17:24then you have a full concentration.
17:27That's why we can do some work in the future.
17:35Do you appreciate that?
17:38Yes, you are very proud.
17:41The Sri Valli song is famous in Hindi.
17:45That's why Manon Mani was so happy.
17:50Can you tell us about the showshin media?
17:54I don't want to tell you about the showshin media.
17:57Guruji.
17:58That's why he is so happy.
18:01Last year, Amaran was a big hit.
18:04That was the climax of the show.
18:06It was very emotional.
18:09How did the vibe come from that?
18:11I don't know that Amaran movie is a big hit.
18:16I don't know how to do this much.
18:18The melody was beautiful.
18:20Adults.
18:22And I didn't know how that was.
18:23You looked at the stage.
18:25I didn't see the screen.
18:28We looked at the camera.
18:29I had a lot of problems.
18:30I had to see the camera.
18:31They really didn't know.
18:32If the movie was a bad time,
18:33they hadn't had time now.
18:34So I was so happy.
18:35I thought he was on the showshin media.
18:40It's a different level. I can't see anything in this scene.
18:45But did you compose GV too?
18:48Sir, we did it in the call.
18:51Did you play that?
19:10Did you play that?
19:28Did you play that?
19:33Yes, that's great.
19:35You've played that in the background.
19:37Did you play that in the background?
19:39Yes, I was a composer.
19:43They sang a song for Mamma.
19:47I was singing a song for the Maaman.
19:51I was singing a song for the Maaman.
19:53I was singing a song for the Maaman.
19:57I was singing a song for the Maaman.
20:01I don't know what to do with the release.
20:05Sometimes I'm playing a tennis player.
20:09So remember to release it.
20:13Why didn't you call the director?
20:16Yes, we are preparing the assistant.
20:19Is there anything else you can start with?
20:21Yes.
20:22How did you play that?
20:24What did I play on that?
20:27I was waiting.
20:29So, I think it's a good thing for Telugu, Malayalam, Kannadam.
20:34So, I think it's a good thing for a release and hit.
20:39You've been doing this regularly in Tamil industry.
20:42So, who are you talking about now?
20:47I think it's a good thing.
20:50Everyone is different.
20:53There are a lot of fast numbers.
20:55There is a trend.
20:58There are a lot of fast-moving songs.
21:02So, I'll be fast.
21:04So, I'll go to Ketam Madhuri.
21:07That's a good thing, sir.
21:09Again, we're going to miss the run.
21:11Do you remember that scene?
21:13Have you ever come back?
21:14I've been waiting for a while.
21:16I've been watching a legend movie.
21:20I've been waiting for a while.
21:25I've been watching a movie recently.
21:26I've been watching a movie recently.
21:28I've been watching a movie recently.
21:30What are you watching?
21:31I've been watching a movie with Leon James.
21:35That's a song called Dragon movie.
21:38I'm watching a movie.
21:39That's a song called Kannadi.
21:40All that sort of movie is.
21:41I'm watching a movie in the catalog movie.
21:43They too.
21:44People are, sir.
21:45I am either.
21:46They don't know what the movie is.
21:47They're not sure.
21:48I'm watching a movie.
21:49I'm watching you.
21:50It's a Telugu movie.
21:51Sir, I'm watching.
21:52What can I do in Kannadi?
21:53and Lama.
22:23Do you think this is a good song or a good song?
22:35Yes, this is a good song.
22:38This is a good song for classical music.
22:42How do you play any instruments?
22:45No, not here. There is a keyboard, violins, etc.
22:52What do you think about this instrument?
22:54Why?
22:55If you are doing it, you can use it in the gut.
23:00I don't know if you have a force.
23:04I don't have doubt about it.
23:09Do you try it?
23:11No, there is a sound.
23:13Yes, it is.
23:15But you can't do it.
23:17Yes, we can cut it.
23:19But for girls, you can't do it.
23:21Yes, there are three of them.
23:25The sound is perfect in the studio.
23:31You can't do it.
23:34Do you have any challenges?
23:38There are many Carnatic albums, Charat's composer, Malayalam.
23:46The sound is tough.
23:48We have daily practice in our daily practice.
23:52If you do it, you can't wait to do it.
23:54You can't wait for it.
23:56You can't wait for it.
23:58You can't wait for it.
24:00You can't do it.
24:02It's perfect in the practice.
24:04We can't do it.
24:06You can't do it.
24:08It's easy.
24:10You can't wait for it.
24:12But the melody is perfect.
24:13You can't do it.
24:14You can't do it.
24:15You can't do it.
24:16I can't do it.
24:17You can do it.
24:18You can do it.
24:19You can do it.
24:20Yes.
24:21You can't wait for it.
24:42No wonder in there.
24:45If you don't have a poet here, go.