உலகத்தில் சிறந்த படகு டி எம் எஸ் ஐயா உலகத்தில் சிறந்த இசையமைப்பாளர் மெல்லிசை மன்னர் அவர்களே

thiravidaselvan

Watch உலகத்தில் சிறந்த படகு டி எம் எஸ் ஐயா உலகத்தில் சிறந்த இசையமைப்பாளர் மெல்லிசை மன்னர் அவர்களே - thiravidaselvan on Dailymotion

Transcript

00:00The eyes of the eyes are on my eyes

00:03The eye of the eyes

00:05And we see you in the eyes

00:07The eyes of the eyes

00:10I know you see the eyes

00:14It's the night to look together

00:17You've been turning the night but he's still there

00:19It's like you see, I'm debido

00:23It's so sexual

00:27I'm being here

00:29cinema were no idea non-application portable baby sir put on learning music 14

00:34rubba put your own energy ma agni sati

00:39one of come what i'm going to do you know

00:42mother you're the enemy forever done

00:45back to the end of the day at the good this alarm down okay mate over at the last

00:49move to the middle of the end of the end of the middle of the

00:52model model and now like about the you know but you know that you know that

00:57but you can see some of you at the airport

00:59so you'll be at the airport

01:00and see the night

01:02there was a 곳 where we were

01:04looked at the room

01:05we couldn't talk to the room

01:07so we were going to go to the city

01:10we went to the city

01:11we were going to go to the city

01:13and we put a house

01:15so we got to go down

01:16so the city is kinda

01:17the city is out there

01:19and here it is

01:21the city is out there

01:23of the city

01:25eyelids one every night

01:28so hard we can leave ear

01:34or nothing

01:35said

01:36nothing

01:37found these

01:40no

01:41ey man

01:44soy

01:47So, I think that you can see the people who are in the same place.

01:50They are not going to be in the same place.

01:54I think that's why I am very proud of you.

01:58You are very proud of me.

02:00Shrider sir, I am very proud of you.

02:08I am very proud of you.

02:10I am proud of you.

02:12For the cinema to be able to do the application, he said to hisode and I will go and make it I was in a case.

02:21And they are looking for a job, I could do my job.

02:24I was doing one thing but I went to Russia and do my job.

02:29I did my job in the work experience.

02:33Because of the work that I had to do with all my work, I was at home and was on.

02:36Then, the whole job was at home, then came to my dad,

02:38and then there was a sogenan had to go on,

02:40It's just a little time.

02:42It's from the dam to start the sector.

02:45I don't need to show you the other area.

02:49After that, I don't want to show you the goals.

02:51I want to show you the goals.

02:54I don't want to show you the goals.

02:59They come to the goals of the goals.

03:04I look at a perfect criticism of my goals.

03:07Every critiquer is a good critique.

03:09I'll tell you about the story.

03:23The part is how?

03:24I've been given the past since I was a professor.

03:28I've been given a lot of work.

03:30I've given the same work.

03:32That's what I've said.

03:33I've told you all about the work.

03:35You're all about the work.

03:37Walky, you know yourself, walk your mind.

03:41That's right.

03:42When he went to the building, I went to the building.

03:48He was in the building of the building.

03:53I was in the building.

03:55I was in the building, so he was in the building.

03:59He was in the building.

04:02He was in the building.

04:04He would find a good movement.

04:06He also has a very strong power.

04:08He's taking a very strong power.

04:10That's how he feels.

04:12Yes, he is.

04:14Shibhaji, he's a great player in the world.

04:16He's a great player, he's a great player.

04:18He's not a guy.

04:20He's not a guy.

04:22He's a great player.

04:24Shibhaji is a great player for the music.

04:26But he is a great player.

04:28He's a great player.

04:30He's a great player.

04:32Why do you like to do this?

04:34So, do you have to be composed of the time?

04:37That's what I'm saying.

04:38That's a very important sequence.

04:41That's a climax.

04:43So, I want to see, I want to see the time and I want to see, I want to see.

04:48I want to see, I want to see who's happy.

04:51So, that's enough.

04:54If you have a strike, you will have a strike.

04:57Daivame, Daivame

05:02Daivame is the one who is calling me.

05:04That's right.

05:05That's right.

05:06That's right.

05:08Daivame, Daivame

05:13I will tell you

05:16Daddy man.

05:17Daddy man.

05:20Daddy man.

05:21Mommy! Mommy! Mommy! Mommy! Mommy! Mommy! Mommy…

05:35K thìi Mondi woke up there when he suffered, she rang Iigarajan.

05:38When she was from Tamil to Tamil or more.

05:42The Lord was at it when I say I vas pressure being the Member.

05:46That's right, there is a subject of the question that is in the sunset.

05:54The two things made this whole thing, the situation, the suspense, and the suffering of the man has been there.

06:04So, there is a place for a church to look at it and it is a place for a person to look at it.

06:11So, you have never thought about it.

06:14How did you do that?

06:16Bishop

06:18He was a popular Bishop

06:20He was composed

06:22He was composed

06:24He was composed

06:26He was composed

06:28He was composed

06:30He was composed

06:48Oh my Lord

06:50He was composed

06:52Oh my Lord

06:54Then him

06:56백

06:58How did he sit

07:00ou

07:02when he walked

07:04He requested

07:06about what they needed

07:08At the end

07:10When he walked

07:12then Spirit

07:14he actually

07:15Heered

07:16he filled

07:18Sp усing

07:20cuando

07:22He came to a place to live.

07:25And he had to go to a place.

07:27I'm going to go to my time.

07:31I'm not very excited about making your music back.

07:36I'm very excited about making your music back.

07:40I'm excited about making everything unique, unique and unique.

07:44So, I'm excited about making my music back.

07:48So, it's very exciting.

07:50But, how can I ask him?

07:51So, that was pain.

07:53That was a great subject.

07:55That was a chance to get a technician.

07:59I can't do that.

08:01I can't do that.

08:03If you get hit, it's hit.

08:05If you get hit, you'll get hit.

08:07No, that's not the case.

08:09That's what you get.

08:11That's R1.

08:13That's what you use.

08:15That's what I'm doing.

08:17I'm doing it.

08:19It's an honor to be.

08:21But watch me,

08:23and when I thought,

08:25he came here at night,

08:27I didn't want to meet him.

08:29I didn't want to see him.

08:31I had a goal.

08:33That was a good composure.

08:37I was bastante excited.

08:39If I didn't know how to sit at work,

08:41No, I didn't know how to sit at work.

08:43I said I didn't know how to sit at work.

08:45That's why I can sit at work.

08:47If you don't know how to dance,

08:50we went to Sivazi and went to Sivazi.

08:52We went to Chwopra Master, Madhuri Ramanutra Ashintandhar.

08:56He did a dance.

08:59But if you don't know how to dance,

09:02we can dance and dance.

09:04It's easy to dance.

09:06If you don't know how to dance,

09:08we can dance.

09:09If you don't know what to dance,

09:11he said at any stage,

09:13there is a song called English.

09:15Have you watched it?

09:17I loved it,

09:19I couldn't do it.

09:21I've had the music,

09:23I didn't give it a song.

09:25At any stage,

09:27you can donate it.

09:29She is studying a song,

09:31you can donate it.

09:33Your dad comes to me,

09:36Let's go down

09:39another story,

09:42but all this is starting from the person we shared earlier with.

09:50That is the same time as spiritual stuff,

09:53how it's translated.

09:56While living in one world,

09:58we have never been there except for the Mia.

10:00Just à few ambles,

10:02If you don't know that, you can't make it.

10:05Yeah, yes, but you can't make it.

10:07So, in that part, there's a partner who is a artist, who is a person, who is a person.

10:14If you say that, you say Jay Ganesha.

10:17Tell me this, the truth, is something you should say.

10:20That's one of your own parts.

10:22That's one of mine.

10:23That's one of our parts.

10:25The teacher said the story of KB's and the talk about where he got back.

10:33Even if I didn't know about KB's then, he actually really reviewed him.

10:39So, he's here to go as many times and he'll have to go in that later.

10:42So I'm talking about the talk and you can see another story.

10:46If you see the story and you can explain 3 paintings,

10:50if you have any questions, it doesn't matter.

10:53If you can see it, you can see it, you can see it, you can see it.

11:00I'm just going to hear it.

11:04I'm going to say that the expression is good.

11:09I'm going to say it, it's painful.

11:12speak

11:26speak

11:37You should be able to show it or not, if you want to show it.

11:40That will try.

11:41If you want to show it, you should be able to show it.

11:45If you want to show it, you should be able to show it.

11:48That would be fine.

11:50That would be fine.

11:51You know, you have been able to show it?

11:54That's right.

11:54What I'm saying is that,

11:56if you want to show it in this path,

11:59I don't know what to do.

12:01That's the way to show it.

12:05Oh.

12:06He said i'll briefly talk to you.

12:08Oh..no.

12:09I died.

12:10He died.

12:10He died for a while.

12:11He died.

12:12He died.

12:13And when he came to call me, He died for a while.

12:14Yeah.

12:15That was a good point.

12:16Ch-ch-ch.

12:17He died for a while.

12:18He died for a while.

12:20He died for a while.

12:21Okay, ma.

12:22He came to his picture.

12:23That's the artist.

12:25Can I say something?

12:27Ah, ma, ma.

12:28That was just record I wanted.

12:31He got a record then.

12:33I was able to get a rear seat.

12:35I was able to get a rear seat and get a seat.

12:39It was a heavy rear seat.

12:41That's where the Shanae player was.

12:43He told me that I was able to get a mic on the top.

12:47I don't know the expression.

12:49I'll give a little insight to the Vishwa.

12:52The Shanae payment, you can get a rear seat.

12:56You can see the rear seat.

12:58The whole rear seat is on the front.

13:00The whole rear seat is on the front.

13:02That's right, so the director has told us that he's really good.

13:05He's telling us whether he's a guy that's not going on.

13:06Then I can't believe him.

13:08Yeah, he's a good one.

13:09Because, as you mentioned,

13:13there was one thing I had said to him

13:17a word called Sandhari.

13:19He was going to get a few days before.

13:23Then I was shot at the Maldanth Yats.

13:25Since I was speaking about the name of my name,

13:28I told him that you were talking about the name of my name.

13:30He was talking about it.

13:32To see the son is a father, and the father is the son.

13:38The son is the son of his heart, while the son's son is the son.

13:40The son is the son of his friend.

13:43Are you thinking about it?

13:44You can see the captain's people,

13:45What's the case about it?

13:47He is the man who is the son of his friend.

13:50He is the first one, he is the man.

13:53It is the man who tells the man to veg or dur.

13:58I have made my own way, when I am in the place,

14:02I am in a place in a place,

14:04and if I am in a place,

14:06I am a place in place,

14:08I will make my life.

14:10Let's go to that place,

14:12I am in the place.

14:14We can go to that place.

14:16But if we go to that place,

14:18let's try it.

14:20Suppose, we are going to finish.

14:22Let's go to tune number two.

14:28Each one alone makes the change.

14:38Each one for one will make the change.

14:43This is the same way in which one will make the change.

14:51That is not the end of the day.

15:00That is not the end of the day.

15:05Now, the world comes from this,

15:10I live in time

15:13Now, the world comes from this,

15:17I live in time

15:23Listen, if it's surprising,

15:25then the show says,

15:27he started showing his background songs when he was filming.

15:31If you're from KB, you can use the music on the channel, what do you know?

15:36Agni Saatchi

15:38That's how I started.

15:42If you're looking at the top of the channel, I'm going to get to the top of the channel.

15:47The reason, the first one is missing, the first one is missing.

15:52The second one is missing, and the next one is missing, and the second one is missing.

16:00Why are you the ones?

16:01That is very important for you.

16:03It's not the one.

16:06The one you wrote here.

16:08The one you wrote here is the reason why.

16:10If I am feeling the same,

16:12I will begin to believe that

16:14That's why I can remember that

16:17I will use the same floor in the middle.

16:21I am careful with this.

16:24The one you wrote행

16:28Oh, I got the power to me

16:32I got the name of the woman

16:35Oh, the woman may don't come me

16:39Oh, the woman may don't come me

16:43I was going to be a new partner

16:45I'm done done done

Category

Transcript

Be the first to comment

Recommended