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  • 5 months ago
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00:00People keep asking me questions that I don't know the answer to.
00:07It's us that has the machine guns now, and it's them that's in the mud.
00:13Guns, Mr Shelby, we pay good money.
00:16For who do you speak?
00:17The Irish Republican Army.
00:21What are you?
00:22Copper.
00:25You went after him because he was IRA.
00:28I followed him because I thought he might have information.
00:32The difficulty with undercover work, Grias, is to remember what you are.
00:38Your sister's in there giving birth. There's one man should be here.
00:41You're on, Paul. On my out. Tell Freddie it's safe.
00:46Welcome to the world, son.
00:49Freddie!
00:52The police came and took his father away.
00:56You liar.
01:28Where the viaduct looms like a bird of doom, rising ships and crack.
01:36Where secrets lie in the board of fires, in the humming wires.
01:42Hey man, you know you're never coming back.
01:45Past the square, past the bridge, past the mills, past the stacks.
01:50On a gathering storm comes a tall handsome man in a dusty black coat with a red right hand.
02:21Open up, love.
02:24I brought more things for you and the baby. Got some fresh eggs and bread.
02:28I'll leave it here.
02:33Think of a little one.
02:36Babies don't have principles.
02:39Think of a little one.
02:41Babies don't have principles.
03:09Did you speak to her?
03:12She didn't speak back.
03:17Well, did you tell her?
03:20I'll only tell her what I know to be true.
03:25It's the last time I'm going to say this.
03:27It wasn't me who shot Freddie Thorne.
03:33Tommy, I'd ask you to swear you didn't do it.
03:36Tommy, I'd ask you to swear on the Bible.
03:40But you can't swear on that, can you?
03:43Nothing you hold sacred.
03:55There's tea.
04:02The new system.
04:04Everything in the diary, eh?
04:12Black Star. What does that mean?
04:15Black Star Day.
04:17It's the day we take out Billy Kimper and his men.
04:21No one knows this.
04:23Not even your family?
04:26Grace.
04:30Everyone in my family hates me.
04:34I want to tell them.
04:38He's off the bloody rails, is what he is.
04:40If he'll turn now, he's on his best mate.
04:43Bloody neighbours, John. Snitch beyond the curtain.
04:46Yeah, well, if you think that, you're the only one who does.
04:50Look at this, look.
04:51Bloody Reichel, it's him.
04:53Who's running this carny?
04:55Name him Ashton.
04:56Intends on wintering and smiling heath with this ring.
04:58Does he?
04:59I only heard.
05:00Nobody in small Heath crept in a pot without the decree of Tommy Almighty.
05:05Mr Marston, I believe.
05:07The ringmaster.
05:09Proud I am to say so.
05:10Yeah, well, these here are civilised parts.
05:13Man wants to set his storm up with fellas lamping each other.
05:16He needs himself a licence.
05:18A licence?
05:20For a fee.
05:22From those in charge.
05:26I tell you what.
05:27How about I keep my money,
05:28and you shove a licence up your arse crack?
05:30No, you don't want to speak to my lord.
05:32And who the bloody hell do you think you are?
05:39Dad?
05:46Jesus.
05:53Thank you. You're a good boy.
05:56Ah, bless the father for these bounties we are about to receive.
06:00Jesus Christ.
06:02Please, woman.
06:04Let him be.
06:06Finish your sandwich and sling your hook.
06:09Pollyanna, I'm the guest of the head of this family,
06:13so why don't you maybe tend to your mangle or your scuttle?
06:17The head of the family, I'd say.
06:18The head of the family, ain't he?
06:24Tommy, he sometimes helps me with business.
06:32Aye, well, speak of the devil.
06:36How are you, son?
06:39Get out.
06:41Come on, son.
06:43I'm a changed man.
06:45This family needed you ten years ago.
06:48When you walked out on us.
06:50Not now.
06:52Get out of this house.
06:53Tommy, just give me a...
06:54Shut up.
06:58It's all right, son.
07:01Arthur Seelby.
07:04Never stays where he's not welcome.
07:11Quite something you've become.
07:14Yeah.
07:20Boys, one.
07:32He's had that?
07:36He's a selfish bastard.
07:40You're calling someone a selfish bastard?
07:44You must be rich, Tommy.
07:46I mean, thanks to you.
07:48We're already down a bloody sister.
07:52You want to see him, Arthur?
07:53You want to see him?
07:56You go with him.
08:15Grace.
08:17I'm taking five pounds from Petty Cash, all right?
08:20We don't have five pounds in Petty Cash.
08:22Then I'll take what we've got.
08:24Count it and leave a receipt.
08:28Arthur, there are things in these books I don't understand.
08:31Likewise.
08:32Every week, we pay you.
08:34Every week.
08:36Every week.
08:38Every week.
08:40Every week.
08:42Every week.
08:44We pay £1.10 by postal order to a Daniel Owen in London.
08:50Danny Whizbang.
08:51Hangs around the pubs in Camden Sandwall for us.
08:54Keeps his ears open for business.
08:56He's a good man.
08:57I thought Danny Whizbang was dead.
08:59You thought wrong, didn't you?
09:01But I've seen his grave.
09:02He was shot.
09:04Now, that was a show to satisfy the wops.
09:07Tommy just shot some sheep's brains at him.
09:10He was buried in his grave.
09:15Now, look, Grace.
09:18You know what's good for you?
09:20You don't ask questions about things that don't concern you.
09:24Never, right?
09:27That's for you.
09:28Don't tell Tommy I took this.
09:45The boy needs a good hiding, if you ask me.
09:48Yeah, well, Aunt Polly's close to giving him one.
09:51John and Ada too, it sounds like.
09:53Ah, John Barnes' own bloody principal.
09:56But if you saw his missus...
09:59Ah.
10:00...you'd think he'd be dead by now.
10:02I don't think so.
10:04I don't think so.
10:06I don't think so.
10:08I don't think so.
10:10I don't think so.
10:11I don't think so.
10:13Ah.
10:15You have a girl yourself, son?
10:20Perhaps when it suits Tommy, eh?
10:24Yeah, well.
10:26Life's been different.
10:28You know, since the war.
10:29Yeah, well.
10:31The war can change a man.
10:33Speaking for myself, anyways.
10:35Where did you fight, Dad?
10:37Ah.
10:38All over, son.
10:39All over.
10:40Yeah.
10:41All over.
10:42And the salvation of Jesus Christ
10:45spread his light over me.
10:48And as a pilgrim,
10:50I come to visit the new world.
10:52America.
10:54Where I beheld the future.
10:59Casinos.
11:00Money factories, son.
11:02Look.
11:03I've been studying the competition.
11:07Their schemes.
11:09Their systems.
11:10Look at that.
11:11It's all there.
11:13There's a fortune to be made here.
11:17I'm an old man and my heart's a battered vessel.
11:20But within,
11:23there still beats a fluttering pulse of a dream.
11:28The Shelby Casino and Hotel.
11:33Gents and dames will come flocking from all corners.
11:37New York.
11:38Chicago.
11:40Boston.
11:41To the Shelby.
11:42Where I can stand proudly with my dear children by my side.
11:47And a woman there,
11:51like fresh peaches,
11:53thou could have a dozen.
11:57Would all of us be kings?
12:00How much? How much to get started?
12:03The oak needs
12:04but an acorn.
12:07Let's do it.
12:10Let's do it. Let's bloody do it.
12:12It would make my heart beam
12:13but I don't want to cause any discord between the brothers.
12:17So please,
12:18why don't you talk to Tommy first?
12:20Nana, I'm sick of taking orders from him.
12:23Tommy's not the only one in the family with an head for business.
12:28And Shelby money
12:30is Shelby money.
12:33I thank God
12:34for my wonderful sons.
12:37This is cause for a celebration.
12:39Yeah.
12:40Sláinte.
12:41Sláinte.
12:49On your feet, soldier.
12:52On your feet.
13:01What's that, one of fortune?
13:02Come on, boy.
13:03I'm old enough to be your father.
13:06I need you.
13:07I need you.
13:16On your feet.
13:18Get up.
13:20All right.
13:33Is that all you got, boy?
13:36Get up.
13:42Get up.
13:55That's her.
13:56That's Arthur Shelby Junior.
13:58My son.
14:00I love him
14:01and I'm proud of him.
14:02And I can fight anyone who's in here.
14:07Come on.
14:13You're doing good, sir.
14:14You're doing good.
14:16I love you, Doc.
14:18I love you.
14:19I love you.
14:37Mr. Shelby.
14:40Who's asking?
14:42My name's Byrne.
14:45I heard from your man in Camden Town
14:46you wanted to parlay.
14:50And parlay it is.
14:53A few months ago,
14:54a man named Ryan came to this place
14:56with a view to buying some goods from you.
14:59Mr. Ryan met with an accident.
15:00He was shot.
15:02I heard.
15:03He was a man with a quick mouth.
15:05I know that.
15:07I wondered if he made any enemies in here.
15:09None that I know of.
15:11Not the kind of beast to make enemies.
15:13All are welcome here, Mr. Byrne.
15:15Including Irish?
15:16Oh, especially Irish.
15:20Ryan told you he was a member
15:21of the Irish Republican Army.
15:23Was he still welcome?
15:25Like I say,
15:26any man who buys beer is welcome.
15:28Perhaps you didn't believe him.
15:35In pubs,
15:36sometimes people say things,
15:38sometimes it's the whiskey talking.
15:40It's hard to tell which is which.
15:44As a teetotal man,
15:45I find it amusing.
15:47Except when it ends in tragedy.
15:49Would you like some water and cordial, Mr. Byrne?
15:52You see, Mr. Shelby,
15:54Ryan, for all his quick mouth,
15:56was indeed connected.
15:59Very well connected to our brotherhood.
16:02By membership and blood.
16:04He was my cousin.
16:07I'm from south of Armagh.
16:10I'm a man of influence there.
16:13Cordial and water would be grand, Mr. Shelby.
16:19Rice,
16:20bring some water and cordial
16:21so the snow comes.
16:22Yes, Mr. Shelby.
16:34My cousin came up to buy guns.
16:36And I told him I had none.
16:39Your man Danny Owen talks a lot when he's drunk.
16:44He says the Peaky Blinders do have the guns.
16:46Robbed from the factory down the road.
16:48He boasts about a stack of Lewis machine guns
16:50and enough belts of ammunition to hold up God's treasures.
16:54Yep.
16:55It sounds like our Danny.
16:57He's an imagination.
16:59Like I say,
17:00sometimes it's the whiskey that's the talking.
17:13He says only the brothers know where the guns are kept.
17:16Well, Danny also says
17:18he sees German infantrymen in the back of milk carts.
17:22And he shoots them with his broomstick.
17:26We have men like that.
17:29We have men in the BSA factory.
17:32They say Judaism.
17:35And we have men who work in the police station.
17:38Every finger, Mr. Shelby,
17:41every finger in this city
17:43points in one direction.
17:47Please don't mistake me for a fool.
17:59Let me get to the point.
18:02I don't care what kind of half-arse tanker operation you have going here.
18:07But I can assure you,
18:10I represent a very different category of organisation.
18:15My cousin was shot.
18:19I am judge, jury and executioner.
18:22I find you guilty.
18:24I am judge, jury and executioner.
18:27I find you guilty and I pass sentence.
18:30You deliver the guns to me,
18:33or I deliver death and hell's fury to you
18:37and your little tribe of heathens.
18:40Am I making myself clear?
18:55Let me confess something to you.
18:58And only to you.
19:01I have the guns.
19:04But they have become a burden to me.
19:08Perhaps it is time to unload that burden.
19:13For the right price.
19:24For the right price.
19:40Malachy Barne.
19:43Brigade commander of the South Armagh IRA.
19:47You hooked yourself a big fish there.
19:50If these guns is bite, who knows what we'll catch.
19:52We?
19:54Are you suggesting that
19:56you and I could work together as a team?
19:59Perhaps we have more in common than you think, inspector.
20:02Can you deliver them?
20:04With your help.
20:06And I want word put out in Ireland that I was not involved.
20:10So I'd be solving a problem for you.
20:14And I'd be winning you that medal.
20:17If I get a medal,
20:19I will have your initials engraved on the backside
20:22Huh?
20:24My initials on your backside.
20:26It's quite an image.
20:29Inspector,
20:31since we're getting on so well,
20:33can you answer me a question?
20:35Who gave you Freddy Thorne?
20:38As everyone in the city knows.
20:41It was you, Mr Shelby.
20:52What?
21:12Hello, son.
21:15It's all there.
21:18It is indeed.
21:20We're going to build something with this, son.
21:23Something magnificent.
21:25When do we start that?
21:27Hungry for work, are you?
21:28Yeah.
21:29Ship sails Friday.
21:30Meet me at the boxing ring.
21:31Good.
21:32Friday.
21:33Friday.
21:50I'll leave that open.
22:21No.
22:22Are you expecting trouble?
22:23Yeah.
22:24At this hour?
22:25Midnight is as good an hour as any.
22:27What the hell is going on?
22:28Well, the St Andrew's bell strikes midnight.
22:31Two IRA men are going to come through that door.
22:33When they have what they want,
22:35they plan to kill me.
22:37It's your job to stop that happening.
22:39You could have given me some more warning.
22:40We just got the message myself.
22:42No one's to meet here alone.
22:44And barmaids don't count?
22:45No, barmaids don't count.
22:46No.
22:47You're going to be in that back room.
22:49I'm going to be sitting there.
22:51When I make a toast,
22:52you're going to come out with that thing raised.
22:54You don't shoot.
22:55You just point.
22:56I'll do the rest.
22:58You killed him.
22:59No, the police want him alive.
23:00Police know about this.
23:01Look, just hold it up.
23:03Just point.
23:05Right.
23:07Right, go, go.
23:08Go on, go.
23:19Right.
23:36We'll hold back here.
23:38If damage is done to either side,
23:40it's now a concern of ours.
23:49Right.
24:16Lost your thirst, eh?
24:17Just show us where.
24:24Give me the cash.
24:36You're going to need a shovel.
24:48You thick fucking tinker.
24:50Do you think we'd let you live?
24:54Make your peace,
24:55Mr. Shelby.
25:00I make my peace my own way.
25:08To barmaids, you don't count.
25:17Yes, sir.
25:48Ah!
25:50Ah!
25:52Ah!
26:01Ah!
26:03Ah!
26:07Ah!
26:16Ah!
26:17Ah!
26:18Ah!
26:21Ah!
26:22Ah!
26:24Ah!
26:33Ah!
26:34Ah!
27:02Ah!
27:07Why did you shoot?
27:09Why did you shoot, Grace?
27:12I didn't know I had it in me like that.
27:17You've seen me.
27:22And you've seen me.
27:26I'm sorry.
27:33Shh.
27:45You were supposed to come in the sixth charm.
27:48You were supposed to come in the fucking sixth charm!
27:57They refused to surrender.
28:00They thought, well, they were brave men.
28:04Well, he looks like he was killed by a wild fucking animal.
28:09Still, this never happened.
28:12They were never here.
28:14Who cares?
28:16Get the bodies out of here.
28:18All right, are they?
28:19They're making the lady uncomfortable.
28:22I'll leave you two lovebirds to it, then, aye?
28:29Shh.
28:59Shh.
29:20I'm sorry.
29:29I'm sorry.
30:00First of all, let me say,
30:02I had no idea he would involve you in this ugly business.
30:05If I had, I never would have let it happen.
30:09He trusts me.
30:10I told you that.
30:11You didn't believe me.
30:13I...
30:15Sergeant Moss made a report, which he could have burnt.
30:19He said that when he entered the room, you were embracing.
30:24Is that your primary concern?
30:26An embrace?
30:28No, my concern is for your welfare.
30:31It was me who killed them.
30:35I had no control.
30:37You've been living with beasts.
30:41It was the beasts that tried to stop me.
30:50I believe last night something inside me changed.
30:54I no longer feel the need to avenge my father.
30:58The hatred that I brought here with me is gone.
31:02And therefore my reasons for joining the service.
31:05You want to resign?
31:08I think our mission has come to a natural end.
31:13I think I know where the guns are hidden.
31:16You do?
31:17So tell me where.
31:18If I'm right and the guns are found, you have no more business with Thomas Shelby.
31:21Is that not so?
31:23Our military mission will be over and we can leave the city as we found it.
31:28Are you trying to do a deal with me?
31:30Because if you are, you must be explicit.
31:34I want your word.
31:36That Thomas Shelby will not be harmed if the guns are recovered.
31:40Your word as a gentleman.
31:42Will you give it?
31:44Now why would you want to save him?
31:48Residue of sympathy.
31:50Sympathy? You mean sentiment?
31:53Yes.
31:54In his way he has been kind to me.
31:57Sentiment?
31:59Yes.
32:06You're too good hearted for this work.
32:10Perhaps.
32:12So for my sake will you spare him?
32:17You have my word.
32:24A week after the robbery there was a burial at St. Andrew's Churchyard.
32:28I have found out that the man supposed to be buried is alive.
32:32Arthur is quite transparent.
32:35I learned that the funeral was attended only by the brothers.
32:39And the grave that they dug was far deeper than your average.
32:43And lined with lead.
32:45To keep out the damp.
32:50The guns are buried in that grave.
32:54And tonight we will dig up that grave.
33:25Of a boy.
33:28That I loved as a child.
33:34So I am stretched on your grave.
33:38And I'll lie here forever.
33:42If your hands were in mine.
33:45I'd be sure they would not swell.
33:50My apple tree, my brightness.
33:56It's time we worked together.
33:59Well done boys.
34:00For I smell of the earth.
34:05And I'm worn by the weather.
34:19All but one gun accounted for.
34:31And sir, I resign my commission.
34:36Good.
34:38Good.
34:40So, I am no longer your superior officer.
34:45And you are no longer my subordinate.
34:49And therefore,
34:53regulations permit me to offer you this.
34:57To offer you this.
35:06I'm a...
35:08I'm a simple man, but a good man.
35:12And my admiration for you
35:15has turned to love.
35:19I don't ask for love in return.
35:21Just recognition that we are like minds.
35:27We're shared values.
35:30Grace.
35:33Will you marry me?
35:47Mr. Campbell.
35:53You deserve better.
36:07Is it him between us?
36:10Is it the beast, that dog, that grave?
36:13Is it him?
36:16My resignation will be with you in the morning.
36:27Dad.
36:34Hello, son.
36:36May I ask who gave you my whereabouts?
36:38Mars.
36:40He said you left him last night with a bill for your horse.
36:43Ah, at least we got to say goodbye, son.
36:47I'm a bit fond of you to your dear brother,
36:49and I'm a bit fond of you to your brother.
36:51I'm a bit fond of you to your dear brother,
36:53and I'm a bit fond of you to your dear brother.
36:55I'm a bit fond of you to your dear brother, would you?
36:59How could you do this to us?
37:01Do what, son?
37:02All that stuff you said about
37:05the Shelby Casino
37:08and Atlantic City.
37:10Well, if the truth be told,
37:12I'm not so acquainted with that promised land as I had me believe.
37:20You're a fucking liar.
37:22And a thief.
37:23And a thief.
37:25And you give me back my fucking money.
37:28Do not despise the thief
37:31who steals to satisfy his starvation.
37:35That's in the Holy Bible, son.
37:38And I have starved for so very long.
37:43So fare thee well, son.
37:49I waited for you.
37:53I waited.
37:58Listen to me, boy.
38:00You're not in the prize ring now.
38:03If you ever put your hands on me again,
38:05I'll cut your fucking throat and spread you on these tracks.
38:23Come on.
38:50Where's your father?
38:54I'm assuming he's flushing away the 500 you took from us
38:57and put into his thieving, whore-graping hands.
39:03What were you thinking?
39:06How dare you do something like that without talking to Thomas or me?
39:13Just tell me now.
39:24No.
39:26But you're going to tell him.
39:29You may take satisfaction
39:32in a great victory.
39:34A terrible consequence has been avoided.
39:38Those guns that we dug up
39:40will never be used to murder the innocent
39:44or usurp the status quo.
39:46But even though we have solved a crime,
39:48we have as yet failed to punish
39:51the criminal.
39:53This man who dug this grave
39:56has also dug his own.
39:58He has proved a deadly menace
40:01to the king's peace.
40:03And tonight, we will strike him down.
40:05We will drive our sword through his black heart.
40:09We will pursue him into the rat holes that he infests.
40:14And finally,
40:16we will rip this city of his kind.
40:18Justice will be done.
40:21And will be seen to be done.
40:24Amen.
40:28There's going to be trouble now, Finn.
40:30You look after yourself, do you hear me?
40:32I'm going to be gone away for a while.
40:35Right, go on.
40:45Right!
40:46Right!
40:47Who wants to fucking fight?
40:50Fighting's over.
40:52We're closing up and moving on.
40:54I said who wants to fucking fight?
40:57My name is Arthur fucking Shelby.
41:06Who dare fight me?
41:08Go home, lad,
41:09before you catch yourself a spanking.
41:16Right.
41:23My brother in Digbeth
41:24just said the police are coming down from Derryton
41:26in numbers.
41:27Asking for Tommy Shelby by name.
41:32Shit.
41:43I'm going to have to lie low for a while.
41:44Why?
41:45I lost my bargaining power.
41:46It's copped, but it's just me and him now.
41:49When I get back,
41:52I'm going to tell you some things.
41:53Harry said the police are already in Digbeth.
41:55Yeah.
41:56You took a chance coming here.
41:58Why?
41:59The police are in the line, Tommy.
42:02Come with me.
42:15Come on.
42:45Fuck.
43:16I'm looking for Thomas Shelby.
43:28Never heard of him.
43:35You'll never find him.
43:46Go home.
43:55Perhaps I should ask that question again.
43:58On your knees.
44:06I understand this, barman.
44:10I don't care if you live or die.
44:12I don't know.
44:16Hmm?
44:24He left.
44:26With the barmaid.
44:29He left with Grace.
44:32I think they were going to her place.
44:43Call it off.
44:45Don't understand, sir.
44:46We should find the barmaid and...
44:47Call it off.
44:50All of it.
44:54Get in.
45:11It's not much of a place.
45:14It's all right.
45:16You want tea?
45:17Tea? No.
45:19I have rum.
45:20Actually, tea it is.
45:22You want to impress me?
45:24Yes.
45:25And do you have a biscuit?
45:27No, they attract mice.
45:30People look different at home.
45:32In what way?
45:34Off guard.
45:39Should I be on my guard?
45:40No.
45:41I'm a man who drinks tea.
45:57When the trouble dies down, I'll go.
46:06When will it die down, do you think?
46:09Late, I'd say.
46:12So not until the morning, then?
46:17Yes, I'd say I'll be here till morning.
46:26You have a gramophone?
46:27It's broken.
46:29We could still dance.
46:35Yes, why not?
46:42I know you like to be asked properly.
46:47Grace, can I have this dance?
47:11Yes.
48:41I'm sorry.
49:04Are you okay?
49:06I don't feel the shovels against the wall.
49:11I'm in so much trouble.
49:17Will you help me?
49:20Help you with what?
49:22With everything.
49:24The whole fucking thing.
49:27Fucking life.
49:29Business.
49:33I found you.
49:36And you found me.
49:39I love you, Joy.
49:41I love you.
50:11I love you.
50:42It's true, there's nothing left for him down here.
50:47And it's time, time, time.
50:53It's time, time, time.
50:56I thought of watching it.
51:01And I'll be gone then.
51:04I thought.
51:05Boy.
51:35And it just go on.
51:37But these mama's boys just don't know when to quit.
51:42And Matilda asked the sailors.
51:45Are those dreams or are those dreams?
51:48So close your eyes, son.
51:50And this won't hurt a bit.
51:53Oh, it's time, time, time.
51:59It's time, time, time.
52:01Send a telegram to Mr. Churchill.
52:04I have news, very good news.
52:08Tell him the business I came to Atantu is now complete.
52:13I'll be leaving the city.
52:15There's just one matter I need to tidy up first.
52:21Time, time, time.
52:25It's time, time, time.
52:31And it's time, time, time.
52:36And it's time, time, time.
52:42And it's time, time, time.
52:48And it's time, time, time.
53:00Did Paulie told you?
53:03Yeah.
53:17Should he use a gun?
53:22Are you laughing at me, Tommy?
53:24Yeah.
53:26Just when things are starting to go all right, Arthur,
53:30you try and do this.
53:34Don't you like fancy parties?
53:37Or, um, champagne?
53:40Or fast cars?
53:43How about this?
53:50Your name on the business card.
53:52Shelby.
53:55Brothers Limited.
53:57Arthur Shelby, associate bookmaker.
54:01I just had them picked up from the printers this morning.
54:04You were one of three shareholders.
54:08Me, you, John.
54:10And according to the law, we are equal partners.
54:13And it is written in the paperwork in black and white.
54:16A third, a third, a third.
54:21But the thing is, uh, well, me and John,
54:25we quite fancy splitting your share,
54:27so just next time, use a gun, man.
54:35I'll meet at the station,
54:36tell me that copper is leaving town.
54:39We're in the clear.
54:44We are on our way up in the world, brother.
54:47Believe me.
55:17And find it all untended
55:22Where the trees are bended low
55:28This garden is our home, dear
55:31And I got nowhere else to go
55:37So bring it on
55:43Bring it on
55:45Every little tear
55:52Bring it on
55:54Every useless fear
56:01Bring it on
56:03All your shattered dreams
56:08And I'll scatter them into the sea
56:16Ah!
56:18Bring it on
56:20Bring it on
56:22Get it on
56:24Yeah, bring it on
56:26Every little tear
56:31And I'll make them disappear
56:46Take a little walk to the edge of town
56:49And go across the track
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