- 9 months ago
Hollyoaks 3rd January 2012
Category
📺
TVTranscript
00:00It's your life, Barne. We can either go back or we can keep on going.
00:03Driver to HCC.
00:05I wish you had done the right thing, mate.
00:07Yeah. I've struck out on the road to independence.
00:09I know what it can be like inside.
00:11It is terrifying.
00:14Don't miss David.
00:16Do I look scared to you?
00:18Get your snook. You're fired.
00:30It's your life.
00:32I'm sorry, everybody.
00:37For me.
00:39Get your snook.
00:45I'm sorry, man.
00:49I'm sorry, man.
00:54Get your snook.
00:56Hey son, I'm looking forward
01:12Running it backwards, of course I'm sure
01:17Have you had enough? Are you feeling rough?
01:22No, no, no, don't even think about it. I'm not having my malaise become some
01:30a soap opera for some bored lecturer. Come on, Barney. I need a real-life human being
01:36and I've left it away late. You get all your subjects this way. No. Don't take this the wrong
01:42way, but I need someone who's not normal. Hard not to take that the wrong way. Please,
01:48I'm desperate. Oh, I'm sorry. I was blinded by the ulterior motive.
01:57Scared, Ash. For the first time, I'm on my own and...
02:02I don't know what to do.
02:04Where's our first appointment?
02:12Oh, well, we've not got anyone booked in till midday. It's to Kirby.
02:17Oh, well, it's always this quiet after Christmas.
02:20Yeah, I know it's been quiet in the past, Cindy, but I haven't been paid for seven weeks.
02:26It's all tape, tape, tape with you, McQueen's, isn't it?
02:29Well, I think I've been very patient, thank you. It's just... I'm running out of money.
02:34Aren't we all friends? Well, I said fine. I'll go to the bank and get you money.
02:39Are you sure it's not a problem, is it?
03:02Oi! I want Steve's wages. Now!
03:05Where is Steven? Having a nice life?
03:07He's looking for work.
03:08Look at you. You're like a wasp.
03:11Wages.
03:12Listen, I may come across as a laid-back type of guy, but really there are procedures involved.
03:17For example, banking.
03:19Well, then I'll come back. When will they be ready?
03:21I don't know. Why don't you just keep calling back until I happen?
03:24I'm not scared of you.
03:26Okay.
03:27Well, because you're the one that's scared.
03:28In fact, that's the only reason that you sacked Steve, because he told you the truth,
03:32which is that prison has left you a frightened mess.
03:36Ready? Because I feel kind of...
03:37Wow, I feel kind of amazing.
03:40Can you feel that?
03:42Woo-ha!
03:44I pity whoever fills that role.
03:45They're like a fly landing in a spider's web.
03:50Doggy boy!
03:51Come on.
03:52What about getting a job?
03:54I didn't think of that.
03:55Chez-chez.
03:56I saw an ad. They're looking for staff.
03:59Me? Behind the bar?
04:01Why not?
04:02All those accents.
04:03With your knowledge of wine and those feline hands.
04:06Hey, it's brass monkeys out there.
04:15I'm glad you got me them thermals for Christmas.
04:18You left that at home.
04:20We didn't have to come all the way down here.
04:22We didn't want you starving.
04:23Anyway, that's what we do, isn't it?
04:25Look out for each other.
04:27Mum, where do you want?
04:28I just wondered if you could do as a spray tan on the house.
04:31Mum, I said no.
04:32Oh, come on, please!
04:34I've already told you, no more freebies.
04:36Okay?
04:37Apart from that, is there anything else you'd like?
04:40No.
04:41If you can't find it in your heart to make your old mum feel a little bit better about herself,
04:48then I'll be off.
04:49Okay, then.
04:50I'll see you later.
04:51Love you.
04:54Tell you what.
04:55Get us a tube of that fake tan and I'll do it myself.
04:57Well, you're going to have to pay for it.
04:59I know, I know.
05:00I will.
05:01Yeah.
05:02Okay, then.
05:03Get my money out for you now.
05:05Well, you get your money out.
05:06Hurry up.
05:10Mum, what do you think you're doing?
05:24Here's the final demands.
05:27Great possessing orders.
05:29Listen, Dissa.
05:30I think Sinich is in trouble.
05:33So what do you want, Brendan?
05:36You used to lose expense.
05:38Where is that?
05:38Well, I've got places to be.
05:40It's a real job.
05:43Look.
05:44This is all crumbled up.
05:46Yes, because I found the man.
05:48You.
05:49You tell me you don't need work?
05:51Yeah, but how long until I start doing something that's not advertised,
05:54like dealing drugs or ruining people's lives?
05:57That was Dan, doggie boy.
05:58That was Dan.
05:59I've got the guards all over me.
06:00You think I'm going to risk that?
06:02Yeah, probably.
06:03Yeah, probably, but I'm not going to.
06:04I don't want to go back to prison.
06:06I ain't going back to prison for nobody.
06:07Least of all you.
06:09So once again, work for me.
06:12No, I don't think so.
06:15Sorry, the door was open.
06:17We'll hear about the bar staff job.
06:19Told you.
06:20Is it taken?
06:21No, it is not.
06:22Not as of yet.
06:23Which one of you two lemmings want the job?
06:25Hello there.
06:26Barney Harper McBride.
06:28Come on.
06:28Well, why don't you come around back?
06:30We'll put you through your paces.
06:32Come on.
06:39You want to go?
06:40Uh, no.
06:41No, no, no.
06:41I think I'll stick around for a while.
06:43I think that's wise.
06:48Here we go.
06:52What are you wearing?
06:53Mm-hmm.
06:54Don't know.
06:57Ah!
06:58Oh, what's up, my little angel dick?
07:01Don't, don't, don't!
07:03Sorry.
07:04They want me to write an article entitled
07:06To Fake or Not to Fake.
07:08It's about fake nails, fake eyelashes, fake boobs.
07:12I'm so fed up.
07:13This isn't why I wanted to be a journalist.
07:15Well, speak to her editor, then.
07:16There's no point.
07:17She's busy working on a piece about colonics.
07:20I wanted to get a group of women together
07:22to talk about real problems and real issues.
07:26Well, do it, then.
07:27It's not that simple.
07:28I want it to be natural.
07:29And once people know their words are going to print,
07:31they stop being themselves.
07:33Well, go down into the pub
07:36and speak to someone upon us.
07:38Or Esther, or Frankie, or someone.
07:40Please, Darren.
07:41I want this article to be good.
07:44Now, how can I get a bunch of women together
07:46without them knowing what I'm up to?
07:47Have a book club.
07:54And do you get to choose the book, or...?
07:55Well, I was thinking...
07:57Ta-da!
07:59Mrs Dalloway by Virginia Woolf.
08:00Virginia who?
08:01Oh, I had a friend called Virginia once.
08:02I used to call her Virgie for short, not for long.
08:06Anyway, back to the book.
08:07It follows Clarissa Dalloway on her journey,
08:10and she's very bothered about how people perceive her.
08:12Oh, well, we all...
08:13Oh, you don't have to worry about me, babe.
08:15I don't care what people think about me.
08:16No.
08:17Obviously.
08:18Ah!
08:18Yeah.
08:19Cheers.
08:21Cheers.
08:21Cheers.
08:22Bye, my lord.
08:25She's going to know that we've opened them.
08:27Two months.
08:28You've been working for free for two months.
08:30Yeah, but she's at the bank now.
08:32Which one?
08:33The one in Never Never Land?
08:35She's got no cash.
08:36Hi.
08:37You have to see these boots I've bought, Grace Wade.
08:41Where's her money?
08:41Oh, for that.
08:42Well, um, I didn't have time, so will tomorrow do?
08:46No, it won't.
08:49Cindy, we know your secret.
08:51So, I've had a little Botox.
08:53You should consider it, Myra.
08:55No, the letter that came.
08:57It's the final warning.
08:58You know, we're in debt.
08:59We owe £10,000.
09:01You opened my post.
09:03How dare you?
09:04I was worried, Cindy.
09:05Well, there's nothing to worry about.
09:06Clearly it's a misunderstanding.
09:08Right, your 12 o'clock's here.
09:10Now, why don't you be a good girl and do your job
09:11and let me deal with the finances?
09:13Oh, recognise him.
09:15What the hell are you doing?
09:17It's not crying.
09:18It's the bailiffs.
09:19Open the door.
09:19Brilliant.
09:36It's like you've been doing this all your life.
09:38What would you do if I asked for a white Russian?
09:40I said I'm not that kind of girl.
09:41That's not funny.
09:42It's not funny?
09:43No.
09:46Wine.
09:49Wine.
09:50Wine.
09:52What I lack for in a knowledge of cocktails,
09:55I make up for with my mastery of wine.
09:57Well, wine is good when serving food,
10:00but we don't serve food here.
10:02Oh, no, not just with food.
10:04I could advise on wines to suit the conversation or the mood.
10:08The name of the club is Chez Chez.
10:10Yes.
10:11What a delightful play on words.
10:13What's your point?
10:14My point of Barney Harbour and McBride
10:16is that maybe, just maybe,
10:18you're misjudging our clientele.
10:19Make me a white Russian.
10:25Pretty please.
10:29We'll be back tomorrow.
10:29I pay you people a fortune to look after me.
10:32OK, OK, fine, fine.
10:35Just...
10:35Right.
10:37They've gone.
10:38For now.
10:39So what did the bank say?
10:41You bankrupt, aren't you?
10:43How did that happen?
10:44Do you know what, Carmel?
10:46I do not need a lecture from you.
10:48And you know what, if you'd been doing your job properly,
10:50maybe we wouldn't be in this mess.
10:52Me?
10:52I can't carry you any longer.
10:54You're fired.
10:55Hey, you can't do that.
10:56I can, and I have.
10:58Well, isn't this something we can do?
11:00I'm sorry.
11:01Just get your stuff and pull the door to when you weigh out.
11:03Hey, you owe her her wages.
11:05She's got a contract.
11:06Mum, just...
11:07Just leave it.
11:10So, just to recap, Barney,
11:12these are the drinks that you cannot...
11:13You know he's just messing with them.
11:14It's a job interview, right?
11:16Maybe it's just a hard task.
11:18Master wants to be sure.
11:19I used to work for him, but trust me, he's not normal.
11:21How about that wine voice?
11:23Can you shout it?
11:24What?
11:24It gets loud in here.
11:25Can you shout it?
11:26Oh, yes, I can raise my voice.
11:27Excellent.
11:28Go on, then.
11:29Now.
11:30SHOUT!
11:31Young wines often...
11:32It's a bit...
11:33It's a bit...
11:34Primary aromas...
11:35Like...
11:36Hell yeah.
11:37Through the fermentation process,
11:39they develop a more intricate bouquet.
11:41Louder!
11:41Come on!
11:42Music is playing!
11:43Twenty people at the bar!
11:44Use it!
11:45As the wine ages...
11:47Yes!
11:48...displays secondary aromas such as coffee, hazelnut, batata...
11:51Hazelnut, brilliant!
11:52Pour a beer!
11:52You're multitasking!
11:54You're multitasking, baby!
11:55Come on!
11:56And full-puttied wine...
11:58John's on the spot!
11:59John's on the spot!
12:00John's on the spot!
12:01There you go!
12:01Yeah, fair enough!
12:06What are you playing at?
12:08You don't want to work here, Bernie.
12:10You're just killing time till your parents die.
12:13You're all just killing time.
12:15You're just a pantomime villain.
12:17A born bully.
12:18You're a joke.
12:20Bernie, go.
12:22Thank you for your time.
12:23All right, I got you.
12:27Wow.
12:28You really know how to clear a room.
12:30What do you want, Amy?
12:32Aw, can't catch a fly.
12:37What?
12:38What are you going to do, Brendan?
12:39You going to hit me?
12:42Oh, no.
12:43Because I'm not your plaything,
12:45so there won't be any satisfaction in that.
12:48Get out of here.
12:49Gladly.
12:50With Steve's money.
12:58It's our van.
13:01Thanks.
13:04Are you all right?
13:06Are they all like that?
13:07No, Barney, that shouldn't have happened.
13:10I'm sorry.
13:13Perhaps the unsolicited approach
13:15isn't the way for me.
13:17Maybe we should start with the old
13:18quick and beat, eh?
13:22Where did I go wrong?
13:25Should I have dropped my H's?
13:26It wasn't your fault, Barney.
13:29How were you supposed to know
13:30he was a sociopath?
13:32He's not normal.
13:33That's the beauty of them, I suppose.
13:36They hide it so well.
13:38I don't want this to throw you.
13:40I'll be honest, Ash.
13:41It's kind of set me back.
13:42We'll find you a job.
13:43I know we will.
13:47So, Clarissa lives to be
13:49what others want her to be.
13:50So if we think about this
13:52vain artificiality of her life,
13:54maybe that leads us to think about our lives.
13:56You know, what's false about us?
13:58Anybody?
13:58A bottle of wine in a glass,
13:59put it on me tab.
14:00Yeah.
14:01Please.
14:02Please.
14:02Nice and thick manners.
14:04You don't know any, do you?
14:06You've got the afternoon off, have you?
14:07Rested your ear off.
14:09What are you talking about?
14:10Oh, she's the stuff.
14:11Carmel.
14:12Cindy.
14:12What?
14:16Hi, Cindy.
14:17How you doing?
14:18Me?
14:18Oh, yeah.
14:19I'm just fabulous.
14:22That bottle all for you, is it?
14:23Yeah.
14:24And?
14:25It's all money in your pocket, innit?
14:26Hmm.
14:27Well, in that case,
14:28well, thank you.
14:29You know, it's amazing
14:30how well you've done.
14:33You know, considering once
14:35you've gambled it all away.
14:36Yeah, well, that's in the past.
14:38And I'd like you to stay there.
14:40So long with me.
14:42Cindy, you and me
14:43were never meant to be.
14:45Yeah.
14:46Well, I messed that whole thing, didn't I?
14:48I messed everything up.
14:54What's going on?
14:56Do you know what it was like
14:58for me when I first had Holly?
15:00I used to go to the woman next door
15:02and ask to borrow nappies.
15:04You know, I'd say that
15:06I'd lost my purse
15:07or the shop was shut.
15:09But she knew what I was like.
15:09And I said nothing.
15:13And that is why
15:14I married a rich old man.
15:16Because it's what I had to do.
15:18I don't want to go bad to that.
15:20I can't go bad to that
15:21scrapping around for money.
15:23Well, you don't have to.
15:28I've lost it all, Darren.
15:32Everything.
15:33I'll have to sign on.
15:35Yeah, but not before
15:36you get what's old, yeah.
15:37Mum, no!
15:41Carmel, yes.
15:43You're entitled to this.
15:44You've worked for it.
15:46Just go and let her in.
15:49Bye.
15:52Hey, what's happened?
15:53Cindy's gone bankrupt.
15:54And sacked her without paying her a bean.
15:57And then didn't even do anything wrong.
15:58Oh, of course she didn't, love.
16:00Seven weeks' wages she's owed.
16:03Seven weeks.
16:04Look at this.
16:05This is worth 50 quid.
16:07And that's worth 30.
16:08So you distract her.
16:09We'll get a few of these.
16:10Get a man back at house.
16:11I don't know, Mum.
16:12It might have to come.
16:14Hey, she's got no redundancy pay.
16:15She'll get over it.
16:16Go on.
16:17I'll let you know.
16:17Oh, Carmel, come here.
16:20Come on.
16:22Don't, don't start crying.
16:24Come on.
16:24Start to just breathe.
16:26Breathe, Mum.
16:27Come on.
16:27Has anyone found you some chips?
16:29No.
16:30Sarah, you still haven't commented on how
16:32women perceive themselves in modern society?
16:36I'm bored.
16:37Can I do another Vickknots?
16:39OK, what do you suggest?
16:41Mitzi.
16:43Look, what's a book?
16:45It's about me.
16:46You wrote it.
16:47I've read it.
16:47These two can have free copies.
16:49Mm-hmm.
16:57So, come on.
16:59What are you going to do?
17:00I don't know.
17:02I'm going to have to pull Holly out of school.
17:04She's going to hate me.
17:06I'm going to have to close my business down
17:08and I'm going to be made to be a laughingstock.
17:11Come on.
17:11I was going to laugh at you.
17:13Really?
17:14You see that lot over there?
17:16They can't stand me.
17:19It's going to make their day.
17:20As well-written a book as Mitzi is,
17:23I feel that we should be studying something with more...
17:26Permanence?
17:27Exactly, yes.
17:29Permit?
17:30Yes, you know, something that will still be read
17:32years down the line.
17:33You know, something with lasting appeal.
17:35You know about it.
17:37I know what?
17:38The what's hot list.
17:41You are the what's hot, what's not list.
17:43That's a mere pause.
17:44You know, it's not if you're not hot, is it?
17:47Look, I might be at the bottom of that godforsaken list,
17:51but I'm a climber
17:51and I will claw my way back into the what's hot
17:53if it kills me.
17:54Is it something funny, Cruella?
18:00Yes, you are.
18:01And you know what?
18:02Thanks for that, because I needed a really good life today.
18:05I'm sick.
18:05That's it!
18:06No!
18:06You're in!
18:06Whoa, whoa, whoa, whoa!
18:07Just leave it, OK?
18:08Let's move on, girls.
18:10There we go.
18:10Move on, move on.
18:11Right, there you go.
18:22It's everything loaded now.
18:24So what else can we take that cow Cindy for?
18:27There.
18:29Carmel, love, just leave it now.
18:31It's finished, it's over.
18:33She sacked you.
18:34It's gone.
18:35And, hey, look what we've got chilling here in the fridge.
18:39Your farewell drinks.
18:41Mum, that's for special clients.
18:43You haven't got any clients, Carmel.
18:45Vintage?
18:45I've never heard of it.
18:47Hey!
18:48Hey, girls!
18:51Girls, girls!
18:53Hey, it's Carmel's leaving, dude.
18:54You fancy some free champagne?
18:56Yeah!
18:57Why not?
18:58Free!
18:58Mum, I told you, I don't want to bring Cindy off.
19:00You two do what you want.
19:02No one ever listens to me, do they?
19:04No, no, that's not true.
19:05Come on in, ladies.
19:06We're going to get this jacuzzi going.
19:08Yeah!
19:12Hey, Douglas.
19:14Change of plan.
19:15The job is yours.
19:16The kids didn't work out.
19:18You really think you've changed, don't you?
19:20What?
19:21I didn't even realise until just now
19:23that you lie to yourself
19:24the same way you lied to everyone else.
19:28Well, that didn't go to town.
19:30I want the job.
19:42So, Mitzi,
19:44how does it feel
19:45to no longer be a commodity
19:46in the world of celebrity?
19:51What's that, what you say?
19:52Nothing.
19:53I recorded this.
19:54No, I'm not!
19:55All right, help me.
19:56I'm not!
19:56Ow!
19:57Now, give it to me.
19:57What the hell is going on?
20:00Cindy!
20:01What does that look like
20:02we're doing send for a holiday party?
20:04That is £300 a bottle.
20:07Hey, just tastes like fizzy wine to me.
20:10Oh, how dare you?
20:11This is my business.
20:13Was, was your business,
20:15past tense, past tense,
20:16because now it's Carmel's Women's Day.
20:18Oh, really?
20:21Then why did Carmel come and tell me
20:23that you were all trespassing?
20:25I didn't use that word.
20:32Trespassing and looting?
20:34What are you talking about?
20:35Shut up.
20:36Oh, this is too good.
20:37I sacked your sister,
20:39and then you go on the road
20:40to try and teach me a lesson,
20:41and the airhead that you're trying to defend
20:43dobs you in.
20:44Airhead!
20:45Yes, please, please.
20:48Oi, hey, wait.
20:49We haven't taught nothing yet, have we?
20:51Explain it to the dude.
20:53Right.
20:54Put the phone down.
20:56What a batter!
20:57There's a mouth of the mooting incident.
21:00Pass it!
21:01Sting it up one!
21:06You still here?
21:08You didn't answer me.
21:09Okay.
21:10No.
21:11Why not?
21:12Because you're a student.
21:13You'll drink all my booze,
21:15and when I want your mouth,
21:16she won't turn up.
21:17We're not all like that.
21:19What makes you so different?
21:20I'm different.
21:22Why?
21:24Because of the joke in your hair?
21:26Find another club, kid.
21:27No.
21:30No, I...
21:31What?
21:33I know what you want.
21:35Well, I hope you don't think it's you.
21:36You want to be left alone.
21:38But you're incapable of it.
21:40I don't know.
21:43I don't know.
21:45Job's yours.
21:46You stay tonight.
21:47Get in.
21:49Go on.
21:54Simple spider to the fly.
21:56Do you know what?
22:12The thing about you, Shindy,
22:13is you just don't know where to stop.
22:15Right?
22:15You hit me once,
22:17I hit you back.
22:18You gave a kick,
22:19I gave a slap.
22:20You smashed the clay,
22:21I rub my head,
22:22and I said,
22:23I rub my head.
22:24No!
22:24I'm fine.
22:25I'm fine.
22:25I'm fine.
22:26I'm fine.
22:26I'm fine.
22:27You hit me once,
22:28I'll let you back.
22:29You gave a kick,
22:30I gave a slap.
22:31You smashed the clay on my head,
22:34and I said,
22:34fuck,
22:35stop it.
22:36I never know.
22:37No!
22:38I never know.
22:39Please be back.
22:40No, no, no.
22:41There's no sugar.
22:42the story of one of the most incredible murder trials
22:48America has ever witnessed
22:49accused the 74 stone babysitter
22:52tonight at 9
22:53then at 10 the ultimate heist continues
22:55with a chance for someone to become very rich
22:57the bank job live with George Lamb
22:59next Channel 4 News reports
23:01on the verdict at the Stephen Lawrence murder trial
23:04I am
23:17I am
23:19I am
23:21I
23:23I
23:25I
23:27I
23:29I
23:31I
23:33I
23:35I
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