- 7 months ago
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00:00The dream whose value is never fulfilled by the tears of our loved ones.
00:24You didn't find anyone in your city to fall in love with?
00:39You came empty handed.
00:41You brought your hand to the door and then turned away.
00:44He must have come to see.
00:46Something has happened.
00:48Do whatever you want with me, but for God's sake, don't do this to Shamsa.
00:55I wanted to tell you that I have fallen in love with you, Shireen.
01:03You must have felt bad, but what can I do?
01:08This love doesn't see anything, it just happens.
01:14I just wanted to tell you that I won't bother you at all.
01:17But if I hadn't told you, it would have seemed like someone had played a joke.
01:21It was necessary to tell you.
01:24It's not like that.
01:26Your face is like that, my friend.
01:31The day goes by, but I can't live without seeing you.
01:39My leg is gone. It was my paper.
01:42Should I get you another one?
01:44No, it's because of you.
01:46You will drop me.
01:48Me?
01:50But I have a ride.
01:53I'll get a ride from someone. You stay here.
01:56Are you going or not?
02:09Arif. Arif. Arif.
02:12Stop. Stop. Stop.
02:14What happened? Is everything okay, brother?
02:16I need your cycle for half an hour.
02:18Please take care of the emergency.
02:19But actually…
02:21Please. It's a matter of life and death.
02:23I'll be back in 15 minutes.
02:25Okay?
02:27Listen to me.
02:29I'll be back in 20 minutes.
02:31I don't even need a break.
02:33He's a failure.
02:42Brother, there was a girl standing here. She left.
02:46Where?
02:47On her leg.
02:49On her leg?
02:57I don't understand.
02:59You didn't answer him.
03:02There was no answer.
03:04There is love in the heart, Shireen.
03:07There is a huge wall between him and me.
03:12I'm afraid to even read this word, paper.
03:14Shireen, isn't this the truth of life?
03:19It must be.
03:21For the one who has his own life.
03:26Someone else lives my life.
03:29Look, I know.
03:31It's your father's dream.
03:33But love can't be taken away from prisoners.
03:37Forget it.
03:39Love is a moment for me.
03:41I saw it and it's gone.
03:44Look, this love will come after you.
03:48You can't let it go.
03:51I won't let it come.
03:53Love will keep looking for me.
03:55What's that song?
03:57You can't let it go.
04:02This heart is yours.
04:06This heart is yours.
04:10This heart is yours.
04:19I wish I could die for you.
04:24I'm desperate for you.
04:29At first sight, I've gone crazy.
04:33I've lost everything.
04:38This heart is yours.
04:43This heart is yours.
04:48I've found my destination.
04:53I've found what I've lost.
04:58This heart is yours.
05:04This heart is yours.
05:09I've found my destination.
05:14I've found what I've lost.
05:19This heart is yours.
05:34Hey Farhad!
05:37When did you come?
05:39You went to Bahawalpur, right?
05:41Yes.
05:43Did you hear?
05:45There's a game over here.
05:47What do you mean?
05:49Sultan sir is looking for you.
05:51Really?
05:53I don't know.
05:55But he has blown all the air out of the golden bag.
05:57How did Sultan sir find out?
06:00You eat mangoes.
06:01No, Sultan sir.
06:03Don't do this.
06:05He's looking for you.
06:07And the golden bag is turning black in the sun.
06:11How did Sultan sir find out?
06:14Did you talk to him?
06:18Yes.
06:20What?
06:22Love.
06:25That happens to me every day.
06:283-4 times.
06:29Chaman met the golden bag.
06:31He must have said something that the golden bag found me.
06:34Why are you making yourself a criminal?
06:38Did Master Saifuddin come to meet Sultan sir?
06:42No.
06:44Why are you looking at the old man who hasn't grown up yet?
06:46Do your work.
06:48And love like me every week.
06:53I've already told him.
06:55To whom?
06:57Shireen.
06:59Why don't you go somewhere?
07:01It's a good opportunity.
07:03Sultan sir has called you himself.
07:05Join him.
07:07Become something.
07:09Otherwise, even the assistant finds it very difficult, my love.
07:11You are a good hero.
07:13Tell him to give you a chance.
07:15Don't show me such dreams, Mohsin.
07:17And I don't have to do all this.
07:19Then go and sit quietly in Sultan sir's office.
07:21Leave the dream.
07:23Take it out of your mind.
07:25The dream will find you itself.
07:30Someone says like this.
07:33Like you said.
07:38If that moment had passed, maybe I would have never been able to say it.
07:42I wish I hadn't said it.
07:49Why?
07:51Don't you love me, Shireen?
07:55I love you.
07:56Don't you love me, Shireen?
08:02No.
08:06Don't love me.
08:09I will keep loving you all my life.
08:15Why?
08:17Why?
08:19When I am not for anyone, then why?
08:21Then what should I do?
08:23I don't have anyone other than you, Shireen.
08:28You have done very wrong, Farhad.
08:32You have put me in a strange test.
08:35I am also in a test, Shireen.
08:39Since the time I have told you.
08:43What happened to you?
08:47The fear of rejection is bigger than love.
08:52This is our last meeting.
08:55Now I will never come in front of you.
09:00You go back.
09:22I love you.
09:53I love you.
10:01Sir, how come you are so late today?
10:05I don't know.
10:07He must have stopped somewhere on the way.
10:11You go to the studio.
10:13I will call you when I come.
10:15Yes.
10:17Sir had called me to the studio.
10:19Yes, I will tell you.
10:20You have waited for two hours.
10:24No, waiting is not heavy.
10:26Thank you, Shireen.
10:29Hello, brother.
10:31Where were you?
10:33Has Mr. Sultan come or not?
10:35No, not yet.
10:37You didn't tell me where you were.
10:39I was here, brother.
10:41Are you upset with me?
10:42Enough, enough.
10:44Meet Mr. Sultan.
10:46I will meet him, brother.
10:47He will not come.
10:48You have already met him.
10:51He is the son of the railway guard.
10:54You know how to make a fool of yourself.
10:58Get up, son.
11:00You will meet him when you will fall down.
11:03Yes.
11:05Right, baby?
11:07He is a strange man.
11:11I will just come from outside.
11:21Greetings, sir.
11:22Greetings.
11:24Greetings.
11:26Greetings.
11:28Greetings.
11:30Greetings.
11:32Greetings.
11:34Greetings.
11:36Where are you?
11:38I was looking for you.
11:39I am here, sir.
11:41I have some work for you.
11:44Do one thing.
11:45Have you seen Saifuddin's house?
11:47Yes, sir.
11:48Go to his house.
11:49His daughter will be Shireen.
11:50Tell her to meet me in the office.
11:53Yes, sir.
12:07Pappu.
12:10Yes, brother.
12:11Son.
12:13Will my brother work?
12:14Do you know where Master Saifuddin's house is?
12:16Yes, it is there.
12:17Yes, very good.
12:18Go there.
12:19Go to Kundagad.
12:20And tell him that Mr. Sultan has called Shireen to the studio.
12:23Immediately.
12:24You go yourself.
12:25I have to go for some work.
12:26You go.
12:27I have to go to get curd.
12:28Pappu.
12:30He is not your brother.
12:32Okay.
12:33He is not your brother.
12:35Okay.
12:36Take this.
12:38Immediately.
12:39Go.
12:49Who?
12:50Mr. Sultan has called Shireen to the studio.
12:53Who are you?
12:59Who is it?
13:01He didn't answer.
13:04I don't know if it was a ghost.
13:06Tell Golden to tell me after talking to the writer.
13:09It is very important for us to meet in the evening because…
13:15Master.
13:17Yes, sir.
13:18Shireen has come.
13:19Did she have to come, sir?
13:21Yes, yes.
13:22We have called her.
13:23We have sent Farhad just now.
13:25Tell Golden to line up for today.
13:27I won't have time tomorrow.
13:31Listen.
13:32Take their measurements.
13:34I am coming.
13:57Where is the sheeting, Iqbal?
13:59She is sleeping.
14:00She must be in her room.
14:02Did anyone come from the studio to call her?
14:05A boy came.
14:06I don't know if it was a voice or a boy or a ghost.
14:10Who was it?
14:11Was it Farhad Bhawalpuri?
14:13How would I know?
14:15You should have seen him.
14:16Wow, Saif.
14:18Now I will look in the streets too.
14:20Do one thing.
14:21Open this door and make the walls fall too.
14:24You uneducated woman.
14:26You can't just hear the voice.
14:27You can see it too.
14:28You uneducated man.
14:30There will be people in your family who can see with their ears.
14:34Strange.
14:46Shirin.
14:48Get up, my child.
14:50Sultan sir has called you.
14:53Tell him I am looking for Shyam.
14:56Get up, my child.
14:58You look very serious.
15:01I am really not in the mood.
15:04I went to give one exam.
15:07I am giving two.
15:08Two papers in one day?
15:10Now that you have given it, get up.
15:13Father, don't take the third one.
15:15I have left my work and come.
15:17I will tell the neighbor that he will drop you at the gate.
15:21Okay? I have a lot of work.
15:23I will come myself.
15:24No, no.
15:25These streets are full of goons these days.
15:29Just don't come alone.
15:31And what if the landlord turns out to be a goon?
15:34I will kill him.
15:36Okay? Get up quickly.
15:55Get up.
16:12Mom.
16:15I am going to the studio.
16:17Are you going alone?
16:19Should I drop you?
16:21You will be alone on the way back.
16:23No.
16:24I will go myself.
16:26Take a child with you.
16:28No matter what anyone says, people make up stories when they see a girl alone.
16:32Mom.
16:33Bye.
16:34Hey, Shireen.
16:35Listen.
16:37Her father has made her completely helpless.
16:54Dad.
17:05Wait, man.
17:07Let's go together.
17:08There is no guard from behind.
17:11What happened, man?
17:13Looks like they are giving a shot.
17:15Go, go.
17:16Go back.
17:17Do your duty.
17:18Go, go.
17:24Master.
17:26You have been humiliated.
17:31So, how did you come back?
17:34Oh, Master.
17:36Let the scissors work on the clothes.
17:39You are working on us.
17:42What do you mean?
17:44I mean, you didn't keep me on the security guard of your car, right?
17:50Dad.
17:52Shireen.
17:53How are you?
17:55Come, dear.
18:08Baby.
18:10You have to pass under our knife.
18:12You have to pass under our knife.
18:20I thought we should do the half where her mother refuses the proposal.
18:31Shireen.
18:33What is your honest opinion about this story?
18:36Sir, if you like the story, then who am I?
18:39No, I am confused myself.
18:40But Mr. Sultan, the central idea is very good.
18:43Yes.
18:44That's why we have come this far.
18:49Look, we will have to open this story.
18:55And I think we will have to rewrite its first half.
19:00Sara.
19:01Why?
19:02You write on stone.
19:11Yes.
19:12Call Farhad.
19:13He is a boy, right?
19:19Can I leave, sir?
19:20Why?
19:22I have called for a meeting for you.
19:24Look, you have read the character now.
19:26You start living in it.
19:30But you are changing the story, right?
19:33Yes, I am changing that.
19:34But the character of the girl will remain the same.
19:36In fact, you also suggest something if you can think of something.
19:40After all, you are a master in Urdu.
19:43Love story is not just thought.
19:46It is lived.
19:47Wow.
19:49What a sentence.
19:53Love story is not just thought.
19:57It is lived.
19:59I want something very unusual in this story.
20:03You will come here daily from tomorrow.
20:05I am deputing a dance teacher for you.
20:07And I think that should take care of it.
20:09Sir, my exams will end this week.
20:12That is not such a big problem.
20:13We will probably work around that.
20:15And if…
20:16Yes, brother. Come. Come.
20:17Come here.
20:20Sir.
20:21Sir, he is…
20:22Yes.
20:23My teacher's assistant.
20:27This…
20:34Read this.
20:35It is the central thought of the story.
20:37And I want you to read it.
20:39And create some situations in it that are predictable.
20:44Sir, what do I have to do?
20:47The books that you carry around with you,
20:49do you use them only as props?
20:51Don't you read them?
20:53I have read them, sir.
20:54Good.
20:55Then you will show me a film story.
20:59I have to write the story, sir?
21:00Yes, absolutely. Why not?
21:02Sir, what are you doing?
21:05You keep this.
21:07And read it to me.
21:10And Mr. Siddiqui,
21:12I have not opened the centre of orphan scripts.
21:16I want the story that I have in my mind
21:18to be visualized as it is.
21:20And until it cannot be visualized as it is,
21:22it will not be rewritten.
21:24Okay, sir. I will definitely try.
21:33Idiot.
21:35A film has to live.
21:37It has to be born.
21:40Sir, can I go?
21:42Yes, you can go.
21:43But Shireen, I need more involvement from you.
21:47Stay connected.
21:49What was your energy level today,
21:50should not happen tomorrow.
21:51And if this happens,
21:52then don't come tomorrow.
21:54No, sir. I will try.
21:56Good.
21:58Go.
22:02Go.
22:18Dad, let's go home.
22:19It's so late.
22:21You are amazing, dear.
22:22What if a thief or robber bumps into you on the way?
22:25I will ask Mr. Sultan to drop you in the car.
22:28No need.
22:29I have been scolded so much.
22:31And I have a paper tomorrow.
22:33It's good to get scolded by the teacher.
22:35Is the writer's anger on me?
22:37Is it only on me?
22:38Not at all.
22:40You are scolded by your share.
22:45Why are you standing here?
22:47Dad is scared to go with me at this hour.
22:52Come with me.
22:53Sir.
22:55You will be troubled.
22:57Look, I am very angry at the writer right now.
22:59You have to spend a night in solitude here.
23:04Come on, sir.
23:29My world is with you.
23:31The world is with you.
23:34The philosophies are connected to you.
23:38I kept walking on these paths of yours.
23:44Since I found you.
23:49My heart is yours.
23:53This heart is yours.
23:58I got the address of my destination.
24:03What you have held on to.
24:08This heart is yours.
24:17Yes, Masta.
24:18Don't get up.
24:21What time is it?
24:23I think it's 8 o'clock.
24:24It's 8 o'clock?
24:26Yes.
24:29What happened?
24:31Farhad.
24:55Farhad.
25:08If I get such a chance, I will run and do it.
25:12Was he looking at me?
25:14I don't know.
25:16He doesn't see anyone other than you.
25:18I swear, I am so scared.
25:20It feels like he has not expressed his love, but has given a threat.
25:24Listen to me.
25:26One thing is for sure.
25:27You love him.
25:29Otherwise, the next time he comes in front of me,
25:31threaten him so much that he remembers his grandmother.
25:36If father finds out, then?
25:39Before father, my love, you have to decide.
25:42People in power decide.
25:47Then forget it.
25:49Come on, let's go now.
25:54Let's go.
26:01Has sir come?
26:02Not yet.
26:04That's good.
26:06These are some important documents that have to be kept on sir's table.
26:08Have you kept them?
26:09Yes.
26:11Tell him.
26:19He is mad.
26:20Don't mind what he says.
26:21If he is mad, then he should go to a mental asylum.
26:24Why does he fight with people?
26:27This failure is like a sedative.
26:32The eyes that open.
26:35Did I get a call from Bahawalpur?
26:37No.
26:40Okay.
26:44This is sir's debut address.
26:52Why did you take so long to come?
26:53I have been waiting for a long time.
26:55That was the last test of the kids today.
26:58Oh.
27:00Okay.
27:04I don't have any other way.
27:07After brother's arrival,
27:10father came in a hurry.
27:21Farhad had told me this in Lahore.
27:26Mr. Jamshed,
27:28Farhad should know about this.
27:36I don't even have time to send a letter.
27:42He is not listening to you at all.
27:47If he had listened, he would have made such a big decision.
27:50Mr. Shams,
27:52this is a very big decision.
27:54Not bigger than love.
27:58Go to Lahore.
27:59Why?
28:01To ask brother?
28:05He won't agree.
28:08And I don't have any other way than this.
28:14Uncle.
28:15I have stopped because of him.
28:18I wish,
28:20I wish I could call death like a servant.
28:23Shamsa.
28:25Don't say such things.
28:27Then what else should I do?
28:31When I stay at home, I can't save this life.
28:33And every step to save my life,
28:36every way,
28:38goes through the respect of the house.
28:39Farhad had told me while leaving that
28:42I have to save Shamsa at any cost.
28:47He has also given me a number to call in an emergency.
28:51You are telling me this now?
28:54I have got a lot of work.
28:57Then save me.
29:00Stop all this.
29:04I have to save Shamsa.
29:06So all this,
29:09those people,
29:11have left after seeing me.
29:19Yes, yes.
29:20It's his office.
29:22I have to talk to Farhad about something very important.
29:24You do one thing,
29:25call him after some time.
29:27I will call him.
29:28I don't know if I will get the call or not.
29:30If it's something important,
29:31then give me a message.
29:34I will try again.
29:48Golden has ordered everything.
29:50No one will give you any work.
29:54I can see that.
29:57Meet Mr. Fultan and take the letter of your position.
30:00Farhad, your phone.
30:20What happened?
30:21It's in front of you.
30:22The call is booked,
30:23but it's engaged from the other side.
30:25Oh man.
30:27Thank you very much.
30:28Goodbye.
30:32Mr. Anand.
30:33Did Ali say anything?
30:36I did ask,
30:37but no.
30:40Hello.
30:41Please call Mr. Ghaffar.
30:45Ali will take the message,
30:46if you call him.
30:47Yes, yes.
30:48Hello.
30:49Yes, Mr. Seth.
30:50I am Ayesha Khanam speaking.
30:53Both the brothers have gone to the mosque.
30:55Whom should I send?
30:59Father must be on his way,
31:00otherwise I would have gone myself.
31:02Aunt, don't say that in front of him.
31:04He is mad.
31:05The news will reach the entire neighborhood
31:06before it reaches Ali.
31:08No.
31:11Shall we both go?
31:12Mother has given a lot of work.
31:14We will have to make 70 excuses.
31:20Okay.
31:21I will think of something.
31:35Okay.
32:00I couldn't talk to Farhad.
32:03Now whatever you have decided,
32:05if you really want to act on it,
32:07then drop the chillies on the table outside.
32:10I will see in the morning.
32:12And if it is easy,
32:13then write the answer to the letter
32:15and keep it at the corner of the door.
32:25I told him to come from next week
32:26when I told him about the papers.
32:28Sir, I thought
32:29that I will give the papers supply.
32:31I don't know whether you supply or not.
32:36Farhad.
32:39Yes, sir.
32:42It was a very good attempt.
32:44I liked your story a lot.
32:47I will definitely add it in my film.
32:49Thank you, sir.
32:50Send it to Golden.
32:53Okay.
32:57He has written a story and given it to me.
33:00It is very popular.
33:02I will give it to you. Read it.
33:29This Friday, father is giving the date.
33:32Now there is no other way.
33:34Father has to go to Samasata for a whole day.
33:46What did you say?
33:48I have brought mother's blessings.
33:51Mother's blessings?
33:53Yes.
33:55Mother's blessings.
33:57Mother's blessings.
34:00She told me everything.
34:04Oh God!
34:06I am tired of working.
34:08When will uncle come?
34:10He said he will come by evening.
34:15The bus will come in some time.
34:18It will take us that way.
34:19We have to go that way.
34:21That way?
34:26Let's go.
34:27Let's go.
34:29Let's go.
34:59Let's go.
35:13Wait here. I will get the ticket.
35:14No. No.
35:15I am very scared.
35:17Don't be scared. Everything will be fine.
35:18I am coming.
35:29Baby, why are you standing here in front of the lamp room?
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