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00:00Cinephiles, welcome to this special video from the Canary Islands Film Festival.
00:05With this man no introduction is needed I am very happy
00:09meeting you Alejandra is a person I respect and admire a lot, we had been able to
00:14chatting virtually makes the pandemic a little bit after the
00:20pandemic but health gives me great pleasure also coffee which is what I like the most
00:24Come on, I bought you the 10 euro coffee, let's see, you have to admit one but it's
00:30Advantage and disadvantage of this festival free coffee advantage and disadvantage the
00:34gastritis that totally destroys your stomach and because this has happened to me
00:40days that one eats very badly while at the festival because there really aren't five
00:43months if you eat eat eat gummies badly it's horrible like that when because like that
00:49You have a good breakfast. I am delighted that someone corroborates my experience. It is very
00:54fucked up with forgiveness and coffees to stay awake because in the end the schedules or
01:00whether you start in lives at eight thirty and you can't get through the last session
01:02in the morning at one in the morning and then if you have to work at home you don't even have to
01:07I say but above all it is that dining scenes very bad eating the same you can find a
01:13space but dinner is very complicated and to stay awake you
01:17you end up putting in 2,000 of the coffees that here for the stomach of as well as the
01:23Alien from the movie, this is how our stomach is today, Alex, thank you very much.
01:30for taking the time because we are just leaving the Nubel Bag movie
01:34Richard Lingleiter but before talking about that movie and I would love for
01:37You talk about your experience in Can but first first first I love you
01:40ask what you thought because it is causing a lot of very very much
01:44polarization this film the latest film by Ari Aster called Eddington
01:49What did you think of her? I don't like her. You don't like her. I feel bad because I'm a fan of Ari Aster.
01:57Not so much but I find some very crazy things that I sympathize with especially in his first
02:04Now then I think it's a very excessive and very crazy movie, but you say, well, here's a
02:10filmmaker with ideas that have stuck but hey, Eddington tried it, it seems wrong to me, am I or
02:18It's okay to go out and I recorded myself very quickly, and that's also complicated, it's a bit necessary.
02:26because in the end it is part of the reasons why one comes to a festival is to have
02:31that first reaction but also reacting so automatically without being able to digest so much
02:35movie because maybe later you find things that you like or hate more and you know that there are
02:40Since I didn't say this, which I didn't like either, it's difficult. I've been covering festivals for 26 years and it still happens.
02:48costing completely different elements in each of the stories which is always a challenge as I go
02:58to tackle yes and movies movies that are easier no but movies that break you completely that
03:05You go out to see them and I remember writing the chronicle of the tree of life here that we saw at 8 in the
03:10Tomorrow is what I say, I no longer knew what to say, it is clear there, of course there are experiences or
03:19neandemon I remember that neandemon from bending refe just thundered that there was an amazing water and
03:25So I recorded myself, I went through the labyrinths of this, this is a bit like the Mister Etic house, that one
03:34house the pallet lu this is a little has corridors within the corridors and well I hid for
03:40One then took me a long time to get out and a security guard grabbed me and took me out but to record that
03:46I remember that thunder already and respond to neandemon so I've been doing it for many years but still
03:51So it's difficult and you can screw up Eddington, I left and I don't like to leave the movies anymore, that is, I try
03:58always fighting on the good side but it hasn't bothered me more as the hours have passed
04:04It hasn't even been 24 years, but I've been getting angrier with the movie because I think that
04:10within that it is a comedy that is not funny because I did not laugh much I think at the table in that
04:19vision that would be deposited on North America of the USA, exactly North America
04:29It is a position of New York intellectual advantage over the rest of the US and
04:37then he puts the white kids who demonstrate for Black Lives Matter on the same level as
04:45He paints them as absolute imbeciles who are the lunatics who hatch theories when
04:54of course, that is, you are equating me with someone who defends that the police may not
05:01He has to kill black criminals with people who are very crazy and who talk about a pedophile network.
05:09Democrat, no, then that and the fact that he makes fun of everything equally seems a bit a bit to me.
05:15delicate, let's go, it seems to me that you are not sitting in your attic in New York and laughing at all that, I don't think so.
05:23that is, I don't think it's good, I don't know, it's even a movie that you not only didn't like but that you
05:29It bothers me, it has surprised me because I really like Arias, it is a you have to say that I like it but
05:36No no no no I don't think so I think that we can laugh at things we're going to do whatever we want
05:42I am a big fan of laughter but if you are going to present everything to me equally, it is not the same.
05:48something else and you mentioned it is not usually if they have only seen the videos of this man but
05:54It is usually always optimistic, it is rare that you say that you did not like a movie or that you really like it
06:00It must have left a bad taste in your mouth for you to say I don't like it, so it's interesting.
06:05Well, if Eddington is like it has been until now, it might be the festival you liked the least.
06:11very yes yes I think so yes yes neither, I mean we've seen I don't know about 12 movies 13 and that's not that many either
06:20but but well without loading but but yes at the moment I think it is the most disappointing because I expected
06:28that I liked a contemporary western an impressive cast wasted more not wasted yet
06:35It doesn't seem to contribute much either, it's a very strange movie and when the violence comes when they come
06:42The shooting is very funny, it's also weird, it's a very weird movie, very weird, so it's a shame, a shame.
06:48Your favorite, which has been it so far? The movie I liked the most is Sound of Falling, the German movie.
06:54I haven't seen it because I had a because I didn't see it I didn't have a jonquet an interview with the cast
07:04People also have to know that you are here watching a movie but we are not working as
07:10Animals doing interviews and at press conferences, queuing up to get tickets, fighting with each other.
07:15With the thousands of people in the cure set that you can't walk that seems to go from one place to another
07:20another one you don't say no no today that I have to stay in half an hour my mother is horrible the other day I had to have
07:27a function and it said on the map 10 minutes walking no no no no can't think why they close the streets
07:33When there are galas, there are three galas every day for different films at different times.
07:37Then they close the streets and you have to sweat in 20 minutes because right now it's cool, right?
07:45In the late afternoon I had to go cover a party, it was a nightmare to find her, I didn't know where she was.
07:56Nobody knew where I was asking but if this is something that has to be famous and we gave one of
08:01laps and I arrived sweaty, everyone was dressed up, everyone was dressed super cute and I arrived sweaty
08:10Hello, how are you? I'm here to cover this, which is also something very interesting, starting to cover a little bit.
08:15about can but well I would like to close life because I no longer interrupted you from sound of falling that was it
08:21that you liked I haven't seen it I'm not able to say the name of the director right now because she's a director
08:28It is not a novel, it has a long one before but I had not seen it and I do not remember shilling, well, well, it is a
08:34The movie is the movie with more ideas than all the ones I've seen now, who knows the story of
08:39Four out of four women from the same family in different generations at different times do not
08:47The film spans more than a century and goes back and forth and what happens is dramatic.
08:56four women but the point of view is phantasmatic it is very intriguing and the staging is a
09:03marvel and there is a magic in that beautiful movie and it seems to me like an incredible thing I had a great time
09:10very very good I like it a lot I like it a lot yes I like it I like the movie very unexpected Costa Rican very
09:28dramatic to say that but it is strong at the beginning and makes us many questions but there is a moment there is a
09:34scene that I mean I wanted to cry the truth and knowing the director he had never done it
09:43nothing like that, he is Sufi, he has a super happy vibe in life, it's not like it's a poem, it's very
09:52Handsome Oliver is a very handsome guy and man, he has a very particular aesthetic.
09:59Slow, poetic narratives where the landscape is integrated into the work in a very powerful way here
10:06He also does it in Sirat, the use of sound is outrageous, but here it's not like here in the middle of the movie
10:13It breaks the movie and makes you feel like I couldn't believe it. I say, but what's happening with that half of the whole thing?
10:19time you are in shock no it is not shock for that reason or rather and I think that is part of the theme of the movies
10:25because it tires no because if the goal sounds very privileged it sounds like I have many movies but
10:29The reality is that the mental exercise you do even if you are sitting down, just like that, your brain
10:34that all that information from a story, a story of I don't know Japanese with the film is from Renoir and
10:41It comes into a Richard English film which is a French film but then you get into a
10:45Lynn Ramsey's film, which is a thing then, like, it's that overstimulated brain, it's the
10:50that wear it down or go a little beyond those extremes. Well, I'm older than you, my physique is also important to me.
10:56It's very tiring on the pallet of the electrics. Well, that's enough, this is another movie that you liked.
11:08A lot, well, I liked something about Berlin later. You liked the cloud bar, of course, for me.
11:16It's very personal, it's something very personal because what link later offers you is a piece of history.
11:23of cinema that is super important for the history of cinema for film critics
11:28We felt very good, it was like one of our own had made a movie for us, I didn't
11:38I know what people will think, they will say who all these are, but for me there is a sequence in which Roberto appears.
11:44Rossellini could clearly be the father of modern cinema with the trip to Italy and the talk he gives on Calle de
11:51cinema and this is this is James Rouge is already seen from this Chavrol is Romer is al Andrés Mes is
12:00carried is your fire take for granted I was clear it was my Avengers to my Avengers there and clear and
12:12Everything Rossellini says is incredible, it's beautiful, and then he steals the canapés, almost a detail like
12:19From here I am a god but I don't have to eat I'm going to save the food it has been it has been beautiful
12:27So to put it in a similar way, Bob Dylan's film, to complete it, did not also tell a historical fact in
12:37the history of the 20th century not of the music of the 20th century but of the culture of the 20th century which is the concert in
12:43Monterrey where Dylan goes electric, this is something similar, it is the birth, the installation of
12:51new ways of understanding cinema, new ways of making and seeing cinema with a series of
12:57Men who were critics became directors and it was really amazing, it was a revolution.
13:02Brutal, I am, I studied it a lot, of course, and I love those movies and those filmmakers. Look, Goddard is a
13:08complicated guy of course because I had a great time in a movie that really has no drama or so
13:14There is no climax, there is no climax, there is no, it's not, come on, cinema and Goddard, quoting, throwing quotes, quotes, quotes, quotes
13:21I follow Jan closely. I can see that he is not very comfortable on set, but it is not something that England exploits.
13:28As an engine we are not going to focus on this so that the viewer can identify with it, we are not going to see how it is
13:33I was rolling this then I like it great because you look very happy today yes yes hey I wanted you together and
13:41ask you too because one of the most recent questions I've had and that I think everyone
13:46world has it especially since Emilia Perez is the subject of ovations and I say from me the
13:51Perez because you know, we've always heard that the film was applauded for ten minutes and six minutes.
13:56minutes five minutes in canis like yes but last year it was a bit of a turning point because it was like
14:02That people no longer believe, no, yes, but that has also ruined the applause.
14:09It would be a point in favor of Emilia Pérez if she really left I don't know who the stopwatch is, the stopwatch.
14:15of ...
14:20I think it's the Hollywood Reporter, not the one who says no, no, eight minutes in Venice, they do it the same way.
14:25a stupidity because apart from that there are applauses in the gala sessions where it is sold, that is to say that all those who
14:32They are there, they are guests who are going to see the film and are going to support it, they come to the press office in the
14:38In the press there are always boos, in the press there is no applause or if there is applause that would be better but in
14:43general, I am against booing also because I am against the fact that at
14:48I'm not a fan of making movies look bad, of having them booed in the theater.
14:53I don't think the minutes of applause have become part of a model of journalism.
15:04Ah well you say how to generate this call for attention if it is something that works because if not it doesn't
15:11If not, they wouldn't publish more, more, more news like that. It seems ridiculous to me. It seems very ridiculous in some way.
15:18moment because right now maybe it is like that or I already witnessed that the time of
15:22applause or the fusion of applause or applause in general or standing ovation is not comparable to the
15:28The quality of the film only has to do with what you say, not with the fact that you are at the gala and it is
15:32There next to you, I don't know, for example, Harry Dickinson, who is the director, and you applaud him and the people even
15:38It seems that after five minutes it starts to get tiring, but before it was always like that or if there was a moment
15:44in which if there was such a thing as applause being comparable to the genuine response of the public it has always been
15:51It may have always been empty, but what happens is that something has changed, which was with the film that
15:56Directed by Sean Penn with Javier Artem and Charliz Cerón, whose name I don't remember because before
16:04press passes the press had the movie before the gala at 8 the movie that we have I don't know at
16:1411 or 1 before it was 8 in the morning and it was official in fact you saw the official in the
16:18morning and in the afternoon plus the watering and when the evening celebrations arrived they found that the
16:25The press had already published the chronicles and reviews then that champagne movie that I don't remember how
16:30It's called it was terrible, frightful, then the whole press gave her a hard time, the whole press crushed her without
16:39mercy and then he found land and fremo festival director of can with the embarrassment of
16:46to do a gala when the director was depressed, the actors were depressed, everyone was
16:52bad with a very clear mind and then at that moment it was decided that the press would never see it again
16:59a movie before the gala screening at the most at the same time but and that's when they changed us
17:06the schedules and since then that's why we have to come in at half past ten and leave at
17:12half past one in the morning of course then at eight we see the other things the minuses the tomorrow I see the
17:16From the animation of Alan Chomet that he made about Marcel Panol. Oh my God, what a dream I have, but oh well, tell us what you think.
17:26your first quantity but I have it just because it is my first dog I have another question because I think
17:33For example, I had only been to two festivals, the Austin festival, which is
17:38A little is very commercial and the Morelia Film Festival in Mexico professionals in Mexico what
17:43He has to be coming from a career in other festivals, from Berlin to the Venice Festival.
17:48Of course, New York, so the curation is very specific, that is, in those films that
17:52soon we already know that they are going to be at the Oscars, for example, of course here it is not the case but how much
17:57Do you feel that curation, that is to say, the films that are chosen to be seen, there is a guarantee of
18:04that they are good or at least good to very good or how much have you found that if it is a
18:09currency that they chose for official competition but to me the question of the question that
18:14I've been doing it all my life, of course, you never really know why this movie is there, it's not there.
18:20It is clear because if you have placed yourself in the category of a certain look that is superior to the
18:26competition yes yes yes and that is that watering has also changed over the years and now they are mainly
18:31first films or much more unknown directors before it was more mixed but the truth is that there is no
18:39times when you don't know why the films are here that I understand a festival has to have
18:43It has to be a showcase of the best cinema that is made within the possibilities of the harvest of the
18:50year and you have the radical car cinema let's see here the vegan movie the movie of the days that are
18:58very radical filmmakers but you also have to have a part of pure spectacle which is, well,
19:04Come on Tom Cruise and present Mission Impossible, not because people say man, it's because you have to.
19:10He needs an impossible mission here, man, of course he doesn't need it, but we who work
19:15Here we are doing very well with each impossible mission because that video is seen a lot, that's what I say clearly
19:20You say no, no, I'm happy to make videos about anything, but Mission Impossible is the one that is most popular.
19:25You see, for me it has to have everything, so whether a movie is good or bad, it can also affect me.
19:32seem good or bad and not to another, yes, you like it, I think it has to be a risky cinema
19:40risk also with regard to new directors and then of course you have to have big names
19:46Like Richard Link later for example, that is to say Ari Aster, I did not like the movie at all.
19:51Being Here is the new movie by Ari Aster with Joaquín Fénix with Austin Boulder with Pedro Pascal with in
19:56Masto has to be in Can, otherwise it won't be good. Well, nothing happens there, it's Ari Aster who should be there.
20:02say what a movie made better better go we send it to Netflix I don't know to say something but but it is yes
20:10that have to be here I remember here bus van sant who is one of the directors who is here a
20:15God of course here he won the Palme d'Or with the days we all crowned him with here he is worshipped and presented a
20:27What was the movie called The Sea of Trees? Okay, no ...
20:37a beer was bad the movie was not very good but it was not disappeared disappeared unreleased yes or that is to say that it was
20:50He plays coming to Cannes to his movie, it hasn't mattered because he has continued making movies as a very good director.
20:55Bad are they, come man, today bet very interesting, the truth is this is my first festival, I have enjoyed it a lot
21:03If there was a time, for example, I had four movies and videos and I said I can't see the things or
21:09I see the third one, which was The Wave by Sebastián Lelio. I really wanted to see it. I really like that director.
21:14Chilean or was it to record my opinion of those I had seen the videos and upload them so much I said no I don't see it and then I saw the
21:22In the end, I haven't seen the chronology of water by Christian Stuart. I didn't get a ticket for that movie.
21:31cool how lucky let's see it's okay to miss movies it's true that's how it is man the fat fat girl
21:41You can't miss it because people are waiting to hear your opinion but it's okay, no, that's not something that
21:47I assumed a long time ago why you have to not die and the urgency of sending chronicles
21:56Of the important movies you can eat passes nothing happens nothing happens what happens in can
22:04Very few people care right now, there are more people watching Eurovision than what's happening.
22:14Here for us is our world and when you are stuck in here you don't even have perspective.
22:20say there could be another global pandemic right now and we wouldn't know about it because we're thinking not that
22:26I have to get to the next movie screening to see there's the metal control, no wait, okay, let's see the
22:32entrance you don't know you say no no dude there's a really bad pandemic and you say shut up because
22:41You live is really a crazy, crazy big brother and to me especially the first few days but you are addicted
22:50It's because you come year after year, I like it a lot and we are lucky that damn, what we do is
23:00People see it and appreciate it and also the affection comes back to us, I think that's incredible, you do.
23:08You have to live stronger than me, that is to say, the love of the people regarding the work we do is
23:14an outrage and it is very nice that it comes that everything was explained as the pallet is inside
23:19different sections and so on and the comments that there are good, good videos, thanks for the
23:24information, that is, I do feel motivated to say, well, I want to continue doing this because the
23:28people are liking it if suddenly there was an opinion of saying well, they grew up with what they eat, no
23:33It is of great interest, no, but as you say, you are talking about an impossible mission, that of Aria Aster's daughter, and if the
23:40People laugh but then I give them the dose of criticism that you laughed with me because I'm here
23:56suffering but now powerful analysis and if you place the movies and what seems to be in a
24:02At the moment it has not had much of a run then it ends up becoming a nora because here we saw
24:10Nora last year and not today and the videos these videos have life for months and it is a
24:17past as they do not stop growing until it is actually released people see it then it means
24:24nominations and those are videos that are eternal of course and you say you would have to do well in the best
24:30possible conditions and you are made one you don't even know what you say you are wrong with the movies of the
24:36name of the director and my god thank you Alex thank you very much now to finish I would love
24:44I'm asking you what other films you're really looking forward to seeing. You're staying for the whole festival, right?
24:48If I don't want to be a spokesperson for bad news, but halfway through, I'm going to give you a secret, give me you for
24:57For example, here where we are, if I say I am new and have never come, but there are many people who do not know
25:02This terrace is better because it has a separate area so we are more relaxed and drinks and soft drinks are free.
25:09and there are chips and down there are the most comfortable rooms like Severance like that no if that is like Severance too
25:17You'll see that clearly, but we are the Inis. I don't know how my wife hasn't abandoned me for so many years.
25:23coming here because really the conversations we have are like saying hey what did you write down, don't tell me
25:32Sign up because my little son runs a shop or has a theater tennis play on June day and
25:40I answer you know how bad the daily Esther is, there is no dialogue anymore, they are crossed monologues for you
25:47wife yes also for his wife your family because if this happened to you and you to the neighbor the house broke
25:56a pipe and you already you already I'm about to see the new movie in July or you say oh what a shame and I can't do anything
26:03through the pipe right now or my son writes me and tells me that from my wife's cell phone and tells me dad how is it
26:09new broadcast impossible and I say but haven't you seen the video
26:12You have to see my video, son. If you don't watch it, who will?
26:18I don't have time to send you a voice note, I'm not going to see it, because a lot of people see it, okay, a lot of people.
26:24And I want to congratulate you for that too because how cool that, I mean, no, they are not, I don't think there are that many.
26:30the people I say you said 20 years that you have that have managed to conquer like different
26:35generations and it's really cool that you on YouTube have managed to conquer an entire generation
26:40I don't know why it happened because you are talented, charismatic, and also very cool. I think what
26:56This is commented on by the people who usually stop me, even the people who come to book signings who
27:03It's like very specific, they don't have a book anymore.
27:06yes yes yes yes yes the phrase they tell me is not
27:13That's not the best critic in the world, that's not them, they say they tell me I'm laughing my head off with you, that's why I'm dying of laughter with you.
27:21which has never been the idea or
27:26the affection you give off, the good vibes you transmit
27:30It's amazing, it accompanies me a lot and that's super important to me and I'm a film critic, I do film criticism, I do film criticism
27:39It's what I know, I don't know how to do anything else
27:41But for me it is important that this message is important
27:45be a hug be empathetic because
27:51is the
27:53the world we live in
27:56has become very, very hostile in recent years with social networks, very, very visceral
28:04and that ultimately creates alienation in people
28:09I don't think you and I are going to fix it.
28:13but at least I'm not going to be part of it
28:15At least I'm not going to be part of that and I'm going to give you an analysis of Richard Linklater's work and I hope he makes a video just about the cloud.
28:23back because it's something I wanted to do three years ago when I started doing it and the videos didn't stop me
28:30And I'm going to do it with full knowledge and I'm going to give you all the information about the cloud, the back, which is amazing.
28:35but at the same time
28:38If I make you smile, if you feel a little loved
28:43Yes, yes, Aunt, the cream, death, and Veronica who meditates, everything is with me.
28:47look we are
28:50but
28:52Alex, thank you very much. You've already spoiled your coffee. If you don't have gastritis,
28:57Thanks, and if for some reason you didn't know this man, you're going to follow him. His channel is Sensacional España, right?
29:03If you have the best reviews, they will have fun too, and you are also uploading things on social media, right? Not so much more on the YouTube channel, it's more YouTube in
29:14Blue Sky and Twitter where I'm posting comments about what I see.
29:20like Alejandro Calvo
29:22Alejandro G. Calvo
29:24You are going to follow him and so that he can also tell you about the rest of the films that he has left.
29:29many days
29:31so that they can give you all the criticism until you get here
29:36and thank you very much for watching this video cinephilosophers and we will stay working
29:41and no thank you very much, nothing like half an hour, but exactly 30 minutes
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