- 1 year ago
Indian love story
Lesbian love story
Lgbtq
Gl
gllove
Lesbian love story
Lgbtq
Gl
gllove
Category
🎈
FunTranscript
00:00So, as I said yesterday, that I will try to update the future of my future.
00:08So, I will try to help you.
00:10But you are very busy.
00:13You don't need your attention to my story.
00:17Why?
00:18Look, I am telling you love.
00:21I can give you some money.
00:24So, let me give you your attention here.
00:29So, let's move on.
00:34This is the second part of my future.
00:38So, as Bruncher said that this topic, this news, Githika and his team will work,
00:48So, Mr. Singh's mind is warm in this conference hall.
00:54This is the first part of Mr. Singh's mind.
00:59So, if Mr. Singh's mind is warm, they are warm.
01:04This is the first part of Mr. Singh's mind.
01:06This is the first part of Mr. Singh's mind.
01:07This is the first part of Mr. Singh's mind.
01:11Mr. Singh's mind.
01:12This is the first part of Mr. Singh's mind.
01:14This is the first part of Mr. Singh's mind.
01:17I can see him as a man.
01:19Mr. Singh's head is a man.
01:21He says,
01:23I'll see him.
01:25I'll see him.
01:27I'll see him.
01:29I'll see him.
01:31He'll see him.
01:33And he'll think he'll
01:35his hands.
01:37He'll see him.
01:39But he'll see him.
01:41But he'll see him.
01:43He'll see him.
01:45He'll see you.
01:49He'll see you.
01:51He'll see you.
01:53He'll see you.
01:55He'll see you.
01:57He'll see you.
01:59That movie.
02:01He'll see you.
02:03Mr. Singh
02:04Tschang.
02:06He says that movie.
02:08He says that
02:10they should go over here.
02:12इसके टेंशन तुम्हें लेने की जरूरत नहीं है
02:14तुमसे जितना कहा जा रहा है तुम उतना ही करो
02:18और यह कहकर वो अपने फोन को कट कर देते हैं
02:22इन तीनों की कार अब वैले पे उस लोकेशन पर पहुँच गई है
02:27जहां पर यह इंसिडेंट हुआ है
02:32रास्ता इतना बिगड सा गया है कि कार आगे जा नहीं सकती
02:36और तभी गितिका कहती है कि
02:41कम ओन गाइस अगर हम ऐसे चले तो कुछ कवर नहीं कर पाएंगे
02:46हमें यहांसे पैदली चलना चाहिए
02:49तो सूरज जो है उसका सहायक उसका नाम सूरज है
02:53वो कहता है हाँ और यह सब हम कवर करते हुए चलेंगे
02:58उसकी बात का जबाब अन्नू देती है
03:00और कहती है कि यह अब रोग गुड आइडिया
03:03और यह तीनों अपना अपना कैमरा लेकर
03:08कार को वहीं एक जगा पाद करके निकल पड़ते हैं आगे की तरफ
03:13वैली में पहाडों में एक बड़े बहुत बड़े पैमाने पर कुछ कंस्ट्रक्शन वर्क चल रहा था
03:23जो गवर्मेंट द्वारा अप्रूब्ड भी था
03:27तो यह जो दुरगटना हुई है वो इसी पूरे कंस्ट्रेक्शन वर्क लोकेशन पर हुई है
03:37चलते चलते अनू उपर आस्मान की तरफ देख के कहती है ओए कहीं इसमें मेरी स्कौाडन लीडर तो नहीं
03:46इसकी यह बात सुनकर गितिका अनू को इरिटेशन धरी नजहों से देखती है
03:53अनू उपर की तरफ इशारा करती है गितिका को गितिका अपर प्लेइन को देखके अनू को देख प्लेइन को देखकर कहती है तु तु बाजनी आएगी और मेरी क्या होता है
04:06focus on your work
04:08या कहके
04:10जब गितिका सूरज की तरफ देखती है
04:13तो वो भी
04:14और उसके हाथ में
04:16पकड़ा हूआ, कैमेरा भी
04:18दोनों ओपर आस्मान की तरफ
04:20उस प्लेइन को देख रहे होते हैं
04:22अन्य सूरज की सर पर
04:24एक टैप करती है और कहती है
04:26you too? you too? you too?
04:28yeah come on be serious
04:30and the two of them
04:34they accept them
04:36yes boss
04:38and the two of them
04:42after that
04:44after all
04:46she says
04:48and
04:50she says
04:52oh
04:54what a
04:56arrogant lady
04:58and she says
05:00she goes
05:02and the three
05:04are going to focus on
05:06one detailing
05:08and one detailing
05:10is not a
05:11big
05:12diary
05:14she's
05:16pocket
05:18is
05:19small
05:20उतनी बड़ी भी नहीं तो जो भी उसे detailing या point लिखने होते हैं वो उसमें लिख लेती हैं उसने लिख लिख लिए हैं और वो लिखती जा रही है और उसके हाथ में एक camera भी है और ये तीनों आगे बढ़ रहे हैं वहां कल्पना अपनी plane से इस पूरी जगां को cover कर चुकी है
05:50करीबन तीन जगां तीन जगांएं ऐसी हैं जहां ये बहुत critical disaster हुआ है और तीनों point को ये लोग cover कर लेते हैं
06:01mark कर लेते हैं और इसकी information इन तीनों जगां की headquarter पर भेजते हैं headquarter से ये information frontliner को दी जाती है
06:13जिस पर relief rescue team जल्द से जल्द अपनी चीजें पहुँचा सके अपनी लोग पहुचा सके in short वो इन सब चीजों में फसे हुए worker या फिर citizen की मदद कर सके
06:26तभी अभी नहों बोलता है panda we got the all point and just is clear
06:34तो ये दोनों plane में बैठे हैं मैं तो आपको बहुत softly बता रहे हैं लेकिन situation यह है कि यहाँ पर ये दोनों को बहुत उची tone में बात करना पड़ता है और वैसे ही कर रहे हैं तो अभी नव की बात का जवाब देते हुए कल्पना कहते है
06:49रोजर अभी अभी नव कहता है कि पहाड़ों की बीड चौपर से जाना ज्यादा असान होगा और जल्दी पहुँचेंगे
06:58so let's go to the base तो कल्पना इसकी बात को accept करते हैं रोजर हम चौपर से वापस आते हैं
07:07और अभी नव उसकी बात को accept करते कहता है रोजर पार्णा और ये अपने जट को बड़े ही sexy अंदाज में वापस गुमा लेती है और ये लोग base की तरफ निकल जाते हैं
07:20यहां जमीन पर बहुत अपरा तपरी हैं सब गुम हैं कई लोग बड़े बड़े पहाडों के बीच कई गाडियां कई लोग फसे हुए हैं कई लोग घायल हैं बेहोश हैं तो कुछ लोगों की सांसे रुख गई हैं ये सारा मंजर गीतिका देख रही हैं अपनी कैमरे में capture
07:50और जो गितिका है वो अपने दर्द को अपने इमोशन को अपने अंदर लिए अपनी ताकत के अनुसार लोगों की मदद भी कर रही हैं ऐसा नहीं है कि सिरको नियूस कवर करने में बिजी है
08:10as possible से जितना हो पा रहा है वो कर रही है आगे बढ़ते बढ़ते कई लोग हैं और जब वो आगे टनल की तरह अपने कदम ले जाती है तो वो उस मनजर को देखकर बोल परती है
08:30oh my god क्योंकि वो टनल पूरी तरीके से खत्म हो चुगी है धस गई है जिसे कहते हैं और जो रेस्क्यू टूम है वो अपना काम बहुत जेजी से कर रही है और लगी हुए है
08:47कलपना अभिनव के साथ चौपर में आ जाती है ये दोनों इस बार अलग-अलग चौपर में आये हैं ये दोनों अपना चौपर को पहाड़ों के बीच में ले जाने का इशारा करते हैं पाइलेट से मैं आपको बता दूं ये दोनों चला नहीं रहे हैं चौपर ये दोनों
09:17cables and hooks, they both tie up and tie up.
09:25They are now in the chopper.
09:28The pilot is pointing to the chopper to stay.
09:32They both take the chopper to run under the sea.
09:41When the chopper is stable,
09:45So, these two are starting to go down to the cable.
09:50And Kalpana is pointing to his finger on his finger,
09:55pointing to the other side of his finger.
09:56Who is it?
09:57Yes.
09:58Abhinav.
09:59Abhinav.
10:00Abhinav.
10:01He pointing to his finger on his finger,
10:03that you go to the other side and he will go to the other side of his finger.
10:08And these two are helping people in the other side of his finger.
10:14isi tariqae se
10:18y ee loog loogo ke p as pehan chuyta y ee je loog fust rahaan
10:24in ko n inkaalana shuru kaat tayo
10:28jub qalb na
10:29eek insana ya eek
10:31jis ki
10:32eek eek karke juba wu aapne haat mein un loogo ku pukat trophy ha
10:37jis ki sansi chal raha houti hai wu to thiik hay
10:40lekin jis ki sansi roo gGay hai
10:42unhei daamte woi
10:43कल्बना के दिल में भी एक अजब एक अजीब सादर दोटता है
10:49लेकिन उसका काम है और हो सकता है
10:54क्या पता उस सक्स के अंदर उस पर्सन के अंदर
11:00जो अभी लग रहा है कि उसकी सांसे रुग गए है
11:02उसकी सांसे वापस आ जाए
11:04कल्पना और अभिनो एक एक करके अपनी काम में व्यस्त हैं
11:11यहां गितिका आगे बढ़ते बढ़ते इन दोनों से अलग हो जाती है
11:15इन दोनों मतलब सूरज और अन्नो से
11:17और यह दोनों उसे तेज तेज पकार कर ढूनने लगते हैं
11:24गितिका के पीछे एक आदमी बहुत देर से है जैसे वो उस पर नज़र रख रहा हूँ
11:30जब वो थोड़ी सी एक्टम अकेली ओजल लोगों की अब महाँ पर जितनी भी टीम से हो अपनी अपनी काम में
11:40कोई किसी के पर नज़र लेकिन ये आदमी इस पर नज़र रखे हुए है और ऐसी डिंजरस जगां ऐसी खतरनाक जगां वो ढूनता है और देखता है जहां वो इसको हानी पहुंचा सके है
11:53so
11:55her art
11:58tend to get
11:59to get
12:02his character
12:03after he
12:14she tests
12:16why
12:17they start
12:19here
12:20both
12:21He is the only one who is heading into the direction.
12:24He goes from the direction.
12:26They reach the direction towards the direction.
12:28They reach the direction.
12:30It's too far over, but it's too far the direction.
12:33They see that the intervention is the opposite way to go.
12:37He watching it,
12:39and goes like the moon and keep the path,
12:42they can descend.
12:44He goes from the critical spot,
12:46he would come.
12:49as I said,
12:52as I said,
12:54it's a pair,
12:56as I said,
12:58it's a cable,
13:00it's a hook,
13:02it's a hook,
13:04and the sun and the sun
13:05do it.
13:07It's a camera with me,
13:09so,
13:11they see both of them,
13:14but they don't know
13:17what they do,
13:18so,
13:20they see both of them
13:22and they see both of them
13:24and they see
13:26the blades
13:28are now going
13:30so,
13:32they say,
13:34where are they going?
13:36Look,
13:38it's on your head,
13:40it's different from your head
13:42so,
13:44she said,
13:46she said,
13:48relax,
13:50relax,
13:52she said,
13:54she said,
13:56please help us,
13:58please help us ma'am,
14:00she said,
14:02she said,
14:06she said,
14:08she said,
14:10she said,
14:12she said,
14:14she said,
14:16she said,
14:18she said,
14:24she said,
14:26she said,
14:28she said,
14:30she said,
14:32she,
14:34she said,
14:38she said,
14:42she said,
14:44she said,
14:46she tells her that she was going to the next time.
14:55So she told me that she was going to the tunnel.
15:02So when she told me that she was going to the next time she was going to the tunnel,
15:08she was going to the other side of the tunnel.
15:12What are they brainless?
15:14What is the need to go to the tunnel?
15:17The news had been on the tunnel.
15:19Who is the journalist?
15:22The police are doing all the time and the police are staying away.
15:29The police warn me again that the police will start the chopper.
15:37back to his family and he always finds his family's head on his head and he sees him
15:46and he says, He is so brave and so brave.
15:51So I'll go and go.
15:56I'm going to listen to this story.
16:01σच till
16:04कलपना जो है वह उस जगान पहुंचती हो देखती है कि कोई तो है जो वहां
16:15से एक कपड़े के सहारे वेविंग कर रहा है वेव कर रहा है और इन शॉट वह सिगनल दे रहा है
16:24the pilot had to go to his head,
16:26he called the power of his head,
16:28to it to go to the car,
16:32while the enemy is coming Shafari,
16:34where it will stay,
16:36when the creature is on his head and on,
16:38when the man appears to beökcal,
16:40while the girl goes to his head
16:43in front of him,
16:45while the girl sees his head,
16:48a man is surprised.
16:51But it's a shame that it's a shame.
16:54It's a shame that it's a shame that it's a shame.
16:57But she doesn't say anything.
17:01She says that now you can wear your shirt.
17:06She just wears her shirt.
17:10She is wearing her shirt.
17:14So she says that she's a shame.
17:17Don't do it, let's go.
17:22Again, Gita, there's no fear.
17:26Fear means expression.
17:28Then, Gita, I'm not going to go here.
17:33Do you understand?
17:34Let's go, let's go.
17:35Don't waste time waste.
17:37Gita, she's still in her place.
17:40She's still standing.
17:42What is this?
17:44They're thinking.
17:46And without a warning,
17:50Kala, she takes the guard right and runs on the right.
17:53She brings her head for a walk.
17:56She brings the guard in her way.
17:59I'm not going again.
18:02Look at this.
18:03Kala, she's still doing that.
18:06She turns back to her and asks her,
18:08she goes back at her point.
18:10She begins to go further.
18:12So, Kala, she's still in the guard.
18:15she said, what a fuck.
18:17She's standing up.
18:19The girl sees her eyes
18:21and sees her eyes
18:23and sees her right hand
18:25and she's got a kiss.
18:27As the two
18:29are going to the sea,
18:31the hair goes up and
18:33she's looking at the girl's face.
18:35She feels very sad.
18:37She's looking at her
18:39and she's looking at her
18:41and she's looking at her
18:43and they call themselves in their chest,
18:47they ask me,
18:49what are they doing?
18:51How are they?
18:53Who do they say?
18:55My squadron is doing it.
18:57They start singing in the gang,
19:01and they say,
19:03they ask them,
19:05they ask them,
19:07stop and stop.
19:09They take them and they take the gang,
19:11so they say,
19:13Shut up
19:30She will listen to me by Pilots.
19:32She will listen to him.
19:33She will listen to us.
19:34She won't say on Githika.
19:38Githika grows up and will come down.
19:41She will walk down and wander down.
19:44She will listen to Githika safe.
19:48She is very calm and take a look.
19:50These men are hanging,
19:52they are in a garden.
19:53So, she is a detective.
19:56Where are you?
19:57You are keeping me quiet?
19:58You don't understand yourself at all.
19:59I don't understand the kids too, and I don't understand it.
20:03I don't have time to open this hook.
20:06And you don't have time to reach down.
20:09But my job is bigger.
20:12So keep your mouth closed as we don't reach the ground.
20:17So Githika said,
20:19My camera is standing down.
20:21I'm going to shoot it.
20:23I'm going to see it on the top.
20:26So she said,
20:27What?
20:29You have got your camera?
20:31It's more than my knowledge.
20:33You have got a big camera?
20:36Now Githika,
20:38in my eyes,
20:40says,
20:41Yes.
20:42My job is bigger than me.
20:44Stop the chopper.
20:46Now Githika doesn't say anything.
20:48And she says,
20:50the pilot goes down.
20:52And these two people reach down.
20:56And Githika,
20:57I'm going to take the camera.
20:58And she says,
20:59I'm going to take the camera.
21:01And I'm going to take the camera.
21:02I'm going to take the camera.
21:03I'm going to take the camera.
21:04I'm going to take the camera.
21:05I'm going to take the camera.
21:06I'm going to take the camera.
21:07I'm going to take the camera.
21:08I'm going to take the camera.
21:09I'm going to take the camera.
21:10I'm going to take the camera.
21:11And come back.
21:12Keep the camera on me.
21:13And when I'm going to take the camera,
21:14I will take the camera into the camera.
21:16And when the camera comes in the camera
21:17I am going to touch.
21:18And the camera comes to the camera.
21:19As well as your eyes are in this camera.
21:20The camera comes to you when the camera comes to me.
21:21And after that,
21:22when Githika goes down,
21:23He's scared.
21:24On the camera comes to me.
21:25And when he doesn't say anything,
21:26he's closed to me.
21:27He doesn't want to tell you.
21:28He doesn't say anything.
21:29He stops.
21:30And he stops.
21:32And he stops.
21:34You know he stops.
21:36You're a culpana.
21:38When you're like a culpana,
21:42you're shocked.
21:44And like in a cold,
21:48you're a culpana.
21:50You're a culpana.
21:52And this sense,
21:56this feel culpana
21:58is a culpana.
22:00And these two are culpana.
22:02She tracks the wind and the ocean on her feet from theclan.
22:08She goes to her feet and comes to her feet with the lglan.
22:14She hears the wind and goes to her.
22:19She comes to the wind and leaves she gets a fish.
22:24Then the rain comes from the ocean.
22:29It's a way that Githika is a good one, which is a good one.
22:33But when Githika comes in the middle of the river,
22:37it is a good one.
22:41But when Githika is a good one,
22:45it's not a good one, but the other should be a good one.
22:49It's a good one.
22:53You are again lady.
22:55What's the problem you have been saying?
22:57I'm going to ask Githika about this question.
23:01She's freeing your cables.
23:04Okay.
23:05And you didn't get anything new.
23:08I wanted to find something.
23:10Yes. Journalists.
23:13You are a manors.
23:16Don't teach your manners list.
23:20Let's do it.
23:22Don't do it.
23:23Say it.
23:25She gives me a question.
23:28And you?
23:29Never.
23:31The ghost says,
23:33Yes.
23:34I knew it.
23:36But I remember it.
23:38But I remember it.
23:40It's been said.
23:42It's been so long.
23:45And the ghost says,
23:47Thank you, ma'am.
23:48Thank you so much.
23:50And the ghost says,
23:53I didn't see it.
23:55It's been so long.
23:56And the ghost says,
23:58Yes.
23:59And the ghost says,
24:00Yes.
24:01Yes.
24:02This is a senior.
24:03And the ghost says,
24:05Yes.
24:06And the ghost says,
24:07Yes.
24:08And the ghost says,
24:09Yes.
24:10And the ghost says,
24:12Yes.
24:13Well,
24:14Yes.
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