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01:30First, of course, to tomorrow's bride and groom, to Becky and Phil.
01:36Becky, you're lovelier than you were the first time I met you in my office.
01:40Of course, the first time I met her in my office, she was six months old and had the sniffles.
01:44To the bride and groom, Becky and Phil, here, here.
01:52Here, here, here, here, here.
01:54Uh, Martin, first time I saw you, you didn't look so pretty.
01:59I had pneumonia and you were tapping my lungs.
02:03The beginning of a beautiful friendship.
02:05To the father of the bride, my good friend, Martin Garfield.
02:08Ditto to daddy-in-law Garfield, the most generous father two lucky daughters could ever have.
02:22Rick, please.
02:33Daddy, this has been lovely.
02:36Oh, Becky.
02:38Listen, you know, you're both very welcome to stay the night.
02:41We have plenty of space.
02:42Sure, I'd lean and I only take up one room.
02:50Rick, you're a jerk.
02:53Phil has some last-minute packing to do before tomorrow.
02:56Okay.
03:00I'll get that, sweetheart.
03:05Oh, look at the time.
03:07I have to stop by the hospital on my way home.
03:08I'm going to walk you to your car.
03:10No, you're very persuasive.
03:12You really are rude.
03:13It's not my time for us, Stuart.
03:15Please, please.
03:16Because it's my gift.
03:17Stuart, what are you doing here?
03:18I've brought a present for the bride.
03:21You're drunk.
03:21I tried to stop him, Martin.
03:23And you forgot to send me an invitation to the rehearsal dinner.
03:28Martin, your own partner.
03:31What were you thinking?
03:32I think you were to leave.
03:35For you, sweetheart.
03:37Something you're here for.
03:38Oh, I'm sorry.
03:39Something expensive from the shop.
03:44You say what you will about my business sense.
03:47I have exquisite taste.
03:50And now, I will go home.
03:54Martin, he's in no condition to drive.
03:56There's some place you can sleep it off.
03:57The downstairs bedroom.
03:59Come on, Stuart.
04:00Well, I thank you for your graciousness and hospitality.
04:03I'll see you all tomorrow.
04:05Rick, you better put that on the table with the other gifts in the pot.
04:11Becky, I am so sorry.
04:13You can't make everything perfect, Dad.
04:15We'll see you tomorrow.
04:16Big day tomorrow.
04:19Oh, I'm sorry.
04:26He's down for the night.
04:27Bye, Ruth.
04:31Oh, good night, Mark.
04:33I'll, uh, check on the other people here.
04:35Yeah, uh, Mark.
04:38Your son, Steve.
04:39Is he still with the police?
04:41Yes, why?
04:42Uh, I may want his advice.
04:45What are you talking about?
04:47Uh, never mind.
04:51Uh, Becky's getting married tomorrow,
04:53and I think I'm just feeling a little old.
04:55You know, forget it's now.
04:58Some useless advice from your doctor.
05:00Get a good night's sleep.
05:01Oh, my God.
05:31I don't know.
06:01I don't know.
06:31I don't know.
06:32I don't know.
06:33I don't know.
06:34I don't know.
06:35I don't know.
06:36You two okay?
06:37Yeah.
06:38What happened to him?
06:39Don't ask.
06:40He broke his leg trying to get a patient out of the elevator.
06:41Elevator stopped between floors.
06:42The patient started hyperventilating.
06:43Eddie did whatever he had to do.
06:45I'd say Eddie's a hero.
06:46You two okay?
06:47Yeah.
06:48What happened to him?
06:49Don't ask.
06:50He broke his leg trying to get a patient out of the elevator.
06:51Elevator stopped between floors.
06:52The patient started hyperventilating.
06:53Eddie did whatever he had to do.
06:54I'd say Eddie's a hero.
06:55Hey, good man, Eddie.
06:56Hey, good man, Eddie.
06:57Hey, do a favor, Sal.
06:58Take him to the other piece, right?
06:59Eddie, I'll talk to you later.
07:00Where is he in the ER?
07:01This is the ER.
07:02We lost our lights, we lost our main power.
07:03We're on generators, but the lines of the ER and half the operating rooms were cut.
07:08This place is a mess.
07:09Um, Dr. Friedland's using your office as an emergency maternity OR.
07:12He had a mother in full delivery when the quake hit.
07:14Can you believe that?
07:15Dr. Snowman.
07:16Commander, come here.
07:17You're going to need a new desk.
07:18Oh, great.
07:19I don't know.
07:20I don't know.
07:21I don't know.
07:22I don't know.
07:23I don't know.
07:24I don't know.
07:25I don't know.
07:26I don't know.
07:27I don't know.
07:28I don't know.
07:29I don't know.
07:30Oh, great.
07:31Donna.
07:32Listen.
07:33Move the patients in 104.
07:34This man's in shock.
07:35Nurse, I need some blankets.
07:36I need his legs raised immediately.
07:38Give him one milligram IV atropine stack.
07:40IV atropine stack.
07:41Igor.
07:42Igor.
07:43Come on.
07:46Thank God you're here.
07:47I'm calling a meeting of old apartment heads in 20 minutes.
07:50Good, I'll be there.
07:51You okay, Norman?
07:52I can't reach my mother.
07:53The phones in the valley aren't working.
07:54My sister Maria is driving over if she can't get through.
07:57I'm sure she's all right.
07:58How is your son?
07:59Well, his watch commander called said he called so he was okay.
08:02I'm sure he has his hands full now.
08:03As do we all.
08:04But we have things to do here, and that's what I have to think about.
08:08I wish I could reach my mother.
08:10Nature is humbling us.
08:12God bless.
08:17Yes, doctor.
08:18Yeah, directly into the eye.
08:19Let the nurse page me when you get him to the floor.
08:22Hey.
08:23Look at those shoes.
08:24I've never seen us look in this one.
08:26Whew.
08:27Look at that.
08:28Oh, that's, uh, that's nothing, really.
08:31Uh, I know how it happened.
08:33Jack tried to get in the doorway when the earthquake hit, and he forgot to open the door first.
08:37Don't listen to her.
08:38That's not what happened.
08:39What do you mean that's not what happened?
08:41You panicked.
08:42You panicked.
08:43I did not panic.
08:44You did too!
08:45I did not.
08:46Big time panic.
08:47I want to just stop.
08:48Okay, come on, guys.
08:59Jack!
09:00Jack?
09:01Jack!
09:02Jack!
09:03Jack?
09:05Jack?
09:06Jack!
09:07Aftershock.
09:09They, uh, they happen after earthquakes.
09:12Yeah, we know.
09:14And according to Caltech, they could go on for months.
09:17Duh.
09:19Uh, next time you duck for the cover, save me a little room under there, will you?
09:23You got it.
09:26Uh, shit, we have too much.
09:29Oh, sweet.
09:31Yeah, we are.
09:33It'll be fine, just a little scratch.
09:41Excuse me.
09:42Ruth?
09:43Oh, hello, Mark.
09:45Ruth, are you all right?
09:47I was just looking. Um, Rick and Eileen were here.
09:50Ruth, where's Mark?
09:52I don't know.
09:54Is there a phone?
09:55What?
09:56I have to call Henry my jeweler.
09:58Look, my necklace broke. I hope he can fix it.
10:00Oh.
10:01Oh, there you are. We were looking for you.
10:04Eileen, your stepmother's apparently in shock.
10:08Where's your father?
10:10What, he's not here?
10:12No, don't you know where he is?
10:14No, we all got separated in the quake.
10:16I mean, the house practically fell down around us.
10:18And the police came while we were climbing out.
10:20They brought us here.
10:21Yeah, we were lucky to get out alive.
10:23What about Martin?
10:25You know something?
10:26I think I saw him go with Stuart Westlake in another one of the police cars.
10:29Yeah.
10:30I mean, everything was so crazy.
10:32I'm sure he's all right.
10:34I need a telephone.
10:36Where do I find a telephone?
10:38Ruth, um...
10:40Wait.
10:41Yeah.
10:43Orderly, would you take care of that woman, please?
10:46Hey, Dad.
10:47Steve, I tried to call you.
10:48Me too.
10:49You're all right.
10:50I'm tired and smelly, but I'm okay.
10:52How about you?
10:53Oh, I need a long, hot bath.
10:55Yeah, ditto.
10:56You got hot water?
10:57I haven't the foggiest notion.
10:58What about you?
10:59No hot water, no cold water, no heat, no light, no apartment.
11:03Mind if I crash at your place tonight?
11:05You don't mind sleeping on the couch.
11:07Just a minute.
11:08Stuart.
11:09Stuart.
11:10Let's have a look at you here.
11:12What?
11:13Oh, are you all right?
11:14Oh, yes, I'm fantastic.
11:15Where's Martin?
11:16I don't know.
11:18Did he leave the house with you?
11:20No.
11:21Well, where is he then?
11:23I told you.
11:24I don't know.
11:28Something up?
11:29You know, I'm not sure.
11:30Do you mind making a stop on the way home?
11:32No.
11:33No one has seen Martin Garfield since before the earthquake.
11:36No!
11:37No!
11:38No!
11:39No!
11:40No!
11:41No!
11:42No!
11:43There we go.
11:44I think we're okay now.
11:45We're okay now.
11:46Place lights.
11:47Batteries.
11:48Candles.
11:49Water.
11:51Look at the devastation.
11:53This place took a beating.
11:54It must have been the epicenter.
11:55Yeah.
11:56You haven't seen my place yet.
11:57Much help at all.
11:58Yeah.
11:59He's not still in there.
12:01Martin?
12:29Oh, Lord.
12:30Look at this.
12:32What a wreck.
12:34Martin?
12:37Oh, disaster.
12:41If only my place looked this good.
12:46Martin?
12:48Maybe you went to another evacuation center.
12:50Oh, I sure hope so.
12:53Martin?
12:56Oh, no, Steve.
13:00It's Martin.
13:08He's dead.
13:16Must have come down during the quake,
13:18made it halfway down the hall, and an arm wall fell on him.
13:22I'm sorry, Dad.
13:23I know he was a good friend.
13:30Steve.
13:36The earthquake didn't kill him.
13:40What do you mean?
13:42It was no accident.
13:44Martin Garfield was murdered.
13:46I don't think you should report this from the coroner's office as a naturalist.
13:59Come on, Dad.
14:00People don't murder each other during earthquakes.
14:02I don't think it happened during the earthquake.
14:04I think it happened before the earthquake.
14:06Look at this.
14:07Covered with plaster and dust.
14:11Meaning what?
14:13Meaning he was knocked to the floor before the earthquake hit.
14:17The armoire knocked him down.
14:18We saw it ourselves.
14:19Yeah, but don't you see?
14:20If the armoire had fallen on him during the quake,
14:22it would have protected him from all this plaster and debris.
14:25Well, maybe all that plaster and dust was just kicked up around him.
14:28Well, maybe, but not on top of him.
14:30I think the armoire was pushed over on him after the quake was over.
14:36You're saying the armoire didn't kill him?
14:38Exactly.
14:39I think that somebody hit him in the head.
14:42Martin fell.
14:43Go ahead, fellas.
14:44Then the quake hit after that,
14:46and he used the quake to stop him putting it down.
14:49Well, we didn't find anything that looked like a murder weapon anywhere.
14:52No, I mean, no metal rod, no iron poker, no loose bricks, nothing.
14:57Well, it has to be there somewhere.
14:58We'll have another look.
14:59Well, that may be a problem. He just red-tagged it.
15:01I was condemned.
15:03Guess I should call Ruth and Martin's kids.
15:06Yeah, I think I'll go back to the office.
15:08You don't see if Martin was worried about something.
15:10He said he wanted to talk to you.
15:12Now he's dead.
15:14Look, Dad, we've both been up all night and all day.
15:16We're both exhausted. I can't even think straight.
15:19Why don't we just go home and get some rest?
15:21We'll talk about this later.
15:22Good idea.
15:23Maybe everything will make more sense after a shower and a good night.
15:29Good idea.
15:49Who is it?
15:55Steve, it's me, Jack.
15:57Oh, Jack, I can't open the front door.
16:01Go to the front window.
16:10Jack, you all right?
16:11Yeah, I'm fine.
16:12You need a place to stay?
16:14Uh, yeah, I do.
16:15Come on.
16:16Thanks, man.
16:17Oh, man, this place got beat up pretty bad, huh?
16:22Yeah.
16:24How's your place?
16:25Don't ask.
16:26How much yours?
16:27I don't know.
16:27I can't find it.
16:29I think it's in the garage now.
16:31Where should I sleep?
16:32Right here?
16:33Well, anywhere's fine.
16:34Okay.
16:34Well, what a day, huh?
16:38Tell me about it.
16:39How's your father?
16:41Well, he's all right.
16:41He already went to bed.
16:43Good.
16:47My dad's got this thing about Martin Garfield's death being a murder instead of an accident.
16:54Uh-huh.
16:56You know, I know his hunches are good and everything, but with all that's going on, I don't know how we're going to deal with it.
17:03Well, of course, that could be just what the killer's counting on.
17:13Listen to me.
17:13I'm beginning to sound just like my old man.
17:17Yeah, I bet you he's sleeping like a baby right now.
17:25How can anybody sleep after all this?
17:29Jack?
17:30Jack?
17:33Jack?
17:42Jack, you left the window open.
17:43It's the last place!
17:44It's okay.
17:45Easy, easy.
17:46Aftershock.
17:47It's all right.
17:47It's all right.
17:52Calm down.
17:56Mmm.
17:58Did you get any sleep last night?
18:01Not a whole lot.
18:01How about you?
18:02Ah, it's, um, you know, you've been here since before dawn.
18:06I got a few more patients to see.
18:08But your eyes are starting to look like old garment bags.
18:11Go home.
18:12Yes, Dolores.
18:13Okay.
18:14Hey, Dolores.
18:14Hi, darling.
18:15Hi.
18:16Hi.
18:16Well, the next time you guys decide to camp, I don't forget to invite the girls.
18:20Don't tell me your apartment was trash, too.
18:22No, actually, my apartment's just fine.
18:23I just lost a flower pot.
18:25Oh, well, that's a shame.
18:28Wait a minute.
18:28It was a very special flower pot.
18:33Tragic.
18:33Oh, Jack, I'm sorry.
18:34It's nothing like losing your whole apartment.
18:36Oh.
18:37What's with Briggs?
18:42I, I, uh, I shouldn't laugh.
18:44I think he's living in his office.
18:47What about his house?
18:48Nobody knows.
18:49Every time somebody tries to ask him about it, his eyes fill up with tears and he changes
18:52the subject.
18:53Oh, poor Norman.
18:55And ever since he found out his mother's okay, I think he's just beginning to realize what
18:59happened to him.
19:00Speaking of that, did you find out where Ruth Garfield's staying?
19:02Yeah, she told the Red Cross people that she was taking a room at the Hotel Bradbury.
19:06Bradbury.
19:07Think I'll go by there on the way home.
19:09Mark, you need to go home and rest.
19:10I can't go home till I find out who killed Martin Garfield.
19:14Whoever did it was in that house when the quake hit.
19:17Ruth Garfield and Eileen, Martin's daughter, Rick Bennett, Eileen's husband, and Stuart
19:23Westlake, who was Martin's business partner.
19:25All house guests.
19:26I thought you said you and Steve couldn't find the murder weapon.
19:28There's gotta be in that rubble somewhere.
19:31I'll help you look.
19:32I'll go too.
19:33You're too tired to drive.
19:34And you too.
19:36So if you want to meet with this Ruth Garfield, we'd be happy to drop you off at her hotel,
19:39okay?
19:40Okay.
19:40I'll go get my car.
19:41You guys meet me out front.
19:42All right.
19:42Bye.
19:43You know when she told me that she slept eight hours last night?
19:50Her nerves are like steel.
19:52What's wrong with her?
19:53Nothing.
19:53People react differently to stress, that's all.
19:55Come on in.
20:20Door's unlocked.
20:21Just put it on the table.
20:26Excuse me?
20:29You're not room service.
20:30Who the hell are you?
20:31I'm sorry.
20:32They must have given me the wrong room number downstairs.
20:34Honey, did they bring the ice?
20:38Mark.
20:39Ruth?
20:41Oh, my God.
20:42Who's he?
20:43Um, Dr. Mark Sloan.
20:46Martin's doctor.
20:47Uh, this is Henry, um, my jeweler.
20:51He just came by to, uh, fix my necklace.
20:54Oh, that's nice.
20:57Jeweler who makes house calls.
21:01Oh, what difference does it make now?
21:02Anyway, uh, Henry and I have been having an affair for months.
21:08Did Martin know?
21:09Oh, God, no.
21:10We're in love.
21:12She was going to leave him.
21:13Well, it must be love if you were willing to leave Martin and, uh, lose everything.
21:18What do you mean, lose everything?
21:20Henry, get dressed.
21:26In the bathroom.
21:27Apparently, uh, Henry didn't know about the prenuptial agreement that Martin made you sign.
21:46I'm surprised you do.
21:48Well, he asked my advice about it when you were planning to get married.
21:51He wanted you to sign a prenuptial agreement that would completely cut you off if you ever got divorced.
21:55And you told him to do it.
21:57No, I, uh, I said if you love her, trust her.
22:01He didn't take my advice.
22:02I guess he was right.
22:06Martin just wanted to make sure that I wasn't marrying him for his money.
22:11I wasn't.
22:12I loved him.
22:14But when he made me sign that piece of paper, I had to start to wonder what was more important to him.
22:19His money or me?
22:22After a while, I decided it was his money.
22:29So you stopped loving him.
22:31But you couldn't divorce him without losing all that money.
22:36That's right.
22:39Now Martin's dead.
22:41You'll inherit everything.
22:43Lucky me.
22:44Lucky me.
22:44Lucky me.
22:45Martin's death was an accident, Mark.
22:55Was it?
22:58You know, Ruth, I think that he was killed before the quake hit.
23:03Where were you just before the quake?
23:05In my bedroom, asleep.
23:08With Martin?
23:09No, he'd been sleeping apart long before I met Henry.
23:12Um, I don't know where he was, but I didn't kill him.
23:19Which, that leaves you with a motive, but no alibi.
23:23Can you think of any reason that Martin would have thought his life was in danger?
23:28Huh.
23:29Talk to his business partner, Stuart Wesley.
23:32If anybody wanted him dead, Stuart did.
23:35So did Rick Bennett, his son-in-law.
23:43Well, why?
23:44Well, why would they want to kill Martin?
23:47Oh.
23:47Oh.
23:47Look at this place.
24:13Max.
24:13Max.
24:17Well, that's that.
24:29That's what?
24:30House has been red-tagged, Amanda.
24:32So?
24:33What do you mean, so?
24:34It's unsafe.
24:35We can't go in.
24:35Jack, if we don't go inside of the house, then we can't find the murder weapon.
24:39No, no.
24:40If we don't go in the house, we can't get killed when the whole place comes tumbling down on our heads.
24:44Jack, the earthquake is over, and anything that was going to fall fell.
24:48I'm not going in.
24:49This place is a death trap.
24:50Jack, I know that the earthquake was traumatic for you, but you really must get over this and get on with your life.
24:55Now, come on.
24:56Hey.
24:57Is that another aftershock?
24:59Hey, Jack, there's somebody in here.
25:00Come on.
25:01I'm not going in.
25:02Would you stop being such a baby?
25:03Come on.
25:04I'm not going in.
25:05Amanda, I'm not going in the house.
25:08I'm going to have to go in this house.
25:09What am I doing?
25:11What am I doing?
25:17You with me?
25:36What do you do?
25:36Hey!
25:41Hey, wait a minute!
25:53Get the door!
26:06You're hitting me!
26:13I wanted to go in the house!
26:15Oh, be quiet.
26:16You all right?
26:17No!
26:18Yeah, I'm fine.
26:19How are you?
26:20That's the last time you go in a red tag building.
26:25Don't you know what red tag means?
26:27It means if there's another earthquake,
26:30the whole place will come tumbling down.
26:32Oh, really?
26:33Yeah.
26:34Oh.
26:35The more earthquakes you're in, the more you'll know.
26:38I don't...
26:40I don't need to be in any more earthquakes, okay?
26:42I'm a quick study.
26:51What the hell could you possibly be laughing at?
26:53Look at yourself.
26:54You're hilarious.
26:56Why are you, old man?
26:59Hey, look at you.
27:01Oh, my hair!
27:04Help!
27:05Hey, that's him.
27:06What?
27:07Go!
27:17Have you sustained much damage during the earthquake, Mr. Wesley?
27:20Well, we were quite lucky, actually.
27:21It looks worse than it is.
27:23Hmm.
27:27Most of the important items were in locked cases,
27:32and much of the rest I can repair in my workshop.
27:35Oh, I see.
27:36Please, please.
27:37Sorry.
27:38Look, do try and be careful, will you?
27:39None of this is insured.
27:41None of it?
27:42No, it doesn't...
27:43It doesn't pay me to insure antiques in a retail market, Dr. Sloan.
27:47Well, what is there?
27:49Uh, no static inventory.
27:51There's too much turnover.
27:52Oh, I see.
27:53No, no, no, please.
27:54Listen to me.
27:55Please.
27:56Look, I, um...
27:58I really...
27:59I do have work to do.
28:00I'm sorry.
28:01I wanted to talk about Martin Garfield's murder.
28:04His what?
28:05No, I don't think it was an accident.
28:06I think somebody killed him.
28:08Who would do that?
28:09Well, a number of people have a motive.
28:11You, for example.
28:13Me?
28:14Hmm.
28:15I heard with all this turnover here, you thought it might not be too hard to cover up a little
28:19embezzlement.
28:20Oh.
28:21And then the story is you got too greedy, and your partner Martin found out about it.
28:26Who told you that?
28:29Ruth Garfield.
28:30As a matter of fact, she said Martin was gonna have you arrested the first thing Monday morning.
28:34Martin was upset.
28:37He overreacted.
28:38I mean, I'm just...
28:40I'm not good with accounts.
28:42Uh, I'm sure that once we'd discussed it, uh, he would have understood.
28:46Oh, I'm sure he would have.
28:47Just too bad somebody killed him first.
28:50And you think I did?
28:52That's insane!
28:54Where exactly were you in the house when the quake hid?
28:57I don't remember.
28:59I'd passed out.
29:01First thing I knew, there was a rumbling.
29:03I fell down.
29:04It was pitch black.
29:06I barely made it to the street.
29:08I don't suppose anyone could corroborate that, could they?
29:11Why don't you ask Martin's deadbeat son-in-law where he was?
29:16Bennett?
29:17Oh, yes.
29:18You know, that's funny.
29:19I would just go on over...
29:20Oh, please!
29:21Just, uh, head over there.
29:23Had not a moment too soon?
29:25Yes.
29:26Please, allow me.
29:32Have a nice day.
29:33It's too late for that.
29:34I didn't do that.
29:41I didn't do that.
29:50Bus number 519...
29:53What's taking this guy so long on the bus station?
29:55I don't know.
29:57Maybe he's got something in the locker.
29:59What if he's taking the bus?
30:01Well, then we'll have to follow him.
30:04Well, I still think he's taking too long, Jack.
30:07Amanda, we are...
30:09We are on a stakeout.
30:11And sometimes, that takes a little while.
30:14This guy will be out sooner or later than I'll stay there and stop aggravating.
30:18Aggravating?
30:19You should have seen you in the earthquake.
30:20You are no help.
30:21I wanted to go...
30:22There it is.
30:23See him?
30:24Mm-hmm.
30:25Good, now we can go.
30:26Let's go!
30:27We're going around in circles.
30:28First Martin's house, then the bus station, not here.
30:30Yeah, I know this place.
30:31This is Rebetta's.
30:32Yeah?
30:33How's the food?
30:34It stinks.
30:35It's in front.
30:36Come on, now.
30:37Come on, let's go.
30:43You are going now, come on, when's it?
30:46Come on, let's go.
30:47Come on, Hallery, you need to pull over.
30:49See the heavy set guy with the suit and the glasses?
30:51Come on.
30:52Let's me go.
30:53Come on.
30:54Come on.
30:55Come on, now.
30:56Come on.
30:57Come on, I've got a business to run.
30:58Come on, let's go.
30:59Come on, Hallery, you need to pull over, man.
31:01That one is...
31:02I've got it.
31:03Seen the heavy set guy with the suit and the glasses?
31:05This is Bobby Rebetta. He's a real sleazebag.
31:08Heard a lot of bad things about him.
31:10He loaned his money to his place.
31:12What's up?
31:13Job went okay.
31:14In and out.
31:15Easy, Mr. Rebetta.
31:17No trouble picking up the payoff afterwards.
31:20He's in the locker, just like you guys said it would be.
31:22Jack, that's gold.
31:24So that's when he took out of the bus station locker.
31:26How you gonna pass that off?
31:28I got a guy coming from San Francisco tonight,
31:30a metal urges named Carmody.
31:32What's he gonna do?
31:33He's gonna let me know if this stuff is good.
31:35Help me get rid of it.
31:36All right, Mick.
31:37Good work.
31:38Maybe Rebetta did a job for whoever killed Martin.
31:42Yeah, but what job? We don't know.
31:44There you go, Howard. Beautiful.
31:46That gold bar is the palest.
31:48Let's get out of here.
31:55Good.
31:57Very good.
31:59That's right. It's me.
32:02They're all me.
32:04Well, so they are.
32:05Rick believes that art isn't really art unless it's authentic.
32:09No, you're lucky to have such a lovely model.
32:11Hm.
32:12Would you like some coffee, Mark?
32:13Well, if I have any more coffee today,
32:15it's gonna burn home in my stomach.
32:16Big or black.
32:17It's just the way Rick likes it.
32:19Where is your husband, Eileen?
32:21Out foraging groceries if he can find an open supermarket.
32:25As long as we're camping out in his studio, we're gonna need some food.
32:28Yeah.
32:29You've, uh, been living with your father, haven't you?
32:32Uh, for the last couple months, yes.
32:34Can't afford a place of your own yet.
32:38Well, Rick hasn't exactly cracked the market yet.
32:42But he will.
32:43I have faith in him.
32:45Did your father?
32:47Dad?
32:48If you couldn't add it up and earn interest on it,
32:51Dad thought it was completely worthless.
32:53He thought that Rick should find a real job,
32:56as if Rick's work wasn't actually more important
32:58than all Dad's investments combined.
33:00Doc Sloan, what a pleasant surprise.
33:03Hi.
33:04You feel like working, hon?
33:06Sure.
33:07Um, there's more coffee on the hot plate if you want it.
33:10Fine, thanks.
33:14You know, Eileen doesn't show it, but she's, uh...
33:18She's pretty shaken up over her father's death.
33:21Murder, you mean?
33:23What?
33:27He was murdered, Rick.
33:29Maybe by somebody who was afraid he might get cut off
33:31from Martin's money.
33:34You're talking about me?
33:37I could care less about money.
33:39Oh, this studio, all this equipment must be expensive.
33:43Is that why you owe money to the loan sharks?
33:46Loan sharks?
33:48Yeah, loan sharks, uh, tend to break the fingers
33:51of clients who, uh, don't pay up.
33:54Besides, your mother-in-law...
33:55Why believe her?
33:57Did you ask Martin for money and he told you no?
34:00Absolutely not.
34:01But didn't Martin tell you that if it ever happened again,
34:04that he'd disown Eileen and throw you to the wolves?
34:07You know, I don't have to listen to this anymore.
34:09So why don't you just get out?
34:11You want any gambling money, Rick?
34:13I said get out!
34:14You have quite a temper.
34:16Where were you just before the quake?
34:18He was with me.
34:20Mark, Rick's gotta go to work now.
34:25Would you care to watch?
34:27Uh, no.
34:28I have to get back to the, uh, hospital.
34:30Thanks a lot.
34:31Good luck with the, uh, sculpting.
34:38All right, right this way, Mr. Carmody.
34:40Mm-hmm.
34:41I'm sorry about this place.
34:42We're still digging out over here.
34:43Quite all right.
34:44Uh, so how was your flight anyway?
34:46Well, the flight was, uh, exhausting.
34:48Exhausting?
34:49It's a one-hour flight.
34:50Well, the flight for Frisco has a lot of turbulence.
34:53All right, good.
34:54Then let's get right down to it.
34:56How good is this stuff?
34:57It depends.
34:58On what?
35:03Impurities.
35:04What impurities?
35:05That's what I'm about to find out.
35:07Are you for real?
35:08I'm a professional.
35:09Oh, I'm sorry.
35:10I need complete quiet, please.
35:27Mm-hmm.
35:28Mm-hmm.
35:29Mm-hmm.
35:37Well, what are you trying to say here?
35:39I'll say anything till I'm absolutely sure.
35:42Where did you get it?
35:44From a friend of a friend.
35:46Hmm.
35:47Hmm.
35:48Well, those look these mm's all the time.
35:50What the hell was...
35:51Hey, Anthony, what are you doing?
35:53I told you guys I didn't want to be disturbed.
35:55I'm trying to do some business here.
35:57Start in the kitchen.
35:58You got plenty to do in there, all right?
36:00And I scram.
36:01Unbelievable.
36:04Who is that?
36:05Some worker cleaning up.
36:07Oh, well, in my business, you can't be too careful.
36:10Mine too, pal.
36:12How well did you know this friend of a friend?
36:15I didn't know him.
36:16I never met the guy.
36:17Why?
36:18Hmm.
36:19Let me show you something.
36:20I'm afraid you've been taken advantage of, Mr. Roberta.
36:34I have a plane to catch.
36:36I've been cheated.
36:37I'd say so.
36:38Goodbye.
36:41Wait a minute.
36:42Mickey!
36:43What's going on, Mr. Roberta?
36:45That's what I'm gonna find out.
36:46Well, I'll tell you.
36:47Steve!
36:48Freeze!
36:49Freeze!
36:50Freeze!
36:51Hands up!
36:53A friend of mine.
36:55You're under arrest, Mr. Roberta.
36:57I got it.
36:58I got it.
36:59I got it.
37:00I got it.
37:01I got to get a new bag.
37:02Yes, I got it.
37:03Jack, I thank you for doing this, but don't do it again.
37:08You could've got hurt.
37:09I was keeping an eye on it.
37:11I got the evidence, didn't I?
37:13Gentlemen, this gold bar is the murder weapon.
37:17All right, thanks.
37:24The DNA tests came back from forensics.
37:30You were right about that gold bar.
37:32That chunk of gold was the murder weapon?
37:34Mm-hmm.
37:35Just wish we knew what it was before the killer melted it down.
37:37But it wasn't melted down.
37:39We don't know what it was originally, but it was pounded down and reshaped into a bar after it was used to kill Martin.
37:45Wait a minute.
37:46If the killer pounded down the gold, how do we prove it's the murder weapon?
37:50Martin had a deep wound across his forehead.
37:53So I had Steve ask forensics to run a spectrographic analysis of the gold just to see if there were any traces of blood in it.
37:59Along with the 24-karat gold, the analysis found blood.
38:03DNA typing matched the blood to Martin Garfield.
38:07Thanks.
38:10That's big news.
38:11Yeah, but it's a dead end.
38:13The gold bar, or whatever it was originally, was used to kill Martin Garfield, but we can't connect it to any of our suspects.
38:20And any one of them could have pounded down that gold.
38:24Ruth Garfield's boyfriend, Henry, he's a jeweler.
38:27Stuart Westlakey has a workshop where he restores antiques.
38:31Rick Bennett sculpts in both clay and in metal.
38:34What about Bobby Rebetta?
38:36He won't tell you who he got the bar from?
38:38Rebetta's not talking.
38:40Hey!
38:42All right, finally.
38:43All right, man.
38:44Out of the Stone Age.
38:45Life just got a little easier.
38:47Let's see what's going on in the world.
38:51You know, I just wish we knew what Rebetta's henchman was doing in the Garfield house.
38:55If we knew that, we'd have the answer.
38:58The president cut short his weekend at Camp David to meet government leaders regarding...
39:02Mark Sloan.
39:03Hi, Mark.
39:04It's Becky.
39:05Hi, Becky.
39:06How are you?
39:07Fine.
39:08Mark, I have some news.
39:10Phil and I got married this morning.
39:13All that is news.
39:15Congratulations!
39:16Well, after what happened, we didn't want a big wedding.
39:20But we did want to get married.
39:22Well, your father, I'm sure, would be very, very happy.
39:24We're gonna have a small gathering tomorrow at the house.
39:28Just family and a few close friends.
39:30Will you and Steve come?
39:31Of course we will.
39:32Great.
39:33I'll see you then.
39:34All right.
39:35Bye.
39:36Well, Becky and Phil got married.
39:38They'll have a little gathering at the house tomorrow afternoon.
39:40Oh, that's great.
39:41They're a nice couple.
39:42Dan, look at that.
39:43It's not all bad news.
39:45...experience during this emergency.
39:47Only six looters have been arrested citywide since the emergency began.
39:52Thank you, Mark.
39:53Wedding gift.
39:54We'll have more live coverage from the...
39:56Looters.
39:57Coming up shortly.
39:58Are you sure Roberta's man didn't take anything out of that card for your house?
40:01I'm not sure what he was doing there.
40:04Then we followed him to the bus station where he took that package out of a locker.
40:08Doesn't make any sense.
40:10I got it.
40:11What do you got?
40:12A wedding present.
40:13I got it.
40:14What do you got?
40:15A wedding present.
40:16What do I say?
40:17I'm not sure.
40:18I got it.
40:19What?
40:20What?
40:21What?
40:22What?
40:24What?
40:25What?
40:26Or whatever.
40:27Can you see...
40:28...why do you see it strong?
40:31I thought it must do.
40:33Oh, I don't know.
40:34I thought...
40:37I thought...
40:39D.
40:40Good.
40:41It's all theésus...
40:42But I need to go for it.
40:43Oh, I need to go for it.
40:44Oh, I need to go for it.
41:37Dr. Sloan, what are you doing?
41:39That's my wedding gift.
41:40Are you talking about this, Mr. Westlake?
41:42That's an 18th century Bavarian falcon from the collection of Otto von Bismarck.
41:48That's real gold and it's very, very expensive.
41:50Would you please be careful?
41:51Oh, my God.
41:55Don't worry, Mr. Westlake.
41:56I'm not your golden falcon.
41:58It's just a fake piece of lead covered with gold leaf.
42:02No, no, no, no.
42:04That falcon was authentic.
42:05Oh, I know.
42:06It was.
42:07I'm a medical examiner with the police department.
42:10They loaned me this for the afternoon.
42:12This is your golden falcon, or at least what's left of me.
42:16Well, what happened?
42:20Martin Garfield surprised one of his house guests trying to steal your wedding present in the parlor.
42:25This was just moments before the earthquake.
42:29They struggled.
42:31The thief struck Martin with a gold falcon, killing him.
42:34And at that point, the earthquake struck.
42:37He had the presence of mind to tilt the armor onto the dead body and making it look like an accident.
42:42Then later, the killer made a fake falcon and pounded down the original, destroying the evidence.
42:48But how did that duplicate end up with the other gifts?
42:52Well, that all comes down to a hood named Bobby Rebetta.
42:56The killer hired Rebetta to replace the gift.
43:00He wasn't looting.
43:01He was replacing.
43:02This is absurd.
43:04Now, Bobby's payment for that job was this gold bar.
43:09What was the golden falcon and the murder weapon?
43:12However, it's the fake gift that has the proof that will identify our killer.
43:17I don't understand how a fake statue can prove anything.
43:21Oh, not the statue itself.
43:23Actually, the wrapping paper and the ribbon.
43:26You know, on this ribbon, there's a little dab of clay in the shape of a fingerprint.
43:32Kind of the same kind of clay I got on my fingers up at your studio, Rick.
43:36Wait a minute.
43:37I'm sure a police expert would identify that fingerprint is yours, Rick.
43:41Oh, you're crazy.
43:44You reshaped the original, Rick.
43:46And you made that fake.
43:47But most important of all, you rewrapped the box.
43:55No.
43:56No, that's not right.
44:06I needed money, and he wouldn't give it to me.
44:10So, yeah, I killed him.
44:19How could you have done this?
44:22You've had money all your life, Eileen.
44:25You wouldn't understand what it's like to want something.
44:26No, you will never get it.
44:28Is that why you married me?
44:29Because my father was rich?
44:30Well, if you're going to get married, why not marry Rich?
44:37I don't know how I ever loved you.
44:40Let's go, Rick.
44:41You're spoiling the party.
44:46Bye, Mom.
44:48I'm sorry, Becky.
44:50You were right about Rick.
44:51Leave me.
44:52I wish I wasn't.
44:54Come here.
45:04Oh, it's going to take months to get those charts reorganized.
45:07Yeah, well, if you think that means I'm going to let you out of doing your paperwork.
45:11Ha!
45:11Guess again.
45:12Great physicians do not do paperwork.
45:18Norman, are you still living in your office?
45:21Yes, Mark.
45:22How bad are things out at your house?
45:24I don't know, Sloan.
45:25I haven't been back since the quake.
45:27You have?
45:28My friend, you've got to go out there and face the situation, whatever it is, and get on with your life.
45:34I know.
45:34I know.
45:35I will.
45:35Just as soon as things settle down around here.
45:37I'm very busy, you know.
45:38Yeah.
45:39Tomorrow.
45:40Tomorrow.
45:41Thank you, my friend.
45:43Briggs is still shaky after the quake?
45:45It's been well over a week.
45:47What's wrong with that man?
45:48Well, it takes time to get over a dramatic experience like that.
45:50What would you know about that?
45:52This whole thing didn't even bother you.
45:53Jack, that's because I keep my head.
45:56I don't overreact to every little bump in the night like some people.
45:58Ow!
46:01I see what you mean.
46:03Come here.
46:03Come here.
46:08Crack your back.
46:08Come on.
46:39Viacom.