00:30No one got you in the city.
00:40It's empty.
00:42He put his hand to the door and then he died.
00:45I won't see.
00:47There's something happened.
00:49Don't do anything with me.
00:51But with God's voice, don't...
00:56Tell me, I will love you.
01:00You'll feel bad, but...
01:06What do I do?
01:08This love...
01:10I don't see anything like this.
01:12It just happens.
01:14I just told you that I won't do anything.
01:16But if I don't tell you,
01:18I feel like someone tells you.
01:20It was necessary.
01:22It was necessary.
01:24It's not the same.
01:26It's not the same.
01:28It's the same.
01:30It's the same.
01:32It's the same.
01:34But you don't see it.
01:36It's the same.
01:38What?
01:39It's the same.
01:40It's the same.
01:41It was my paper.
01:42I'll give you another one.
01:43No.
01:44It's the same for you.
01:45You leave me.
01:47I'll leave you.
01:49I...
01:50But I have a car.
01:52I'll take a car.
01:54I'll take a car.
01:55You'll be there.
01:56Go or not?
01:57Arif!
01:58Arif!
01:59Arif!
02:00Arif!
02:01Arif!
02:02Arif!
02:03Arif!
02:04Arif!
02:05Arif!
02:06Arif!
02:07Arif!
02:08Arif!
02:09Arif!
02:10Arif! Arif!
02:11Arif! Arif!
02:12Stop, stop, stop.
02:14What happened? I'm sorry, Frad.
02:16I had a half hours for you to recycle.
02:18Please understand emergency.
02:20Frad, in the middle of the night.
02:22I'm just waiting for you.
02:24And I've come to 15 minutes.
02:26Okay, Frad,
02:28I'll come to 20 minutes.
02:30What's wrong with it?
02:32I don't want to break it.
02:34That's my dog.
02:42There was a girl standing there.
02:44She went there.
02:46Where are you?
02:48She went there.
02:50She went there.
02:58I didn't understand.
03:00You haven't given her answer.
03:02There wasn't a answer.
03:04There's love in my heart.
03:06Sheerah.
03:08Sheerah and I,
03:10there's a very big wall.
03:12I'm scared of this word.
03:14Sheerah.
03:16Sheerah.
03:18Is this true?
03:20It's true.
03:22It's true.
03:24It's true.
03:26It's true.
03:28It's true.
03:30It's true.
03:32It's true.
03:34It's true.
03:36It's true.
03:38Wait.
03:40Love is an hour,
03:42who was a intentional
03:43who had a fin child.
03:46Wait,
03:48this love will come back you,
03:50can't mais me back.
03:52No,
03:54the love will come back.
03:56That's the play I love?
03:58I will not be able to leave you
04:01This heart has become your heart
04:08This heart has become your heart
04:18The intention is to die from you
04:23The truth is in my mind
04:29This heart has become your heart
04:33The heart has become your heart
04:36This heart has become your heart
04:40This heart has become your heart
04:47Oh
04:48Yeah, I'm
04:52Oh
04:54Yeah, yeah, I'm
04:59Yeah, yeah, oh
05:05Yeah, oh, yeah, oh
05:10Yeah, yeah, yeah, oh
05:15You have kept me, Madhya
05:20This heart has become your heart
05:36Hey, Farhad, when did you come?
05:40You went to Baal.
05:42So, can you listen?
05:44Oh, there's a game here.
05:47What do you mean?
05:48You're looking for yourself?
05:50Good.
05:51You don't know this.
05:52But they took all the hell out of Golden Bay from Golden Bay.
05:57What did you tell me about him?
05:59You're lying. You're lying.
06:01No, no.
06:02Don't let me tell you about me.
06:04Oh, f**k.
06:05Golden Bay has taken responsibility for you.
06:07And Golden Bay is black in the dark.
06:11What did you tell me about him?
06:14What?
06:15What?
06:16What?
06:17What?
06:18What?
06:19What?
06:20What?
06:21What?
06:22What?
06:23What?
06:24What?
06:25What?
06:26What?
06:27What?
06:28What?
06:29What?
06:30What?
06:31What?
06:32What?
06:33What?
06:34What?
06:35What?
06:36What?
06:37What?
06:38What?
06:39What?
06:40What?
06:41What?
06:42What?
06:43What?
06:44What?
06:45What?
06:46What?
06:47What?
06:48What?
06:49What?
06:50What?
06:51What?
06:52What?
06:53What?
06:54What?
06:55What?
06:56What?
06:57What?
06:58What?
06:59What?
07:00man.
07:01What?
07:02Okay.
07:03What?
07:04What?
07:05What?
07:06What?
07:07Your assistant will also be very difficult for me.
07:09You are a great hero.
07:11They will give you a chance to give me a chance.
07:13I didn't have a dream.
07:15And I didn't have to do all this.
07:17Go and sit down in the office.
07:19Leave a dream.
07:21Take care of yourself.
07:22You will find yourself a dream.
07:25Do you have to say something like you have said?
07:39If you have to say something like that,
07:42you will probably never say anything.
07:45I don't say anything.
07:49Why?
07:54Do you have to love me?
08:01No.
08:06Don't do it.
08:08I will do it all.
08:15Why?
08:16Why?
08:17When I am not for anyone, why?
08:19Why?
08:20What do I do?
08:23Why?
08:24Why?
08:25Why?
08:26Why?
08:28Why?
08:29Why?
08:30Why?
08:31Why?
08:32Why?
08:33Why?
08:34Why?
08:35Why?
08:36Why?
08:37Why?
08:38Why?
08:39Why?
08:40Why?
08:43Why?
08:45Why?
08:46Why?
08:47This is our last time, I will never see you in front of me.
08:59You go back again.
09:17This is our last time, I will never see you in front of me.
09:31This is your last time, this is your last time.
09:42I will never see you in front of me.
09:48I will never see you in front of me.
09:54This is your last time.
10:01Sir, how are you so late today?
10:05I don't know.
10:07Where are you going from?
10:10Now go to the studio.
10:12When we come, I will call you.
10:14Yes.
10:16Sir, I will call you in the studio.
10:18Yes, I will tell you.
10:20Now we are waiting for two hours.
10:23No, I will wait for you.
10:25I will wait for you.
10:27Hello.
10:29Hello, brother.
10:30Where did you go?
10:32I am.
10:33Do you have to come with Sultan or not?
10:34No, I will not.
10:36Did you tell me?
10:37Where did you go?
10:38No, brother.
10:39You are angry with me.
10:41No, no, no.
10:43You will meet Sultan.
10:45I will meet you, brother.
10:47I will not meet you.
10:48You will meet.
10:50You are the son of the railway guard.
10:53Really?
10:56A stupidjee is not happy.
10:58Come on, son.
10:59Three down the highway,
11:00two in the beginning.
11:02Come on, brother.
11:03You are the son of the recorded noun.
11:04Why?
11:05Why?
11:10기�捕
11:22Look at your eyes.
11:33Assalamualaikum sir.
11:35Assalamualaikum.
11:37Where are you from?
11:39I'm looking at you.
11:40I'm sorry, I'm in your head.
11:42You have to take a job.
11:45Do you want to do it?
11:47Yes sir.
11:49Go home.
11:50Your daughter will be Shiri.
11:51I'll come to the office.
11:53Yes sir.
12:11Pappu.
12:14Yes sir.
12:16Will you do my work?
12:18Is this the house of Master Saifuddin?
12:19Yes sir.
12:20Yes sir.
12:21Yes sir.
12:22Go here.
12:23The house of Master Saifuddin.
12:24He called the studio to Shiri Baji.
12:26Then go home.
12:27I'll go home.
12:28I'll go home.
12:29I'll go home.
12:30I'll go home.
12:31I'll go home.
12:32You're the house of Master Saifuddin.
12:33I'll go home.
12:34I'll go home.
12:35No, I'll go home.
12:36No, I'll go home.
12:37No, I'll go home.
12:38No, I'll go home.
12:39No, I'll go home.
12:52Someone told, Sultan Saifuddin.
12:53Who are you?
12:59Who, brother?
13:02He didn't give any answers.
13:05He didn't tell me that he was a ghost.
13:08He told me to talk to the writers.
13:10We need to meet in the evening tonight.
13:16Hello, sir.
13:18Yes, sir.
13:19She has come.
13:20She has come.
13:21Yes, sir.
13:22Yes, sir.
13:23We have come.
13:24But he's been sent to me now.
13:26He said to me that he will cut the line up for today.
13:28We won't have time for tomorrow.
13:33Listen.
13:34Take all these names.
13:35I'm coming.
13:52I'm coming.
13:53I'm coming.
13:54I'm coming.
13:55I'm coming.
13:56I'm coming.
13:57I'm coming.
13:58I'm coming.
13:59I'm coming.
14:00I'm coming.
14:01I'm coming.
14:02I'm coming.
14:03I'm coming.
14:04I'm coming.
14:05I'm coming.
14:06I'm coming.
14:07I'm coming.
14:08I'm coming.
14:09I'm coming.
14:10I'm coming.
14:11I'm coming.
14:12I'm coming.
14:13I'm coming.
14:14I'm coming.
14:15I'm coming.
14:16You are looking at me, don't you?
14:17Yes, I am.
14:18I will also go out in the balls.
14:20Do something, just push the doors and the walls too.
14:24Oh, a woman without a loser.
14:26She isn't listening to this, she's looking to see.
14:29Oh, a loser of the misconduct.
14:31You will see your own house,
14:32you will see your eyes.
14:34What?
14:36Where are you going?
14:46Shiri Baita, Udja Baita, Myri Gurdjia, Sultan sahab has called him.
14:53I see him in the evening.
14:55Udja Na Baita, you look very good.
15:00My real mood is not.
15:04I was going to give one.
15:07I was going to give two papers.
15:09One day, two papers?
15:11Give it to me.
15:13Now give it to me.
15:15No.
15:16I'm going to leave my work.
15:18I'm going to tell you that he will leave you from the gate.
15:21Okay?
15:22I have a lot of work.
15:24I'll go alone.
15:25No, no.
15:26I'm going to die today.
15:29I'm not going to die alone.
15:32And if the crime is going to die, then?
15:34I'm going to die.
15:36Okay?
15:37Udja Baita.
15:45I'm going to die on the table.
15:57I'm going to die.
16:00I'm going to the studio.
16:16You're going alone?
16:19I'll leave you alone.
16:21So I'll be alone alone.
16:24I'll go alone.
16:26Take a little girl.
16:28If you don't say anything, look at the girl and look at the same thing, they're going to make the same things.
16:32I'm going to the office.
16:34Shiri, listen to me.
16:37He's made a big deal with his father.
16:58You're going to the office.
17:00I'm going to the office.
17:02You're going to the office.
17:04You're going to the office.
17:06Look, my friend.
17:08We're going along.
17:10The crowd's losing back.
17:12What's up, my friend?
17:14I'm giving a shot.
17:16Go, go, go.
17:18Let go.
17:20Master, you have lost your love.
17:30So how did you get back?
17:32Oh Master, you are wearing your clothes.
17:38You are wearing your clothes.
17:40What does this mean?
17:43It means that you didn't have your security guard.
17:49Abbu?
17:51Shiri?
17:53What's going on?
17:54Come on.
18:08Baby, you have to go under our clothes.
18:19My guess is that we are going to go there, where her mother has rejected her.
18:26Oh.
18:29Shiri, Lord.
18:31What is your honest opinion in this story?
18:34Sir, you like the story?
18:36So I'm who?
18:37No, I'm confused.
18:39But Sultan, the central idea is very good.
18:42Go.
18:43We'll reach here.
18:45Look, you have to open this story.
18:52And I think that it will be the first half rewrite.
18:59Sarah?
19:00Why?
19:01So, you have to read the book.
19:02Now, let's read the book.
19:04Yes, you have to tell him.
19:05Yes, you have to tell him.
19:06Yes, you have to tell him.
19:07You have to tell him.
19:08Yes, tell the girl about Farhad.
19:18I'm Niklou, sir.
19:20Why?
19:21You have called a meeting.
19:23Look, you've read the character.
19:26You've started to stay here.
19:29But you're changing the story, right?
19:32Yes, you're changing.
19:33But the girl's character will stay here.
19:35But you also suggest something to me.
19:40After all, you're in the masters.
19:42Love story is a little bit more.
19:44It's a little bit more.
19:47What a joke.
19:50Love story.
19:54It's a little bit more.
19:58I want something unusual in this story.
20:03You'll come here tomorrow.
20:05I'm going to depute you for a dance teacher.
20:07I think I should take care of it.
20:09Sir, my exams will be finished.
20:11That's not a big problem.
20:13We'll probably work around that.
20:15Come here, come here.
20:20Sir, is this one?
20:22Yes, my professor's assistant.
20:24You'll be on a part of this story.
20:25I'll read it.
20:27Will you pick a book?
20:28This is a worthy idea.
20:29This is a story for you.
20:30If you want to learn something from a story,
20:31this is a movie of a story.
20:32This is...
20:34This is a story.
20:35I'd like to read it.
20:36This is a story for you.
20:37You want to read it.
20:39This is the story for you.
20:40That you have to share with this.
20:41This is the story of a story.
20:43Sir, do you want me to do this?
20:47You can use your books as well as props.
20:51I'm not going to study it.
20:53I'm going to study it, sir.
20:55Then you will write a story for me.
20:58I've written a story for you, sir?
21:00Yes, exactly.
21:02Sir, what are you doing?
21:05You keep this and tell me to read it.
21:09And, Siddiqui, I haven't opened the center of Yateem Scripts.
21:15The story that came in my mind, I want to visualize it.
21:20And until it will not be able to visualize it, it will be right.
21:24Okay, sir. I'll try to do it.
21:27You have to live a film.
21:28You have to live a film.
21:29You have to live a film.
21:30Sir, I'll go.
21:32You can go, but Shiri, I need more involvement from you.
21:49Stay connected.
21:51You have to live a film.
21:52You have to live a film.
21:53You have to live a film.
21:54And if it's like this, then you will not come back.
21:56No, sir.
21:57I'll try.
21:58Good.
21:59Go.
22:00Go.
22:01Go.
22:02Abbu, let's go home. It's been so late at night.
22:21You're doing great, son. If someone has fallen on the road,
22:25I'm telling you to leave us on the motor.
22:28No need. I've had so much trouble for me.
22:31And today, my paper is also mine.
22:33It's hard to get in front of my head.
22:35The writer's anger is on me.
22:37It's only on me.
22:39No.
22:40So, I'm going to give you my wife.
22:45Why are you doing this?
22:47He's scared me.
22:50I'm going to go this night.
22:52I'm sorry.
22:53Sir.
22:55You will be ashamed.
22:57I'm going to give you my wife.
22:59I'll give you my wife.
23:00I'll give you my wife.
23:02I'll give you my wife.
23:04I'll give you mine.
23:30My world is where I am from, where I am from, I am from you
23:38In these paths, I was running away from these paths
23:44When I came to you, my heart was gone
23:49Your heart was gone
23:53Your heart was gone
23:58Your heart was gone
24:03Your heart was gone
24:08Your heart was gone
24:17Yeah, it's fun!
24:19Can I get up?
24:21What time is it?
24:23It's been 8 o'clock, my dear
24:26It's been 8 o'clock?
24:28Huh?
24:31What is it?
24:33What is it?
24:34Huh?
24:35What are you waiting for?
24:36How are we waiting for?
25:39Abba Jaan سے پہلے میری Jaan,
25:40تو انہیں فیصلہ کرنا ہے.
25:42فیصلہ اختیار والے لوگ کرتے ہیں.
25:47تو پھر تو بھول جا.
25:49چل.
25:50اب چلتے ہیں.
25:50سر آگئے.
26:02ابھی نہیں.
26:04بہتر ہے.
26:04یہ کچھ اہم کاغزات ہے جس سر کے ٹیبل پر رکھنا ہے رکھا ہوں.
26:09ہاں ہاں.
26:11بتا دینا.
26:19یہ پاگل ہے.
26:20اس کی بادوں کا برانہ ماننا.
26:22ابرا پاگل ہے تو پاگل کھانے چاہے نا.
26:25انسانوں سے کیوں ٹکراتی ہے.
26:28یہ جو ناکامی ہوتی ہے نا.
26:30یہ اترتے نشے کی طرح ہوتی ہے.
26:33آنکھیں جو گلری ہوتی ہیں.
26:36میرا باولپور سے کوئی فون دو نہیں ہے.
26:38نہیں.
26:39اسے ہر کی ٹیبل پر رہت ہے.
26:57ان دیر کیوں لگ گی آنے میں.
26:58کافی دیر سے انتظار کر رہا ہوں.
27:00وہ بچوں کا آج آخری امتحان تھا.
27:02ہو.
27:03اچھل.
27:04بے پاس اور کوئی دوسرا راستہ نہیں ہے.
27:12بھائی کے آنے کے بعد
27:13اب بہر جلدی میں آ گئے.
27:22فرہاد نے مجھے یہ بات لاہور میں ہی کہہ دی تھی.
27:26چم صاحب
27:27فرہاد کو اس بات کا پتا ہونا چاہیے.
27:34مجھے پاس تو خط بھیجنے جتنا وقت بھی نہیں ہے.
27:42تمہاری بلکل نہیں سن رہے.
27:47سنی ہوتی تو اتنا بڑا فیصلہ کرتی.
27:51شم صاحب
27:52یہ بہت بڑا فیصلہ ہے.
27:55محبت سے بڑا پھر بھی نہیں.
27:59میں لوہر روانا ہو جا.
28:00کیوں
28:00بھائی سے پوچھنا ہے.
28:02وہ نہیں مانیں گے.
28:08اور میرے پاس بھی اس کے سوا اور کوئی راستہ نہیں ہے.
28:15چاچا جی.
28:15انہیں کی وجہ سے تو رکھی بھی.
28:19کاش
28:19کاش موت کو بھی ملاسن کی طرح آواز دے کے بلا سکتے.
28:23شم صاحب
28:24اسی باتیں نہیں کرتے.
28:27تو وہ اور کیا کروں.
28:28بھر میں رہتی ہوں تو میں یہ زندگی نہیں بچتی اور اپنی زندگی بچانے کا ہر ایک قدم.
28:36ہر ایک راستہ
28:38گھر کی عزت سے گزرت ہے.
28:44پر ہاتھ مجھے جاتے ہوئے کہہ کے گیا تھا کہ
28:47شمسہ کو بچانا ہے ہر قیمت پر.
28:53وہ
28:53امرجنسی میں فون کرنے کا ایک نمبر بھی دیکھ گیا ہے.
28:56تو مجھے ہم پہ تا رہی ہو.
28:59وہ کئی کام ملایا ہے.
29:02تو بچا لو پھر.
29:04روک تو یہ سب کچھ ہے.
29:09وہ لوگ
29:10مجھے دیکھ کر جا چکے ہیں ابھی.
29:19جی جی انہی کا آفس ہے.
29:21مجھے فرہاد سے بہت ضروری بات کرنی ہے.
29:24آپ ایک کام کریں کچھ سے بات کال کر لیں.
29:26میں انہیں بلوا لیتی ہوں.
29:28پتہ نہیں پھر کال ملتی ہے کے نہیں.
29:30اگر کوئی ضروری بات ہے تو آپ مجھے پیغام دے دیں.
29:34میں پھر کوشش کر لیتا ہوں.
29:35شکریہ.
29:48گولڈن بھے نے سب کو آرڈر کیا ہے.
29:49کسی نے کوئی کام نہیں دینا تجھے.
29:53نظر آرہا ہے.
29:56فلتان صاحب سے ان کے اپنے قدیشن کا لیڈریں لے لے.
29:58فرہاد بھائی آپ کا فون.
30:00کیا ہوا؟
30:01آپ کے سامنے ہیں.
30:02کال تو بک ہے مگر دوسری طرح سے انگے جلایں.
30:06اگر دوسری طرح سے انگے جلایں.
30:08اگر دوسری طرح سے انگے جلایں.
30:09اگر دوسری طرح سے انگے جلایں.
30:10ارے یا.
30:11بہت شکریہ.
30:13خدا حافظ.
30:15اگر دوسری طرح سے انگے جلایں.
30:17کھاں دوسری طرح سے انگے جلایں.
30:18کھاں دوسری طرح سے انگے جلایں.
30:19کیا ہوا؟
30:20آپ کے سامنے ہیں.
30:21کال تو بک ہے مگر دوسری طرح سے انگے جلایں.
30:23ارے یا.
30:24Thank you very much.
30:28God bless you.
30:32Anand Saha.
30:33Ali said something.
30:35I was asked, but I didn't.
30:40Hello?
30:41Yes.
30:42You get a call from Siddhika Farg.
30:44Ali is from Lili's phone.
30:46Yes.
30:47Hello?
30:48Yes, Siddhika.
30:50I'm talking to Ayesha Khan.
30:52I'm talking to Ayesha Khan.
30:54Who sent me to Ayesha?
30:58I'll just go to Ayesha Khan.
31:00I'll go to Ayesha Khan.
31:02You don't say anything.
31:04You're a fool.
31:05Ali's story before reaching the whole city.
31:08No.
31:10We both go.
31:12My mother has been working for a lot.
31:14We will have 70 stories.
31:16I'm staying with you.
31:17I hope you're a teacher.
31:21I'll try it.
32:52Yes, of course.
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