El segundo plano secuencia de Touch of Evil, tan largo e impresionante como el de apertura

Página12

Ver El segundo plano secuencia de Touch of Evil, tan largo e impresionante como el de apertura - Página12 en Dailymotion

Transcript

00:00¿En Aunt Quinlan?

00:01¿Quién?

00:03Pensaba que nos hubiera con Aunt Quinlan.

00:05¿Estás listo de la pared?

00:07¿He oído de ese hombre?

00:08No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.

00:30Recuerda, yo voy a hacer todo lo que se trata.

00:34¿Cómo empezar?

00:35¿Todo lo que se trata con algunas preguntas?

00:38¿O se trata de la pared de la pared de la pared de la pared de la pared?

00:39¡Muy bien!

00:41¡Súper!

00:41¡Exacto!

00:42¿Y si me da una golpeada?

00:44Vargas.

00:45¿Sí, Capitán?

00:49¡Tengo mis regalos, Vargas!

00:52¡Suscríbete a todos los que te he pedido!

00:54¡No se te puede hacer el interrogatorio!

00:57I know, Captain.

00:59That's what I told Sanchez.

01:01You're Ed Hanson.

01:02That's right, Captain.

01:04Run out and get me some coffee, Ed.

01:06How about you, Miss Lineker?

01:07Marsha, isn't it? Want some coffee?

01:10No, thanks.

01:12I really need it.

01:13I'm an old man, Marsha.

01:15I go a whole night without sleep.

01:17Feel it.

01:18Of course, it was a lot worse for you.

01:22Terrible thing.

01:23What happened to your dad?

01:25You've been living here for some time.

01:27Marsha, how long?

01:29Oh, Marsha.

01:29Marsha.

01:30You had a little quarrel with your dad?

01:32Perhaps I should introduce myself.

01:34I'm Miss Lineker's attorney.

01:35Will I introduce myself?

01:37Yes, Mr. Plans.

01:38I'm Manolo Sanchez, and I haven't got any attorney.

01:40Have you two been sharing this apartment?

01:43I must explain.

01:44On my advice, my client is moving elsewhere.

01:47That means that she has been living with this man.

01:49She will hold herself available for your later questions.

01:52I will be present, of course.

01:54Of course.

01:55Marsha, where was your friend Sanchez last night?

01:58Later, Captain.

01:59Later, after she's rested.

02:01Come, my dear.

02:02Querida!

02:03Uh, Casey, would you take a look in the desk there?

02:07I might see some letters or something.

02:08That isn't, unless you've already looked the place over.

02:11We know better than that, Captain.

02:12We were waiting for you.

02:14No deben hacer eso.

02:15No tienen ningún derecho de leer mis cartas.

02:17I, uh, I don't speak Mexican.

02:22I got nothing to get on derechos here.

02:24You're a coward.

02:25And you're afraid of these gringos.

02:27Let's, uh, have the moochato.

02:28Keep it in English, Vargas.

02:31It's all right with me.

02:32I'm sure he's just as unpleasant in any language.

02:34Unpleasant?

02:36Strange?

02:36I've been told I have a very winning personality.

02:40The very best shoe clerk the store ever had.

02:42Uh, you weren't working as a shoe clerk out in that construction crew.

02:45Uh, stick around, Vargas.

02:47I intend to.

02:48¿Puedo asara el teléfono?

02:49Uh, be in English.

02:50I don't like to repeat myself.

02:52I merely asked him if I could...

02:54Asked!

02:54El teléfono está en la recama.

02:58Translation.

03:00The telephone is in the bedroom, senor.

03:03That's all he said.

03:04Also, he told me he thinks he's in for some sort of third degree.

03:10I assured him he had nothing to worry about.

03:15Casey, go in with Vargas.

03:16Maybe you don't know how to use an American telephone.

03:19I think I run out of something here, Captain.

03:21Some love letters.

03:22Oh, even read them in the bedroom.

03:24I don't want to leave that Vargas guy alone.

03:26Okay.

03:27Save the good stuff for me.

03:29Oh, in English.

03:31What do you want to know?

03:31Everything, boy.

03:32The works.

03:33Well, let's start with the shoes.

03:34You want me to call the motel by this?

03:35Later.

03:36You're having to meet Lenniker's daughter, isn't it?

03:37In the shoe store.

03:38Selling her shoes.

03:39And I've been at her feet ever since.

03:41Then the construction job.

03:43You stay just long enough on that one to get your hands on some dynamite.

03:47You're scared of, boy.

03:48I'd only slap you again if you got hysterical again.

03:51Wouldn't be anything brutal.

03:53Why, even back in the old days,

03:54we never tried to hurt people in the face.

03:56Marks them up.

03:57We gave it to him like this.

03:58Who?

04:01Boy, he's getting a rough deal.

04:02He could even be innocent, you know.

04:06Intuition?

04:07Why not?

04:08Quinlan doesn't have a monopoly on hunches.

04:11Well, who do you like for the killer?

04:13Early to tell.

04:14That ex-convict.

04:16You mean out on that highway job?

04:18Farnham?

04:19Maybe.

04:19Wait a minute.

04:20Some dynamite was stolen.

04:22Yeah, and that construction crew is working for Lenniker.

04:25Amigo, I think you're onto something.

04:26Well, it's quite an apartment for a shoe clerk.

04:31Who pays for it?

04:32Marsha?

04:33What if she does?

04:34Oh, how long has this been going on, huh?

04:35Ever since your father had me fired from the last job, if you want to know.

04:38Naturally, he objected to having a Mexican shoe clerk for his son-in-law.

04:42So naturally, you had to put him out of the way.

04:45Naturally!

04:47Just because he speaks a little guilty, that don't make him innocent, you know.

04:51You can show motive, yes.

04:52Don't you need a bit more than that?

04:54Yeah, we'll get it.

04:56Oh, there's my coffee.

04:58Didn't you bring me any donuts or sweet rolls?

05:02You'll have to put him on the scene of the crime.

05:04We will.

05:05We've got to have some evidence.

05:06We'll get it.

05:08Well, you didn't ask me to get any donuts, Captain.

05:10Where are you going?

05:12This is not my case, Captain.

05:14Well, I'm trying to convince you of that.

05:17This is not my country, that's all.

05:19I'm not convinced.

05:21Well, ain't that a shame.

Categoría

Transcripción

Recomendada