- 8 months ago
Category
🎥
Short filmTranscript
00:00:00Transcribed by ESO, translated by —
00:00:30Transcribed by ESO, translated by —
00:01:00Transcribed by —
00:01:30Transcribed by —
00:01:59Transcribed by —
00:02:29see what I've done right here I like a wet brush not too much paint looks
00:02:36transparent like glass then I add color your mother never drew a single thing she
00:02:50had all her designs in her head now we make it
00:03:20looking all right to you looks great now the fun part
00:03:28now we surround it in clear
00:03:58easy see
00:04:02now you blow vincent but it will burn me only the other end will blow son
00:04:28you've got good lungs thank goodness get some air you've done well
00:04:58hmm
00:05:05hmm
00:05:07hmm
00:05:13hmm
00:05:16are you there
00:05:26you sound grumpy today why are you grumpy
00:05:35I don't know why you want to play with those boys
00:06:01you are not like them maybe if I went to school what do you need to waste your time at school for
00:06:11all a glass worker needs to know is how to make glass read and write and know your maths and
00:06:18chemistry but I want to I'm already teaching you those
00:06:21yes pa the sketches and designs you want to exhibit
00:06:37you've got to sort them the gallery needs time for the catalogue
00:06:43oh I'll see what I can do
00:07:17Oh, the djinn.
00:07:28Uh, uh, what?
00:07:47Oh, the djinn.
00:08:17Dear Vincent, I hope this letter finds you well.
00:08:25I know I didn't leave on the best note.
00:08:28Look at me.
00:08:29Always thinking in music.
00:08:33I'll never forget my first day in Waterfront Town, when I ran off on my own and first came upon the glassworks.
00:08:39I had never seen something so beautiful.
00:08:56It was magical.
00:08:57I had never heard that.
00:09:05I love you.
00:09:06I'm sorry.
00:09:07I love you.
00:09:09I love you.
00:09:10I love you.
00:09:10I love you.
00:09:11Oh, my God.
00:09:41Oh, my God.
00:09:43Oh, my God.
00:09:51Isn't it curious?
00:09:53How I found my way to the glassworks just in time to rescue that crystal flower, and happened to meet you.
00:09:59Some may call it...
00:10:01Destiny.
00:10:03Alice? Alice!
00:10:07Where is that girl?
00:10:09This isn't a game.
00:10:11Here.
00:10:13Here.
00:10:15مرence hurting me?
00:10:17Hello.
00:10:19There's materials at the best prices.
00:10:23No.
00:10:25It's Marymph artistic.
00:10:27Come and get her.
00:10:29My materials are the best prices.
00:10:41Come on, come and get them.
00:10:44Bar, may I have some good luck, gentlemen?
00:10:59Hey.
00:11:12Hey.
00:11:13Hey.
00:11:14Hey.
00:11:19Hey.
00:11:24Hey.
00:11:27Pa, tell me how you and mother met.
00:11:32I think you know that story better than I do.
00:11:35Please, Pa.
00:11:36If I must.
00:11:38Well, your mother was...
00:11:39Was a glassworker.
00:11:40That's right, Vincent.
00:11:42And she came to your grandfather.
00:11:44My grandfather.
00:11:45Grandfather seeking employment.
00:11:47He had never met...
00:11:48Met a woman who made glass before.
00:11:50Correct.
00:11:51And had no intention of hiring one until she showed...
00:11:53She showed me some of her work.
00:11:55It was the best that he had ever seen.
00:11:57Yes.
00:11:58You always enjoy me telling this story.
00:12:01Come on, Pa.
00:12:02You see, your mother was a born artist.
00:12:05Your grandfather was smart enough to recognize that.
00:12:07And he-
00:12:08No.
00:12:09.
00:12:10.
00:12:12And he..
00:12:14..
00:12:17Hey!
00:12:39Papa had been posted to the province to ready it in case the war moved south.
00:12:44Everyone expected great things from him.
00:12:47But it wasn't easy, being Colonel Amanu's daughter.
00:12:50The whole town had their eyes on us.
00:12:52Go away!
00:12:53We don't want your war here!
00:12:55Get out of our town!
00:13:04Hey, why don't you be quiet?
00:13:06Show some respect for our army!
00:13:17The Great Ravine is disputed territory.
00:13:24There's great mineral wealth and some of the finest agricultural land.
00:13:28We claim it, so do they.
00:13:30So we go to war.
00:13:31Idiocy.
00:13:32But whose land is it then?
00:13:36Vincent, the only land that concerns me is that on which our glassworks stand on.
00:13:43And the beach below, with its fine sand.
00:13:50Hmm.
00:13:51Find anything?
00:13:52I asked you to throw this in the furnace.
00:14:07Mm-hmm.
00:14:08The furnace is only for glass.
00:14:13Hmm.
00:14:14The furnace is only for glass.
00:14:33Papa could have asked for a posting to a big city.
00:14:50But on an army reconnaissance trip, he came across Waterfront Town.
00:14:55He said it had a calm, welcoming charm to it, and liked the idea of bringing us there.
00:14:59I was more excited by the music department.
00:15:03In the town's academy.
00:15:23Oh, Colonel Amano! Mrs Amano, how delightful to see you again!
00:15:27Good morning, Principal Bardi, and loved to see you as well.
00:15:30I do hope that we're not too early.
00:15:32Indeed not. I cannot abide, latecomers.
00:15:36And this must be Elise. Welcome to our school, dear.
00:15:40How do you do, Principal Bardi?
00:15:43Ah, here is our head of music, Professor Ansari.
00:15:47Good day, Elise. I am looking forward to hearing you play.
00:15:51Hmm.
00:15:52Hmm.
00:15:53Hmm.
00:15:54Hmm.
00:15:55Hmm.
00:16:04Hmm.
00:16:06Who is she?
00:16:33I've never seen her before.
00:16:35It's that Colonel's kid, isn't it?
00:16:37Is it?
00:16:38Oh, yeah.
00:16:39My mother says he used his influence to get her into the music program.
00:16:43My mother says your mother knows everything.
00:16:45Sadia, if you close your flabby mouth, you'll hear how good she is.
00:17:00She's amazing.
00:17:02She's amazing.
00:17:05Chin?
00:17:06Is that you?
00:17:08Jin? Is that you?
00:17:30Are you following me?
00:17:35Let's hope you're a fiddle with the djinn wailing in the sea cave. Sounds like it's got a bellyache.
00:17:41This is my violin, not a fiddle. And if anything sounds like a bellyache, it's you!
00:17:54There's the djinn now.
00:17:59I don't know what that is.
00:18:01A djinn?
00:18:05Hey!
00:18:10Djinn are spirits created from smokeless fire.
00:18:15They have special powers.
00:18:17Huh? What do you mean special powers?
00:18:21Djinn can shift between their realm and ours.
00:18:25They can turn themselves into animals and sometimes even humans.
00:18:29Once I thought the mailman's cat was a djinn, I thought I saw smoke coming from its mouth.
00:18:34But it was only a furball.
00:18:36Ugh, it was disgusting.
00:18:39Some djinn are good and some djinn are bad.
00:18:48Almost every town has one. Our town just happens to live in this cave.
00:18:54Is this djinn a good one or a bad one?
00:18:57That's what I'm trying to figure out.
00:18:59No matter what, it keeps people away from this beach and away from the sand, so that's good.
00:19:04What's so special about the sand?
00:19:08What's so special about the sand? Don't you know it's the best sand in the world?
00:19:13Oh, uh, is it?
00:19:15It's why my great-great-great-grandfather started the glassworks here.
00:19:20It's made from silica. That's why it's so white.
00:19:23What's a glassworks got to do with sand?
00:19:26You mean, you don't know glasses made from it?
00:19:35How can glasses and bottles and roses be made from this?
00:19:40Oh, Elise.
00:19:41Huh? You know my name?
00:19:43Huh?
00:19:44The sand is melted with some other things.
00:19:47There's a formula, but it has to be just right or it will crack.
00:19:53You're making this up.
00:19:54Well, maybe I could show you.
00:19:58I've got to go.
00:20:02Bye, Vincent!
00:20:08You know my name.
00:20:18Mmm, so good.
00:20:20It is good.
00:20:21If you can cook sand, you can cook anything!
00:20:24You can cook anything!
00:20:32Pa?
00:20:34Hmm?
00:20:36Colonel Amano's daughter doesn't believe you use sand to make glass,
00:20:39and I was wondering if...
00:20:40You want to invite the Colonel's daughter over here?
00:20:43What can you be thinking, son?
00:20:45Imagine if she got burned by the furnace.
00:20:48Or she got splinters in her hand.
00:20:51Her father would shut us down.
00:20:52That's what the military do.
00:20:54All right, Pa.
00:21:02And so, Professor Unsari has given me a few pieces to help me catch up.
00:21:06Because at my last school...
00:21:11Behave, you.
00:21:12Do you ever think of learning the flute?
00:21:16I wish.
00:21:17But this was in the attic, and I didn't have a choice.
00:21:20My father says if an instrument is taller than you are...
00:21:22Hey there!
00:21:26Elise!
00:21:26What are you doing here?
00:21:30Delivery for Pa.
00:21:31If he makes glass things, doesn't he?
00:21:33Uh-huh.
00:21:34Penny, this is Vincent.
00:21:36Good afternoon, Penny.
00:21:38And he says glass is made from sand, and I don't believe him.
00:21:41So he's going to prove it and show me the glass works.
00:21:44When shall I come?
00:21:48Now? Tomorrow? Next week?
00:21:49Friday. Come Friday.
00:21:52Can I come, too?
00:21:52I don't think so. I don't think you'd enjoy it, Penny.
00:21:55Hmm.
00:22:08It's like the sun lives in there.
00:22:11I used to think it did when I was little.
00:22:13It's so hot in there, but it still takes ages for the batch to melt and for all those bubbles to clear.
00:22:18See? There's already some in there.
00:22:23Made something.
00:22:24I've never made anything on my own before, but I guess I could try.
00:22:33Ow! You'll burn yourself!
00:22:34Only if I'm not careful.
00:22:36We call this a whimsy, something just for fun.
00:22:48Whimsy.
00:22:55Vincent, that's amazing!
00:22:57Hello?
00:23:02Vincent, I'm back!
00:23:07Vincent!
00:23:07He wasn't supposed to be home yet.
00:23:09Hi, Vincent. I'm back.
00:23:13Hello?
00:23:14Hello?
00:23:21Didn't you hear me, Vincent?
00:23:27Colonel Imana's daughter.
00:23:29Elise?
00:23:30How do you do, Mr. Oliver?
00:23:32If you don't mind, I would ask you to leave, Elise.
00:23:36Should I go to my room?
00:23:54What do you think?
00:23:56What's he doing here?
00:24:19Oi! Brought me something, have you class boy?
00:24:22Let's see!
00:24:22Vincent!
00:24:27Hello, Williams.
00:24:27How are you?
00:24:28Good afternoon, Elise.
00:24:28What am I?
00:24:30Invisible?
00:24:31Huh?
00:24:31Say something, Penny.
00:24:34You...
00:24:35You know him?
00:24:35Vincent is my oldest friend in this town.
00:24:39Oh, we go way back.
00:24:44Come on.
00:24:44I need some gulab jamun.
00:24:47Oh, yes.
00:24:48Sure, why not?
00:24:49No, delicious.
00:24:51Goodbye, boys.
00:24:54Bye, Tarek.
00:24:59Kadir, Naveed, wait!
00:25:09You can see a thousand worlds.
00:25:13One day, I'll make you something really, really good.
00:25:16I promise.
00:25:27A thousand worlds.
00:25:39Hit her.
00:26:07Hi.
00:26:08Ha ha ha ha!
00:26:16Hi!
00:26:18Hi!
00:26:38Hi!
00:27:08Hi!
00:27:38Hi!
00:27:42Hi!
00:27:48Hi!
00:27:51Hi!
00:27:54Hi!
00:27:56Hi!
00:27:59Hi!
00:27:59And give it everything now.
00:28:13Feel it.
00:28:23Malik!
00:28:24Tumblers.
00:28:34That's all anyone wants these days.
00:28:40You've used a different colour.
00:28:42We're out of copper.
00:28:44Armies sucking up everything they want.
00:28:49Maybe I should make tumblers.
00:28:51No one learned a thing making tumblers.
00:28:54No one learned a thing making tumblers.
00:28:58Until the 18th century節.
00:29:00Okay.
00:29:02Let go.
00:29:02Let go.
00:29:04Let go.
00:29:05Now for some work,
00:29:06why don't I go to work?
00:29:08Here we go.
00:29:09Je�,
00:29:10What are you doing?
00:29:14Let go.
00:29:15And I will try.
00:29:16In theณ the soldiers.
00:29:20Papa, did you really like it?
00:29:29How could I not?
00:29:31Oh, how I wish I could play like you.
00:29:34But of course, that can't happen because...
00:29:35Your father, the general, says soldiers don't have time for violins.
00:29:39Uh, yes.
00:29:41That's exactly how it is, Nadia.
00:29:43It's time you were heading for your bed, Elise.
00:29:45Papa instilled in me a love for art and music.
00:29:52He worked so hard to protect us all.
00:29:55I would do anything to make him happy.
00:29:59I was always so proud of him.
00:30:02Even as the war conditions worsened and the enemy gained control,
00:30:06he did his best to keep morale up.
00:30:08Left, left, left, right, left.
00:30:19Left, left, left, right, right.
00:30:25Squad, hold on!
00:30:28Reza, you take over.
00:30:30Uh-huh.
00:30:30Yes, sir!
00:30:32About turn!
00:30:33This is Amano!
00:30:34Oh, my God!
00:30:38Look who it is, Elise.
00:30:41Good afternoon, Mrs. Amano.
00:30:43Oh, hello, Elise.
00:30:44Good afternoon, Malik.
00:30:46You look so handsome in your junior guard's uniform.
00:30:49Doesn't he look handsome in his uniform, Elise?
00:30:52Hmm.
00:30:52We were just about to have chai.
00:30:54You must join us.
00:30:56I insist.
00:30:59I think I was one of the first boys to join when the guard began recruiting here.
00:31:04What a noble young man you are.
00:31:06Oh, I know.
00:31:07And I aim to make the more...
00:31:08Fresh baked this morning, Mrs. Amano.
00:31:11Fresh?
00:31:12Apricot cake for which we are famously famous.
00:31:16With your compliments, of course.
00:31:18Of course.
00:31:19Well, I'm honoured to have the wife and daughter of Colonel Amano in my cafe.
00:31:23Indeed.
00:31:24How delightful, Mrs. Popple's out.
00:31:26We thank you for your kind gesture.
00:31:27What?
00:31:32How?
00:31:33Mrs. Popple's eye, pa sent me over with your tumblers.
00:31:43Vincent?
00:31:48Hey!
00:31:49Look, everyone.
00:31:51It's the son of that cowardly pacifist.
00:31:54Hmm?
00:31:54Hmm?
00:31:55Hmm?
00:31:55Pacifist's son.
00:32:02What a disgrace.
00:32:08We don't want your guy in here.
00:32:14What?
00:32:16But, Pa, it's one of your favourites.
00:32:19You always refused to sell it.
00:32:21You liked it so much.
00:32:22You must have colours to work with.
00:32:25Oh?
00:32:25Hmm?
00:32:26The junior guards.
00:32:28What about them?
00:32:30Most of the boys in town have joins.
00:32:34Their parents should know better.
00:32:50Huh?
00:32:51Mother!
00:32:59Mother!
00:33:00Come back!
00:33:04What on earth?
00:33:05Out of my way, Lena.
00:33:07Sorry, madam.
00:33:09Oh, Elise!
00:33:10Ha ha ha ha ha ha!
00:33:11Darling!
00:33:12How we missed you!
00:33:15I have a gift for you, Elise.
00:33:17Something befitting your talent.
00:33:18A very special violin.
00:33:21An important general wanted it as well, but I beat him to it in a game of carom.
00:33:28Huh?
00:33:29There's a man's name in here.
00:33:35Elise, that instrument is a spoil of war.
00:33:37To own such a fine violin is rare.
00:33:40Don't think too much about it.
00:33:42Just be grateful.
00:33:43Whenever Papa came home, it felt like a holiday.
00:33:48But now I realise war isn't a holiday.
00:33:51It's a disease.
00:33:51That spreads and infects everyone.
00:33:55Nineteen thousand four hundred and thirty-five.
00:33:58Take away one thousand four hundred and nineteen equals...
00:34:01Huh?
00:34:02What the devil?
00:34:05Open up, Mr. Oliver.
00:34:07Yes, yes.
00:34:09We can hear you.
00:34:17Colonel Amano, you have no right showing up in...
00:34:20I have every right.
00:34:21I'm here to discuss business.
00:34:23Business?
00:34:23I have no business to discuss with the army.
00:34:26At ease, men.
00:34:28At ease.
00:34:30It would be very wise for you to listen, Tomas.
00:34:38Here.
00:34:42Perhaps we should keep your son out of this.
00:34:45We have no secrets.
00:34:47And never will.
00:34:48What is it?
00:35:10I've never seen anything like it.
00:35:12That's because it's a secret.
00:35:15It's called a Quicksilver Rectifier.
00:35:18It will help in the powering of our army's new amphibious airships.
00:35:38As you can see, the glass in these casings is compromised.
00:35:43Surely you will know how to rectify this.
00:35:45A master glassworker like yourself.
00:35:48Just listen.
00:35:49We will not help build these weapons of war.
00:35:52Is there no way you can be persuaded, Mr. Oliver?
00:35:56What do you think?
00:35:57Let go of me, you brainless cannon bait!
00:36:03Let him go!
00:36:05Vincent, no!
00:36:06Don't even think about it, boy.
00:36:08Let go!
00:36:09Let go of me!
00:36:13Tomas, Oliver, you are to be sent for training in the National Army and sent directly to the
00:36:18front line.
00:36:19You...
00:36:20You wouldn't!
00:36:21Let me go!
00:36:24Vincent can't stay here on his own!
00:36:26He has no one to care for him but me!
00:36:29And he's not ready to run the glassworks!
00:36:32So the happy solution to this is?
00:36:34Very well.
00:36:40But I want something.
00:36:41He thinks he can bargain with you.
00:36:44All the special materials I need for Vincent to complete his apprenticeship.
00:36:49Tools, chemicals.
00:36:51My research says only one type of glass can be in the furnace at a time.
00:36:55Making sculptures and homewares will slow down production.
00:36:58As you will appreciate, the glass for these casings is of a special formula.
00:37:03This venture is top secret.
00:37:05I was getting to that.
00:37:08And these rectifiers would greatly benefit the enemy, if they were ever to gain possession
00:37:13of them.
00:37:14Obviously.
00:37:15Well, if we trade as usual, it would be a good cover, wouldn't it?
00:37:20Hmm.
00:37:21Everything for the manufacturer of the casings will be provided.
00:37:28And...
00:37:28what you have requested.
00:37:30What you have requested.
00:37:30What you have requested.
00:37:30What you have requested.
00:37:31What you have requested.
00:37:31What you have requested.
00:37:32What you have requested.
00:37:32What you have requested.
00:37:33What you have requested.
00:37:34What you have requested.
00:37:35What you have requested.
00:37:36What you have requested.
00:37:37What you have requested.
00:37:38What you have requested.
00:37:39What you have requested.
00:37:40What you have requested.
00:37:41What you have requested.
00:37:42What you have requested.
00:37:43What you have requested.
00:37:44What you have requested.
00:37:45What you have requested.
00:37:46What you have requested.
00:37:47What you have requested.
00:37:48What you have requested.
00:37:49What you have requested.
00:37:50What you have requested.
00:37:51What you have requested.
00:37:52What you have requested.
00:37:53Careful now!
00:38:23Yes, but...
00:38:42Grab it now. Got it.
00:38:53We're... a part of it now. I'm sorry, Vincent.
00:39:23I heard something. What is it? Are we... are we being attacked?
00:39:46Look there. See the markings? It's all right. They're ours.
00:39:53Congratulations, Mr. Oliver. Vincent. Your casings for the Quicksilver Rectifiers met with great approval by our Army's engineers.
00:40:06Vincent had nothing to do with them.
00:40:09Hm. I see the shelves are fuller since my last visit. May I have a closer look?
00:40:19Hm. Try not to break anything.
00:40:23There is a calmness in this one, and the colors are lovely. How is this achieved?
00:40:28Copper for the blue. The green from iron.
00:40:31I have to congratulate you, Mr. Oliver. It's quite exquisite.
00:40:35I didn't make it. Vincent did. He has his mother's talent.
00:40:40I must have it.
00:40:41You will have to pay for it.
00:40:43Well, of course.
00:40:47Hm.
00:40:48How could you avoid something from that pacifist?
00:40:51My dearest, a 14-year-old boy can hardly be called a pacifist.
00:40:56Vincent.
00:40:58The sculpture is a gift for you both, as I have some disquieting news.
00:41:03The war is not going well.
00:41:05Our garrison at the Great Ravine is depleted, and the enemy has regrouped.
00:41:09As a consequence, I and most of my battalion will be heading north, leaving tomorrow.
00:41:16You're going to the Great Ravine.
00:41:18Elise, a number of junior guards will be coming along to function as orderlies and messenger boys, including your friend, Malik Khan.
00:41:26I am here as a soldier to thank you for the sacrifice you have made in letting us take your sons and brothers, husbands and fathers to-
00:41:37And daughters.
00:41:39Of course, and daughters.
00:41:41Off to war.
00:41:42The enemy is more determined than ever.
00:41:43But they must not underestimate our love for the lands of home.
00:41:48I promise that I will endeavor to bring your dear ones back safe and victorious.
00:41:54It's time, my love.
00:42:14I almost envy you getting out of this place.
00:42:17Not now.
00:42:18Elise, I'm doing this as a girl.
00:42:23Elise, I'm doing this for you.
00:42:24What are you saying?
00:42:26Going to war.
00:42:27For me? That's ridiculous.
00:42:29One day, I will earn you.
00:42:32Earn me?
00:42:35I'm going to go.
00:42:37Time to go.
00:42:41Papa, please don't go.
00:42:43Please don't leave me.
00:42:45Be my brave girl now.
00:42:46Brave girl.
00:42:47But Papa...
00:42:53I'm going to go.
00:43:23I'm going to go.
00:43:53Thanks, Pa.
00:43:55Oh, I'll go.
00:43:58I need to breathe.
00:44:08Elise?
00:44:10Hello, Vincent.
00:44:11Are you sure you should be seen here?
00:44:16We're not popular.
00:44:23So many lovely things.
00:44:25Did you make this?
00:44:28How did you guess?
00:44:31No need to guess.
00:44:32And this?
00:44:35My father bought one of your pieces.
00:44:38One of the very few we've sold lately.
00:44:41Are you making something?
00:44:42Maybe I could see.
00:44:43Last time I visited the workshop, I was thrown out.
00:44:46I was thrown out.
00:44:47I was thrown out.
00:44:48I was thrown out.
00:44:49I was thrown out.
00:44:50I was thrown out.
00:44:51I was thrown out.
00:44:52I was thrown out.
00:44:53Oh.
00:44:54Oh.
00:44:55Oh.
00:44:56That's not possible.
00:44:57Just a peek.
00:44:58What?
00:44:59Pa!
00:45:00We have a visitor!
00:45:01Look who's here, Pa.
00:45:05Elise Amano.
00:45:07I am...
00:45:10Good day, Mr. Oliver.
00:45:13Hmm.
00:45:14Hmm.
00:45:24Hmm.
00:45:25Hmm.
00:45:31Mr. Amano.
00:45:32Hmm?
00:45:33Hmm?
00:45:37Would you like to join us for chai?
00:45:39Ha-ha-ha.
00:45:40Hmm.
00:45:41Hmm.
00:45:42Hmm.
00:45:47Hmm.
00:45:48Hmm.
00:45:55Hmm.
00:45:56Hmm.
00:45:57Hmm.
00:45:58Hmm.
00:45:59Hmm.
00:46:00Hmm.
00:46:01Hmm.
00:46:02Hmm.
00:46:03Hmm.
00:46:04Hmm.
00:46:05Hmm.
00:46:06Hmm.
00:46:07Hmm.
00:46:08Hmm.
00:46:09Hmm.
00:46:10Hmm.
00:46:11Hmm.
00:46:12Hmm.
00:46:13Hmm.
00:46:14Hmm.
00:46:15Hmm.
00:46:16Hmm.
00:46:17Hmm.
00:46:18Hmm.
00:46:19Hmm.
00:46:20Hmm.
00:46:21Hmm.
00:46:22Hmm.
00:46:23Hmm.
00:46:24Hmm.
00:46:25Hmm.
00:46:26Hmm.
00:46:27Hmm.
00:46:28Hmm.
00:48:31Please!
00:48:32This way!
00:48:45This way!
00:48:47Under there!
00:48:49Ah!
00:48:51Ah!
00:48:53Ah!
00:48:57Ah!
00:49:03Vincent!
00:49:09Vincent!
00:49:27Let's go.
00:49:29We should wait for the all-clear.
00:49:31That's what we were taught at school.
00:49:34I was scared.
00:49:36I was scared, too.
00:49:38I've never seen a bum before.
00:49:40Pa will be wondering where I am.
00:49:43Mother, too, I think.
00:49:45The market is quiet.
00:49:50Oh, I wouldn't mind some galab jaman.
00:49:53Malik is always saying how he misses Mrs. Abbasi's galab jaman.
00:49:58Malik?
00:49:59Uh-huh.
00:50:00It must be horrid for him being so far from home.
00:50:03So far from...
00:50:04How is he always saying it?
00:50:06What?
00:50:07Oh, he writes to me sometimes.
00:50:09Though not for months and months.
00:50:11But then neither has Papa.
00:50:12How long has he been writing to you?
00:50:15Not recently.
00:50:17He was very homesick after he left.
00:50:19And Papa asked if I wouldn't mind writing to him.
00:50:22And I suppose one day you'll marry him.
00:50:24What are you talking about?
00:50:27Did a bomb hit you on your head?
00:50:30You'll marry Malik Khan, and you'll be an army wife, just like your mother.
00:50:34What's wrong with that?
00:50:36My father is a brave man, and so is Malik, going to war.
00:50:40Not like...
00:50:41Go on.
00:50:43Say it.
00:50:44Don't you tell me what to say, and don't you tell me who I'm going to marry.
00:50:48I'm not going to marry anyone.
00:50:50I'm going to be a great violinist.
00:50:52But for all your fantastic musical ability, you will never be an artist.
00:50:57I'll never be a...
00:50:58What do you mean by that?
00:51:00You only interpret what someone else has written.
00:51:02You do not create.
00:51:04What I do is original, from my imagination.
00:51:08I play the violin with all my heart.
00:51:11And have been promised a place at the conservatoire in the capital, once I finish school.
00:51:17Elise.
00:51:18That's wonderful.
00:51:19You may be an artist, Vincent.
00:51:22But at what cost to your country?
00:51:27You think that I'm a coward?
00:51:35You can have this back.
00:51:52I'll walk you home.
00:51:55Elise.
00:51:56The soldiers have been looking for you.
00:52:10Elise.
00:52:11The soldiers have been looking for you.
00:52:22Elise.
00:52:23It's all right, Mother.
00:52:24I'm here now.
00:52:27Huh?
00:52:31Elise.
00:52:32We've had news.
00:52:34Your father is missing in action.
00:52:36Relieved.
00:52:37Killed.
00:52:44No.
00:52:44Good day there, Vincent.
00:52:56I heard about your exhibition.
00:52:59Congratulations.
00:53:00Thank you, Giza.
00:53:01My wife and I are going to make the trip to the capital to see it.
00:53:05We're so proud of you, Vincent.
00:53:06We're so proud of you, Vincent.
00:53:07Many thanks, madam.
00:53:13No charge, Vincent.
00:53:14In celebration.
00:53:16Appreciate it.
00:53:17I couldn't believe Papa was gone.
00:53:27Every time he left, he would find a way back to us.
00:53:31He would always look forward to my music.
00:53:34So I kept playing for him.
00:53:41Well done.
00:53:42You might just be ready for the recital.
00:53:45On the night, there will be one solo.
00:53:47Because of her outstanding talent, it will be performed by Elise Amano.
00:53:52Thank you, Professor Ansari.
00:53:54Fantastic, Elise.
00:54:07Oh, how I wish I could play like you.
00:54:09But for all your fantastic musical ability, you will never be an artist.
00:54:26Good morning, Tomas.
00:54:28Good morning, Dom.
00:54:31You can leave now if you've brought me any bills.
00:54:34Only the messenger.
00:54:35Who's writing to Vincent?
00:54:40Hmm.
00:54:41Yeah, I noticed that.
00:54:49I'm invited to Elise's recital.
00:54:51She's arranged a seat for me.
00:54:54Invitation must be presented as proof of entry.
00:54:57Fancy.
00:54:58One day, I'll make you something really, really good.
00:55:05I promise.
00:55:07I promise.
00:56:09Hmm.
00:56:10No.
00:56:11Now, now, son.
00:56:12We'll think of something.
00:56:17Plenty of gold here.
00:56:20You wouldn't melt mother's headdress.
00:56:22With weak lungs like hers, she should never have been a glassblower.
00:56:26But she understood her talent and its place in her fate.
00:56:30It's what she would want you to do.
00:56:32Oh, this jacket has been mended so many times.
00:56:42Maybe I can find something else.
00:56:44Short of wearing an old dress of your mother's, that's the best we've got.
00:57:00You look presentable.
00:57:06Vincent.
00:57:08Aren't you forgetting something?
00:57:10Thanks, Pa.
00:57:12Go have yourself a time to remember.
00:57:15Uh, Holt?
00:57:16Please!
00:57:17I'm late!
00:57:18Stop right there, you.
00:57:19Miss the news about the curfew?
00:57:20You a soldier?
00:57:21No.
00:57:22I...
00:57:23We've had reports of unidentified soldiers on the outskirts of town.
00:57:24Possibly deserters wanted by both sides.
00:57:26Likely dangerous and desperate.
00:57:27We've been ordered to be on the lookout.
00:57:28You a deserter, are you?
00:57:29What?
00:57:30No.
00:57:31No.
00:57:32I've been invited to the recital.
00:57:33Hey, I know you, your father's that lunatic.
00:57:34Huh?
00:57:35No.
00:57:36I know your father's that lunatic.
00:57:38Huh?
00:57:57Who's going to go next?
00:57:59I know you your father's that lunatic who invited you to the recital Elise
00:58:05Amano the colonel's daughter you right here look what's that you've got there
00:58:12hmm let's see
00:58:16my tummy is jumpy
00:58:28careful give it back Sharif but I don't know what's in it
00:58:44just give it back
00:58:52fine you can go oh uh could I have the invitation back please you mean this
00:59:02invitation here take it what is the matter with you you
00:59:13fool what's the matter with me think about it how can someone like him be
00:59:17invited to the recital anyway him and his cowardly father
00:59:21it's probably fake and what if it isn't I didn't think about that
00:59:25good evening I'm here for the recital you're late but I it only just started but I suppose I can sneak you in the back invitation I the guards stopped me by the station I'm here for the recital
00:59:32good evening I'm here for the recital you're late but I it only just started but I suppose I can sneak you in the back invitation I the guards stopped me by the station they took it no invitation no entry we've been advised to be extra careful there are deserters around but Elisa may be the best for the recital
00:59:39good evening I'm here for the recital
00:59:46good evening I'm here for the recital
00:59:50I don't know what you're doing but I'm here for the recital
00:59:54me by the station they took it no invitation no entry we've been advised to be extra careful
01:00:00there are deserters around but elisa mano invited me no invitation no entry she invited me specially
01:00:07no invitation and no entry understood
01:00:24here she is mrs mano please speak to her elise what's the delay it's time to go on i just need a moment
01:00:32think about all the people waiting to hear you play the daughter of colonel mano do you want to
01:00:44let them down i don't oh papa then go out there elise and play for papa
01:00:51ladies and gentlemen after hearing our young performers i am sure you will agree the future
01:01:08of our country's music is in sound hands and now i would like to introduce our finest elise
01:01:14someone once someone once told me a person is not an artist unless they create
01:01:24i wrote this
01:01:27so
01:01:29so
01:01:35so
01:01:39so
01:01:49so
01:01:51so
01:02:03so
01:02:05so
01:02:17so
01:02:19so
01:02:25so
01:02:39so
01:02:45so
01:02:47so
01:03:07so
01:03:11so
01:03:13the deserters
01:03:39colonel
01:03:59colonel
01:04:01so
01:04:11so
01:04:13so
01:04:15so
01:04:21so
01:04:23so
01:04:25so
01:04:27so
01:04:29i'm sure
01:04:33i'm sure you heard the story of malik's bravery the way the newspapers told it
01:04:41but it was much more than that
01:04:47so
01:04:49so
01:04:51so
01:04:53so
01:04:55so
01:04:57so
01:04:59so
01:05:01so
01:05:03so
01:05:05so
01:05:17so
01:05:19so
01:05:21so
01:05:23so
01:05:25so
01:05:27so
01:05:41so
01:05:43so
01:05:45so
01:05:47so
01:05:49so
01:05:51so
01:05:53so
01:06:05so
01:06:07so
01:06:09so
01:06:11so
01:06:13so
01:06:15so
01:06:17so
01:06:19so
01:06:33so
01:06:35so
01:06:37so
01:06:39so
01:06:41so
01:06:45so
01:06:47so
01:06:49so
01:06:51so
01:06:53so
01:06:55so
01:06:57so
01:06:59so
01:07:01so
01:07:03so
01:07:05so
01:07:07so
01:07:09so
01:07:11so
01:07:13so
01:07:15so
01:07:17so
01:07:19so
01:07:21so
01:07:23so
01:07:25so
01:07:27so
01:07:29so
01:07:31so
01:07:33so
01:07:35so
01:07:49so
01:07:51colon
01:07:53colon
01:07:55colon
01:07:57colon
01:07:59colon
01:08:01colon
01:08:03colon
01:08:05Naveen! It's gone there!
01:08:35It's gone there!
01:09:05It's gone there!
01:09:35I owed him everything.
01:09:38Take a look at what heroes look like, darling, because you won't see one in the mirror anytime soon.
01:09:42It's gone there.
01:09:44It's gone there!
01:09:51It's gone there!
01:09:59Oh, good afternoon, Vincent.
01:10:10Elise, where is she?
01:10:13She's leaving town with her family and Malik.
01:10:20Huh?
01:10:25Elise!
01:10:26Elise!
01:10:27What on earth?
01:10:31Let me speak to Elise.
01:10:32She is not here.
01:10:33The colonel.
01:10:34May I speak to him?
01:10:36That won't be possible.
01:10:38Let me speak to her, please.
01:10:45Huh?
01:10:45Let go!
01:11:00Let go of me!
01:11:02Elise!
01:11:02Elise, come on!
01:11:04Let me go!
01:11:05Mother?
01:11:17Hmm?
01:11:18I heard yelling.
01:11:19Nothing to worry about, Elise.
01:11:21Just the soldiers chasing off a stray dog.
01:11:23I hope the noise didn't upset you, Papa.
01:11:34I hope the noise didn't upset you, Papa.
01:11:36Hmm...
01:11:36Hmm?
01:11:43Hmm?
01:12:00Hmm?
01:12:05Hmm?
01:12:06I don't know.
01:12:36I'm going to help you.
01:13:00Do what?
01:13:02Elise, I've lost her because of this war.
01:13:06I want it over with.
01:13:08We need to increase our production.
01:13:10We've discussed this.
01:13:12I don't want your help.
01:13:13You have your own work to be getting on with.
01:13:18Then I shall run away and join the army.
01:13:24Hmm?
01:13:28Hmm.
01:13:29Put this in the rectifier batch.
01:13:34It will help temper the glass.
01:13:36We'll do it.
01:13:46Here we go.
01:13:47We'll do this.
01:14:19A spoil of war, like me.
01:14:49What happened to the Mahor sculpture?
01:15:05I sold it to Dom.
01:15:09You mean the mailman?
01:15:11Why would he want something like that?
01:15:13A present for his mother.
01:15:17A present for his mother.
01:15:36Elise.
01:15:37How do you do, Mr. Oliver?
01:15:41Is there anything I can help you with, my dear?
01:15:45Well, I...
01:15:46Vincent isn't here, I'm afraid.
01:15:49I don't know what's got into that boy these days.
01:15:52Oh, that's fine.
01:15:57Could you please give this to him?
01:15:58We're leaving tonight.
01:16:05Aye, I understand.
01:16:08I'll give it to him tomorrow.
01:16:10We have some urgent deliveries.
01:16:12Thank you for everything.
01:16:16You're always welcome here, my dear.
01:16:21Hey, hurry up!
01:16:43Let it down!
01:16:44Easy!
01:16:56Easy!
01:16:59Vincent, you've been acting very odd lately.
01:17:02What's going on up here?
01:17:03We've got to get out of here.
01:17:05Hey, Oliver!
01:17:07Lower the crate, will ya?
01:17:08What's wrong, son?
01:17:11You can tell me.
01:17:13These people and their war, they all look down on us.
01:17:17I'll show them.
01:17:18I'll show them all.
01:17:20Vincent, what did you do?
01:17:23I made some adjustments to their precious rectifiers.
01:17:28Huh?
01:17:28What?
01:17:58Vincent, I know things have been difficult, but don't let your hatred consume you.
01:18:24We need to be better than that.
01:18:29I only wanted to stop them from taking off.
01:18:36What's going on up there?
01:18:49Hey, bring that back!
01:18:51What do you think you're doing?
01:19:21What have I done?
01:19:26What have I done?
01:19:28I'm sorry, Pa. I'm sorry, Pa.
01:19:47Oh, my son.
01:19:50Oh, this is ridiculous.
01:19:52Huh?
01:19:53Go!
01:19:54Get us out of here!
01:19:58Pa!
01:19:59Throw it over!
01:20:00We'll destroy them!
01:20:01Wait!
01:20:02Wait!
01:20:03No!
01:20:04No!
01:20:05No!
01:20:06No!
01:20:07No!
01:20:08No!
01:20:09No!
01:20:10No!
01:20:11Go!
01:20:12Get us out of here!
01:20:13Ah!
01:20:14Ah!
01:20:15Ah!
01:20:16Ah!
01:20:17No!
01:20:18No!
01:20:19No!
01:20:20No!
01:20:21No!
01:20:22Pa, throw it over!
01:20:24Ah!
01:20:25We'll destroy them!
01:20:26Wait!
01:20:27No!
01:20:28No!
01:20:29No!
01:20:30No!
01:20:31No!
01:20:32No!
01:20:33No!
01:20:34No!
01:20:36Ahhh!
01:20:37Oh, my God.
01:21:07Oh, my God!
01:21:09Oh, my God!
01:21:10Oh, my God!
01:21:37I miss you, Vincent.
01:21:49I'm sorry for how I made you feel.
01:21:52You were never a coward.
01:21:54You were right.
01:21:55To be an artist, one must create.
01:21:58Because without art and music,
01:22:00what do we have in this world full of conflict and war?
01:22:03I wish you had come to my recital.
01:22:06I had a surprise for you.
01:22:09By the time you read this, we would have left town.
01:22:12But I want you to know that I'll be waiting for you.
01:22:15I love you, Vincent.
01:22:36And why can't you see the sun?
01:22:38I love you.
01:22:39I love you.
01:22:41I love you.
01:22:43I love you.
01:22:45I love you.
01:22:48I love you.
01:23:18Ladies and gentlemen, it's that time of the afternoon
01:23:31when I have to say something nice about the artist.
01:23:34My son, Vincent Oliver.
01:23:37Many of you may not have realized that glass is made from sand.
01:23:42Have you ever held sand in your palm and looked at the individual grains?
01:23:46What if I said to you that no two grains of sand on the planet are alike?
01:23:52How do I know this?
01:23:55I don't.
01:23:57But to know this, I would have to examine every grain of sand on the planet.
01:24:01And I'm not sure I have the time.
01:24:03And you know, my eyesight isn't what it was.
01:24:07But here is something I am sure of.
01:24:11There is only one Vincent Oliver.
01:24:13Only one person with his imagination, his skill, and his passion for glass.
01:24:18And its infinite, magnificent possibilities.
01:24:21Vincent, I pushed you to be the best you could be.
01:24:25I hope it has brought you some sort of happiness.
01:24:27Speech! Speech, Vincent!
01:24:29Speech! Speech!
01:24:32It's heartening to see you all here today.
01:24:35Pa, thank you.
01:24:36My teacher, my father, my friend.
01:24:42My friend.
01:24:44Hmm?
01:24:54Hmm.
01:24:57Glass was always going to be my life.
01:25:00My mother, Meher, was a glassworker, too.
01:25:03One day, she walked into my grandfather's glassworks, seeking employment.
01:25:09Her work was some of the best he had ever seen.
01:25:12I'll make her some chai.
01:25:40Sounds good.
01:25:40It's like the sun lives in there.
01:26:09the sun lives in there, all gadierten to see you.
01:26:11The sun was blowing now, man.
01:26:12The sun Oh my God!
01:26:13What the...
01:26:13Ugh!
01:26:15Uh!
01:26:17Oh!
01:26:17Oh!
01:26:18Ugh!
01:26:19Ugh!
01:26:36Ugh!
01:26:37으
01:26:38Huh?
01:27:08Oh, my God.
01:27:38Oh, my God.
Be the first to comment