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  • 4/30/2025
She hides her identity to expose a conspiracy, but falls for the man promised to marry her! | Full Movie Billionaire, Short Drama
Transcript
00:00Hi.
00:01Take it off.
00:04You're the one that served me the drink, right?
00:07Then you should be the one to put out the fire.
00:10Don't look at me like that. We're not in love.
00:13Where are you? You were out all night.
00:15You better not be in the meeting with your fiancée's family.
00:18Fiancée?
00:19If you say no, I won't go. I won't get married.
00:22Why would I want to say that? What we had was an arrangement only.
00:25Mr. Cooper wants you back at the mansion.
00:27Mr. Oscar's fiancée becoming your fiancée.
00:31Mary, consider this a gift from your former sponsor.
00:35Take the money and leave my son!
00:37Everybody's here.
00:44You little thief!
00:49There's no need to check yourself out.
00:50You look pretty enough already.
00:52Grandpa, I've changed my mind.
00:55I want to marry her.
00:57Are you suggesting that my grandson is part of a compensation package for her?
01:02No, no, no, no, no.
01:04There must be a misunderstanding.
01:06Freya, your mom is still in a coma.
01:09If you want her to recover, you'll do what I say.
01:12You just got out of my bed.
01:14And now you're deeply in love with Oscar.
01:17Don't test my patience.
01:20Uncle!
01:21Uncle!
01:22What's happening in there?
01:22Don't you have any manners.
01:23Knock!
01:24You're late.
01:25I...
01:25Take it off.
01:26What?
01:27What?
01:27Do you have any manners.
01:28I don't have any manners.
01:29Knock!
01:29I don't have any manners.
01:30Knock!
01:31you're late
01:44hi
01:51take it off
01:52what do you want me to take it off?
01:59Eric, can we talk?
02:01I've got something to say
02:02don't do this
02:04I'm waiting
02:05that's what I thought
02:10wasting time and it won't be able to handle it later
02:14don't look at me like that, we're not in love
02:18the twisted fate between Eric and me began with a misunderstanding two years ago
02:26you're the one that served me that drink, right?
02:47then you should be the one to put out the fire
02:50after that night, he lured me into an arrangement
03:03what's the rush?
03:08you found a new target behind my back
03:11where are you?
03:17you were out all night
03:19you better not ruin the meeting with your fiance's family
03:22fiance?
03:23hey, I'm warming my bed while planning out bending behind my back
03:28I'm giving you the last name
03:31sometimes I truly hate home
03:33I think your voice is
03:34if you say no, I won't go
03:35I won't get married
03:36why would I want to say that?
03:38what we had was an arrangement only
03:39but you know, I like
03:42Rhea, you're crossing the line here
03:44it was only a scheme
03:46it was just a transaction
03:48only sex, nothing more
03:50in future
03:52future? there is no future!
03:53it ends now
03:55I don't need this
03:56after all, why would I want to be and share a whore with others?
04:03I...
04:03what?
04:04you want money, right?
04:09hey, consider this a gift from your former sponsor
04:14take the money, I'll leave my site!
04:33Mr. Eric
04:34is... is Ms. Freya?
04:36that ungrateful leech, I don't want to see her again
04:39understood
04:42anything else?
04:44Mr. Cooper wants you back at the mansion
04:46Mr. Oscar's fiancée will be coming over
04:48fiancée?
04:50she's the daughter of the Brown family
04:54what trash father invites over to the house?
04:57you oppose the marriage?
04:59the Browns, they need money
05:01Oscar needs to be kept out of trouble
05:04so everybody wins
05:07I can live with her
05:08so we're going?
05:09right to the mansion
05:11as Oscar's uncle
05:12I should be the one to make sure that his future wife checks out
05:15very good sir
05:17Oh!
05:26are you looking for trouble?
05:32who do you think you're staring at?
05:36What? You hung up on me, then you have the audacity to shut up here. Wait!
05:41This is Sophie's engagement. Why should I marry in her place?
05:45Freya, your mom is still in a coma. If you want her to recover, you'll do what I say.
05:53Marriage isn't child's play. I won't do it.
05:55You ingrate. Who are you to say no?
06:00You little thief!
06:03You stole this from us. Were you planning to use it for your mother's medical expenses?
06:10You know what, Sophie? Call the assisted living facility. I'm not paying a feather dine.
06:19This is my own money. It has nothing to do with you.
06:22You're George's daughter. Every penny you earn belongs to us.
06:27Please, I beg you. My mother needs the care.
06:30I might change my mind if you get inside and agree to that wedding.
06:39I'll do it.
06:47I'll do it.
06:48Aw, that's more like it. See, doesn't it feel good to behave?
06:52You know, a bastard. Marrying into the Cooper family is a great blessing. You should be grateful to Sophie for her generosity.
07:00She was hesitant. Could it be she already has a man?
07:07You killed me.
07:09Who would want someone so utterly useless?
07:12But if you do, you'd better never see him again.
07:17No need to warn me. Eric won't see me again.
07:20Your mother's not dead yet. So why still glum?
07:26Oh, God. But just fix yourself before you go inside.
07:30There's no need to check yourself out. You look pretty enough already.
07:39I can already tell I'd like to spend more time with you.
07:45Huh. Well, if you think this car is nice, you haven't seen anything yet.
07:49And these aren't even all of my toys.
07:53You see here, you get to showcase your true beauty.
07:57And I get to admire you from any one.
08:01I get to admire you from any one.
08:03I get to be honest.
08:04You're not.
08:06I'm not.
08:08I'm not.
08:10I'm not.
08:12I'm not.
08:13I'm not.
08:15I'm not.
08:16I'm not.
08:17I'm not.
08:18I'm not.
08:20And I get to admire you from any one of these cars.
08:22Oh.
08:23Let me introduce myself.
08:25I'm Oscar.
08:27Your fiancé.
08:29Oh, come on.
08:30Let's get this meeting over with.
08:33But just so you know.
08:36I'm not interested in this arranged marriage.
08:39No, I'm only here today to clear the air with my uncle.
08:42See, my uncle is the real decision-maker in this family now.
08:45and it's been a living hell.
08:50What?
08:51You don't believe it?
08:53No outsiders dare to come near him.
08:56He hasn't had a girlfriend in years.
08:59I'm starting to expect that he might be impotent.
09:04I, on the other hand, am known to please women.
09:15Hey, everyone.
09:26Mr. Oscar.
09:31Everybody's here.
09:37Uncle?
09:39Mr. Eric, this is my daughter Freya.
09:45So, this is the girl set to marry my nephew.
09:48Yes, yes.
09:49If my memory serves me correctly,
09:52Sophie was supposed to be the bride.
09:55But you put someone in her place now.
10:00Why?
10:01Mr. Cooper,
10:02Freya was lost for so many years
10:07that I wanted to make it up to her.
10:09And if she could marry Mr. Oscar,
10:11I could die.
10:14Without regret.
10:15Well, a lost child is indeed deserving of compensation.
10:20But what does that have to do with Oscar?
10:25Are you suggesting that my grandson
10:27is part of a compensation package for her?
10:29No, no, no, no, no, no.
10:32There must be a misunderstanding.
10:35No, we surely did not mean that.
10:37Yeah.
10:38The Brown family,
10:40not a worthy match for marriage.
10:42Fortunately,
10:43both Oscar and his grandpa
10:44oppose this marriage.
10:46Otherwise...
10:47Grandpa.
10:48Oscar.
10:50I knew you did not like this agreement.
10:53I promise you,
10:54I will get you a good match.
10:56Grandpa, I've changed my mind.
10:58I want to marry her.
11:03She is beautiful.
11:09Grandpa, I've changed my mind.
11:11I want to marry her.
11:14She is beautiful.
11:22Alright, Oscar.
11:24What do you mean?
11:25Well, grandmother's last wish
11:27was for me to marry a member of the Browns.
11:29And I intend to honor that wish.
11:32Oscar,
11:33this
11:34is a lifetime decision.
11:37I know, Grandpa.
11:39And I'm not being rash.
11:41And look,
11:41don't blame the Browns.
11:43I asked them to change it.
11:45You asked them?
11:47Yes.
11:49Freya and I
11:50have been in love for some time.
11:51And I didn't know
11:52she was a lost member of the Browns.
11:54This saves me
11:55a lot
11:56of trouble.
11:57This
11:58this is your choice.
12:01So I will not oppose it.
12:04We
12:04will set
12:06a wedding date.
12:10Of course.
12:12I disagree.
12:14Uncle.
12:15Eric.
12:16This woman isn't for you.
12:22The marriage won't last.
12:24Do you know this girl?
12:26Nor.
12:27Not only do I know her,
12:28but we had some very close conversation.
12:31What?
12:31Isn't that right,
12:32Miss Freya?
12:37Not only do I know her,
12:38but we had some very close conversation.
12:40What?
12:41Isn't that right,
12:42Miss Freya?
12:42Mr. Eric,
12:46you must be mistaken.
12:48Freya has injured her vocal cords
12:50and she can barely speak.
12:53She's nonverbal.
12:55Eric,
12:56do you have to humiliate me like this?
12:58Well, she's,
12:59she's,
13:00Nonverbal?
13:02Oscar,
13:03did you know this?
13:05Well,
13:05I'm an introvert.
13:07We'll get along just fine.
13:10Mr. Cooper,
13:11Freya may shut down
13:13from time to time,
13:14but she has many good qualities as well.
13:16Yes,
13:17my Freya is the best.
13:20Oscar,
13:21are you sure?
13:24Freya and I
13:25are deeply
13:26in love.
13:29I'll marry no one else.
13:32Gosh,
13:33it's so windy outside.
13:36You too.
13:38Deeply in love.
13:40Uncle.
13:40We've been dating
13:42for so long.
13:44You guys have been dating
13:45for a long time.
13:46Is that so,
13:47Miss Freya?
13:51Well,
13:52if that is the case,
13:53I won't interfere.
13:56Look at the time.
13:59Thank you,
14:00Mr. Oscar,
14:01for your hospitality.
14:03You know,
14:03the weather is getting bad outside.
14:05Why doesn't everyone
14:06just stay the night?
14:07How kind of you.
14:11How kind of you.
14:28So this phone call
14:29was about marrying my nephew.
14:31We're over.
14:34What I do
14:34is none of your business.
14:36None of my business.
14:38First you seduce me
14:39and then you seduce my nephew.
14:43Do you want to call me
14:44Uncle?
14:45I didn't know
14:48it would be Oscar.
14:50Do you want me
14:51to believe that?
14:52I told you to stay away,
14:54so what is this?
14:56Hey!
14:58You just got out of my bed
14:59and now you're deeply
15:01in love with Oscar.
15:03Freya,
15:03I...
15:04I have really
15:07underestimated you.
15:11I have no reasons.
15:13I can explain.
15:14Explain what?
15:16That my money
15:17is enough for you?
15:18Just name your price
15:20and I'll give it to you.
15:22But if you dare to make
15:23an arrangement with Oscar,
15:26you'll pay for it
15:28and you'll pay for it dearly.
15:29I'm not.
15:33If it's not for money,
15:37here's it for Oscar.
15:40Do you two really
15:41have something going on?
15:43Hmm?
15:45What if I do?
15:47Didn't you say our deal
15:48is over?
15:50Did he touch you?
15:52Hmm?
15:54Well,
15:55let's just check it
15:56out ourselves.
15:59Mr.
16:00Mr.
16:00Mr.
16:00Mr.
16:00Eric!
16:08Mr.
16:09Eric,
16:10you...
16:11Don't you have
16:12any manners?
16:13Knock!
16:14I'm sorry.
16:15Get out.
16:17You just can't help
16:45falling for me, huh?
16:46You know I understand
16:50sign language.
16:52Why did you
16:52change your mind?
16:54Hmm.
16:55Does
16:55love at first sight
16:57come as a reason?
16:59I'm serious.
17:02Regardless,
17:03you are my fiancé now.
17:04So take a drink.
17:09Oh, come on.
17:11Do you think it's poisoned?
17:13Take one.
17:14Any one.
17:18There you go.
17:20Cheers.
17:22See?
17:23It's just one.
17:28Drink more.
17:30Relax a little.
17:30Oh.
17:34I wonder if I touch you tonight.
17:40How will my uncle react?
17:42I wonder if I touch you tonight.
17:43How will my uncle react?
17:44Uncle...
17:45What's going on?
17:46Freya's drunk.
17:59So I'm just taking her to her room.
18:01Not this way.
18:03Well,
18:04she is my fiancé,
18:05so naturally...
18:06Your grandfather wants to see you
18:07as far as her.
18:09You haven't married her yet.
18:14Mrs. Hughes is going to take care of her.
18:18Okay.
18:18You used this despicable trick to seduce me.
18:46And now you're doing the same
18:49to my nephew.
18:51Freya.
18:53Do you crave men?
18:55Or is it just the money?
18:59If it's about money,
19:01make a new deal with me.
19:03There's no need to unlock Oscar.
19:06I can provide for you.
19:10I won't be your mistress again.
19:12Hmph.
19:13I swear you're determined
19:17to be my nephew's wife.
19:23That's what you want, right?
19:26Well,
19:26uncle is going to get to you.
19:28Yeah.
19:28You don't want to.
19:33No.
19:37No.
19:40No.
19:44No.
19:46No.
19:47No.
19:48No.
19:53No.
19:54No.
19:55No.
19:56No.
19:56What's there to cover?
20:11Haven't I seen every inch of you?
20:16The offer from last night still stands.
20:21Renew our agreement and I will give you everything you want.
20:26Mr. Oscar, thank you again for your kind hospitality and we slept so well.
20:42It's good to hear.
20:44Where is Freya?
20:46Who knows, we haven't seen her this morning.
20:51I think I know where she might be.
20:56I don't want to be involved with you anymore.
21:05Don't test my patience.
21:12Uncle, are you awake?
21:15Oscar, no he can't know I'm here.
21:18Your fiancee's here.
21:20Uncle!
21:21What is it?
21:23No one has seen Freya this morning.
21:25I'm wondering if you've seen her maybe.
21:27Oh, my dear niece.
21:31If Oscar finds out you're here in Uncle's room, do you think you would have any place in this house?
21:40No.
21:41If a marriage falls through, Mom will die.
21:43Mr. Oscar, she can't be in there.
21:45No, no way she'd be in there.
21:49Renew our contract or marry Oscar.
21:54I will make the choice for you.
22:07Uncle!
22:08What's happening in there?
22:12We're coming in!
22:25What makes you think she's in my room?
22:28Sorry, Uncle.
22:29I couldn't find my fiancee, so I got a bit anxious.
22:32I knew she wouldn't be here.
22:34Why would Freya dare come to Mr. Eric's room?
22:38It's highly inappropriate.
22:40This is just a misunderstanding.
22:42You're certainly anxious.
22:44I guess your marriage is undecided.
22:46Sounds like Uncle wants to break up us lovebirds.
22:50I never said that.
22:51Freya's always been wild.
22:53God knows where she is.
22:56The missing girl isn't here.
22:59You should leave.
23:01We won't disturb Uncle any longer.
23:06There, over there.
23:12There, over there.
23:31Would you care to organize my changed slippers as well, Miss Sophie?
23:42Yeah.
23:43Do you need me to leave the room so you can continue your search?
23:46I was too impulsive, Uncle.
23:48Mr. Eric, I'm sorry.
23:49I just, I saw the slippers and I, um...
23:52If you're done causing trouble, get out.
23:55Yes, get out.
23:57Of course, I had nothing to do with this.
24:00I knew she wasn't here.
24:02I...
24:05Nice decor.
24:08I'll see...
24:10Later.
24:15Freya, you're sure I'm not afraid of death.
24:18We're all gonna be a family soon.
24:29Nothing is settled yet.
24:31Tired, Eric.
24:33Handle it.
24:34Grandfather, I said I agree.
24:37Why don't we ask Miss Freya?
24:40Our family would be blessed with this marriage.
24:51I'm sure Freya would never refuse.
24:54I'm asking her.
24:56Uncle, you're making her uncomfortable.
24:59She's just shy.
25:01If she's too shy to discuss her marriage, then there's no need to proceed.
25:05That makes sense to me.
25:08Hey, think about your mother.
25:14Well, I guess this engagement is off then.
25:17I agree.
25:19What do you mean?
25:20I agree to marry Mr. Oscar.
25:22She means she would like to marry Mr. Oscar.
25:27Oh, is that so?
25:29Uncle, please allow this marriage.
25:33Well, I guess we'll have to see.
25:36Hey.
25:37Did you hear that?
25:38Uncle has agreed to our marriage.
26:00You?
26:01What is it?
26:02What happened to your leg?
26:03I accidentally fell in the garden earlier.
26:04It's okay.
26:05That just solves the mystery, doesn't it?
26:06But we need to deal with that wound immediately.
26:07Oscar.
26:08Marriage is a very big decision.
26:09But since you insist, next weekend is my birthday banquet.
26:13If you have not changed your mind by then, I will agree to arrange the engagement.
26:20Grandfather, thank you for giving us this chance.
26:23a very big decision, but since you insist, next weekend is my birthday banquets. If you
26:32have not changed your mind by then, I will agree to arrange the engagement.
26:41Grandfather, thank you for giving us this chance.
26:53Did you find out about it?
27:04Yes. Miss Freya is the daughter of George Brown's mistress. She's indeed a member of the Brown family.
27:15Mistress, you say?
27:16Yes, and according to the late Mrs. Cooper's wishes, upon a marriage between the Brown and
27:23the Cooper families, the Browns are entitled to massive business sponsorship worth millions
27:29of dollars from the Cooper family.
27:35It's all about our money. You know, I like mother, like daughter.
27:53.
28:11.
28:19Emily, my lovely granddaughter.
28:27Oh, grown up.
28:30How was your trip?
28:32It was really nice.
28:34Why is everyone so formal?
28:36Smith family reps are in the house, and we're planning your wedding.
28:40What? My wedding?
28:41I'm way too young for this.
28:44Ted, close that door!
28:45You can't do this to me!
28:46What?
28:47My mother!
28:49Why?
28:51Sir!
28:52Samantha!
28:55Sir, Sarah!
28:58Our company was gutted by an insider.
29:02Why didn't you tell me something so important?
29:05I just wanted you to marry into the Smiths family and have a carefree life.
29:10But I can't let this thief run free.
29:13I heard from the housekeeper that they're going to the Smiths.
29:17Don't bother yourself, honey.
29:20No one messes with the Williams and gets away with it.
29:23I'll join the Smiths company and catch them all myself.
29:26I'll join the Smiths company and catch them all myself.
29:26I'll join the Smiths company and catch them all myself.
29:46Mr. Smith.
29:47Mr. Smith.
29:49Mr. Williams just called.
29:52His granddaughter, your fiancé, is coming to work at Dazzling today.
29:58What?
29:59I called off the engagement and they're still sending her?
30:05If they think this is going to change anything, they're dead wrong.
30:07Look, we could just deny her application if you wanted to.
30:11No.
30:14Just treat her well.
30:15I want to maintain any relationships we have with the Williams family.
30:18Understood.
30:19Understood.
30:19I'll call the creative head, Bella.
30:21Yeah?
30:21Yeah.
30:22Well, sir, you're going to work in baseball clothes again?
30:26Of course.
30:27Of course.
30:28What?
30:36The CEO's fiancé is going to be our new intern.
30:41Don't worry.
30:42I'll take good care of her.
30:44Sure.
30:46I'll keep it a secret.
30:51Everyone.
30:52I shouldn't be saying this, but
30:54the Williams heiress,
30:56who's also our CEO's fiancé,
30:59is going to be working with us.
31:01What?
31:03Let's give Miss Williams the ultimate princess treatment.
31:19It's Miss Williams.
31:21No, I'm not.
31:23What is going on?
31:24I just told Krams to keep my identity a secret.
31:28Are you the new intern?
31:30We're so pleased to meet you.
31:32Yes, I'm the new intern for the creatives team.
31:35So they're not talking about me?
31:42Are you the new intern?
31:44We're so pleased to meet you.
31:47So they're not talking about me?
31:48That's good.
31:51Yes, I'm the new intern for the creatives team.
31:54Come with us.
31:55We're the creatives team.
31:56We'll show you the office.
31:58Norm?
31:59Is that you?
32:01You've changed so much since high school.
32:03Emily Williams.
32:04She's been stealing my spotlight
32:06at every opportunity since high school.
32:09And you haven't changed at all.
32:10Still as nosy and pitiful as I remember.
32:13Well, you look ten years older.
32:15What happened?
32:16How dare you?
32:18Hi, I'm Emily.
32:20I'm an intern for the creatives team.
32:22Can I join you?
32:24You can read.
32:26The directory's over there.
32:29Let's go, Miss Williams.
32:30So which one is the Williams heiress?
32:42Well, her name's Nora Williams.
32:44It's gotta be her.
32:51There's something regal about her, right?
32:58Miss Williams?
33:00We got you a welcome gift.
33:02Oh, this is for me?
33:04You guys are so sweet.
33:06Of course.
33:07Anything for the CEO's fiancé and the Williams heiress.
33:11You think she's the Williams heiress?
33:15Anyone could claim that.
33:17I could be the CEO's fiancé, too.
33:19You think anyone would mistake a high school dropout
33:22for the CEO's fiancé?
33:24A high school dropout?
33:26I wonder what strings you pulled to get a job here.
33:28I graduated early, not dropped out.
33:32But she looks like a good bait to scare them all out on my behalf.
33:36Yeah, you're right.
33:38Who am I compared to the true heiress?
33:41I'm no one.
33:42Oh, that makes sense.
33:46They think I'm the Williams heiress.
33:48It's payback time, Emily.
33:50You can never steal my spotlight now.
33:52I like to keep it low-key.
33:56Yeah.
33:56Miss Williams here likes to keep things under wraps.
34:06Where do you think you're going?
34:08Where do you think you're going?
34:09I need a hundred copies of those.
34:16I'm a creative intern, too.
34:18I have my own tasks.
34:20You can do your own.
34:20How dare you talk back to Miss Williams?
34:23Know your place, newbie.
34:25And as a newbie,
34:27you are to obey whatever Miss Williams tells you.
34:30No questions asked.
34:31Are we clear?
34:33Sure.
34:34You say so.
34:35Okay.
34:39Are you kidding me?
34:48Don't break down on me now.
34:50I'm not even halfway done yet.
35:04Hi.
35:05This is for the creative floor.
35:06I was just hoping to get a tech guy for the printer.
35:09Yeah, it's urgent.
35:11Thanks.
35:24Need some help?
35:26Wow, you're here so fast.
35:30Wait, you were expecting me?
35:32Yeah, you're here for the printer, right?
35:35She thinks I'm the tech guy.
35:37Let me take a look.
35:39Oh, there's the black right here.
35:56Another one of these.
35:58I wouldn't have guessed that.
35:59Well, looks like it's working.
36:08It works.
36:09You did it.
36:13Well, at least we have a face.
36:14I'm all over your face.
36:17Emily, you bitch!
36:19Emily, you bitch!
36:21The company pays you to work
36:22and you're here flirting with filthy repairmen?
36:24She's only here to seduce men.
36:26Even the repairman doesn't get past her.
36:29I'm so sorry you had to see this, Miss Williams.
36:33Miss Williams?
36:35Oh, is this arrogant brat my fiancé?
36:38Guess I made the right choice in calling off the engagement.
36:42Excuse me.
36:43Um, I will not tolerate harassment at my company.
36:46No one asked for your opinion, repairman.
36:50You're not a part of this company.
36:52I'm not.
36:53Of course I am.
36:55I own it.
36:58Dream on.
36:59The owner of this company is my fiancé, Theodore Smith.
37:03And you're obviously not him.
37:05Security, get these two out of here.
37:08That's them.
37:09Throw out that fake boss and that slut.
37:12You dare call the CEO a fake?
37:22You want me to throw you out instead?
37:28CEO?
37:29Mr. Smith?
37:31Bella, we do offer health insurance.
37:34You know, you can get an eye exam, please.
37:36Theodore, my fiancé, I'm sorry.
37:39I must have misunderstood what Bella said earlier.
37:42Mr. Smith, I'm so sorry.
37:44I didn't recognize you.
37:45I promise it won't happen again.
37:48You know, I promised your grandfather that we would take care of you.
37:52So I'll forgive this once.
37:56But as for you, apologize to your co-worker.
38:02Sorry, Emily.
38:02Dazzling is a safe workplace.
38:11Don't let this happen again.
38:20Don't get too smug.
38:22Nora, Theodore is your fiancé.
38:26Why didn't you recognize him earlier?
38:27I just returned from overseas, remember?
38:45And besides, we haven't seen each other since we were kids.
38:52That's sweet.
38:53I heard that Mr. Smith is looking for a new gallery for an upcoming project.
38:58I remember that you have a huge gallery.
39:01Surely we can use it.
39:03A gallery?
39:04Oh, right.
39:05The Williams Art Gallery.
39:07It's one of the city's top galleries.
39:09I heard they have over a hundred artists,
39:12and they've sold over a billion dollars worth of artwork.
39:15Of course, I own the biggest gallery in New York.
39:23I'm sure it's up to company standards.
39:26It's going to be so fun.
39:28Perfect.
39:29It's clearly my family's gallery.
39:31You seem to enjoy impersonating me.
39:34Let's see what you can do.
39:36Then, Miss Williams,
39:38will you be so kind and give us a tour of your gallery?
39:41This foolish woman finally comes up with a half-ly decent idea.
39:48That would be fun.
39:49I've never been to a billionaire's gallery before.
39:51Let's go tomorrow?
39:53How can I afford to take them into a high-end gallery?
39:58Um, I have an idea.
40:03Okay.
40:11I have no time for chit-chat, okay?
40:24I need you to leave the door to the Williams Gallery unlocked
40:27so that me and my colleagues can come by tomorrow.
40:30Do it if you really love me.
40:31Are you crazy?
40:33I could get fired, Noora.
40:35Here we are.
40:40Welcome to my gallery.
40:42I can't wait to see what's inside.
40:44Shall we?
40:46Why are we entering through the back door?
40:48Wouldn't the owner want to show off the grand entrance?
40:50This is my favorite entrance, okay?
40:52Miss Williams is not that vain.
40:55She just uses this entrance like the rest of her staff.
40:59Okay.
41:05I'm familiar with that lock.
41:08It updates its password every three days
41:11and voice recognition works, too.
41:13Only Miss Williams' voice can unlock it.
41:17It's just a simple lock.
41:20Miss Williams would know that already.
41:22It's not your place to speak up.
41:24Miss Williams,
41:26please show us how you unlock the door
41:27with your heavenly voice.
41:33I can do it.
41:35Miss Williams,
41:52is this the person responsible for your gallery?
41:55She's Miss Williams?
41:57It's been a while, Miss Williams.
42:00Are these your friends?
42:02Hey, welcome.
42:03Come on in.
42:04Come on in.
42:11The gallery is down the hallway.
42:20Wow.
42:20Your gallery is so much bigger in person.
42:23Of course.
42:24My grandpa always wants what's best for me.
42:26What's so funny, Emily?
42:31She's just too happy because it's her first time being surrounded by luxury.
42:35Do you have any idea how much Miss Williams' collections are worth?
42:40These are worth millions of dollars.
42:42I've been collecting art my whole life.
42:45Whoa, look at this one.
42:46It's the famous sunset at Ginevary Gardens.
42:49That's not what that is.
42:51Wait till you see it up close and personal.
42:55Miss Williams, what is that?
43:12I don't know.
43:13It's the gallery security alarm.
43:15Why would the alarm go off?
43:16Because Miss Williams touched the painting.
43:18You pathetic loser.
43:20Are you really blaming me?
43:21Oh no, I'm just stating a fact.
43:23The police are probably on their way now.
43:25The police?
43:25Yeah, the police should be here anytime unless we turn off the alarm.
43:31The police can't come.
43:33I will be exposed.
43:37This is all your fault, you dirt little rat.
43:40Miss Williams, don't waste your energy on that jealous beggar.
43:48It stopped.
43:50What the hell's going on?
43:51Emily, you must have touched something.
43:53Oh, I saw a beggar girl.
43:54She touched something over there.
43:56I didn't do anything.
43:57It wasn't me.
43:58I'm just surprised Miss Williams doesn't know how to turn off her own alarm system.
44:02I haven't been here in a while, okay?
44:04I forgot.
44:05And I bet the alarm turned off because Emily was reckless touching stuff that wasn't hers.
44:11I agree, Miss Williams.
44:13Next time we won't be bringing that clumsy beggar with us.
44:17I promise I will do everything in my power to get that bitch fired.
44:23Hi!
44:24Who's ready for some refreshments?
44:26What the heck?
44:27My gallery is a no eating zone.
44:33Who's up for some refreshments?
44:35Wow, you even got your attendant to prepare a snack?
44:38Of course, your eyes feasted on my art and now your stomachs will feast too.
44:42Great.
44:42I'm starving.
44:44Come on girls, dig in.
44:45Wow, everything looks delish.
44:47Yep.
44:48I ordered the waiter to select the best snacks for you.
44:52Don't most art galleries have a no food policy?
44:54Especially fancy ones like this?
44:56My gallery, my rules.
44:58Shut your trap.
44:59Miss Williams was kind enough to invite you here and this is how you repay her?
45:03Are you blind?
45:05Everything that happened here shows that she's not Miss Williams.
45:08How dare you?
45:14Are you really looking for trouble?
45:17Miss Williams!
45:22Miss Williams!
45:22What have you done?
45:24You spilled juice all over the floor.
45:26Go get him off and clean it this instant.
45:30I'm so sorry, Miss Williams.
45:32Why is she looking at Emily?
45:34Hey, I'm talking to you eyes over here.
45:37Please.
45:37It's Miss Williams to you.
45:44Miss Williams, why don't you call the person in charge of your gallery?
45:48I don't take orders from you, gutter clown.
45:50Isn't that why we're here?
45:51To seal the deal?
45:53Yeah, Miss Williams, Mr. Smith did say to get the gallery's contact information.
45:58I'm the owner.
45:59I'm the contact person.
46:02Yeah, but Mr. Smith is going to want to see the paperwork.
46:04He won't accept word of mouth.
46:06So what's the name of the person in charge, Miss Williams?
46:15It's Max Collins.
46:17Of course I know Max Collins.
46:18I put him in charge of my gallery.
46:21Can you call him so we can get the paperwork done?
46:33Attendant, come here.
46:35Mom, you have to cover for me.
46:37No, I can't.
46:44Attendant.
46:47You don't even know her name?
46:48I don't bother.
46:49She's just a servant.
46:50Go get Max Collins for me.
46:53I don't know where he is.
46:54Oh, you good-for-nothing servant.
46:56Call him then.
46:57I don't have his number.
46:58Why don't you call him yourself, Miss Williams?
47:02You must have him in your contacts.
47:04I just got a new phone, and my contacts haven't transferred over yet.
47:07I'll call him for you.
47:09Hi, Max.
47:16Could you come by the gallery?
47:18Oh, you're upstairs?
47:20Could you come down, please?
47:22Oh, you really think that we'd believe that stupid little phone call trick?
47:29We're not idiots, you know.
47:31Yeah, I bet she called the pizzeria.
47:33She's lost her mind.
47:38It's good to see you here, Miss Williams.
47:39Hey.
47:57He's pretty handsome.
48:00What's that?
48:03Don't say anything.
48:04Just kiss me.
48:09What are you doing?
48:17Not saying anything.
48:19Just kiss me.
48:24No, no, no.
48:28Your friends do better to do this than to play.
48:37So, truth or dare?
48:39Um, truth.
48:42Let's talk about that husband you've never met.
48:45I don't really know him that well.
48:47We got married, and then I left the country pretty quick.
48:49Well, let's go with the dare, then.
48:51If your husband isn't up here, he can stop you.
48:53Okay, what's the dare?
48:55Ask that guy over there for a kiss.
48:58You want me to do what?
48:59I've been watching him for a while.
49:01He's drinking alone.
49:03Seems classy.
49:04And he's probably good looking, too.
49:06Come on, Isabella.
49:07Go for it.
49:08Stop.
49:09How did you know?
49:19The mask suits you, little wanker.
49:21That man was so handsome.
49:32You're spoiled.
49:33He seems so familiar.
49:35Is he the CEO of the Avery Group?
49:39Dean Avery?
49:40Dean Avery?
49:42Isn't that my husband?
49:43Are you sure that's Dean Avery?
49:51I want to mistake him for someone else.
49:53Too bad he got married so young.
49:55He is every girl's dream in the city.
49:59Whoever he married is one lucky woman.
50:02woman.
50:02Samanta?
50:04Where are you?
50:05Where are you?
50:05who is that girl who is that girl
50:35The Avery family only agreed to this marriage to suppress the scandal.
50:44Don't be ungrateful.
50:46I don't know how you got me married, but I won't honor it.
50:49Yes, you know.
50:54Hey, are you okay?
50:56Your phone is ringing.
51:00By the way, Mr. Avery, your mom called.
51:03She wants you home early.
51:04Your wife's back in the country.
51:07God, she wants to suppress the fucking scandal.
51:10Didn't you sleep together?
51:11Please.
51:11That woman tricks me into bed and then conspires with the whole media to get whatever she wants.
51:16I never would agree to marry that woman unless it was for black men.
51:21It's been two long years of that fucking marriage.
51:23I would be rather married to a cow than deal with disfamiliation.
51:26But you know what?
51:27Now that she's back, I'm going to put an end to this farce once and for all.
51:34You know you can call me mom.
51:40You'll be dropping by later, yes?
51:43So...
51:44Did he recognize me?
51:46Sign this and get out.
51:48I know you want me, but I can't come in.
51:54Ew.
51:57What are you doing here?
52:00Your mother let me in.
52:03Huh.
52:04Quite the uninvited guest.
52:07You got a wild streak.
52:09I don't know what you're talking about.
52:12What did you need me to sign?
52:13Don't worry about it.
52:15That's, uh...
52:16Where is that other woman?
52:19Is another woman here?
52:20Nope.
52:20Don't worry about it.
52:22Right now it's just you and me.
52:24Are you shaking on me?
52:27Uh, according to my calculations, this is only the second time we've met, little wildcat.
52:32Stop calling me that.
52:34Wait, did you say the second time?
52:36Yeah.
52:38And now I'm going to need to know your name.
52:40You don't know who I am?
52:43I know that you're the woman who came back to my house for little kids.
52:55What the hell do you think you're doing?
52:57Oh, uh, nothing.
52:59Do you need a ride home?
53:02No way.
53:03I have an interview tomorrow.
53:04I can drive myself home.
53:05Well, I'll let you work for my company.
53:06Oh, yeah, right.
53:08To be exploited by you.
53:09The last thing I'd ever do is work with you.
53:13I'm going to need you to get some documents over to the Johnson family ASAP.
53:31Dean, darling, you mentioned about hiring a new designer, so I'm helping you with the
53:37interviews.
53:38Okay, see you later.
53:40Miss Johnson's resume is quite impressive.
53:43I think that she would make a great addition to the company.
53:48Being a jewelry designer isn't something you could do just because you have a pretty face.
53:53What matters is creativity and skill.
53:56And maybe spend less time on flashy outfits and more uncreated beautiful design like this?
54:07This one actually needs some improving.
54:10What do you know?
54:12This design won a European Emerald Design Competition Gold Award.
54:16Shauna, actually, it's...
54:18Actually what?
54:19You meant my best way of my appearance, but I'm not.
54:23Uh, this is Miss Johnson's design.
54:27What?
54:32The interview went so well.
54:34Now I just have to wait for the job offer.
54:36Well, hello there, little wild cat.
54:59Well, hello there, little wild cat.
55:04Dean Avery?
55:05So you do know my name.
55:07Hmm.
55:08So, you see me at my home and then now at my company.
55:14Your company?
55:15This isn't Avery Corporation's.
55:17This is Pay-A-Jewelry.
55:19No, see, Pay-A-Jewelry is a little project I did with my friends back in college.
55:23It just kind of blew up into a thing and, well, now I run it alongside Avery Corp.
55:29Uh, well, that's impressive.
55:33Hmm, well, uh, thank you for the compliments.
55:45Dean?
55:47What?
55:48There's a camera watching us.
55:52Well, then I'll just turn it off.
55:54No, that's not the point.
55:55The issue is...
55:56What?
55:57Aren't you married?
55:58You have a wife.
56:00You mean the Johnson girl?
56:02She doesn't care about me.
56:03She hasn't even seen me in years.
56:06Just because I don't care doesn't mean you can cheat.
56:08You're such a jerk.
56:10Are you jealous?
56:11Now, why would I be jealous?
56:14Okay, fine.
56:15So, you're not jealous.
56:17So, I'll just get a divorce.
56:18And then we can get married.
56:21Do you even realize what you're saying?
56:24Yeah, of course I do.
56:25There's no love between us and it's just not going to make a difference to her.
56:28Are you sure you want to be with me?
56:31Well, you're the one who's chasing after me.
56:33Really, I'm something in Dana.
56:40I am your black.
57:03You're the one who's chasing after me.
57:04You're the one who's chasing after me.
57:05You're the one who's chasing after me.
57:06You're the one who's chasing after me.
57:07You're the one who's chasing after me.
57:08You're the one who's chasing after me.
57:09You're the one who's chasing after me.
57:10You're the one who's chasing after me.
57:11You're the one who's chasing after me.
57:12You're the one who's chasing after me.
57:13You're the one who's chasing after me.
57:14You're the one who's chasing after me.
57:15You're the one who's chasing after me.
57:16You're the one who's chasing after me.
57:17You're the one who's chasing after me.
57:18You're the one who's chasing after me.
57:19You're the one who's chasing after me.
57:20You're the one who's chasing after me.