00:00...
00:22...
00:24...
00:26...
00:28so that we didn't even think about it, that it was a weird thing about this hegedy.
00:33And even if we had the value of the product, the product, the product, the product,
00:39we saw that a master-hegedy was made, that it was made by a master-hegedy,
00:43a person who made it, who made it a lot.
00:45But the fa-anyag-vĂĄlasztĂĄs was totally worth it.
00:50These are very important for the
01:04materials that are used to be a particular language.
01:10But it's a very important thing that a
01:14It's a little bit, like, it's a little bit, like it's a little bit.
01:16And when it was a little bit,
01:18when it was a little bit,
01:20then we had so many of them,
01:22that we didn't have to do it.
01:24She decided to do it,
01:26and then read the name of Franz Kampa,
01:281941,
01:30and the idea was that K. L. Dachau.
01:44An ebĂ©dszĂŒnet alkalmĂĄval nyitottam meg az e-mailt,
01:49amiben a Kampa fotĂłja itt szembenĂ©zett velem nĂ©hĂĄny irattal egyĂŒtt.
01:54Döbbenetes volt.
01:56Ăn Ășgy emlĂ©kszem, hogy meg is könnyeztem ezt a törtĂ©netet,
02:00és akkor szóltam a Tamåsnak,
02:02és nagyjåból hasonló reakciója volt neki.
02:08Ez egĂ©szen bizonyos, hogy azt is tudjuk a tĂĄbori körĂŒlmĂ©nyekrĆl,
02:12hogy Dachauban mƱködött zenekar,
02:14tehĂĄt ott szĂŒksĂ©g volt hangszerre,
02:16és
02:18ami az unikĂĄlis ebbe a hangszerbe az,
02:20hogy a dakaui mĂșzeum csak olyan
02:22hangszerekrĆl,
02:24pontosabban olyan hegedĂŒkrĆl tud,
02:26amiket a fogvatartottak magukkal hozhattak a tĂĄborba,
02:30viszont olyan hangszerrĆl nem, ami ott kĂ©szĂŒlt a tĂĄborba.
02:42A
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