- 4/26/2025
#gay #gaymovies #gayfilm #lgbtq
Category
🎥
Short filmTranscript
00:00:00In the name of the Father, and of the Son, and of the Holy Spirit, my sisters, brothers,
00:00:14and the Lord will be with you.
00:00:16Amen.
00:00:46Amen.
00:01:16Amen.
00:01:46What took you so long?
00:02:12They're going to put me in that baby room, all the kids screaming.
00:02:16Elaine, I'm telling everybody you're sick.
00:02:17You don't think...
00:02:18No, frankly, no, I don't.
00:02:20I don't.
00:02:20You don't think that they don't realize that you are conveniently sick every time the kid's
00:02:23an altar boy?
00:02:24It's the middle of the week.
00:02:26He says it's Lent.
00:02:28We're Greek Orthodox, Spike.
00:02:31It's all the same thing.
00:02:32He's happy.
00:02:33It's Jesus.
00:02:34Who cares?
00:02:34Because he wants to be Catholic.
00:02:36We're Catholic.
00:02:36Let him be a Catholic.
00:02:37I don't get that.
00:02:39Again, it wouldn't kill you.
00:02:40What do I have to go to somebody else's church for?
00:02:42Because he wants to go to somebody else's church.
00:02:44I'll tell you what.
00:02:44Why don't you both go to somebody else's church?
00:02:46Ah, your mother and me were worried where you've been acting lately.
00:03:00Is there something wrong that we don't know about?
00:03:04Those shoes you got, they're weird.
00:03:06They make you walk funny.
00:03:07Why don't you act like other kids?
00:03:11Huh?
00:03:12She said she didn't know what to say.
00:03:23What do you mean, dude?
00:03:25She's so human.
00:03:28She's so human.
00:03:44In China, it's such one.
00:03:49And next week, we're going to go to a Szechwan restaurant on a class excursion just before the end of the year.
00:04:08Also, before the end of the year, our young man, who's on the exchange program with a Catholic school in London, he's a Mr...
00:04:22Dobbs, you old slag. And it's Manchester. It's a different city now, isn't it?
00:04:27Mr. Dobbs, please! You're going to march down to Sister Michael Stevens' office this very minute. The insolence. Stop smiling at him, Pauly.
00:04:38Can I sit here? You didn't call me back the other night, huh? What's that? Can I share your menu?
00:05:08He's joining basketball. We'll use guitar lessons the night you practice.
00:05:14He'll just have to stop guitar lessons for the season. No harm. Community basketball.
00:05:21There's something going on that's funny.
00:05:31No, no, no, no, no, no, no, no, no basketball. He's gone.
00:05:36You've got to... transfer to public school.
00:05:44We've got to transfer to public school for senior year.
00:06:14Make them let you.
00:06:44Your father has an announcement.
00:06:56There'll be no more guitar lessons.
00:06:59You'll join community basketball.
00:07:02I'm transferring to public school.
00:07:04Well, think about that.
00:07:07We let you transfer to Catholic school that one time,
00:07:10but you can't keep flipping back and forth.
00:07:13Even though we aren't Catholic.
00:07:16So in the meantime...
00:07:18You'll join the team and see if you like that in the meantime.
00:07:22For senior year, either I transfer or I quit.
00:07:25We will talk about the other stuff.
00:07:28Public school, that's later.
00:07:30You haven't tried basketball.
00:07:33You should try things.
00:07:35Okay?
00:07:37Yeah.
00:07:38I'll see you.
00:07:40What do you think?
00:07:43What do you think?
00:07:44I'll see you.
00:07:45I'll see you.
00:07:46I'll see you.
00:07:47I'll see you.
00:09:18You know, I got another boy, but he's an infant.
00:09:23Paulie's just...
00:09:25He'll get the hang.
00:09:26You know, I was all counting.
00:09:36Come on!
00:09:38That's good.
00:09:40You sure you don't mind not playing?
00:09:42Because you're still on the team.
00:09:43You're still considered.
00:09:45You know.
00:09:45You guys...
00:09:46Hey, come on.
00:09:48Quit the hijinks.
00:09:49You sure you don't mind?
00:10:36The court sometimes, you know.
00:11:06I'm not as old as I look.
00:11:10I think I'm getting married.
00:11:24To Jesus?
00:11:26I've missed things.
00:11:33I don't want to miss anything ever.
00:11:36There's so much.
00:11:39I want everything.
00:11:42All at once.
00:11:42I don't care.
00:11:44Color.
00:11:46Freedom.
00:11:48Other things.
00:11:49Please.
00:12:07You're transferring.
00:12:09Your father and I talked.
00:12:11You can't dress like that.
00:12:38Huh?
00:12:44Come over to my house.
00:12:47After school.
00:12:48That's Marta.
00:13:05The student body.
00:13:07She says she's a virgin, but I know at least two guys she completely blew in the ninth grade in the quarter.
00:13:13Guess what, huh?
00:13:21I transferred.
00:13:22Same as you.
00:13:22I'm supposed to join clubs now.
00:13:24Would you join?
00:13:24I'm definitely joining theater guild.
00:13:33Where'd you get that shirt?
00:13:34Okay.
00:13:37I hate you now.
00:13:51You should try for something that guys tried for, like sports or something.
00:13:55If you're new here and you're like a theater fag, that's death.
00:13:59Forget it.
00:14:00I transferred last year, and now I'm really, really popular.
00:14:22They let anyone on the team because the team's for shit.
00:14:25And it's not like you ever play.
00:14:28Then you get invited to all the parties, right?
00:14:30And all the girls on the teams date the guys on the teams.
00:14:37The drum major just quit.
00:14:39His mother had a nervous breakdown or something.
00:14:43It was somewhere, and we'll be totally fucked in competition next month.
00:14:48Fucked, you hear me?
00:14:48Fucked, fucked, fucked.
00:14:50Fucked.
00:14:50You'll hear on Monday.
00:15:20Okay, look, the only way that you can get away with being drum major, that's if you get it, is by being on some other team. Or as drum major by itself, it's too queerbo.
00:15:50I have new friends now, Colin.
00:15:52I don't care.
00:15:53Only auditioning because it counts for credit.
00:15:55All you have to do is sing a song and that's it, you're in, because they need like 30 townspeople for the chorus.
00:16:00A song?
00:16:01Yeah, he's making everybody sing a song with sheet music.
00:16:04Just please, just no. No, mister. Because when you say mister somebody, you imply a certain hierarchical. Those of you just getting here, I'm a student teacher in school myself. I'm a sophomore.
00:16:34The Scarlet Letter. It will be called A. Which is really great. Great Hawthorne. Hawthorne wrote it. He was a great social critic. And we'll be doing a musical theater version.
00:16:53Okay, so, um, are there any questions before we begin? So we can just begin. Um, Marta? Marta Walberg. Marta? Oh. Hi, Marta. I'm, I'm Noel. I'm a student teacher. I'm directing A.
00:17:17The Spring Play. Yeah. Thanks. I'm auditioning for Hester. The lead. Great. Uh, whenever you're ready. I'm not looking for... You don't have to... I'm not looking for beautiful voices. I'm looking for... Honesty.
00:17:39Honesty. Okay.
00:17:45Okay.
00:17:53He touched me. He put his hand in mine and then he touched me.
00:18:01I usually, um, I usually work professionally. I think, I think I'm a shoo-er. Because, you know, they need, they need someone impish.
00:18:08And Marta is wrong. Because, Pearl is the lead. Not Hester. He... And I have, I have a really big range. So...
00:18:18Ah!
00:18:22That was good, Marta.
00:18:24I, I only need eight bars, so you...
00:18:28Where, where are callbacks? I can't come back tomorrow.
00:18:32Uh, if anyone can't come back, just put that down on your card, okay?
00:18:36Um, okay, who's next?
00:18:38Uh, Rusty McGee?
00:18:42Uh, you can go after Rusty.
00:18:48And, uh, your name is?
00:18:49I'm, I'm ready.
00:18:54Colin said we can get credit.
00:18:56I'm ready.
00:18:57Can me and him go together?
00:19:00That's Colin.
00:19:01Can I just give you my key?
00:19:03Did you tell me what your name is?
00:19:05Oh, I just know you're gonna get drum major, because Jamie, who was it before, had something really weird about him that Mr. Fontaine hated, and you completely don't have.
00:19:31And that's when you conduct, your whole body is really in it, and not just your arms.
00:19:38I mean, if it was just your arms, forget it.
00:19:50You forgot to close your locker!
00:19:57Why do you want to be in a play?
00:20:01You know, I got muscles where guys don't even have muscles.
00:20:11Where'd you get your hair?
00:20:14Down there, I mean.
00:20:17Eleven.
00:20:18And chubber since I was, like, six.
00:20:23It's hot down here. Are you hot?
00:20:26It's hot lately.
00:20:27I mean, summer.
00:20:28You're not hot.
00:20:29I'm so cool.
00:20:30You wouldn't believe it if it weren't true.
00:20:31A little.
00:20:32In the summer, we belong to the pool. You wanna come?
00:20:33Maybe.
00:20:34You get to see the girls' nipples when their suits are all wet.
00:20:37All hardened shit.
00:20:38Feel this muscle.
00:20:43Maybe you get to see the girls nipples when their suits are all wet.
00:20:50All hard and shit.
00:20:53Feel this muscle.
00:21:08It's just a play and this guy is directing from college and I'll get AP credit if I do it.
00:21:12And it's not like it'll take away from track or AV or anything.
00:21:19If you get drum major are you gonna take it?
00:21:25Man, all I think about is a pussy.
00:21:29Don't be in that faggoty play.
00:21:34I've got a whole lot.
00:21:39You don't wanna wrestle.
00:21:42People play just the same age rule.
00:21:46Cause I'm tough and I'm mean.
00:21:49I'm like a 1990s James Dean.
00:21:52All my feelings, I was thinking less I'm cool.
00:21:57I'm so cool.
00:21:58Prince of the party, I'm a swinging tool.
00:22:02I'm so cool.
00:22:03You wouldn't believe it if it weren't true.
00:22:07Cause I'm hard and I'm meek.
00:22:10But judge me and me like a freak.
00:22:13And then baby, I always think I look so cool.
00:22:18Hold on.
00:22:19I gotta say that I've been kissed.
00:22:22Relationships for the dogs.
00:22:24The dogs are fucking up there cause they think that I'm so cool.
00:22:28Yeah.
00:22:29Oh, yeah.
00:22:39Where were you?
00:22:42Where were you?
00:22:44I don't know.
00:22:46Well, don't be in places you don't know.
00:22:48Do your mother and me that favor.
00:22:58Someone said you auditioned for the spring plates, true?
00:23:01It counts for AP English.
00:23:02Since when?
00:23:04Is it warm?
00:23:05There's a big kegger this weekend.
00:23:07And you gotta show up.
00:23:08And you gotta drink a lot.
00:23:09And you gotta bring a date.
00:23:10It's really warm.
00:23:13AP credit for real?
00:23:16The cash loose is up.
00:23:17It's up!
00:23:40I can be on stage crew.
00:23:46Hi.
00:23:47Hi.
00:23:49I'm on the list.
00:23:50Oh, sure.
00:23:52Um, Paul.
00:23:54Paul E.
00:23:56I'm on the list.
00:23:57Oh, sure.
00:23:58Um, Paul.
00:24:00Paul E.
00:24:02I'm on the list.
00:24:04Oh, sure.
00:24:06Um, Paul.
00:24:08Paul E.
00:24:11Or Paul.
00:24:15Uh, Paul E.
00:24:20I really liked your ballad.
00:24:22Come on.
00:24:23No, I did.
00:24:26The Our Father's the only thing I know that's slow.
00:24:30It was...
00:24:34Heartfelt.
00:24:38But you should really leave that on the bulletin pole, though.
00:24:44Oh.
00:24:47Paul E.
00:24:48No?
00:24:51Um...
00:24:55We need to have a serious conversation.
00:24:58Oh, okay.
00:25:01Um...
00:25:03You're playing a townsperson, okay?
00:25:05Uh-huh.
00:25:07And...
00:25:08There's no lines.
00:25:10But I really want to try to do something unique with the townspeople.
00:25:15Okay.
00:25:18I can paint, too.
00:25:20You know, sets or something.
00:25:23A takes place in colonial America, and most of my work, my...
00:25:26My...
00:25:27My painting...
00:25:28Has been about colonial America.
00:25:41Your phone is ringing.
00:25:45I don't like the phone too much.
00:25:47I don't like the phone too much.
00:25:48Guard this with your life, Pauly.
00:26:14Excuse me.
00:26:15Congratulations.
00:26:16Now, I'm willing to work around your track schedule, your theater guild schedule, but I'm going
00:26:19to ask for a strong band commitment.
00:26:22Can you give that?
00:26:23Uh-huh.
00:26:24And since I'm moderator of both the theater guild and the band, I'll be able to coordinate
00:26:26schedules with Noel.
00:26:27I mean, I think it's all going to work out.
00:26:29I mean, after all, you only have a small part.
00:26:31But he wanted to do something unique with the townspeople.
00:26:38Oh, my God.
00:26:39Oh, my God.
00:26:40Really?
00:26:41Oh, my God.
00:26:42Are you for real?
00:26:43How is he going to do the work?
00:26:52I'll do the work.
00:26:53He'll do the work.
00:26:54He's got the band and the track and the A.V.
00:26:56He resigned.
00:26:57He resigned from A.V.?
00:26:58You just started.
00:27:00He's an A student.
00:27:01I'm an A student.
00:27:02And now, a play.
00:27:03The schoolwork comes first.
00:27:05He knows.
00:27:06I can do it.
00:27:09Is he making friends?
00:27:11Well.
00:27:14God!
00:27:15What did you do to your jeans?
00:27:16Don't worry about the jeans.
00:27:18He's a boy.
00:27:18They ripped their jeans.
00:27:19Hawthorne was a great romantic as well.
00:27:22And for that to come alive on stage, actually, I need to strike a kind of beautiful balance.
00:27:28That sounds so pretentious.
00:27:32No.
00:27:32But you know, they're all pariahs.
00:27:35All of them.
00:27:35Even Dimstow.
00:27:37Even Little Pearl.
00:27:39It's really about class.
00:27:43Maybe.
00:27:44Structures.
00:27:45Oppression.
00:27:46Right?
00:27:46Exactly.
00:27:47Have you read any Marx?
00:27:48No.
00:27:48But I've made some sketches.
00:27:49Yes.
00:27:49Yes.
00:27:50Yes.
00:27:50Yes.
00:27:50Yes.
00:27:50Yes.
00:27:50Yes.
00:27:50Yes.
00:27:50Yes.
00:27:50Yes.
00:27:51Yes.
00:27:51Yes.
00:27:51Yes.
00:27:52Yes.
00:27:52Yes.
00:27:53Yes.
00:27:54Yes.
00:27:55Yes.
00:27:56Yes.
00:27:57Yes.
00:27:58Yes.
00:27:58Yes.
00:27:58Well, I checked about the AP English credit, which is for real.
00:28:01Don't ask me.
00:28:04So why not?
00:28:05Forget it.
00:28:08He wants townspeople of many colors, and he's right.
00:28:12It's a metaphor.
00:28:15Totally forget it.
00:28:19In 1642, Esther Pring was in a stew.
00:28:24She was a ne'er-do-well.
00:28:27Come, baby, I'll come here.
00:28:29instead.
00:28:29Till they were at Perl, found themselves in a swamp of hell, hell, hell.
00:28:38HELL!
00:28:43A is for adulterous, and archetype, and awe.
00:28:48A is for Antigone, for anarchy, for angst.
00:28:53A is apropos, and every day, in every way.
00:29:00My curse, my life, my sin!
00:29:08I'm not so alone.
00:29:13I have no more than to get up today, too!
00:29:15I have no more than to get up.
00:29:19I mean, I have no more than to get up today.
00:29:23There, I have no more than to get up today.
00:29:26I don't know, but I know.
00:29:29Is somebody there?
00:29:32Uh-huh.
00:29:33Uh-huh.
00:29:38I have some more sketches.
00:29:45That was you.
00:29:46I remember you in that.
00:29:49He said I was the best Abe Lincoln in the history of the school.
00:29:53I was like 12.
00:29:55My mom took me.
00:29:57I was...
00:29:58I was...
00:29:58tortured.
00:30:01As the character.
00:30:03You were great.
00:30:07And the rocket's red glare,
00:30:12the bombs bursting in air,
00:30:16gave proof through the night
00:30:20that our flag was still there.
00:30:25Oh, say does that star-spangled
00:30:30banner yet wave?
00:30:36Oh, the land of the free...
00:30:44It climbs there.
00:30:46It regulates through the sky.
00:30:50Oh, God, O'clock down.
00:31:00O'clock down.
00:32:01The hat, the plume, when you're down on the, when you're marching in front of, you have the plume for them to see, something to look for.
00:32:09Please, please, it's okay, okay?
00:32:11Well, who knows where they're marching then?
00:32:14Oh, go!
00:32:15Not now, Ludmilla.
00:32:18Okay.
00:32:20Leadership.
00:32:22This is the foot we're going to get off on.
00:32:24Come over tonight at 8 o'clock.
00:32:31We can practice, okay?
00:32:33Sure.
00:32:34Where are you going?
00:32:36I've got play rehearsal.
00:32:37He's just going to murder you!
00:32:51You're late!
00:32:52I just gave a whole talk about lateness and people being late!
00:32:59He said I could be on stage crew!
00:33:02Okay, everyone who's not in costume, please stand off stage!
00:33:05Okay, Marta, because you're so naturally pretty, we're going to have to costume you in a way, in a way...
00:33:11It's not so pretty!
00:33:12I, I left my band hat at your house.
00:33:31Why do you hold your cigarette like that?
00:33:33What?
00:33:34Guys go like this, girls hold it like this.
00:33:36I'll bring your hat by at 6, and then we need to talk.
00:33:45Don't you think there's something like, like he's weird?
00:33:57Okay, look, there's one last kegger for the air.
00:34:00You've got to show up or else you're sunk in the eyes of everyone.
00:34:06Where are my socks?
00:34:13What? In your drawer.
00:34:15The ones with the elastic.
00:34:16Your dress socks? What?
00:34:18The, the white tube socks that, that stay up, okay?
00:34:21I don't know what's the problem.
00:34:23Why can't we afford better socks?
00:34:25We send you to public school, that's supposed to be the end of the problem.
00:34:28Everybody has better socks than we do.
00:34:31All the socks in the house are very, very fine enough for most people.
00:34:44There's a boy at the front door.
00:34:49This is my brother's car.
00:34:51Can you just let me drive it?
00:34:52It's for girls.
00:34:56It's a, you know, fuck truck or something.
00:35:01They're always on me, and they...
00:35:03My parents fight, and I think, why would anybody want, you know?
00:35:13They fight when he drinks.
00:35:15Dad.
00:35:16She drinks too.
00:35:19But we all drink.
00:35:20A little bit.
00:35:22I blow up sometimes.
00:35:26Today I thought everything was bad.
00:35:31For about three hours, everything just wasn't so good in my head.
00:35:39Pauly?
00:35:40You too.
00:35:40I know a lot of different types of people.
00:35:44Oh, sure.
00:35:47I bet.
00:35:49And you're certainly one of the most talented.
00:36:01My hat is at your house.
00:36:03He's making friends.
00:36:13I don't care what he does, as long as the grades are up.
00:36:17The boy came by tonight.
00:36:20When I was his age, I did all kind of things.
00:36:23With big, sad eyes.
00:36:25I kept the grades up.
00:36:30Sad eyes.
00:36:33It was hot today.
00:36:43I'll get your hat.
00:36:48Spring or something.
00:36:50It's only March, and it's really warm.
00:36:53Uh, there's the pool.
00:36:57I'll get your hat.
00:37:03I can't.
00:37:10What?
00:37:11I can't do A.
00:37:12I've reduced the complexity of the novel into boulevard clichés.
00:37:21What if?
00:37:22If we take the townspeople in a kind of mirehold direction, you know?
00:37:26Ritualized jesters.
00:37:27They are all cogs in the system.
00:37:29Where is everybody?
00:37:38Um, it's quiet.
00:37:44For now it is.
00:37:45They go out.
00:37:48Your brothers are big.
00:37:50Ha, I'm the runt.
00:37:57Your brother's suit's too big.
00:37:59I like it when it's 2 a.m.
00:38:22You're always touching the water.
00:38:24I do.
00:38:24You're like a mermaid or something.
00:38:292 a.m. is the best time.
00:38:33I've heard the mermaid singing.
00:38:36Like the water.
00:38:38Each to each.
00:38:432 a.m. is...
00:38:45Yeah.
00:38:46Ha, your teeth are so straight.
00:38:51Braces.
00:38:52I don't think they'll sing to me.
00:39:05TSLE.
00:39:09I'm...
00:39:1017.
00:39:14Braces.
00:39:15No, no, no.
00:39:18I'm...
00:39:19Yeah.
00:39:22You should really wear a bathing suit.
00:39:37Uh-huh.
00:39:40I know all types of people.
00:39:42You said that once already.
00:39:44There's something I want to say.
00:39:58I really like girls.
00:40:06Okay.
00:40:07I hate that frickin' place!
00:40:29Okay, you missed the last kegger buddy for.
00:40:38You could forget forever about any reputation you could possibly ever have.
00:40:41Don't let off...
00:40:55Yeah.
00:40:57All right.
00:41:00I hate that...
00:41:00Oh!
00:41:01Where do you think so many people?
00:41:05Um...
00:41:05Yeah.
00:41:06where do you think he is practice second night this week this late
00:41:17practice what are you talking about at midnight what do you think a teenager's practicing
00:41:25track i don't want to know what do you want from me be concerned is that too much read your book
00:41:36your weird son is out there doing god knows what is your weird son too
00:41:49no oh my god what are you doing out in the middle of a guy this is i mean where are
00:42:06we okay hey hi my car just broke down and i look around and i'm like where am i i'm directing
00:42:21something oh it's nothing really high school
00:42:24well and nobody's seen you in like forever mark is nuts again paolo is repainting everything
00:42:40can you imagine no call me sometime
00:42:50who is that some guy how do you know him i used to work with him at this place
00:43:10so
00:43:12so
00:43:17so
00:43:21so
00:43:22so
00:43:24so
00:43:25Where have you been?
00:43:49Pizza Hut?
00:43:52The Stack?
00:43:54Pizza Hut or The Stack?
00:43:57The Stack.
00:43:58The Stack or Pizza Hut?
00:44:01The Stack.
00:44:03The Stack.
00:44:04How old's that boy?
00:44:06That boy with the big eyes?
00:44:11My age?
00:44:17I think you both should know that Pauly's commitment to band is sorely lacking.
00:44:23Go.
00:44:24Stay.
00:44:25I had a close friend in high school too, Pauly.
00:44:32We had a lot in common.
00:44:34We were on yearbook committee.
00:44:35But then we became aware of what other people might think.
00:44:37And people with nothing better to think about end up thinking things.
00:44:43I can do set design and be a drum major too.
00:44:46Pauly, Noel is a professional.
00:44:49Sure, I know.
00:44:52And I've met his girlfriend.
00:45:05There's a possibility I won't go to the dorm dorms, but I might go to the apartment dorms.
00:45:26I'm waiting to hear from colleges.
00:45:27Yes?
00:45:28You can move in because the apartment dorms you don't need an ID for.
00:45:37I'm waiting to hear from colleges.
00:45:39How do you feel?
00:45:41Well, whatever.
00:45:42I haven't heard.
00:45:45Whatever, you know.
00:45:51Who's your girlfriend?
00:46:18Hands, you know.
00:46:29What?
00:46:36Wait.
00:46:38What?
00:46:40Polly.
00:46:43Come on, give it back.
00:46:51Take mine.
00:46:58I'm almost out.
00:47:09Did he say anything?
00:47:11What?
00:47:13He came into my room before and no staying over because he got locked out of his house and...
00:47:17There weren't blankets for the floor.
00:47:20What are you talking about? Don't come in here.
00:47:23He might have thought something.
00:47:25Your friend got locked out and...
00:47:27What? Just wait, I'll be out in a minute.
00:47:39How's the play?
00:47:41Bet I'll hate it.
00:47:43It's faggy.
00:47:45That's why I quit Sage Crew.
00:47:49You're hanging out with Noel.
00:47:50No.
00:47:51Everybody thinks that's weird.
00:47:53Coach says if I cut my hair, I'll be more aerodynamic.
00:48:01You look weird.
00:48:04I think something's stuck.
00:48:21Why would a person do such a thing?
00:48:24Putting rings in places they don't belong?
00:48:28What are you?
00:48:33What are you?
00:48:50What are you doing?
00:48:52I'm wondering what the guy should have...
00:48:53What are you making sure he was talking about?
00:48:55You're getting ready.
00:48:58Who's going to shine?
00:48:59It's going to shine like mess, honey.
00:49:00K 재�à i is living.
00:49:03How does Teddy benefit you?
00:49:05What is he saying?
00:49:07That doesn't offer?
00:49:09I don't say you want to grow?
00:49:12From my stay you week!
00:49:13Why did daddy follow me?
00:49:14What if we are going to study?
00:49:16Max is happy!
00:49:17we couldn't get a sitter
00:49:22i guess no one likes this casserole it was a new recipe
00:49:31your father and i think you're seeing too much of that boy we don't want him around
00:49:46your father and i agree that your ring was red no it wasn't all the research your birthstone
00:49:54your ring was red it changed who has your ring the girl with the flu no she doesn't clarinet
00:50:00who has your ring wouldn't that make you happy wouldn't you like to know someone has this ring
00:50:06wouldn't that make you happy it's the girl with the flu clarinet it's a clarinet why can't you get
00:50:15anything right
00:50:16i'm gonna have that boy arrested i know he's up to no good don't think i don't know what he's up to
00:50:29after devil child my name is pearl after devil child lives in a make-believe world
00:50:51a is for adulteress and archetype and awe a is for antigony for anarchy for angst a is apropos and every day in every way
00:51:19my curse my life my sin
00:51:26my curse my life my sin
00:51:30my curse my life my sin
00:51:32my curse my life my sin
00:51:34in 1642 Esther Kring was in a stew she was a ne'er-do-well
00:51:39and who found themselves in a slug of hell hell hell hell
00:51:49you still got your eye makeup on
00:52:04so so so what about rock stars huh what are we waiting for
00:52:11how about i get ap credit for this you're dead
00:52:16we play the whole thing for the cast and anybody and what do they know huh what does anybody know
00:52:29wait a minute
00:52:36oh my god
00:52:38i totally screwed up that part where we're supposed to g or hester at the stockade
00:52:44you know everybody saw it
00:52:51it's just a different interpretation what's wrong with that
00:52:57i don't i don't know
00:53:01it's just i used to i used to be cute
00:53:05you know and i don't fucking feel cute anymore
00:53:12my voice cracked
00:53:15my voice cracked man
00:53:16do you have any idea what that means
00:53:19it's it's over
00:53:23now i'm just this ex fucking baby face
00:53:26you know we're not we're not kids anymore polly
00:53:33her bag is packed
00:53:38his car is waiting
00:53:41as the sun goes down and the night rolls in
00:53:45endless days anticipating
00:53:49just
00:53:52you could come inside
00:53:54what am i doing
00:53:56we're
00:53:57everyone's inside
00:53:59what do i have
00:54:02they didn't get it
00:54:04i'm 20
00:54:05what do i have
00:54:06you know what can happen
00:54:08she wouldn't
00:54:09mr fontaine
00:54:10everyone thinks they know
00:54:12nobody got it
00:54:14nobody
00:54:19the scholarship means that i have to concentrate on school
00:54:24get my head on school
00:54:27they didn't get it
00:54:29they think they know and and who knows
00:54:32there's just so much
00:54:37everything
00:54:39everything
00:54:43if we just
00:54:46can just
00:54:54it's marta
00:54:56right
00:55:03well marta's tits aren't real
00:55:06i know
00:55:08and rusty knows
00:55:10and everybody knows
00:55:11but you
00:55:13she was called right smack in the middle
00:55:18when she took that ride
00:55:21i don't know what to say
00:55:25we're gonna be together forever
00:55:27we will do it
00:55:29i just don't know what i'm gonna do
00:55:32we're gonna
00:55:33we're gonna
00:55:34show tonight
00:55:37study group
00:55:40sweetheart
00:55:42i know
00:55:43if you're strong enough
00:55:44and i'm strong
00:55:45they just left
00:55:46to make
00:55:47we're gonna beat this thing
00:55:48it's just
00:55:49you wanna get some
00:55:51go some
00:55:53no
00:55:54i don't
00:55:55no
00:55:56you can't go back to work
00:55:57that's obvious
00:55:59i have to stay at home
00:56:01no
00:56:02i love you
00:56:03i love you too
00:56:04i love you too
00:56:05i love you too
00:56:06i love you too
00:56:07together
00:56:08first
00:56:09i love you too
00:56:12and moved out
00:56:13i love you so
00:56:15I don't want you to go
00:56:16i don't, no
00:56:17no
00:56:18yeah
00:56:19i love you
00:56:21i love you too
00:56:22i love you too
00:56:36I'm going to go.
00:57:06The interstate?
00:57:16Your car broke down.
00:57:20Oh, my God.
00:57:24Right.
00:57:27Noel says hi.
00:57:32We'll, uh, be moving in together soon.
00:57:36To his, uh, his dorm.
00:57:39An apartment dorm.
00:57:40No, no, not a dorm dorm.
00:57:43Look, I've got to meet some friends.
00:57:59Well, these are those friends.
00:58:06I'm going with the feeling.
00:58:09I'm going with the feeling.
00:58:10I'm going with the feeling.
00:58:17It feels like body time.
00:58:29Definitely body time.
00:58:31I'm going with the feeling.
00:58:34Body time.
00:58:35It feels like body time.
00:58:37Definitely body time.
00:58:39I'm going with just that feeling.
00:58:42See, it's not you I hate.
00:58:45Anyone who's been with Noel.
00:58:47I hate everybody who's been with Noel.
00:58:50Body time.
00:58:51When you say, with Noel, you mean like, what?
00:59:06Don't keep me waiting.
00:59:10That wouldn't be right.
00:59:12Don't hope that you got what I need.
00:59:16Anticipated.
00:59:18Night after night.
00:59:19You're coming.
00:59:20You're coming for me.
00:59:23I want you now.
00:59:26I think I'm going to time it's running out.
00:59:29I'm going to time it's running out.
00:59:59Whatever it takes, that's what I'll do.
01:00:03The lover in me wants the lover in you.
01:00:06I was run by the fire in your eyes
01:00:31Just one look and I'd pay any price
01:00:35I haven't slept in two days
01:00:43The stars in the sky, the sun and the moon
01:00:49Whatever it takes, that's what I do
01:00:52The lover in me, the monster lover in you
01:00:56You know I hated you when I first met you
01:01:10You know I hated you when I first met you
01:01:20And now I think you kind of want
01:01:28It's something real baby
01:01:42It's something real baby
01:01:53It's something real baby
01:01:57It's something real baby
01:02:01Oh, I'm so tired
01:02:15I still won't shut
01:02:18Hey, how about that?
01:02:22He says, why does anybody get married?
01:02:32Why do they stay together?
01:02:34But I know
01:02:34I want someday
01:02:38Everything
01:02:41I'm new to the city
01:02:45She called me from the door
01:03:05As I was walking home one night
01:03:08She would raise my future
01:03:12By the neon light
01:03:15Something drew me in
01:03:19As I gave into her eyes
01:03:22She's the cold of my head
01:03:25And I was hematized
01:03:29I thought you could read these
01:03:46We're going to see a person
01:03:53Someone
01:03:55All of us
01:03:57Mom
01:04:04Someone who
01:04:06Deals with
01:04:08Things
01:04:09What?
01:04:13Nothing
01:04:13Sleep
01:04:17Oh no
01:04:21No, no
01:04:23No, no, no, sir
01:04:24You get up
01:04:25You mistracked me
01:04:27You're not going to miss
01:04:27The band competition
01:04:28You get up
01:04:30Are you aware?
01:04:43Are you aware?
01:04:44You are aware
01:04:46That today is the band competition?
01:04:47So you just weren't going to call me
01:04:58That's
01:05:00That's what?
01:05:04What?
01:05:05Holly
01:05:06What?
01:05:08What?
01:05:08What?
01:05:08What?
01:05:08What?
01:05:10What?
01:05:12What?
01:05:13What?
01:05:14What?
01:05:15What?
01:05:16What?
01:05:17What?
01:05:18What?
01:05:19What?
01:05:20What?
01:05:20What?
01:05:21What?
01:05:21What?
01:05:22What?
01:05:22What?
01:05:23What?
01:05:23What?
01:05:24What?
01:05:24What?
01:05:25What?
01:05:25What?
01:05:26What?
01:05:26What?
01:05:27What?
01:05:27What?
01:05:28What?
01:05:28What?
01:05:29What?
01:05:29What?
01:05:30What?
01:05:30What?
01:05:31What?
01:05:31What?
01:05:32What?
01:05:32What?
01:05:33What?
01:05:34What?
01:05:34What?
01:05:35What?
01:05:35What?
01:05:36What?
01:05:36What?
01:05:37What?
01:05:37What?
01:05:38What?
01:05:38What?
01:05:39What?
01:05:39What?
01:05:40What?
01:05:40What?
01:05:41What?
01:05:41What?
01:05:42What?
01:05:42What?
01:05:43What?
01:05:43What?
01:05:44What?
01:05:44What?
01:05:45What?
01:05:45What?
01:07:20I know that.
01:07:21And sister Carrie, forget it.
01:07:23I'm finally thinking we're on our way to some serious storytelling.
01:07:27She is like no sister that I know.
01:07:29I couldn't find the pencils.
01:07:38Prom, it's in two weeks.
01:07:44I'm sorry you missed the meet.
01:07:51I've won hurdles.
01:07:54Apparently I have inborn talent.
01:07:59I hope you don't mind.
01:08:04I asked Ludmilla to go to the prom together.
01:08:08You look good.
01:08:16Um, Rusty inhaled a leaf so we had to cancel the last performance.
01:08:25Dr. Balls.
01:08:26Dr. Balls to nurse decision, please.
01:08:28You've been drawing.
01:08:32Your father can't come till tonight.
01:08:37He has work.
01:08:42I can only stay a little now.
01:08:44Your grandmother needs a lift somewhere.
01:08:49Okay.
01:08:53Your grandmother didn't want me to marry your father.
01:09:02I was pregnant, but I would have married him even still.
01:09:06It was a cold one.
01:09:09November, picked me up in his car, went to a diner and had French toast.
01:09:20Back in the car he tasted like syrup.
01:09:25Weren't so cold in the car.
01:09:34I want grandchildren.
01:09:39It was just your friend, right?
01:09:41It wasn't you.
01:09:43You didn't want to.
01:09:52It's like when sometimes someone who wants to stop smoking wears perhaps a rubber band on their wrists.
01:10:01When they feel like smoking, they snap the rubber band.
01:10:06They begin to associate the pleasure of smoking with the pain of the rubber band snapping.
01:10:16Do you like that?
01:10:21Hmm?
01:10:22What about it do you like?
01:10:25The shape.
01:10:29What about the shape?
01:10:31It's pleasing.
01:10:43And pleasure is rare.
01:10:48Pleasure is complicated.
01:10:50But pleasure is good.
01:11:00Pleasure is good.
01:11:01Pleasure is good.
01:11:07Pleasure is good.
01:11:28Hey, Colin. Hey, Lynn Mellon.
01:12:28Where's yours?
01:12:53Too late.
01:12:58I'm tired of being so popular.
01:13:02It's just too easy.
01:13:05Just watch how everyone behaves and just act like that.
01:13:08The next time you see me, I could be less popular.
01:13:16I could be less popular.
01:13:28Your grandmother's going up to a place in the Poconos.
01:13:49Cousins are going with her, and there's things to do.
01:13:54You could be in the country, whatever.
01:13:58Paint, if you wanted.
01:14:11I saw your pictures.
01:14:16I saw your pictures.
01:14:29I saw your pictures.
01:14:33I saw your pictures.
01:14:46I saw your pictures.
01:14:59I saw your pictures.
01:15:12I saw your pictures.
01:15:16I saw your pictures.
01:15:29I saw your pictures.
01:15:33I saw your pictures.
01:15:46I saw your pictures.
01:15:50I saw your pictures.
01:16:03I saw your pictures.
01:16:07I saw your pictures.
01:16:20I saw your pictures.
01:16:24Hey.
01:16:25I'd be graduating, but I quit.
01:16:29Working here, which is great.
01:16:32Going to the Poconos.
01:16:35That's so cool.
01:16:37I've got so many friends up there, and there's Water Mountain, and six kicking bands come
01:16:46from that area.
01:16:47You know, so...
01:16:48Water Mountain?
01:16:49You want a Sprite or something?
01:16:51We get slugs for the machines as a bonus.
01:16:53We get slugs for the machines as a bonus.
01:16:56Do you think it's a bonus?
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