00:00You
00:30Do you sound as well to send to the door to that answer to the truth?
00:38I do.
00:43What is your name?
00:44Gail Tempest.
00:45What is your occupation?
00:47I'm a dancer.
00:48On the night of February the 13th, were you working at the Black Bottom Cafe when this
00:52murder was committed?
00:53Yes, but I didn't do it.
00:55Then who killed Kirk Robin?
00:58I don't know.
00:59Didn't you kill Kirk Robin?
01:01I object, Your Honor, and ask that the last question be stricken from the records.
01:05It is merely an attempt to influence this intelligent, broad-minded, and most intellectual jury.
01:17Objection sustained.
01:18Thank you, Your Honor.
01:21That is all.
01:26Why?
01:27Why?
01:27Why?
01:27Why?
01:27Why?
01:27Why?
01:28Why?
01:29All right, Polly.
01:31If it please the court, Your Honor, at this time, I would like to introduce my three main
01:35witnesses, Howard, Fine, and Howard.
01:47They were here a minute ago.
01:49Will you pardon me, Your Honor?
01:51I'll be right back.
01:52Hey, what's the idea's for in the game?
02:13I was for onesies.
02:14Well, here's twosies.
02:15Whoa, whoa!
02:15He was for onesies?
02:16You get him to...
02:17Here's fives.
02:18Gentlemen, gentlemen!
02:19Gentlemen!
02:20Gentlemen!
02:22Don't you realize Miss Gayle Tempus's life is at stake?
02:24Oh, Gayle!
02:25Groovey!
02:26.
02:30Oh!
02:44Oh!
02:45Will you gentlemen please try to be a little more quiet in the court?
03:00Certainly, Judgey. The gate is locked.
03:03Will you please step forward?
03:05No, no, no. Prepare yourself for the witness box.
03:15Take off your hat. Now raise your right hand. Now place your left hand here.
03:23Take off your hat.
03:25Raise your right hand. Now put your left hand here.
03:30Please take off your hat.
03:33Raise your right hand. Now put your left hand here.
03:38Will you please take off your hat?
03:40raise your right hand now put your left hand here take off your hat raise your right hand
03:52will you get rid of that hat raise your right hand
03:58raise your right hand do you solemnly swear to tell truth or truth and nothing but the truth
04:05huh do you solemnly swear to tell truth or truth and nothing but the truth are you trying to give
04:11me the double talk do you solemnly swear to tell truth or truth and nothing but the truth
04:16why don't you answer him he's talking pig latin i don't know what he's saying he's asking you if
04:23you swear no but i know all the words he's asking you if you'll swear to tell the truth truth is
04:30stranger than fiction judgy wudgy kindly address this court as your honor and take the oath do you
04:40solemnly swear to tell truth or truth that other but the truth certainly what have i got to lose
04:44take the stand where did i put it no no take the stand i got it now what will i do with it
04:53sit down
04:58you're in the court not from clancy's pool room sit down i'm a victim of circumstance
05:13who are you hitting
05:15oh god be quiet
05:18proceed with the case
05:22were you in the black bottom cafe on the night of february the 13th
05:29certainly
05:30did you at that time see the defendant miss gail tempest in any way shape or form commit or try
05:37to commit bodily harm to the deceased kirk robin i object your honor cuss is trying to lead you with
05:43this objection sustained mr howard did you see miss gail tempest in physical fight with kirk robin
05:52if it pleases the court may i suggest that counsel be instructed to allow the witness to testify to
05:57what he saw
05:58i say jasper uh what comes after 75 76 that's the spirit
06:03request granted proceed with the testimony
06:10mr howard kindly tell the court what you know about the murder of kirk robin
06:14well it was like this mr court address the judge as your honor
06:18well it was like this my honor
06:20your honor not my honor
06:22why don't you like him
06:24allow the witness to proceed the court understands him
06:28thanks court you're a pal
06:30well me and my pals we're musicians
06:34we were tearing up some hot swing music in the orchestra gail over there was swinging the fans
06:39her sweetie kirk robin was inhaling a bottle of hooch at a table
06:43and a hoofer by the name of buck wing was getting ready to shake his tootsies
06:47kindly speak english and drop the vernacular
06:51vernacular that's a doibee
06:54drop the vernacular
06:56no no not that talk so the jury can understand
07:01is everybody dumb say judgy if you let me my partner and gaily kind of act it out for you
07:07we'll show you just what happened
07:09if counsel doesn't object that's an excellent idea
07:11no objections
07:12no objections
07:13no objections
07:13okay gaily
07:17thank you
07:34thank you
07:38thank you
07:42thank you
07:44thank you
07:46thank you
08:13thank you
08:15thank you
08:43Get away, get away!
08:50What you moved, you?
08:56I killed him!
08:58What are you, Mouse?
09:00Stand back, it's liable to bite you.
09:03Tarantula, shot five holes in the divot.
09:05Get out of here.
09:06Go on.
09:08Push the five good slugs in the...
09:10I'll sue you for this.
09:13Oh, superstitious, eh?
09:14Oh, vice I kid.
09:16Gentlemen, you must control your killing instincts.
09:20Proceed with the testimony, please.
09:22Proceed.
09:23Ow!
09:41That was sure hot, Moe.
09:49Hey, Larry.
09:51Listen.
09:52You got it.
09:53Please omit the rest of the entertainment and continue.
09:57Now, Gailey's dance was over.
09:58I stuck my head in the office door and I saw Kirk Robin and Buck Wing arguing over by the parrot cage.
10:06What were they arguing about?
10:07I don't know.
10:08But Buck Wing was sizzling like a hot dog.
10:09You got it!
10:10You got it!
10:12Please omit the rest of the entertainment and continue.
10:15Now, Gailey's dance was over.
10:17I stuck my head in the office door and I saw Kirk Robin and Buck Wing arguing over by the parrot cage.
10:23What were they arguing about?
10:24I don't know.
10:25But Buck Wing was sizzling like a hot hamburger.
10:27He grabs Kirk by the neck like that.
10:29See?
10:30And drags him over to the letterpress.
10:31See?
10:34Then he smacks him on the head like that.
10:36Then he pokes his coconut into the letterpress.
10:38See?
10:39Like that.
10:40Then he says,
10:41I'll squeeze the cider out of your Adam's apple.
10:43Then he gives him the works like this.
10:47Then he keeps turning.
10:49And twisting.
10:52That, ladies and gentlemen, is the one.
11:07What the matter? You want to kill me?
11:09Why is it preposterous?
11:10When the police broke into the office, they found this woman, the defendant, Gail Tentus, bending over the body of the murdered man with a revolver clutching in her hand.
11:19Which only goes to prove that my client is innocent.
11:21Innocent?
11:22Exactly, and I'll prove it.
11:24Ladies and gentlemen, the action of this pistol is so hard, it would take the strength of a mule to pull the trigger.
11:32Try it.
11:33I'm no mule.
11:34No, your ears are too short.
11:36So I'm a mule.
11:38Pull the trigger.
11:41Never fear, it's not loaded.
11:43How could Gail Tempest's frail little finger pull the rusty trigger of that instrument of destruction?
12:00See, there was nothing in it.
12:09Broad Lane, 9972.
12:12Off to five o'clock.
12:15It's stuck!
12:16It's stuck!
12:17It's stuck!
12:18It's stuck!
12:19It's stuck!
12:20It's stuck!
12:21It's stuck!
12:22It's stuck!
12:23What's the fault?
12:24What did you do with my book in the air?
12:25Give me that gun!
12:26What happened?
12:27Don't point that gun at me!
12:28What happened?
12:29Every man for himself, fellas.
12:30Here, take it, take it.
12:31Ah, there you are, boss.
12:32You was called to be a witness, weren't you?
12:33Certainly!
12:34So was you!
12:35What are you butting in for?
12:36You're supposed to be a good one, aren't you?
12:37Well, ain't I?
12:38Now what are you disturbing the court for?
12:39Oh!
12:40Get going!
12:41Stop chewing that gum!
12:42Certainly!
12:43What are you disturbing the court for?
12:44Certainly!
12:45So is you!
12:46What are you butting in for?
12:47You're supposed to be a good one, aren't you?
12:48Well, ain't I?
12:49Now what are you disturbing the court for?
12:50Get going!
13:06Stop chewing that gum!
13:08What?
13:09Certainly!
13:17Will you throw that gum away?
13:21Look, I got rid of it!
13:30Wait a minute.
13:31Hold still.
13:32I'll get it.
13:33Ow!
13:34Ow my nose!
13:38Ow!
13:39Ow!
13:40Ow!
13:41Ow!
13:42Ow!
13:43Ow!
13:44Ow!
13:45Hey, you're in the court, not in the woods, Tarzan.
13:47Cut it out!
13:48Come on!
13:51Order in this court!
13:55Find the letter!
13:57Find the letter!
13:59What does this parrot mean by find the letter?
14:02There's a whole pile of letters there!
14:03Must be here!
14:08Look!
14:09There's a note tied to the parrot's foot!
14:11Come on, Polly Polly Polly Polly!
14:12Come on, Polly Polly Polly!
14:13Come on, Polly Polly Polly!
14:14Come on, Polly Polly Polly!
14:15Come on, Polly Polly Polly!
14:16Come on!
14:17Ouch!
14:18Look out!
14:19Here it comes!
14:20Take that parrot!
14:21Get him!
14:22Get him!
14:23Open the camera!
14:28Hey!
14:35Oh, my Stradivarius!
14:37Oh, my beautiful Stradivarius!
14:40Grab your ear!
14:41Come on!
14:49Find the letter!
14:50Find the letter!
14:51How'll we get him now?
14:52Let's get some salt and put it on his tail!
14:54That's no way to get a parrot!
14:55You gotta wet his feathers so he can't fly!
14:57Oh!
14:58Don't do nothing till you hear from me!
14:59Come on!
15:00Give me a hand!
15:03Wait a minute!
15:04Hold it!
15:05What do you mean?
15:10I object your honor!
15:11Please perceive this courtroom!
15:15What's the idea?
15:20Get him!
15:22Get him!
15:23Get him!
15:27Give me that!
15:29Do you want to get him?
15:30What?
15:31What?
15:32What?
15:33We gotta get the parrot!
15:34Hey, you!
15:40What life!
15:44Shut that off!
15:45Wait a minute!
15:46I don't have to tell you nothing!
15:47Give me that.
15:52I got it.
15:53Get it?
15:55Get this!
15:56Who killed Kirk Robin?
15:58I killed Kirk Robin.
15:59And that was my little ball and arrow.
16:01Don't try to find me as I'm shuffling off the buffalo.
16:03Signed, Buckwing.
16:05Hooray!
16:06Hooray!
16:08Hooray!
16:10Hold it, hold it, hold it, hold it.
16:12Wait a minute, wait a minute, wait a minute.
16:14Just a second now.
16:17Now, ready?
16:20Hold it.
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