00:00If you have any questions in our faces, we can ask you what is the question in your face.
00:08Today, we have given a speech.
00:12If you are a singer today, if you are a singer today, then I have been struggling here.
00:19This is not a bad thing. It is a bad thing. If you want, you can do it.
00:25You can do it. You can do it.
00:28First of all, I want to tell you that my family is related to the family.
00:40In the film in 1935, my father came, Jamal Senji.
00:47We are from Tansen's house.
00:53We are not saying that the father of Tansen was my grandfather or my grandfather.
00:58We are working from 400-500 years ago.
01:02We have become Vansage.
01:05My father used to work here in 1912-1913-1914, when he was born in the first time of Wanda Mahatram,
01:23he had to leave him from Kolkata to Lahore.
01:28He went to Bombay in 1935.
01:31In 1935, when he came to Bombay, he came here as musicians, singers, actors and actors.
01:41So, this is our dream and dream of Sangeet.
01:44This is something that we live in a different way.
01:48Dilip Sain, Samir Sain, which was the first foundation of Jamal Senji.
01:57The second foundation was my father, Mr. Sangeet.
02:03He was the second foundation of Jamal Senji,
02:07and Samir Senji and Samir Senji.
02:11He was the second foundation of Jamal Senji and Baba Mahatram and He was the third foundation,
02:35It's a place where there are very big bags, very big bags, very big workers and very big
02:42bags.
02:43I'm very proud of that.
02:44In Sujan Ghaid, there are some people who have been in Sujan Ghaid, they have been in
02:48Sujan Ghaid, Jamal Senji, Samhu Senji and Dilip Senji.
02:52I'm very proud of that.
02:55My name is Sujan Ghaid.
02:58I'm a school college.
03:00so I would like to say that the people who are watching this program are only the name of the college
03:08and in school I lost my 5th class and I can speak English as well
03:18and I can speak further because I have a tour of world
03:22in my life there were two love for me
03:25I was a writer, I was a writer, I was a writer
03:32I was a writer, I was a writer
03:35I was a writer, I was a writer
03:38but I am confident that
03:42because she is my student
03:45she is my student
03:47she has only been in my books
03:50but I would like to thank those people
03:52if they will listen to me
03:54or they will listen to me
03:56because they will be so good
03:58so they will not remember me
04:00but I would like to say thank you
04:02for your love and your desire
04:04because I am a singer
04:06then I would like to say
04:08I would like to sing
04:09you will like to sing
04:12then I would like to sing
04:14your name
04:15so I know
04:16we are only the same
04:17Flathun
04:18which you know
04:19and you will watch my audience
04:20and you will always watch me
04:21because
04:22in the world,
04:23in Star Gold
04:24in Sony TV
04:25in D,D 1
04:26in every place
04:27we are a part of Dilip Singh
04:28and Samir Singh Singh
04:29in the world
04:30so
04:31I want to talk about one thing about my school.
04:36My father, who I worked in the film,
04:40in that period of time,
04:42there were private schools.
04:45I mean, they were Catholic.
04:48In that period of time,
04:50when you opened school and you opened school,
04:52every person could have admission.
04:56It was very big.
04:58What did he do?
05:00So, I went to Kata Road No.1,
05:03at the municipality school.
05:05But I didn't go to the school.
05:07Now, there was a bhangar khana.
05:11I studied in the first or second class.
05:15I studied in municipality.
05:18Then, I went to Rokodi Island,
05:21in Boreiwili.
05:23I studied in Boreiwili.
05:25I studied in school.
05:27I met a teacher.
05:29I studied in Kata Road No.1,
05:32that was my life.
05:35I was too busy.
05:36The teacher was on Kata Road No.1.
05:38The teacher was in Kata Road No.1.
05:40I was able to get my letter.
05:42Where was he?
05:43He was a Pande.
05:44He was a Pande.
05:45He was a Pande.
05:46He was dead.
05:47And he was a teacher.
05:48That was my teacher.
05:49also
05:54at
05:59viewpoint
06:00from
06:03everyday
06:05all
06:08time
06:10to
06:15I had to give a $5.
06:17I had to give a $5.
06:19I had to give a $5.
06:21So,
06:23school life,
06:25no need to be a life.
06:27You want to come to which field you want.
06:29Like,
06:31the Sangeet is a very big field.
06:33I am a very small field.
06:35I am a very small field.
06:37I am going to talk about it later.
06:39I will tell you about my career.
06:41I will tell you,
06:43but
06:45the Sangeet's knowledge is
06:47...
06:49...
06:51...
06:53...
06:55...
06:57...
06:59...
07:01...
07:03...
07:05...
07:07...
07:09If we can't ask you, you can't ask us in our songs.
07:13We can ask you what we can ask us.
07:16We can ask us what we can ask.
07:19I'm happy to say that you have so much
07:22in a way, so many people have been here,
07:23which is an artist, who has worked for 40 years,
07:29and has worked for us.
07:31He has worked for us.
07:34It is our program.
07:36they're doing it
07:39so you understand that
07:40the people of Rajasthan
07:43came from this
07:44and they were
07:47to get into this
07:49and they were
07:50to grow up
07:52so this is how
07:55I've been doing it
07:56I'm basically a dance master
07:59I've been doing it
08:01I've been doing it
08:03in my business
08:05J.B. Nagar was living here, and there were the people here who lived here,
08:10like the Bagdega College, the Ghancham Daz-Pudar School, the Maavir School,
08:16the Saroday Balika, the Adukiya Balika,
08:20so here's the kids, I have 15-20,000 students here,
08:24who were young, who were young, and who were young.
08:29So when they were young, when they were young, when they were young,
08:31when they were young, when they were young, when they were young,
08:33when they were young, when they were young,
08:36they were young, who was young.
08:38But later they were young.
08:40But then they were young people who fakлав masters,
08:42they were young- tuh-sheity of the flock.
08:45So, I was young people who sang
08:50to speak for the urine.
08:52So people really struggle with their local.'
08:56Those people writing.
08:59They do not do what food currently is,
09:02You are Muslim, you are an atheist, you are a Buddhist or a Jewish religion,
09:09or whatever.
09:11I mean, you are a great Christian language,
09:14which you learn about the one thing, which means the most great thing.
09:18I am a Muslim.
09:23I am a Muslim,
09:25I am a person who is a person who is a person who is a person who is a person who is a person who is a person who is a person,
09:29I can make a song for your birthday or your birthday song.
09:33I'm a Muslim.
09:39I'm a human.
09:41I'm a human.
09:43I'm a human.
09:45I'm a Hinduist.
09:47I'm a human.
09:50I'm a human.
09:52I'm a human.
09:54I'm a human.
09:56I'm a human.
09:58Kings
10:03I know
10:05I'm
10:06gonna
10:10among
10:11much
10:13I'm
10:15I'm
10:16I
10:17I
10:19I
10:19I
10:21I
10:23I
10:26I
10:27why are they happy? But they are here.
10:30They should be here and here.
10:32They should be here.
10:34They say that they don't have to go to India instead of India.
10:37So whether the country is the best country or the country,
10:41or the best country,
10:44it's only India.
10:46When I got to accept this word,
10:50I got to know that one of the two are good,
10:53it's not good for Kashmir.
10:55I am a man in Kashmir, in which you will not be able to stay in the region.
11:02I am talking about the weather, because I am in Kashmir.
11:05I am not going to go.
11:08Because when I am in Kashmir, I am not going to go.
11:12But, when I am in Kashmir, I am not going to go.
11:15I am going to go.
11:18I am not going to go.
11:20If you are in Kashmir, you will not be able to go to Switzerland.
11:26So, when you are in Kashmir, you will not be able to go.
11:29When you are in Kashmir, you will not be able to go.
11:33I am in Kashmir, Raviy Shankarji, and many of you are in Kashmir.
11:38I am not going to go.
11:40And today, what is the biggest strength of our Sangeet?
11:44I would like to tell you one thing.
11:46I am not going to go.
11:48So, what does that mean by the Sangeet?
11:50First, how does that mean by the Sangeet?
11:53I am not going to go.
11:55Say that.
11:57Say it.
11:59You can take my interview.
12:00Say it.
12:01Do you have vibratitude?
12:04Say it.
12:06Don't say it.
12:07It is vibratitude.
12:09Do you have vibratitude?
12:11He, ga, ma, pa, dha, sa,
12:14the Prophet of the Prophet.
12:16No one knows what the sound of the song is.
12:20Today, we have given a song of our song.
12:24I have a shame that they listen to the song,
12:26and they say,
12:28they say,
12:29they say,
12:30they say,
12:31they say,
12:32they say,
12:33they say,
12:34they say,
12:35they say,
12:36they say,
12:37what is that?
12:38What is that?
12:39Man I had a friend.
12:41My mother said,
12:42they say,
12:43that is my career.
12:44This is a fact.
12:45If the song and the song we are doing,
12:47let me tell you the song about it.
12:49I am not the Dilip Saiyan Samir Saiyan.
12:51I am the Dilip Saiyan Samir Saiyan.
12:53Because I know.
12:55After that,
12:56what we did and etc.
12:59That is a good thing.
13:00There are so many people who are talking about it.
13:04And when I talked to them,
13:05when I talked about it,
13:06I talked about it.
13:08I think the director is so much a good idea.
13:13I think I think the director is more a good idea.
13:16I think the idea of the song, the idea of the artist, the story of the story, and the idea of the story.
13:22I think this is all about the idea of your own journey.
13:27But you can repeat the story of Mehabub.
13:31My husband was a man of my husband.
13:34But in our eyes,
13:36My husband was a man of his son.
13:39My husband was a man of his son.
13:41He gave such a film.
13:44There are two films of my friends.
13:46They were such a film.
13:48And I don't want to listen to him,
13:50but I can tell him to be his host.
13:52I can tell him to be his host.
13:55The song is a great film.
13:58ish raja film
14:00meyre khyalse kisiy ney nye soucha
14:02aki khayam sahab hai
14:03mein huum, raviyah sahab hai, piyare lal ji hai
14:05raviyah sahab hai, ananji hai
14:07hem loggoneh kai na kai kuchh
14:09rop dhenne ki košish ki
14:11ke loggone ko kuchha dhen
14:12aaj ka sangeet bhi bura nye
14:14aaj ka sangeet ko bura nye bura nye bula nye ha
14:15aaj ki sangeet ki demand hai
14:18loggone ki
14:18but
14:19loggone ko
14:21sabitaha ye jo hattarheen na
14:24ke maa ko mamie kena
14:27hi did
14:28bai bai
14:30mai bara baje ke baad aunggi
14:32mai bara baje ke baad aungga
14:34mai bier pke aung
14:35ye culture joh tha
14:37oho humare zamanin me nye tha
14:39aaj tink hona bhe nye chahi hai
14:42shadhi ke baad mein
14:44ap jhkmarhi karo na kuchh bhi karo na
14:45apko kun maana karata
14:46aap apren bibi dhonu saat mein pite ro na
14:49jab tuk aap kumarhe ho
14:51jab tuk aap baap ke under me ho
14:52tub tuk aapko ye chizhe nye hai
14:54meera karen ka mtlab hai
14:55ke sangeet se toh mein ye chizhe nye bita sakta
14:58peeper mein roj
15:00pardta likta riheta hoon
15:01peeper mein roj
15:03peeper mein roj
15:05peeper mein roj
15:07peeper mein roj
15:29peeper hai ke jay pin
15:31peeper
15:59I can't buy anything.
16:04I can't buy anything.
16:06I can't buy anything.
16:08If I'm going to buy anything, I'll think I'll buy anything.
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