00:00A fight master also has emotions and sentiments.
00:03Be it a fight master or a dance master,
00:05but filmmaking is the same style.
00:08The heart inside feels everything.
00:12Two different countries,
00:14and the things that people are taking advantage of,
00:18by fighting Hindu-Muslims or between two countries.
00:21Even if I didn't get anything,
00:23I didn't have a shooting.
00:25I was a fighter, but I didn't have a shooting.
00:27But I would go to them and learn.
00:29I used to attend all the shootings.
00:33First of all, tell us about Hindustan Ki Kasam.
00:36What kind of a film is it?
00:38Hindustan means India and Pakistan,
00:42which came before India and Pakistan.
00:44This is Hindustan Ki Kasam.
00:46And it is a film about India and Pakistan's friendship.
00:51Till date, people have talked about enmity.
00:53We have tried to be friendly.
00:55Maybe it is being accepted on both sides.
00:58The audience, the public, the public wants,
01:01that has been brought into the film.
01:04Before this, Ajay Devgn's Major Sahab was released.
01:07So how different will this film be from Major Sahab?
01:10Major Sahab was a love story,
01:12a personal story of a boy and a girl,
01:14and a character.
01:16This film is a love story,
01:18India-Pakistan love story.
01:20It is not a story of a man and a woman.
01:24It is a story of two countries.
01:26This is the difference.
01:28What is the role of Amitabh Bachchan and Ajay Devgn in this film?
01:31Amit is playing Kabira,
01:33who was in the army of Subhash Chandra Bose.
01:36And from there, he has seen the time till now.
01:39And what comes in front, that man speaks.
01:41What is true, he speaks.
01:52This is what the public wants.
01:56This is what the people of both the countries want.
02:02What is Ajay playing?
02:04Ajay is the son of a military man.
02:08And he is a patriot.
02:10And he is doing what is right for the country in this film.
02:22What is the scene being shot today?
02:25This is the last scene of the film.
02:28When the Prime Minister of Pakistan comes to India.
02:34And what happens to him,
02:37and how he is saved,
02:39everything is shot in this way.
02:41You are asking me about the climax.
02:43It would be better if you don't ask.
02:56You are a fight master.
02:58Is that why you are making an action film?
03:01Actually, everyone thinks that
03:04a fight master will have more action.
03:07A dance master will have more dance in his film.
03:10So, I think, those who make emotional films,
03:13they have more tragedy in their homes.
03:15Only then they can make an emotional film.
03:17There is nothing like that.
03:19A fight master also has emotions and sentiments.
03:22Whether you are a fight master or a dance master,
03:25everyone has the same style of filmmaking.
03:28The heart inside everyone feels everything.
03:31So, the difference between a fight master and
03:34a director who is not doing action without a fight master,
03:38or a writer,
03:40you will know the difference only after watching the film.
03:44Because you will know how emotional a fight master can be
03:46only after watching the film.
04:01As a director, this is your first film.
04:04So, what was your experience with this film?
04:06I have worked as an assistant director from the beginning.
04:10And I have worked with Manoj sir from the beginning.
04:14I have worked with him from the beginning.
04:16I have worked with Raj Khosla sir's entire film.
04:19Even when I didn't get anything,
04:21I used to go to him and learn.
04:23I was a fighter, but I used to learn from him.
04:26I used to attend all the shootings to learn.
04:29So, even today, if you ask Raj Khosla sir,
04:33he is my best assistant.
04:36If you ask Manoj sir, he will say,
04:38my best assistant is Veeru Devgn.
04:40After watching the film, you will know
04:43whether there is a difference between the two.
04:49Cut, cut, cut.
04:52So, you will get to see the touch of both in this film.
04:55And I am not the fight master of this film.
04:57The fight master of this film is my assistant, Jai Singh.
05:01What are your expectations from this film?
05:06My dream was that the two countries should be separated.
05:10And because of these things, people are taking advantage of each other.
05:15So, I want to end this animosity between Hindus and Muslims.
05:20This is the dream of this film.
05:24What is the commercial value of this film?
05:29There should be a commercial value.
05:31According to the commercial value,
05:33emotions, music, action, everything is there in the film.
05:36And there is a final touch with it.
05:38It is not an art film, it is a commercial film.
05:41With message.
05:44How did you feel after directing Amit Ji in this film?
05:48Amit Ji and I are working together with Reshma and Sera.
05:52As a director and as a fight master,
05:55I have never felt that we are working separately.
06:01I don't think there is any difference.
06:04Because the action scenes on the set,
06:07I do it if the director is not on the set.
06:11So, I have never faced any difficulty with any artist.
06:37What kind of relationship does Ajay have with the set?
06:41On the set, there is only the relationship of the artist and the director.
06:45And the relationship between father and son never ends.
06:47It is always there.
06:48But at the time you are standing on the chair,
06:51you have to look at the same chair.
06:53At that time, you have to look at the same thing.
06:55What is your position at that time?
06:56According to that position, if you are an artist and a director,
06:58then he is an artist.
06:59So, we behave in that way.
07:01I don't think there is any difference in work and meeting us.
07:08You have chosen Sukhwinder Singh for music.
07:10Yes.
07:11Why did you take this decision?
07:13I didn't want a flash forward with my story.
07:17So, I started singing music.
07:19So, there was nothing like that.
07:20I wanted music with a story.
07:22So, for that, I wanted a person who could give time.
07:25Who could sit with me.
07:27So, Sukhwinder was free in those days.
07:29After Hindustan Ki Qasam, he was busy as a singer.
07:33So, he sang the first song of Hindustan Ki Qasam.
07:37So, he gave me time.
07:39We sat together and made music.
07:41And we made it according to us.
07:43So, Sukhwinder was better for me.
07:47Tell us something about the action part.
07:50Action part, Mr. Jai Singh.
07:52What would you say about him?
07:54He was my assistant.
07:56And we have been together since 1973.
08:02And he could have become a fight master.
08:05But he became my assistant.
08:07So, it was my duty to do something for him.
08:10So, I gave him a chance in the first film, Pyaar To Hona Hi Tha.
08:16Now, he is doing Hindustan Ki Qasam.
08:18His name will come.
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