00:00The way I sing, people like it because when they see me in the theater, they think that
00:06my voice is going with the character.
00:08Sheeshe se sheesha takraaye jo bhi ho anjaam
00:14Wo dekho kaise chhalak chhalak chhalak chhalak chhalak chhalak chhalak chhalak chhalak chhalak
00:18chhala jaaye re
00:19Because I have prepared myself in this way, like Rafi sahab had prepared himself.
00:24What would you like to say about the coordination between the music director and the singer?
00:32Coordination is very important.
00:34A word is just to say coordination, but it means a lot.
00:38Because we, coordination means, I will tell you that you can say full understanding.
00:45It is very important for today's singers to follow the body language of the music director.
00:52Because I don't know if anyone else is doing it or not.
00:55But I try my best to follow the spirit of the music director.
01:00Because when he is making a song, we don't know what is in his mind.
01:05I don't know if he has made a song in 6 months or 6 years.
01:08And we just have to sing in 3 minutes and leave.
01:11So my effort is that I give at least 24 hours to each song.
01:16So this is the result that God is giving me.
01:20People like it because when they see it in the theater, they feel that the voice is going with the character.
01:26It will only happen when you give a lot of time to your song.
01:30Nowadays people say that if you look at the clock and sing, then nothing happens by looking at the clock.
01:34There is music, the more you immerse yourself, the more you will get.
01:38So as you said, coordination is very important.
01:42Today we sing with Anu ji, Ismail Darbar ji, Anand Raj, Bhapida.
01:49All of them are music directors.
01:52So it is very important to understand their body language and nature.
01:58Because first of all, it is important to make them happy.
02:01You will make them happy only when you show them what they have thought on the mic.
02:07This is our responsibility of every playback singer.
02:10You will be given a responsibility that you have to sing in front of the mic.
02:14The music director has done his job.
02:16He has made the tune.
02:17Now the tension of 3 minutes is on the shoulders of the singer.
02:21Now the singer has to perform how he is performing the song.
02:25That is why I say that until you learn from the music director,
02:28until you learn from him what you want exactly,
02:31you should give some time to every song according to me.
02:34Then the song becomes very easy.
02:37Because you know the character, you know the situation,
02:40you know the actor and you know the music director,
02:43who has made the song in what mood.
02:45For example, when I sang Anu Malik's song Munna Bhai Tu Saamne Aaye,
02:48I didn't know that I was singing for Amit ji.
02:50But when I did the rehearsal,
02:52the next day I was going to dub,
02:54then they told me that I was singing for Amit ji.
02:56So I changed my style of singing.
02:58You must have seen the song.
03:03This is a common song.
03:04If I sing for a common person, for an actor, then I will sing and leave.
03:07But for Amit ji, I chewed my wordings a little more.
03:12Like
03:17I gave a little weight.
03:18Because we have seen the combination of Amit ji and Kishore Da since childhood.
03:24I tried and people liked it a lot.
03:26And I consider myself very lucky that I have understood
03:31that how important it is to sing a good song well.
03:35For the entire film industry and for the whole world.
03:38Because it is very important to run a song in these days.
03:41It's not that you sang a song, took money and went home and forgot what the song is.
03:48That's why for the last 2-4 years,
03:51no song has been such an amazing hit.
03:54Every song has a time limit
04:00until you hear that song.
04:02On the 4th day, another song comes, another singer hits,
04:06another music director hits, another actor hits.
04:09That's why I am trying to do something different from my side.
04:13And I think so I am very happy with it.
04:15Tell us something about Shahrukh Khan's film Deodas.
04:18Sir, what can I say about Deodas?
04:20God has shown it.
04:21God has done such a great miracle that all over it's a red color.
04:26There is happiness all around.
04:28The atmosphere in the industry is also very hot.
04:31Because it was very important for Deodas to be a hit.
04:34Sanjay Bansali and Ismail Darbar have worked very hard.
04:38This music and film was being made for 2.5-3 years.
04:43I am so lucky and I am feeling so beautiful
04:46that I am a part of the film in Deodas.
04:49Because there is only one song in the film,
04:51Chalak Chalak Kar Jaye Re.
04:58I am very happy that the history has been repeated
05:01after Mughal-e-Azam and other big films like Sholay.
05:05So I am also in Deodas.
05:07Thanks to Ismail Ji who again trusted me so much
05:11after Dholi Taro and Dhol Film.
05:14And thanks to Sanjay Bansali Ji.
05:16It was a classic experience.
05:18Because when we recorded Chalak Chalak Kar Jaye Re,
05:21we used to reach the set at 4-5 in the night.
05:24We sang so much today.
05:26Then we sang something else the next day.
05:28Then I used to see Sanjay Bansali Ji.
05:30His coordinator used to bring a kurta cloth.
05:33He used to ask which material of the kurta he was making
05:35should be finalized.
05:36I am talking about 4 in the night.
05:38I don't think this has happened in any other camp.
05:44Our job is to go for recording, sing and leave.
05:46But at 4 in the night, his 4-5 coordinators
05:50are so busy in that.
05:52What is the color of the kurta,
05:54what material should be used,
05:56which final should be done.
06:00Only Sanjay Ji knows how he must have gone through
06:04while making it.
06:09God has done such a miracle that it has become a history.
06:12Till date, we get calls asking for tickets.
06:15But we don't get movie tickets.
06:17So luckily, I have a few people with me.
06:19I get 5-10 tickets daily.
06:21I am showing them to my friends.
06:24I have seen Devidas 3 times.
06:28I would like to sing it.
06:30The song starts like this.
06:38The song continues.
07:08The song continues.
07:22How much do you practice before singing a song?
07:26I practice for an hour in a day.
07:29I do a one-hour gym.
07:32I have taken out 2 hours for myself.
07:35I rest for 4-5 hours.
07:38I watch TV and films.
07:40I spend the remaining 6-7 hours in my studio.
07:44Or I sit with a music director.
07:47I have more faith in the setting.
07:49When I get the song, I feel very happy.
07:52I spend a night with the song.
07:54When I wake up the next day,
07:56I feel that the song is mine.
07:58I am very sure about my songs when I go on the mic.
08:01I am very happy that I have learnt something.
08:04I have spent a lot of time in the film industry.
08:07I would like to tell you about my practice.
08:09I have some bandishes.
08:11Like Todi Raag, Megh Raag, Yaman, and Mian Malhar.
08:16I practice for an hour in a day.
08:19Whether it is morning, afternoon, evening, or night.
08:22But not a day goes by when I don't sing.
08:25After practicing,
08:27if you go on the mic without practicing,
08:30you will be afraid of the mic.
08:32If you practice, the mic will be afraid of you.
08:39What do you think about the album?
08:41I didn't get the time to think about the album.
08:44Because my career is taking a beautiful shape.
08:53People who don't know music,
08:58or those who know half-completeness,
09:01they come from somewhere,
09:03invest their money,
09:04picture a song,
09:05give it to a company,
09:06the company releases the cassette,
09:08and after 2-3 months, the singer disappears.
09:11Which actor fits your voice?
09:15It will be difficult to say right now.
09:17Because,
09:18from the beginning, when I sang Romeo,
09:20I felt that my voice fits Anand ji perfectly.
09:23I sang Ladla, Gharwali Bhaarwali, Diwana Mastana,
09:28and when I sang Diwana for Shah Rukh Khan,
09:30I sang Aisi Diwangi Hai, Koi Na Koi Chahiye.
09:32Because I have prepared myself in this way.
09:36Like Rafi sahab had prepared himself.
09:38I feel myself in this way.
09:40Because I have proved my material.
09:42It's not that only people talk.
09:44I thought, first do the work,
09:46and then talk.
09:48So you saw,
09:49the songs I sang for Amit ji,
09:51I tried to sound like Amit ji.
09:53For Sanjay Jat,
09:55I have recorded 15-20 songs in Indira,
09:57like Nehle Vedela, Pratibheem,
09:59Vastav Part 2.
10:01I sang Vastav for him.
10:02Then Khalnaik was there.
10:04I have sung 10-15 songs before.
10:07I have followed the character.
10:09I do act,
10:11but I try to bring the character
10:13inside the actor.
10:16For Govinda ji,
10:18I sang Sajan Chale Saswaral.
10:20I have not stopped from there.
10:22From Sajan,
10:24to Dhule Raja,
10:26I have sung the best songs for Govinda ji.
10:32Even the public liked it.
10:34The main thing is that the song should be a hit.
10:36Actor and Govinda ji,
10:38the world knows that they know music so well,
10:40that they perform 100% better than us.
10:44When we see a song on screen,
10:46for example,
10:48the song of Govinda ji,
10:50or the song of Kawali,
10:52between Khadar Khan and Govinda ji,
10:54where Raja Bhosh and Gangu Teli,
10:56there was another song,
10:58which had different beats.
11:00Govinda ji made the song so beautiful
11:02that it feels like
11:04I have not sung it.
11:06I love it when I go to the theatre
11:08and I watch my own film.
11:10It feels like I have put in a lot of effort.
11:12I sing for all the
11:144-5 actors
11:16and I sing for all of them.
11:18I don't feel like
11:20I am singing for one or the other.
11:22I sing for all of them.
11:24As I told you,
11:26I am working very hard for each and every song.
11:28I got the news
11:30because I don't know how
11:32I got the news.
11:34I have not had such a hobby since childhood.
11:36And I will never do it.
11:38In Bazigar,
11:40I picturised the song on myself
11:42because they wanted me accidentally.
11:44Anu Malik ji
11:46was inviting me
11:48to play Vinod Rathore,
11:50the famous singer of our country.
11:52I don't think anyone else
11:54would have been able to refuse.
11:56It was a prestigious issue
11:58which I achieved for a lifetime.
12:00Even today, when I go to any corner of the world,
12:02people still recognise me.
12:04They say,
12:06I don't even know how to hide it.
12:08This is a very beautiful thing in my life.
12:10I don't have any interest in acting.
12:12I am trying to
12:14bring that acting into my songs.
12:16I have recently recorded a song
12:18for Road.
12:20It is Ram Gopal Verma's film.
12:22It has Sandesh Shanil's music in it.
12:24It was my first song with Sandesh.
12:26When I went for the rehearsal,
12:28he asked me about my range.
12:30I told him to tell me the exact tune.
12:32I will tell you yes or no.
12:34It was very comfortable.
12:36I was feeling very beautiful.
12:38It is very important
12:40to have a good scale
12:42before recording a song.
12:44I asked him about the hero.
12:46He said, it will be a new combination
12:48with Vinod Rathod's voice.
12:50Like Shah Rukh Ji, Govinda Ji,
12:52Sanjay Dutt, Anil Kapoor
12:54and other actors.
12:56I will sing two lines for Vivek Ji.
12:58You will get the mood of the song.
13:00You will know how hard I worked
13:02for all my songs.
13:04When I see that song on ATC or any other channel,
13:06I am very happy that this is my work
13:08which is speaking.
13:10The song goes like this.
13:12The song goes like this.
13:36Then comes the classical part.
13:42Only the person who knows the song
13:44will be able to do this.
13:46The one who knows the need of the song
13:48and the situation.
13:50The way a snake walks on the road
13:52and the way a snake walks
13:54is the feel of the song.
13:56I am sure whenever the public
13:58will see this song,
14:00they will be surprised
14:02about the combination.
14:04I want to do that.
14:06I am working hard for that.
14:08I am enjoying life.
14:10Work hard.
14:12Work less.
14:14I believe in a very beautiful quality.
14:16Not the quantity.
14:18I am taking the quantity which is coming.
14:20I don't deny it.
14:22I am really enjoying my work.
14:24Thank you very much.
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