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00:00:00The Kapi Shema Show
00:00:06Partner
00:00:07100 Pipers
00:00:08Glassway
00:00:30Arshina Ji
00:00:31Hand in
00:00:32All the trends we have in the birth of birth
00:00:34My father, brother, brother
00:00:36Chacha, Tau and other people
00:00:38We make a brand new
00:00:40We make friends
00:00:41Some peopleå© too
00:00:44And then they say that
00:00:45I and my wife
00:00:46we are like friends
00:00:47So why?
00:00:48Why?
00:00:49You can tell the friends that
00:00:51I feel good
00:00:52Can you tell the girl?
00:00:55Mr.
00:00:59Mr.
00:00:59I mean, go out and tell her,
00:01:00Mr.
00:01:00Mr.
00:01:01Mr.
00:01:02Look,
00:01:03Mr.
00:01:04Mr.
00:01:05Mr.
00:01:06Mr.
00:01:07Mr.
00:01:08Mr.
00:01:09Mr.
00:01:11Mr.
00:01:13Mr.
00:01:14Mr.
00:01:15Mr.
00:01:16Mr.
00:01:17Mr.
00:01:18Mr.
00:01:19Mr.
00:01:20Mr.
00:01:21Mr.
00:01:23Mr.
00:01:25I've had to show myself that I want to get married with a kid.
00:01:28That's why I say that a friend is a friend.
00:01:31A friend is a friend.
00:01:34Although my wife is a very good friend.
00:01:36Yes, yes.
00:01:39When you're in college,
00:01:42there's a friend who is standing around the window.
00:01:45I'm watching you.
00:01:48I mean, she keeps the government's hands full.
00:01:51But if you're wrong,
00:01:53you're in the same way.
00:01:55You're in the same way.
00:01:56So, that's why you're in the same way.
00:01:58Before you take your government,
00:02:00you'll also send the government to the teacher.
00:02:04The government who is running in the same way,
00:02:07is going to be running away.
00:02:09That's why, friends,
00:02:10they always say that they have a lot of friends.
00:02:12Yes, they have a lot of friends.
00:02:13They always say that they have a friend
00:02:15that they have to meet with someone with their brother.
00:02:18They will give you a new shirt.
00:02:19You wear this, your shirt,
00:02:20you wear this.
00:02:21Go wear this.
00:02:24After the marriage,
00:02:25if you know your wife
00:02:27that you have a beautiful secretary,
00:02:29then you don't have a new shirt.
00:02:31Leave it.
00:02:32Leave it.
00:02:33You don't have a perfume.
00:02:34Who will you hear there?
00:02:37Do you work at home?
00:02:38Everything happens.
00:02:43Friends,
00:02:44friends are also very fun.
00:02:46They are also very successful.
00:02:47And today,
00:02:48there are three friends of Bollywood
00:02:50who have given more than one of the best films.
00:02:53They are always with the struggles
00:02:54and they are always with the success.
00:02:56Let's call them in the mind.
00:02:59Please welcome
00:03:00Mr. Satish Kaushik,
00:03:02Mr. Anu Kapoor
00:03:03and Mr. Rumi Jafri.
00:03:05Go.
00:03:06Here!
00:03:07Come.
00:03:08Go!
00:03:09Go!
00:03:10Go!
00:03:31Anno.
00:03:32One time for our guests.
00:03:39Hi, Archana.
00:03:40How are you, darling?
00:03:42Hi, Anno. How are you?
00:03:43Hi, Rumi.
00:03:44Kapil ji, you remember what you remember?
00:03:46You remember the old memories, then you did it.
00:03:49Archana...
00:03:50Hi, Satish.
00:03:50...you remember Puran Singh.
00:03:55Complete Singh.
00:03:56Last time you told me that Archana had to say something.
00:03:59I was in my heart, so I said before I start the episode.
00:04:02What is it, take your mind off now.
00:04:04I was scared about Parmeet.
00:04:06Don't think Parmeet, do it.
00:04:08What do you say today?
00:04:09What do you say today?
00:04:17Love you, Archana.
00:04:18You have been such a great friend.
00:04:20Backstage me too.
00:04:21We get a little bit.
00:04:23When Archana was ready, I would put it down.
00:04:25I would make a face like that.
00:04:29But we are friends in many years.
00:04:32And Anno, we also know many years.
00:04:35And Rumi also.
00:04:36So, welcome all three of you.
00:04:40Actually, we all know each other.
00:04:43But as many talented people in a hundred and a hundred people,
00:04:46they are talented in a hundred and a hundred people.
00:04:49They are so versatile.
00:04:50What a matter of it.
00:04:51Come here.
00:04:52Come here.
00:04:55Where do you want to sit here?
00:04:57Sit.
00:04:59Manu Ji, you have a match with the sofa.
00:05:02It looks good.
00:05:04I will do this like that.
00:05:06The background is good.
00:05:08See, the director is also hidden.
00:05:12Sir, you have done a lot of good work.
00:05:16But you have thought that you will meet the three of you
00:05:18and you will do so much work.
00:05:19I will come to the show straight.
00:05:24I am doing it, sir.
00:05:25I am sorry.
00:05:27Brother,
00:05:28from New York to Los Angeles and from Los Angeles to Burma,
00:05:33all the way Kapil Sharma.
00:05:35Hey, hey.
00:05:38I want to say one thing too.
00:05:40I am truly a believer in truth.
00:05:42Yeah.
00:05:43I have written about 55-60 films.
00:05:45And the amount of money I have done with my mother.
00:05:48Salman and all of them have worked with Shahrukh.
00:05:51They ask their house.
00:05:53I have my mother's phone.
00:05:54My mother is starting my mom's picture.
00:05:55I am going to go home tomorrow.
00:05:56I am going to go home.
00:05:57I am going to live in a good job.
00:05:59When I hear that I am going to Kapil's show,
00:06:01I am going to talk more about the phone.
00:06:03How many years have you arrived?
00:06:04Take a photo.
00:06:05This is it.
00:06:06Wow.
00:06:07Let's go.
00:06:08Sir, how many people have come to our show today?
00:06:12This is absolutely true.
00:06:14Because this is almost a question.
00:06:17And some people who haven't come to Kapil Sharma's show,
00:06:20I feel like they haven't done the work in the picture.
00:06:23Yes.
00:06:24Absolutely.
00:06:25Because we keep asking them.
00:06:26Because we came with the last Mayanupam.
00:06:28Yes, yes, yes.
00:06:29So they always say,
00:06:31This is your show.
00:06:32When are you coming to Kapil Sharma's show?
00:06:34It is like,
00:06:35You are actually making a picture.
00:06:37So Kapil Sharma,
00:06:39When you come to Kapil Sharma's show,
00:06:41It is like 10 pictures.
00:06:42That is your show.
00:06:43That is your show.
00:06:45Archanan.
00:06:46Yes, Archanan.
00:06:47Yes, Archanan.
00:06:48I remember a song that I want to sing.
00:06:49Archanan.
00:06:50Archanan.
00:06:51Either the people who laugh,
00:06:53Or you who give thanks.
00:06:55What about it?
00:06:56Either the people who laugh,
00:06:57Or you who give thanks.
00:06:59Or you who give thanks.
00:07:01What about it?
00:07:02The most important thing
00:07:04The most important thing
00:07:05The most important thing
00:07:06The most important thing
00:07:07The most important thing
00:07:08The most important thing
00:07:09The most important thing
00:07:10You are doing.
00:07:11Very good.
00:07:12Very good.
00:07:13Very good.
00:07:14And Rumi sir,
00:07:15You don't know
00:07:16You feel like a big bank CEO
00:07:17I mean,
00:07:18You have to lose your face.
00:07:19Seriously.
00:07:21And Satish sir,
00:07:22I feel like
00:07:23You will take 6-7,000 crores
00:07:24And run away.
00:07:29Oh, man.
00:07:31Oh, man.
00:07:32Actually,
00:07:33My demand is so much
00:07:34Any thing
00:07:35I will have to lose.
00:07:36I will have to lose.
00:07:37I will have to lose.
00:07:38I will have to lose.
00:07:39I will have to lose.
00:07:40Okay.
00:07:41You all know
00:07:42That our guests today
00:07:43These three are
00:07:44Writer, Director, Producer,
00:07:45Actor, Anchor, Singer.
00:07:46There are all the qualities.
00:07:47Yes.
00:07:48Sir,
00:07:49I mean,
00:07:50All the qualities
00:07:51I mean,
00:07:52You didn't trust any other thing
00:07:53That's why
00:07:54You are doing a different thing.
00:07:55Or
00:07:56I mean,
00:07:57There is a work that you think
00:07:58That we can do
00:07:59That we don't have to do
00:08:00That we don't have to do
00:08:02That we don't have to do
00:08:03That we don't have to do
00:08:04That we don't have to do
00:08:05That we don't have to do
00:08:06Sir,
00:08:07This is your big deal
00:08:08You are saying
00:08:09Your writer and your sister
00:08:10And your brother
00:08:11We are watching from childhood
00:08:12We are watching from childhood
00:08:16Okay,
00:08:17Rumi sir has written
00:08:18All the movies
00:08:19Hero No.1
00:08:20Jody No.1
00:08:21B.V No.1
00:08:22Kuli No.1
00:08:23You are saying
00:08:24That we don't have to do
00:08:25What we have to do
00:08:26No.1
00:08:27Like today
00:08:28T.V show
00:08:29You see
00:08:30No.1
00:08:31Yes
00:08:32No.1
00:08:33Tell us about Kamal
00:08:34This is No.1
00:08:35Yes
00:08:36When my daughter
00:08:37When I was born
00:08:38All the names
00:08:39Keep it
00:08:40Keep it
00:08:41Keep it
00:08:42Keep it
00:08:43All the names
00:08:44What does it mean?
00:08:45It means
00:08:46Number one
00:08:47No.1
00:08:48No.1
00:08:49You are saying
00:08:50You are saying
00:08:51You are saying
00:08:52I am going to give it to Annu Kapoor
00:08:54Okay
00:08:55We know Annu Kapoor
00:08:56We know Annu Kapoor
00:08:57Actually
00:08:58This is the first time
00:08:59We came to the National School of Drama
00:09:00But if there was a problem
00:09:01Listen to me
00:09:02Listen to me
00:09:03Listen to me
00:09:06Actually
00:09:07These are 51 days
00:09:09These are the 13th April 1956
00:09:12Wow
00:09:13It is
00:09:14And I will say 20th February 1956
00:09:16Wow
00:09:18They are all small but in the career
00:09:19within the talent
00:09:20They are all big
00:09:21Oh
00:09:22This is
00:09:23This is
00:09:24This is the 23rd March 1966
00:09:26to the 1920th March 1966
00:09:28I've said to Wikipedia
00:09:30We took it
00:09:31I have taken the Łikipedia
00:09:33As the first time
00:09:34It was them
00:09:35It wasn't for them
00:09:36They were not 12 years
00:09:37They were both the young people
00:09:38They were the new ones
00:09:39And this is the superstar
00:09:402nd April 1981
00:09:41Wow
00:09:42Wow
00:09:44So how did she do?
00:09:45What is that?
00:09:46You all have one.
00:09:48This is the reason.
00:09:49Wow, Anu Sir.
00:09:50Anu Sir, who comes to your house?
00:09:53I mean, I've seen so many times in the shows,
00:09:58no one remembers any film.
00:10:01They remember everything.
00:10:03Wow, Sir.
00:10:04I was talking about my friend.
00:10:06Anu Kapoor is an exclusive man.
00:10:09He doesn't do many friends.
00:10:11But in the film industry,
00:10:12if two friends believe them,
00:10:14then they believe Rumi and me.
00:10:19Kapoor.
00:10:21You know close friends,
00:10:23but I've taken advantage of this show.
00:10:25I also want to say something about Anu.
00:10:28Yes.
00:10:29That when I came to Bombay from Bhopal,
00:10:32that Bombay was in Mumbai.
00:10:34I was here for 19 years.
00:10:35He was a lost girl
00:10:37who put him out of Bhopal's
00:10:38and put him in the sea.
00:10:40He didn't know where to go,
00:10:42where to go, where to go,
00:10:43where to go, where to go.
00:10:44At that time, Anu,
00:10:45as a big brother,
00:10:46as a friend,
00:10:47gave me so much love
00:10:48and so much love.
00:10:49When I was a writer,
00:10:50people didn't take me straight.
00:10:51They said,
00:10:52I'm a writer.
00:10:53Then I'd say,
00:10:54I don't want to write school
00:10:55for children's songs.
00:10:56Go first,
00:10:57look at life,
00:10:58look at the world,
00:10:59look at it,
00:11:00look at it,
00:11:01look at it.
00:11:02look at it.
00:11:03Yes.
00:11:04Yes.
00:11:05Yes.
00:11:06Yes.
00:11:07I was saying,
00:11:08why are you looking at my face?
00:11:09Look at my feelings.
00:11:10Right.
00:11:11I didn't believe it.
00:11:12I tried to put a smile
00:11:14without a number,
00:11:15so I got maturity.
00:11:17So,
00:11:19Anu,
00:11:20I wanted to tell everyone.
00:11:21I wanted to tell everyone.
00:11:22Now,
00:11:23I want to tell everyone.
00:11:24that,
00:11:25in my 89,
00:11:26there was an operation.
00:11:27The appendix burst,
00:11:28and then,
00:11:29then,
00:11:30then,
00:11:31then,
00:11:32then,
00:11:33Anu,
00:11:34and Puri Sahab,
00:11:35Oum Puri.
00:11:36Oh,
00:11:37wow.
00:11:38I mean,
00:11:39I want to tell this.
00:11:44In Halwi,
00:11:45Anu,
00:11:46also,
00:11:47I did a film with you.
00:11:48I laughed at the people.
00:11:49It was a different film.
00:11:50I watched it.
00:11:51It was great.
00:11:52It was a whole story of the cottage.
00:11:53It was a story of the children.
00:11:54Imaran,
00:11:55Aashmi,
00:11:56Anu sir.
00:11:57You guys didn't say that,
00:11:58you're making a movie of the cottage,
00:11:59you're making a film,
00:12:00you're quarantined.
00:12:01It's not that,
00:12:02we're going to film,
00:12:03you're going to film.
00:12:04If we have a chance,
00:12:05we're going to quarantine,
00:12:06we're going to do it.
00:12:11My,
00:12:12Rumi,
00:12:13my pleasure is,
00:12:15that,
00:12:16Rumi's role,
00:12:17that,
00:12:18people like me today,
00:12:20Pappu Pajar,
00:12:21Muttu Swami,
00:12:22Sharaafat Ali,
00:12:23Kunjbihari,
00:12:24all of them are written.
00:12:26What a lie.
00:12:27And that,
00:12:28that,
00:12:29that,
00:12:30that,
00:12:31that,
00:12:32that,
00:12:33that,
00:12:34that,
00:12:35that,
00:12:36that,
00:12:37that,
00:12:38that,
00:12:39that,
00:12:40was,
00:12:41that,
00:12:42to
00:12:44that,
00:12:45I'm also right there.
00:12:46And that's because my side should be.
00:12:47He doesn't even find me.
00:12:48Follow yourself.
00:12:49And then my cousin will forty.
00:12:51And then she'll be still here an odd ŃŠ¾Ń-buck.
00:12:53Take the Arya brother-step.
00:12:55This one was wrote for a strong move.
00:12:56One more note,
00:12:57we're creating a fake marriage.
00:12:59Okay,
00:13:00all right,
00:13:01in the first place it's a tiny little marriage.
00:13:03I enjoyed this film very much.
00:13:05So, the first set was on the police station,
00:13:08and Amit Ji and Govinda, the first scene of Sateesh Bhai.
00:13:12So, there was a dialogue.
00:13:13Govinda said,
00:13:14What are you talking about?
00:13:15We love you so much.
00:13:17So, Amit Ji also says,
00:13:19If you're standing in the distance,
00:13:20I'll be standing in the distance,
00:13:21I'll be standing in the distance,
00:13:22I'll be standing in the distance,
00:13:23I'll be standing in the distance.
00:13:27So, what happened?
00:13:29This is Amit Ji's great.
00:13:30Amit Ji, I'm telling you how great this guy is.
00:13:33We are all conscious.
00:13:34Then what happened?
00:13:35So, David said,
00:13:36Rumi, first day, Amit Ji, don't take care of it.
00:13:37Give it to him.
00:13:38Okay.
00:13:39So, he gave it to him.
00:13:40So, I went to Amit Ji,
00:13:41and he came and said,
00:13:42Sir, what is the scene of Rumi?
00:13:44So, when I heard the flow,
00:13:45then the dialogue came out of my head.
00:13:46Okay.
00:13:47He said, okay, give it.
00:13:49He didn't react.
00:13:50I said,
00:13:51I said,
00:13:52I said,
00:13:53I said.
00:13:54He said,
00:13:55I said,
00:13:56You can write anything,
00:13:57Amit Ji,
00:13:58you've never done anything,
00:13:59you've never said anything.
00:14:00Absolutely.
00:14:01So, Sateesh Bhai said,
00:14:02you've never done anything.
00:14:05It's a great story.
00:14:06It's written by Rumi Bhai,
00:14:07Sergeant Chale,
00:14:08Sasural,
00:14:09who got my film fair award for best actor in a comic role.
00:14:13Wow.
00:14:14Wow.
00:14:15What a joke.
00:14:16What a joke.
00:14:16What a joke.
00:14:17Actually,
00:14:18the picture of the shooting
00:14:19of my Rupki Rani Choron
00:14:21Mammoth,
00:14:22a big budget picture.
00:14:23It was very warm,
00:14:24it was very warm,
00:14:25it was very warm,
00:14:26right?
00:14:27And it was very warm.
00:14:29It was a big budget film.
00:14:31It was a big budget film.
00:14:32Very big.
00:14:33And I had to go for the shooting.
00:14:35The shooting was in the park,
00:14:37Goro Ghaon.
00:14:38And I went there.
00:14:39And the first scene was that I was taken on the ground
00:14:42and there was a tractor that goes above me.
00:14:44And he told me,
00:14:45David said,
00:14:46I said,
00:14:47How can I go above this tractor?
00:14:48You're crazy.
00:14:49I won't do this tractor.
00:14:50I won't do it.
00:14:50I said,
00:14:51No, Satish,
00:14:52there's a lot of the tractor height.
00:14:53There's a lot of the ground space.
00:14:55There's a lot of the ground space.
00:14:56There's nothing.
00:14:57There's a lot of the four tires.
00:14:58There's only one shot.
00:14:59So, he had to come in.
00:15:00I said,
00:15:01No, no, no.
00:15:01And when he showed it,
00:15:02I said,
00:15:03Okay, the fighter didn't do it.
00:15:04Suddenly,
00:15:05I was late.
00:15:06Cut sound.
00:15:07Roll camera.
00:15:08Action!
00:15:09The tractor started.
00:15:10And I said,
00:15:11Cut, cut.
00:15:12I said,
00:15:13Why, Satish?
00:15:13Who is the cut?
00:15:14I said,
00:15:15The driver didn't see the Rupki Rani Choron.
00:15:16I didn't see.
00:15:20He said,
00:15:21He said,
00:15:22He said,
00:15:23He said,
00:15:24He said,
00:15:25He said,
00:15:26He said,
00:15:27He said,
00:15:28I said,
00:15:29Tell him.
00:15:30He said,
00:15:31Sir,
00:15:32Your humor is not even finished.
00:15:33I'll give you a shot.
00:15:34What happens sometimes?
00:15:35The actor inspires you.
00:15:36You say,
00:15:37Satish,
00:15:38You have to do it.
00:15:39You have to do it.
00:15:40One time,
00:15:41we were shooting in Hyderabad.
00:15:42We were going with Salman.
00:15:43We were going with Dulan.
00:15:45So,
00:15:46I had to come to the inspector for one scene.
00:15:48So, Satish,
00:15:49He said,
00:15:50He said,
00:15:51He said,
00:15:52I said,
00:15:53He said,
00:15:54We have to do it.
00:15:55We told him that scene,
00:15:56We are laughing.
00:15:57He doesn't keep the dialogue.
00:15:58He is always laughing.
00:15:59He is a highlight character.
00:16:00He is a highlight character.
00:16:01He has all the dialogue in laughter.
00:16:02He said,
00:16:03You are under arrest.
00:16:05You are under arrest.
00:16:06He was under arrest.
00:16:07He is a highlight character.
00:16:08He is a highlight character.
00:16:09That's the feeling of the dialogue.
00:16:15He gave it to me in the laughter.
00:16:17But Papu Hajar's great story.
00:16:19David said that he had to do this scene.
00:16:21I said, I'm not having fun in this scene.
00:16:23Then we actually did a whole scene workout.
00:16:26And then the first dialogue I told Rumi,
00:16:29that in Ramesh Sipi's films,
00:16:30when I was playing in Sagar's picture,
00:16:33Batuklal,
00:16:34he was in the camera, still a photographer.
00:16:37He was also eating water.
00:16:39Now I told him to take a photo.
00:16:43I told him to take a photo.
00:16:46What is this word?
00:16:50And that's the first word used in the Pappu Pajar.
00:16:55This is the Pappu Pajar.
00:16:56Don't hurt me.
00:16:58I'm talking about the Pappu Pajar.
00:17:01Don't do this.
00:17:03Don't put it in the receiver,
00:17:04take a photo and take a photo.
00:17:06I'll put it in the back.
00:17:08I'll put it in the back.
00:17:09Don't put it in the Pappu Pajar.
00:17:11It's gone.
00:17:16So you can say that Rumi Jafri's writing,
00:17:19you know,
00:17:20David Devan's direction is a big contribution.
00:17:22That's why I love the public today.
00:17:26Who actually love the public and really love the public.
00:17:29But they love me.
00:17:31So that's my brother Rumi Jafri's writing.
00:17:33And that's why I can understand how much of their contribution is.
00:17:37Huh?
00:17:39That's right, sir.
00:17:40It's a good friend of yours.
00:17:42You've got so much fun.
00:17:44It's not the problem.
00:17:45The public didn't have fun.
00:17:46They're all familiar characters.
00:17:47We've heard about Annu, sir.
00:17:49Normally, you can apply to NSD.
00:17:53But Annu, sir, you like it so much.
00:17:55Okay.
00:17:56You've changed some rules for you, sir.
00:17:59No, sir, it was a small thing.
00:18:00I didn't have my money for my father.
00:18:01I was lost.
00:18:02So when I went to NSD,
00:18:04then they said,
00:18:06at least,
00:18:06let me clear the Galway.
00:18:08There was a graduation.
00:18:10So I had done a private exam for Galway.
00:18:13I didn't have four books.
00:18:16But when I went to NSD,
00:18:17then the rest of them...
00:18:19I said,
00:18:20look, you've got something about Mohan Rakesh,
00:18:23Shakespeare, Ben Johnson,
00:18:25Christopher Marlowe.
00:18:27I don't know this.
00:18:28You're going to work with me.
00:18:32You're going to work with me.
00:18:33You're going to work with me.
00:18:36I don't know.
00:18:37Okay.
00:18:38Kapil, I'm going to tell you one more thing.
00:18:40I'm sorry.
00:18:41When we went there,
00:18:43we were in Central India.
00:18:44We were in a convent.
00:18:46I was also in a convent.
00:18:48I'm going to work with me.
00:18:49I'm going to sit there.
00:18:51But there was one thing in us.
00:18:54There were people who said,
00:18:56By God, Angeridji would say,
00:18:58I mean, it was like that
00:19:00when we were in English,
00:19:02we felt like it would be less than that.
00:19:06That's why I said,
00:19:07brother, this is a big deal.
00:19:08No, no.
00:19:09Now we have to do this.
00:19:12So, we were in this convent.
00:19:14What a convent.
00:19:15I don't have a convent.
00:19:17Kapil, Annu bhai said a convent.
00:19:20In the convent,
00:19:22I remember a very good song.
00:19:23Yes.
00:19:24Rishad.
00:19:24He saw my face with my eyes.
00:19:28Wow.
00:19:29He saw my face with my eyes.
00:19:33I had to do it in his heart.
00:19:38Wow.
00:19:39Very good.
00:19:40Very good, Rumi.
00:19:41I was listening to a song in Venn.
00:19:45It's a very good song.
00:19:45It's a lot of songs in love.
00:19:46It's a lot of songs in love.
00:19:47Yes.
00:19:48It's a very good song in a possessive man.
00:19:51I have a very good song in love.
00:19:52When I meet at home,
00:19:54I'll be the best of your house.
00:19:56I'll be the best of your house.
00:19:57Wow.
00:19:58When I meet at home,
00:20:00I'll be the best of your house.
00:20:02I'll never come to you,
00:20:03and I'll never come to you.
00:20:06I'll never come to you,
00:20:07and I'll never come to you.
00:20:13Look, what is this?
00:20:14Kapil, we all know this.
00:20:16You are a performer.
00:20:17I love you, Satish.
00:20:18I love you, Satish.
00:20:19I love you, Satish.
00:20:20I love you, Satish.
00:20:21I love you, Satish.
00:20:22I love you, Satish.
00:20:23I love you, Satish.
00:20:24I love you, Satish.
00:20:25I love you, Satish.
00:20:26I love you, Satish.
00:20:27I love you, Satish.
00:20:28I love you, Satish.
00:20:29I love you, Satish.
00:20:30I love you, Satish.
00:20:31I love you, Satish.
00:20:33I love you, Satish.
00:20:34I love you, Satish.
00:20:35I love you, Satish.
00:20:36I love you, Satish.
00:20:37I love you, Satish.
00:20:38I love you, Satish.
00:20:39I love you, Satish.
00:20:40I love you, Satish.
00:20:41I love you, Satish.
00:20:42I love you, Satish.
00:20:43I love you, Satish.
00:20:44I love you, Satish.
00:20:46I love you, Satish.
00:20:51It's amazing.
00:20:52Look, there's a 9th standard.
00:20:53Then there was a double-decker in there.
00:20:55There was a double-decker sitting there.
00:20:57I'd always sit behind or sit in the back.
00:21:00I was reading all of his books.
00:21:02There was also a 9th, physics.
00:21:05There was always a copy of chemistry.
00:21:07There was always a home science.
00:21:09So now I knew the reality.
00:21:10I'd always get out of the world and go to the house.
00:21:13I'd always leave him to the house.
00:21:18So this is how it goes.
00:21:20This is how many days it goes.
00:21:22In a double-decker bus,
00:21:23there were 5-6 schools in the house.
00:21:26So the bus was full.
00:21:28The CD on the double-decker bus was standing.
00:21:32And I was a little bit lower.
00:21:33So looking up to us.
00:21:34Hi, hi.
00:21:39Looking up to us.
00:21:41Looking up to us.
00:21:42I'm listening to a romantic story.
00:21:45So I'm watching it and watching it.
00:21:47You're all familiar with me.
00:21:49Which school you study?
00:21:50Yes.
00:21:51He gave me the answer.
00:21:53Yes.
00:21:54He gave me the model.
00:21:55And he also said,
00:21:55I'm looking at the dress,
00:21:57but I'm going to school.
00:22:02Then I said,
00:22:02Which subjects?
00:22:04Which class?
00:22:05Which class?
00:22:06And he saw the copy?
00:22:079th.
00:22:08Which standard?
00:22:099th standard.
00:22:10Which subjects?
00:22:11Which subjects?
00:22:12I'm getting the answer.
00:22:13I mean, confidence means,
00:22:14I'm going to double-decker with a triple-decker.
00:22:16I'm going to double-decker.
00:22:17I'm going to double-decker with a triple-decker.
00:22:18I'm going to double-decker.
00:22:19I'm going to double-decker with a triple-decker.
00:22:20Which?
00:22:21Physics, Chemistry, Mathematics.
00:22:23Oh.
00:22:24Now silence.
00:22:25First, the one is running.
00:22:26The one has increased confidence level.
00:22:28Satish Kaushik has increased.
00:22:29Yeah.
00:22:30You know?
00:22:31Suddenly, I saw her face.
00:22:33I saw her face.
00:22:34I saw her face.
00:22:36And she said slowly,
00:22:37I love you.
00:22:45What a sound.
00:22:46Because she was watching me down,
00:22:48she saw me down.
00:22:50Shut up.
00:22:53I saw her face.
00:22:56Okay.
00:22:57Okay.
00:22:58And she sat down.
00:23:01And she was sitting there at the bus stop.
00:23:04And I was standing there at the other bus stop.
00:23:06I said that story's name.
00:23:07Romance is over.
00:23:09I mean, the romance was not tiny.
00:23:14I remember the story from the streets.
00:23:16Hey, hey, young man.
00:23:17Even night.
00:23:18Even night.
00:23:19Even night.
00:23:20Even night.
00:23:21I'm not.
00:23:22I'm not.
00:23:23I'm not.
00:23:24I'm not.
00:23:25I'm not.
00:23:26I'm not.
00:23:27I'm not.
00:23:28I'm not.
00:23:29I'm not.
00:23:30I'm not.
00:23:31I'm not.
00:23:32I'm not.
00:23:33I'm not.
00:23:34I'm not.
00:23:35She's in front of her heart.
00:23:36She's in front of her heart.
00:23:37She's in front of her heart.
00:23:38How do I say to her?
00:23:40And suddenly I saw a girl sitting on the stairs.
00:23:45It was one of my...
00:23:47who looked at her and looked at her.
00:23:50And these stairs went down.
00:23:51They were with me.
00:23:53They were taken down.
00:23:54I said to her,
00:23:55I said to her,
00:23:56brother,
00:23:57I've only given you 10 days.
00:24:00If it wasn't for me,
00:24:02then think about it.
00:24:05And I didn't know who was.
00:24:06I didn't know.
00:24:07And in the 10th of the day,
00:24:08I met her.
00:24:09Come on.
00:24:10Yes!
00:24:15Come on.
00:24:17Now there was a study.
00:24:18Mehndi Hasan had gone to Ghazal.
00:24:20It was Salim Malik, Salim Kousar.
00:24:22Salim Kousar.
00:24:23I think someone else thinks something else.
00:24:27And what?
00:24:28He's coming from Iraq.
00:24:29He's coming from Iraq.
00:24:30He's coming from Iraq.
00:24:31He's not even a girl friend.
00:24:33I don't know.
00:24:34He's listening to this Ghazal,
00:24:35why are they so sentimental?
00:24:38No,
00:24:39because there's one in that Ghazal.
00:24:41There's one in that Ghazal.
00:24:42There's one in that Ghazal.
00:24:43There's a good one.
00:24:44But for those people,
00:24:45who didn't get any of them,
00:24:46there's a good one.
00:24:47If you've come,
00:24:48then don't ask.
00:24:49Let's see them.
00:24:51Wow.
00:24:52If you've come,
00:24:53then don't ask.
00:24:54Let's see them.
00:24:55Let's see them.
00:24:56Let's see them.
00:24:57There's a good one.
00:24:58There's a good one.
00:24:59There's a good one.
00:25:00There's a good one.
00:25:01There's a good one.
00:25:02There's a good one.
00:25:03Now, what is it?
00:25:06We can talk to Central India
00:25:09that time of the time
00:25:11was a strange naivety.
00:25:12You can say that naivety
00:25:13you can say that
00:25:15if the girl has seen it
00:25:16and saw it,
00:25:17then she will love.
00:25:18Yeah.
00:25:19And now,
00:25:20you don't even love anything.
00:25:27Sir,
00:25:28if you're talking about the song,
00:25:29then something will happen.
00:25:30Sir,
00:25:31you're such a good song.
00:25:32You're such a good song.
00:25:33You're such a good song.
00:25:34You're such a good song.
00:25:39Today,
00:25:40this successful manch
00:25:42platform
00:25:43of Adrani Bhai Shri Kapil Sharma
00:25:46that is the responsibility of the soul
00:25:48of the soul.
00:25:50After raising the soul,
00:25:52I would like to thank you
00:25:55for doing something
00:25:56for yourself.
00:25:57Sir, please.
00:25:58In 1756,
00:26:00there was a person
00:26:01who was named
00:26:02Wolfgang Amatius Mozart.
00:26:04Mozart.
00:26:05Yes.
00:26:06Zorda Taliyans.
00:26:09One of the genius ever born
00:26:10in the field of music.
00:26:11Absolutely.
00:26:13So,
00:26:15there's a tune
00:26:16coming,
00:26:17but you might not
00:26:18can do that.
00:26:19I'm coming to you.
00:26:20What about it?
00:26:21Oh!
00:26:22Oh!
00:26:31Oh!
00:26:32Oh!
00:26:33Oh!
00:26:34Oh!
00:26:35Oh!
00:26:36Oh!
00:26:37Oh!
00:26:38Oh!
00:26:40Oh!
00:26:41Oh!
00:26:42Oh!
00:26:43Oh!
00:26:44Oh!
00:26:45Oh!
00:26:46Oh!
00:26:48Oh!
00:26:49Oh.
00:26:50Oh!
00:26:51Oh!
00:26:52Oh!
00:26:54Oh
00:27:10This composition is known as for elise elise said was great masters cananta ludwig fun
00:27:19Beethoven Zorda Thalia's good
00:27:21This is his composition, it's not for a man
00:27:25But you will do that Mozart, which was in G minor, symphony no. 40 or for elise
00:27:32In that, there was only one bharatian rock of the art of the art of the art of the art of the art
00:27:41His name is Rageshwari
00:27:43Gamare Niresa
00:27:47Oh
00:27:49It's a gamma Danny Danny
00:27:53That's all
00:27:57Gamma Danny
00:27:59No, my mom
00:28:05Yeah, Mara Shastri Sangeet is this
00:28:12But because we have a Shastri Sangeet
00:28:15The base is linked to our mitti.
00:28:20There are a lot of mitti in India.
00:28:24When we talk about the mitti,
00:28:27we talk about the song,
00:28:29one is standing in front of us,
00:28:32whose name is Rade.
00:28:34Rade, Rade, Krishna, Krishna, Krishna, Krishna, Krishna.
00:28:37What is Krishna?
00:28:40What is Krishna?
00:28:41Who I am,
00:28:43who I am,
00:28:45and who said to me that his name is Bh curation,
00:28:48So drat sham
00:28:50That will help me
00:28:52In the dream,
00:28:54To be in the dream,
00:28:56To be in the dream,
00:29:00and that will help me
00:29:02I will drink in the dream,
00:29:04I will drink in the dream,
00:29:06I will drink out
00:29:07I will drink in the dream,
00:29:08I am a
00:29:10I am a
00:29:12I am a
00:29:14I am a
00:29:16I am
00:29:18I am
00:29:20I am
00:29:22I am
00:29:24Now, see
00:29:26On the top of the things
00:29:28As the name of rap
00:29:30I will sing you for 200 years
00:29:32I am
00:29:34I am
00:29:36I am
00:29:38I am
00:29:40I am
00:29:42I am
00:29:44I am
00:29:46I am
00:29:48I am
00:29:50I am
00:29:52I am
00:29:54I am
00:29:56I am
00:29:58I am
00:30:00I am
00:30:02Balaam Algoram
00:30:27Ropsha
00:30:29I'm
00:30:59Oh
00:31:15Anu sir aap jaisa naa koi thaa naa koi ayah
00:31:21Yeah
00:31:25Is ke baad benda kya pooch lega
00:31:29Yeah
00:31:48M
00:31:50If you have 30 rupees, you have to pay an auto.
00:31:56Let's see if you have a job.
00:31:58Let's see if you have a job.
00:31:59Let's see if you have a job.
00:32:00Rumi ji, you have come here and you have to play with words.
00:32:04No, but you can't tell me that you can't come here.
00:32:12Padish ji, when the country has become free?
00:32:15Give it to him.
00:32:16Oh, you are very sorry.
00:32:20What happened?
00:32:22What happened?
00:32:23What happened?
00:32:24What happened?
00:32:25This is a plumber's number.
00:32:27Let me call it and call it.
00:32:30Why?
00:32:31Did you have a bad idea?
00:32:32No, my mood is bad.
00:32:37Let me call it and say,
00:32:39let me take my daughter to my house.
00:32:42What is your plumber's daughter at home?
00:32:44I don't know!
00:32:45I don't know!
00:32:46I don't know.
00:32:47What happened to my daughter at home!
00:32:48What happened to my house?
00:32:49It was just my mother's daughter.
00:32:52I was doing everything.
00:32:54I do everything.
00:32:55But when she remembers her father,
00:32:58she gives her the truth to the house.
00:33:00That she will get a plumber.
00:33:02I love you.
00:33:06What was that?
00:33:08You call me, I'll call him and take him.
00:33:11What do I do? You do it yourself.
00:33:12No, I don't have mobile, only a landline.
00:33:15You do it with a landline?
00:33:16No, I don't have a landline.
00:33:17Then do it with a mobile?
00:33:18No, I don't have a landline.
00:33:19Where will it come from?
00:33:24Vakil sir, you didn't have any idiot?
00:33:26I didn't know, he's a idiot, a idiot.
00:33:28I didn't know.
00:33:30He tried to cut his teeth, but his teeth broke out.
00:33:35Now he has to put his dentures,
00:33:37but he has to put his dentures,
00:33:39and he will try again.
00:33:40I said, okay, you're welcome.
00:33:43You're welcome.
00:33:44What?
00:33:45Your mind looks good.
00:33:46Go back and sit under the bull.
00:33:48Go and treat yourself.
00:33:49No, no, no.
00:33:50No, no, no.
00:33:51No, no, no.
00:33:52No, no, no.
00:33:53No, no, no.
00:33:54No, no, no, no.
00:33:55Why?
00:33:56No, no, no, no.
00:33:57Why?
00:33:58I don't know.
00:33:59That's not what you have to say.
00:34:00If you say you are a man,
00:34:01you've got a man.
00:34:02You've got a man,
00:34:03you've got a man.
00:34:04You've got a man,
00:34:05and I've got a man.
00:34:06You've got a man.
00:34:07You've got a man.
00:34:08I think I'll let you auto you.
00:34:10You've got a man.
00:34:11You've got a man.
00:34:12I have a big head. Why didn't you make a park for kids?
00:34:21Sir, this is a manager. This is his house.
00:34:25This is so talented. He gives a client to the first time.
00:34:29He gets to jail. He's so talented.
00:34:35I never had a case in the first time.
00:34:37I had a case in the first time. I had a case in 27 years.
00:34:40I never had a case in the first time.
00:34:44This is a joke.
00:34:47But...
00:34:49What a joke.
00:34:51What a joke.
00:34:52I'm asking. What a joke.
00:34:55What a joke. What a joke.
00:34:57He called me three men.
00:35:01I didn't call ladies.
00:35:03The one who is watching me,
00:35:07the one who is watching me,
00:35:10the one who is watching me,
00:35:12the two who are watching me and the one who is watching me.
00:35:15It's the real one.
00:35:17The real one.
00:35:21You only have one of the men in the middle of the day.
00:35:25I mean ladies.
00:35:27Ladies.
00:35:29Ladies.
00:35:31Arjan Ahi, ladies are ladies and Arjan Ahi.
00:35:32I have written a lot, but I don't even remember it.
00:35:35Ladies, sir.
00:35:38Sir.
00:35:39Sir.
00:35:40Sir.
00:35:41Sir.
00:35:42Sir.
00:35:43Sir.
00:35:44Sir.
00:35:45Sir.
00:35:46Sir.
00:35:47Sir.
00:35:48Sir.
00:35:49Sir.
00:35:50Sir.
00:35:51Sir.
00:35:52Sir.
00:35:53Sir.
00:35:54Sir.
00:35:55Sir.
00:35:56Sir.
00:35:57Sir.
00:35:58Sir.
00:35:59Sir.
00:36:00Sir.
00:36:01Sir.
00:36:02Sir.
00:36:03Sir.
00:36:04Sir.
00:36:05Sir.
00:36:06Sir.
00:36:07Sir.
00:36:08Sir.
00:36:09Sir.
00:36:10Sir.
00:36:11Sir.
00:36:12Sir.
00:36:13Sir.
00:36:14Sir.
00:36:15Sir.
00:36:16Sir.
00:36:17Sir.
00:36:18Sir.
00:36:19Sir.
00:36:20Sir.
00:36:21Sir.
00:36:22Sir.
00:36:23Sir.
00:36:24Sir.
00:36:25Sir.
00:36:26Sir.
00:36:27Sir.
00:36:28You have written a big, big film.
00:36:30Very big.
00:36:31But you have seen a film that I've seen now.
00:36:33It was 2 hours ago.
00:36:35No, it's a big film.
00:36:38So, it's 6,000 hours ago.
00:36:40Which film is so long?
00:36:41Gangs of Wasipur.
00:36:43It's a very long film.
00:36:44It's not just a long film.
00:36:45The interval was so long.
00:36:47For two months?
00:36:53Why do I feel like I'm sitting on the show?
00:36:58You are too.
00:37:00You are too.
00:37:01You are too.
00:37:02You are too.
00:37:03You are too.
00:37:04Good job.
00:37:09See?
00:37:10Do what?
00:37:11I don't know, sir.
00:37:12You are too.
00:37:13You are too.
00:37:14You are too.
00:37:15You are too.
00:37:16You have been a person who has been a man.
00:37:17The last time you are a poor.
00:37:20Tadeesh, you have made so many films.
00:37:22You have filmed that name.
00:37:24You have filmed that name.
00:37:25You have done it with Salman Khan.
00:37:27You have done it with Salman Khan.
00:37:28Why?
00:37:29You have done it with Heroin.
00:37:31Then, these people who were so sweet,
00:37:34they have done it all.
00:37:38I can guarantee that this is not a demand of story.
00:37:41This is a demand of jealousy.
00:37:43It's an open and haircut case of jealousy.
00:37:52Haircut case?
00:37:53It is.
00:37:54My lord.
00:37:55Yes, sir.
00:37:56Yes.
00:37:57Yes.
00:37:58Who does that talk to you today?
00:37:59Who does that talk to you today?
00:38:00No.
00:38:01No.
00:38:02No.
00:38:03No.
00:38:04I'm not.
00:38:05I'm not.
00:38:06I said-
00:38:07for a person.
00:38:08A human man came in.
00:38:09I said,
00:38:10what's the thing to take,
00:38:11what will I take?
00:38:12I said,
00:38:13I've not taken a person to take a job.
00:38:15So, I took the effort.
00:38:18I got from the auto and drive a police station.
00:38:21For me, I was taken over and build a police station.
00:38:22And the police got knocked off me.
00:38:24And the police knocked on me and machied me.
00:38:25I knocked on the police.
00:38:26I knocked on it.
00:38:27Why?
00:38:28Because the ULTA-chor is going to kill someone.
00:38:37ULTA-chor!
00:38:39After a long time, the ULTA-chor got uncomfortable.
00:38:43So I got ULTA.
00:38:44No, actually I got ULTA-chor.
00:38:46No, I got confused.
00:38:48I got ULTA-chor first.
00:38:50So when he comes ULTA-chor,
00:38:52is it ULTA-chor or ULTA-chor?
00:38:53Yes.
00:38:56What a question.
00:38:58What is this, that you're asking questions?
00:39:00Okay, I always ask questions.
00:39:03Mr. India.
00:39:05There was a film.
00:39:06There was a calendar.
00:39:08But I watched a film.
00:39:09The amount of food you have made in it,
00:39:11the amount of food you have made in it,
00:39:13the amount of food you have made in it,
00:39:15it should be a cylinder.
00:39:16I don't know.
00:39:22I didn't ask you one thing.
00:39:23I didn't forget.
00:39:24Say it, say it.
00:39:24Would you love to have GAD-out?
00:39:27What is this?
00:39:29Why are you doing this?
00:39:30You're doing this more.
00:39:31I'm saying,
00:39:32Sadisji,
00:39:33I have a request.
00:39:34I will go and force it.
00:39:36But I'm saying,
00:39:37you've made such films,
00:39:40on me.
00:39:42Make this, make this.
00:39:43I will give you your rights.
00:39:45Okay.
00:39:46If you don't have any best wishes,
00:39:48why would you take the rights?
00:39:49Take the rights,
00:39:50take the left,
00:39:51take the wrong,
00:39:51take the right,
00:39:52take all of them.
00:39:52But I made a film on me.
00:39:54You have to direct direct me.
00:39:55It's a story I have.
00:39:56What a story, tell me.
00:39:57Look,
00:39:58I'm sitting there,
00:39:59and I'm looking at one thing.
00:40:00This is your entry.
00:40:07This is my entry.
00:40:08This is my entry.
00:40:09This is the start of the film.
00:40:10This is the entry here.
00:40:11This is the entry of hero.
00:40:12This is the camera on me.
00:40:14Okay.
00:40:15This is the hero.
00:40:15Then the hero takes a pencil.
00:40:17Now the camera goes up,
00:40:18the hero goes down.
00:40:19The camera goes right,
00:40:20the hero goes left.
00:40:21The hero goes left.
00:40:22The camera goes up,
00:40:23the hero goes back.
00:40:24What is this?
00:40:24It's the first film.
00:40:25It's not a little idea.
00:40:31Okay.
00:40:32Okay.
00:40:33Give me a little time.
00:40:34That's the truth.
00:40:35Now,
00:40:36we'll show this in a long shot.
00:40:38Here's the hero.
00:40:38The hero is showing Elie.
00:40:39He's wearing a kissing scene.
00:40:41Oh,
00:40:42Oh.
00:40:43Oh,
00:40:44Oh.
00:40:45Oh,
00:40:45Oh,
00:40:46Oh.
00:40:47Oh,
00:40:47Oh,
00:40:48Oh,
00:40:49Oh,
00:40:50Oh.
00:40:51Oh,
00:40:52Oh,
00:40:53Oh,
00:40:53Oh.
00:40:54Oh,
00:40:54Oh,
00:40:55Oh,
00:40:56Oh,
00:40:57Oh,
00:40:58Oh,
00:40:58Oh.
00:40:59Oh,
00:41:00First of all, if you come here and don't dance, then it's better.
00:41:15Who should we dance with four men?
00:41:18Who should we dance with?
00:41:21Baba, Baba, Baba.
00:41:23Thank you, sir.
00:41:25Oh, this is so beautiful.
00:41:27It's so beautiful.
00:41:29It's so beautiful.
00:41:36Sir, look, you are a writer yourself.
00:41:38Our people have been very creative today.
00:41:41If you put your pictures to the fans,
00:41:44you can comment down below.
00:41:45I want to show you something here.
00:41:47I want to show you something here.
00:41:53Stish Kaushik has put a photo that
00:41:55three is a company always
00:41:57ready to go and
00:41:59proving to be brilliant.
00:42:01Anil Kapoor, Anutamkir,
00:42:03and Stish.
00:42:04Let's see the comments below.
00:42:06I want to show you something to make sure
00:42:07that you're a manager.
00:42:08I want to show you something to that.
00:42:09You're a manager for both of us.
00:42:11If you're a manager,
00:42:12you play the table.
00:42:13Oh, God!
00:42:14Oh, God!
00:42:15Oh, God!
00:42:16Oh, God!
00:42:17Oh, God!
00:42:18Oh, God!
00:42:19Oh!
00:42:20Oh!
00:42:21Yanta, so creative are really creative.
00:42:22Yeah, so, so, so, so.
00:42:23It's a very big thing.
00:42:24It's a big thing.
00:42:25But, Sateesh,
00:42:26you're both best friends of Anupam,
00:42:28and you.
00:42:29And you, Satish?
00:42:30He has so many hair and you don't have any hair.
00:42:35Okay, the parents teacher has a student with two children in a meeting.
00:42:43I'm looking at the expressions of the unpumped head.
00:42:45I'm looking at the bill today.
00:42:49Let's see in the next one.
00:42:50Come on.
00:42:53Satish, I'm looking at the first time they saw the pole dance.
00:43:00Wow, Anil.
00:43:01Someone said, wow, Anil, sir, you put four shades in two sides, in two sides.
00:43:12Let's see.
00:43:15Anu, sir, is the photo.
00:43:17Am I locked down at my farm?
00:43:19Let's read the comments down below.
00:43:20Wow, sir, what's the matter?
00:43:22You're looking at it, man.
00:43:24Man, you're looking at it.
00:43:25Anu, sir, you're looking down from the clothes.
00:43:28You've bought a farmhouse and when did you go to the house?
00:43:34Sir, why are you sitting in lockdown?
00:43:36You can play an antakshiri.
00:43:40And let's see.
00:43:41Anu, sir, you're looking at it.
00:43:43It seems that they gave a chair in the laundry and got locked down.
00:43:47What's the matter?
00:43:48What's the matter?
00:43:49An observation?
00:43:49He's sitting in the chair.
00:43:50Okay.
00:43:50Someone's reply is also, no, no, brother.
00:43:53You put the clothes on the chair.
00:43:57If you're looking at the clothes, then the person is ready to sit in lockdown.
00:44:01Oh, wow.
00:44:05Let's see.
00:44:09Okay, this Rumi sir has a photo.
00:44:11Bouni sahab is so fond of good food that he wouldn't say,
00:44:14shy away from eating at a public place.
00:44:16Although being our Alam Pana.
00:44:18Okay, let's see.
00:44:21Bouni Kapoor Golgapaye wale ki bouni karate huye.
00:44:24Rumi ji.
00:44:30Rumi ji be like.
00:44:32I was thinking about dinner.
00:44:33They put it in Pani Puri.
00:44:38Golgapaye kha ke sukhi papadi lehna mad bhuulna.
00:44:41Yeh aapka janv siddh adikar hai.
00:44:43Aapka dhigvijay Pani Puri wala.
00:44:46Baliyah aftar pradesh.
00:44:48Baliyah aftar pradesh.
00:44:49Baliyah aftar pradesh.
00:44:50Baliyah aftar pradesh.
00:44:51Or dekhaayye.
00:44:52Baliyah aftar pradesh.
00:44:54Shtish Kaushik saab ne pwot dalhi.
00:44:56Biryani, biryani, biryani.
00:44:58Waiting for delicious biryani to be served.
00:45:00Dikhahi ji jara.
00:45:01Comments.
00:45:03Inki khushi dekke lagta hai ki
00:45:05Half plate ke prize mein inko
00:45:07full plate biryani mi liya.
00:45:11Kamal ki hummeri log hai thai comment.
00:45:13Chawal be like.
00:45:15Aaj mai haandi se nikal ke
00:45:17Bade Mattke mein jau ga.
00:45:18Bab hotel.
00:45:21Aaj mai haandi se nikal ke
00:45:27Jab hotel wala kahe nahi nahi nahi.
00:45:29Aap toh celebrity o. Aap se kya paise lena.
00:45:31Aap se kya paise leena.
00:45:32Aexpresiion pe upr aya hai yaw.
00:45:33Aake dikha ye.
00:45:37Acha hua aap ismaile kar rahe ho.
00:45:40Varna koi gulab jamun samaj ke aapka utha leeta.
00:45:43That's right.
00:45:45She's smiling five minutes.
00:45:46She's smiling for five minutes.
00:45:48If you look, the roti is late.
00:45:50So, this will only give a man.
00:45:54What is it? What is it?
00:45:57Let's see more photographs.
00:45:59This is Anu Sir's photo.
00:46:01Where is this photo, Anu Sir?
00:46:02Copenhagen, Denmark.
00:46:03Okay, Copenhagen.
00:46:04Let's see the comments.
00:46:07How much of a man's life,
00:46:10they like black and white.
00:46:15What have you noticed?
00:46:17Celebrity, you are showing a girl's attitude.
00:46:23This is right.
00:46:24If you get a girl's photo,
00:46:25you can do a girl's work.
00:46:33Let's see.
00:46:36Oh, my God.
00:46:37Surrounded by makeup and hair stylist wearing PPE kits,
00:46:40this looks like a shot from a science fiction.
00:46:43I remember that day when they put PPE kits.
00:46:45Let's see the comments below.
00:46:46Terrible time.
00:46:49Sir, don't think bad,
00:46:50but your hair stylist is angry for years.
00:46:53I'm not sure.
00:46:54I'm not sure.
00:46:55I'm not sure.
00:46:56I'm not sure.
00:46:57I'm not sure.
00:46:58I'm not sure.
00:46:59I'm not sure.
00:47:00I'm not sure.
00:47:01Satish Ji is angry.
00:47:02I'm not sure he's not cut.
00:47:03I'm not sure.
00:47:06I'm not sure shooting or operation.
00:47:09I'm not sure.
00:47:10Absolutely.
00:47:11White, white, white, and white.
00:47:12All the doctors look like.
00:47:13Oh, that's right.
00:47:14Let me see.
00:47:15Let me see.
00:47:16What are you writing?
00:47:17It's amazing.
00:47:18It's so innovative.
00:47:19Sir, do you know how to do
00:47:21which hair stylist in the PPE kit
00:47:22and which makeup stylist?
00:47:23He wrote a reply.
00:47:24It's easy.
00:47:25The one who's sitting on the left,
00:47:26the hair stylist.
00:47:29Very good.
00:47:30Very good.
00:47:31The one who's sitting on the left.
00:47:32And the one who's doing
00:47:33the makeup stylist.
00:47:36And let me see.
00:47:38Wow.
00:47:39It's totally true.
00:47:41Oh!
00:47:42What a joke!
00:47:43God, a big dashing photo.
00:47:45Let me see the comments.
00:47:46Wow!
00:47:47Sir, what a joke!
00:47:49You've also got a beard.
00:47:54Sir, one of the advice.
00:47:55If you want to make a beard,
00:47:56put a jacket on it.
00:47:57Otherwise, you'll cut a collar on it.
00:48:01Anu Kapoor is also right.
00:48:02He's calling,
00:48:03but he doesn't want to go.
00:48:06Sir, you have such a big jacket
00:48:08and a warmer inside.
00:48:09It's better than two old monkeys.
00:48:11He's calling me.
00:48:14Oh, my God!
00:48:15Oh, my God.
00:48:16Oh, my God!
00:48:17Nice!
00:48:19Okay, it's done.
00:48:20Yes, yes.
00:48:27Can I say something?
00:48:28Yes, sir.
00:48:29Anu Kapoor ji,
00:48:30he's a very good boy.
00:48:31He's a great guy.
00:48:32He's a great guy.
00:48:33He's a great guy.
00:48:34He's a great guy.
00:48:35And he's a great guy.
00:48:36And he's a great guy.
00:48:37He's a great guy.
00:48:38He's a great guy.
00:48:39He's a great guy.
00:48:40And he's a great guy.
00:48:41He's a great guy.
00:48:42He's a great guy.
00:48:43He's a great guy.
00:48:44He's a great guy.
00:48:45He's a great guy.
00:48:46Welcome.
00:48:51I was talking about a law college.
00:48:52My brother came.
00:48:53I told him,
00:48:54I'll tell him,
00:48:55I'll tell him.
00:48:56In a law college,
00:48:57he was a professor.
00:48:58He was a guy who was very smart.
00:49:02He failed.
00:49:03Yes, sir.
00:49:04He felt bad.
00:49:05I told him,
00:49:06I want to meet you five minutes.
00:49:07You've failed me.
00:49:08If you didn't have a law,
00:49:09you could pass.
00:49:10Then I failed.
00:49:11I told him,
00:49:12sir,
00:49:13if you have three questions,
00:49:16I'll admit that you've failed me.
00:49:20I'll tell him.
00:49:22Sir,
00:49:23what kind of thing is legal and logical?
00:49:28And logical and legal are not.
00:49:30And what kind of thing is legal and logical?
00:49:33And what kind of thing is legal and logical?
00:49:35And what kind of thing is legal?
00:49:36And what kind of thing is legal and logical?
00:49:39And he said,
00:49:40I don't know.
00:49:41He said,
00:49:42you're going to pass.
00:49:43He said,
00:49:44the other day,
00:49:45he's sleeping at night and he's going to ask him in class.
00:49:47I'll ask him,
00:49:48what kind of thing is legal and logical?
00:49:50I asked him, tell me one thing.
00:49:54What is legal and not logical?
00:49:58Logical is not legal.
00:50:01And what is it that it is not legal and not logical?
00:50:04You're a liar.
00:50:06I'll tell you, sir, I'll tell you.
00:50:08Tell me, tell me.
00:50:10Look, this is the thing.
00:50:12You married a 23-year-old girl.
00:50:15You've been 60 years old.
00:50:16This is legal, but it's not logical.
00:50:20And the affair of that girl is going on to anyone.
00:50:25This is not logical or legal.
00:50:27It's not legal.
00:50:29And you've also passed that girl.
00:50:31Now, this is not logical or legal.
00:50:42Satish sir, I was asked to ask you,
00:50:43when you told me to go to your house,
00:50:45that I want to go to the acting field.
00:50:47What was their reaction?
00:50:48Like all of the people of the family,
00:50:51when I joined the National School of Drama in 1975,
00:50:55I actually had a job in Bhaadargaard.
00:50:59And I got a letter.
00:51:01I saw a little bit of a bag.
00:51:03I was sitting there.
00:51:04So, as I got a letter of appointment,
00:51:05I put it on the side and put it on the side.
00:51:07Because I wanted to join the National School of Drama.
00:51:10And I didn't want to do that.
00:51:11Then my brother,
00:51:12who is my big brother,
00:51:14who is my big brother and my father,
00:51:14he gave me a ball-bearing company
00:51:18in a small town.
00:51:20Now, I said,
00:51:20where am I going from here?
00:51:21So, I would call my friends from there.
00:51:24So, they told me,
00:51:25you're the brother,
00:51:26you're the one who is the one who is the one who is the one who is the one.
00:51:28So, they had to leave me there.
00:51:30I went to the National School of Drama.
00:51:33My father, my son,
00:51:35they said,
00:51:36you should do whatever you want.
00:51:37I was a big man of the town,
00:51:39wearing clothes,
00:51:40but do it.
00:51:41But I remember,
00:51:42everyone said,
00:51:43we've never done this.
00:51:46How do you do it?
00:51:47I said,
00:51:48I don't know what to do.
00:51:49And I remember,
00:51:50after the National School of Drama,
00:51:53I was on a train of bombings.
00:51:55So, my brother,
00:51:56they tried to stop me.
00:51:58I was very worried.
00:51:59I was very worried.
00:52:00He was out of concern.
00:52:01Where are you going from?
00:52:02Bombay was a very big thing.
00:52:03So, I said,
00:52:04stop,
00:52:04there's no knowledge there.
00:52:06There's no relation to it.
00:52:07There's no relation to it.
00:52:09How do you go there in such a big city?
00:52:12And I said,
00:52:12don't worry about it.
00:52:14Don't worry about it.
00:52:15So, when the car is not going,
00:52:17they're convinced me.
00:52:18And I'm glad that the car is going.
00:52:21They're in their eyes.
00:52:23When I came to Bombay,
00:52:24I actually didn't have anything here.
00:52:26I got a premier textile mill.
00:52:28I got a job of cashier.
00:52:30I had my father told me,
00:52:32give me a job of this country.
00:52:34Or you know me from Ganga Nagar.
00:52:36So, Banasila,
00:52:37Raakish, Raakish, Raakish, Raakish,
00:52:38Raakish, Raakish, Raakish, Raakish.
00:52:39He was the one who was in the textile mill.
00:52:40I had a little bit of a bag.
00:52:41I had a bill made from the textile mill.
00:52:42I had a bill made from the textile mill.
00:52:43I had a bill made from Amrassal,
00:52:43and I had a bill made from the U.S.
00:52:45But that one year,
00:52:46I had done in Bombay,
00:52:46he also did it from the tannamandhan.
00:52:47He did it from the tannamandhan.
00:52:48He did it from the tannamandhan,
00:52:49that I said,
00:52:50Kaka, you guys,
00:52:51you're the Tarrapur factory.
00:52:52I said, I'm going to be an actor.
00:52:54And when he came to my play,
00:52:56he was so overwhelmed.
00:52:59And the next day,
00:53:01there were Punjabi people.
00:53:03There were many people sitting there.
00:53:05And he said,
00:53:07Pandajita was a great actor.
00:53:09He said,
00:53:10Kamal Hassan.
00:53:11You said,
00:53:12I'm not a great actor.
00:53:14He's not a great actor.
00:53:16Pandajita was a great actor.
00:53:18Pandajita was a great actor.
00:53:20I said,
00:53:22I'm happy.
00:53:23He said,
00:53:24I'm going to go out and go out and go out and go out and go out and go out and go out and go out and go out and go out and go out and go out and go out.
00:53:31I heard about this 30th time,
00:53:33that people have made their portfolio and photographs.
00:53:36They never made their photos.
00:53:38I heard that you didn't have a photo,
00:53:40so you showed them.
00:53:42What kind of character?
00:53:43We wanted to hear it.
00:53:44I was casting a picture of Mandi.
00:53:46You were also in that picture.
00:53:47I was in kidney stone.
00:53:48So,
00:53:50I was in the hospital.
00:53:51I was in a x-ray of them.
00:53:53I was taking a x-ray report.
00:53:54I thought,
00:53:55I was in the office of Shambay-Nagal in the house.
00:53:57I was going to go out and go out and go out and go out and go out and go out and go out and go out.
00:54:01We were not able to go out.
00:54:02But it was going to be the stage and the theatre people.
00:54:06So,
00:54:07I went there.
00:54:08There was a cultural assistant.
00:54:09They said,
00:54:10I was sitting outside for a few hours.
00:54:13Chaiwai came, Chaiwai came.
00:54:15I respected the actors like this.
00:54:17When I met Shaambabu,
00:54:19I said, Shaambabu, you've seen me.
00:54:22Give me a job because this is being made.
00:54:25Many people have been casted.
00:54:28So we had to get news in the theater.
00:54:29Today it's been casted.
00:54:31So the insecurity was increasing.
00:54:33So when I reached there,
00:54:35they said, leave your photographs with Raj.
00:54:38And I will say, Raj Pais.
00:54:39Yes, Raj Pais.
00:54:41So I said, sir, I didn't have a photo.
00:54:44But I did improvise.
00:54:46I didn't have a photo.
00:54:47There are my X-ray reports.
00:54:48I am very good looking inside.
00:54:51What a problem!
00:54:53I am very good looking inside.
00:54:55What a problem, sir.
00:54:56I am very good looking inside.
00:54:58So now, see, something is wrong.
00:54:59He laughed so much.
00:55:01And he said,
00:55:01you are acting in my picture.
00:55:04You are signing out.
00:55:05Wow.
00:55:09I am very good looking inside.
00:55:11I didn't have a photo like that.
00:55:13Because we had to believe that
00:55:15no one will take a photo.
00:55:17This is a good thing.
00:55:19Mr. Rumi,
00:55:20I want to tell some titles about their films.
00:55:22You all have seen their films.
00:55:23It's a super-duperate film.
00:55:25You know?
00:55:26I want to say something.
00:55:27I want to say something.
00:55:27I want to say something.
00:55:28I want to say something.
00:55:29I want to say something.
00:55:30I want to say something.
00:55:31I want to say something.
00:55:32I want to say something.
00:55:33Why did I love you?
00:55:34I got married and I got married.
00:55:36Did you write these scripts after marriage?
00:55:39Yes.
00:55:40I am very good listening to Kamal.
00:55:43When I arranged marriage to my marriage,
00:55:46the mother of Saajid Naryad,
00:55:48my local garage, my mother,
00:55:50she married me.
00:55:52She is my mother-in-law and she is my best friend.
00:55:54So, he saw,
00:55:56Saajad, you wrote a lot of good.
00:55:58How much of Kamal's screen.
00:56:00How did you write it?
00:56:01She has two daughters on the honeymoon.
00:56:03Yes.
00:56:04But she is sitting in the room.
00:56:05She doesn't know the same thing.
00:56:06I wrote it.
00:56:07My husband said,
00:56:09Which one of the scripts are you doing now?
00:56:11I said,
00:56:12The daughter is number one.
00:56:13What is the story?
00:56:14I said,
00:56:15Karishma is the wife of Salman.
00:56:16She is the wife of Sushmita.
00:56:18Okay.
00:56:19Then,
00:56:20Which one of the scripts are you doing now?
00:56:22I said,
00:56:23The house is the house.
00:56:24Yes.
00:56:24What is that?
00:56:25So, slowly and slowly,
00:56:27I don't understand.
00:56:28You don't understand two daughters.
00:56:30But we don't ask this question.
00:56:40How do you keep in mind?
00:56:41What is this question?
00:56:42We don't ask this question.
00:56:43How do you keep in mind?
00:56:44I mean,
00:56:45What are the two daughters,
00:56:46I mean,
00:56:47What are the daughters,
00:56:48I mean,
00:56:49What do you do in life?
00:56:51But I didn't do anything.
00:56:52I will not do anything.
00:56:53I will not do anything.
00:56:54I will not do anything.
00:56:55I can't do anything.
00:56:56I will not do anything.
00:56:58I will not do anything.
00:56:59Oh.
00:57:00He is a very unique person.
00:57:04What a story.
00:57:05He was very beautiful, beautiful girls.
00:57:07He was telling me.
00:57:08He was so beautiful.
00:57:09He is so beautiful.
00:57:10I am not seeing you so many times.
00:57:12I have told you so many times.
00:57:13I have seen him as a big brother.
00:57:15I have seen him as a big brother.
00:57:19He is so beautiful.
00:57:21He is so beautiful.
00:57:23Sir,
00:57:24you have also worked in your films.
00:57:27He is also a very good writer.
00:57:29When you listen to Kader brother,
00:57:30I am so happy with him.
00:57:32In a special way,
00:57:33I remember that
00:57:34he has reduced a lot of work.
00:57:35I was able to get together with him.
00:57:37I was able to get together with him.
00:57:38He did so much work with him.
00:57:40I thought that I will be a little bit
00:57:42in 18-20 films in Kader brother.
00:57:44But when I married him,
00:57:46I wrote his character.
00:57:48Yes.
00:57:49He was a small character.
00:57:51So, David and Sajid were told
00:57:53that he is so small.
00:57:54Who would he do the best?
00:57:56He is a big brother.
00:57:57He is a big brother.
00:57:58He is a big brother.
00:57:59He is a big brother.
00:58:00He is a big brother.
00:58:01He is not able to do that.
00:58:02He is not able to do that.
00:58:03And Kader brother,
00:58:04he had reduced his job in that time.
00:58:06So, he has played his role in David's
00:58:07and his role in love of David's
00:58:08and his role in the last answer.
00:58:11Wow.
00:58:12Kader brother,
00:58:13I mean we miss him a lot.
00:58:14Wow.
00:58:15I always do it.
00:58:17I always do it.
00:58:19Kaju.
00:58:21Kaju.
00:58:22Kaju.
00:58:23I always remember my dialogue.
00:58:24My film was our time.
00:58:25Our time.
00:58:26Our time.
00:58:27Yes.
00:58:28It was the first film.
00:58:29Yes.
00:58:30So, Anupam was very confused.
00:58:32Okay.
00:58:33So, it was very good.
00:58:34It was very good.
00:58:35It was very good.
00:58:36It was very good.
00:58:37It was very good.
00:58:38It was very good.
00:58:39It was very good.
00:58:40It was very good.
00:58:41It was very good.
00:58:42It was very good.
00:58:43It was very good.
00:58:44You two of your mother and son.
00:58:45You will have to put me on the footpath.
00:58:46So, he said,
00:58:47If there are houses and houses,
00:58:48this house is not less than any footpath.
00:58:49He said,
00:58:50As you were in the first place.
00:58:51I would not open my mouth.
00:58:52He said,
00:58:53I would keep it in my mouth.
00:58:54What was that?
00:58:55He said, Kaju.
00:58:56He said, Kaju is like that.
00:58:57Yes.
00:58:58Yes.
00:58:59Yes.
00:59:00A
00:59:29C'mon, my phone, my phone, ring ring
00:59:33Hi!
00:59:36How's it?
00:59:38Today, the three pillars of the film industry
00:59:41will be stronger than the others.
00:59:46What's this?
00:59:48I'll take the fourth cube to bring the cube for three pillars.
00:59:54I guarantee that this one is
00:59:57He can keep these three pillars.
01:00:02Sir, how are you?
01:00:04Honestly, I see three friends. I'm very happy.
01:00:07This is your friends.
01:00:09No, I'm not them. I'm talking about three friends.
01:00:13But how many friends are so famous for their friends?
01:00:16Once again, I'm angry.
01:00:18It's very good.
01:00:20It's very good to see you, sir.
01:00:23And, sir?
01:00:25It's your show on the radio, right?
01:00:27Yes, yes.
01:00:28Yes, I see.
01:00:29It's your show on the radio, right?
01:00:31So, you don't give them to us on the radio.
01:00:34He's the writer.
01:00:36He's the director, right?
01:00:38So, you write it on the radio, and he'll tell you something else, sir.
01:00:40What's that?
01:00:41But, Rumi Bhai first came to our show.
01:00:46I'm telling you.
01:00:48As a writer,
01:00:50As a writer in the film industry,
01:00:51Rumi Bhai won't win.
01:00:53How?
01:00:54Now you take the history and see the rest of my brother.
01:00:57I've been running.
01:00:58I've been running.
01:00:59I've been running.
01:01:00You're fighting.
01:01:01Correct.
01:01:02Sergeant, I'm trying to be shooting.
01:01:03Can I still do my work?
01:01:04I'm working on my work.
01:01:07Can I do my work on my work?
01:01:09My way to do my work on my work?
01:01:10No.
01:01:11It will be on my work on my work.
01:01:12I've told you.
01:01:14And Anu,
01:01:16What is your energy, sir?
01:01:19How many years have you given your money from your bank?
01:01:23Which bank is yours?
01:01:25You haven't seen the wiki donor?
01:01:31Kamal's bank is yours.
01:01:33Thank you, Vijay Mali.
01:01:35I didn't run away from your bank from London.
01:01:38Otherwise, your party is more than India.
01:01:41Good job, good job.
01:01:44But honestly, Anu ji has made a mark.
01:01:46What have you done, sir?
01:01:47You have worked on TV too.
01:01:48My God.
01:01:49Look, we don't have a lot of work, sir.
01:01:51What do we do for time pass?
01:01:52We play Antakshri.
01:01:54They have found their work in Antakshri.
01:01:57The women, the women, the women, the women,
01:02:00the women, the women, the women, the women,
01:02:01the women, the women, the women,
01:02:02the women, the women, the women,
01:02:04the women, the women.
01:02:07Kamal, sir.
01:02:09You know, sir,
01:02:10I'm going to play Antakshri.
01:02:13Why do you need to play Antakshri?
01:02:15When we can go to the US Canada,
01:02:17we can go to the US Canada.
01:02:21I can't go to the Antakshri.
01:02:23It's a great deal.
01:02:25Now, sir,
01:02:26we have tourists in the US Canada.
01:02:28We have tourists in the US Canada.
01:02:30We have to do all the publicity.
01:02:32What happens?
01:02:33Listen, when did you ask me?
01:02:35Are you taking the US Canada
01:02:36Archana Ji?
01:02:38Do you mean,
01:02:39they're not going somewhere else?
01:02:41No, I know.
01:02:42I knew it was mine.
01:02:43I was just putting a light on it.
01:02:45I remember them.
01:02:48They're not going to take it.
01:02:49But Archana Ji,
01:02:51you know what the major problem is?
01:02:53Why do you take it?
01:02:55It's a reason.
01:02:56We are all going to work permit.
01:02:57We are all going to permit.
01:02:58Yes.
01:02:59And the whole world knows
01:03:00that you are going to permit on another permit.
01:03:06But no matter what,
01:03:07we will send you photos from there.
01:03:09So, you will like us on Instagram.
01:03:12And Archana Ji started questioning.
01:03:14They didn't tell me that
01:03:16I took 3-4 things,
01:03:17and I will take 4-5 shots.
01:03:18I will take 4-5 shots on TV.
01:03:21You have to do it, sir.
01:03:22You have to do it, sir.
01:03:23You have to do it, sir.
01:03:24You have to do it, sir.
01:03:25Then,
01:03:26Annu Ji,
01:03:27tell me something about me.
01:03:28Yes.
01:03:29When will Sidduu
01:03:30go back to our show?
01:03:31How will he tell you?
01:03:32It will be breaking news.
01:03:34The whole film industry
01:03:36doesn't have to do it, sir.
01:03:37So, Sidduu Ji doesn't have to do it, sir.
01:03:39I'm telling you,
01:03:41I'm telling you,
01:03:42I'm telling you,
01:03:43this is a big information.
01:03:44It means that
01:03:45the whole world is here,
01:03:46inside the brain.
01:03:47Yes.
01:03:48We need some information
01:03:49so we can search on Google.
01:03:51When Google doesn't get information in Google,
01:03:54he will search on Anu Kapoor Ji.
01:04:03In our film industry,
01:04:05people make mistakes.
01:04:06They make mistakes
01:04:08and make mistakes.
01:04:10Now,
01:04:11I'm watching Dharm Ji's interview.
01:04:12Dharm Ji said
01:04:14that I came to Mumbai in 1957.
01:04:16He said,
01:04:17No,
01:04:18you thought about Mumbai in 1957.
01:04:21You came to Mumbai in 1958.
01:04:24You came to Mumbai in 1958.
01:04:25Two numbers on Dadar Station.
01:04:28And Nitesh Tiwari,
01:04:30the driver of the train,
01:04:31told them.
01:04:32Come on, Baba.
01:04:38Oh, God.
01:04:39Oh, God.
01:04:40And Rumi,
01:04:41how are you?
01:04:42First class.
01:04:43How much money do you take here, sir?
01:04:44Why?
01:04:45Because it's Jafri,
01:04:46you're a little bit.
01:04:50Jafri, Jafri, Jafri.
01:04:52Okay,
01:04:53it was a personal work with me.
01:04:54Here, here.
01:04:58Okay,
01:04:59tell me.
01:05:00Oh,
01:05:01oh,
01:05:02oh,
01:05:03oh,
01:05:04oh,
01:05:05oh, oh, oh.
01:05:06What's your question?
01:05:07Sir?
01:05:08You wrote the picture,
01:05:09right?
01:05:10Correct.
01:05:11Yes,
01:05:12someone has to write a letter,
01:05:13sir.
01:05:14Oh,
01:05:15oh,
01:05:16oh,
01:05:17oh,
01:05:18oh,
01:05:19Oh,
01:05:20oh,
01:05:21oh,
01:05:22oh,
01:05:23oh,
01:05:24A person is scared and loves them.
01:05:26You can't be scared of their children.
01:05:28It will be a temporary phase.
01:05:29Anyway.
01:05:30Okay, Satish Ji,
01:05:31tell me something to reduce my stomach.
01:05:33Okay.
01:05:35Which one?
01:05:36No, because they don't have to reduce it.
01:05:37At least I can reduce it.
01:05:40No, it's not true.
01:05:42Sir, I've seen a picture from your childhood.
01:05:46You made a calendar.
01:05:49Then made a puppy pager.
01:05:51Make a cooler, it's very warm.
01:06:01Well, sir, you guys are here today.
01:06:02It's a very good place.
01:06:04Now, all the stars are sitting here.
01:06:06So, dance will be made, sir.
01:06:08Right?
01:06:11Is it a dance or not?
01:06:13It's made, right?
01:06:14So, sir, you guys dance.
01:06:15I'm going to go.
01:06:18It's a great place.
01:06:21Take a personal tie from aĆ.
01:06:24No, sir, sir.
01:06:25Yes, sir.
01:06:26One time a strong tie for Anu, sir.
01:06:26For Satish Koshic, sir.
01:06:28Also, for Satish SARange.
01:06:28And for Rumi and Rumi, sir.
01:06:29Come on, sir.
01:06:31Come on, sir.
01:06:34Satish Sarver, Rumi, sir.
01:06:34Homo, sir.
01:06:35At the time, sir.
01:06:37Every time thegos are put together the strengths of you.
01:06:40Since you almost got served in.
01:06:42You make switches like this because of yourself.
01:06:43Even if your teammates take your to seinen talents equalä½ jeep,
01:06:45then you make a strong tie.
01:06:45And, friends, we want to give a message that the weather has started in the country.
01:06:51That's why the young people are dying.
01:06:54If you can, if you can,
01:06:57outside your house,
01:06:58or the sidewalks,
01:07:00for the young people,
01:07:02if you can drink water for the young people,
01:07:04then you will feel very good.
01:07:07Good night.
01:07:08Good night.
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