EMILIA PÉREZ: Karla Sofía Gascón fala sobre amizade com Fernanda Torres e comenta uso de IA no filme

adorocinema

Watch EMILIA PÉREZ: Karla Sofía Gascón fala sobre amizade com Fernanda Torres e comenta uso de IA no filme - adorocinema on Dailymotion

Transcript

00:00I said, Fernanda, how are you? Because we all know who we are.

00:03I was the one who introduced myself, and I also introduced a lot of people to a very kind woman.

00:12Some vehicles have reported the use of artificial intelligence to improve some dialogues,

00:18both in Brutalista and in Emilia Pérez.

00:21I wanted to ask you what you think of the use and...

00:24No, that's not true. Here, everyone invents something new to try to destroy the film.

00:30The only aspect that could have been used by techniques, reverbs and such,

00:36is in the same that they use for all singers, which is in the music.

00:40It is obvious that I am not a singer, I have not studied music,

00:43and they had to record my voice and my songs 400 million times

00:49until they got the tones that the music director, who are French and very strict,

00:58and who are very perfectionists...

01:00I always had some very big discussions and I told them,

01:04leave the song that we have done the first of all, right?

01:08And they said, yes, but it is that the mi and the vibrato and the I don't know what and I don't know how many...

01:14But it is that my mother will not find out if there is a vibrato more or a vibrato less.

01:20I explain myself, but my voice of little hands...

01:22If you want, I'll do it right now.

01:24No one has touched it, you know?

01:26Because I know, if there is something that I really like, it is to do dubbing.

01:30I explain myself, then...

01:32Answer that question, I suppose.

01:34No one has touched me, my voice,

01:36and I will not allow anyone to say even a single thing

01:41about a voice that I have worked on for two years

01:45to find it in my own body,

01:48to incorporate it into a character,

01:51on one side and on the other.

01:52So be careful with what you say.

01:54Emilia Pérez is bringing a great impact in your career.

01:59I wanted to ask you about this impact, both in your career and for other trans artists.

02:03The most beautiful thing that has happened to me with this film

02:06is that now I do not need to do video self-tests or casting tests for other directors,

02:12but they constantly call me to offer me characters in their films,

02:17and that seems wonderful to me.

02:18I really like that they recognize my work,

02:20but I am neither a different person now than I was before,

02:24nor am I a better actress now, nor a worse actress before.

02:27I explain myself.

02:28And in that aspect, they have not changed me, let's say, personally.

02:33I am in a balance that I think I have to maintain

02:37so that I do not move from what is the reality of my existence or that of the human being.

02:43And then it is obvious that I have a very big responsibility,

02:47not because I represent a group,

02:51because I have been democratically elected, because no one has done it.

02:54I can help many families

02:56so that their daughters or their children do not see them as strange creatures,

03:00but as people who have or deserve all the love they can give them.

03:05In the film you play both Emilia and Manitas,

03:08who are very complex characters.

03:09I wanted to ask how you built this duality

03:12and what was the most difficult in the construction of each of them.

03:15For me, Emilia Pérez and Manitas have been as if I gave them all my soul,

03:22and I have practically always seen them as a kind of possession,

03:25in which it was very difficult for me to get out

03:27and I had to do an exorcism to take them out of my own life,

03:32because I had gotten too involved in the character.

03:36He is a very dark character, in which I gave him a whole darkness

03:40that I had also pursued for some issues of my own,

03:45I left it in Manitas and Emilia Pérez returned it to me in a wonderful light.

03:51It has been a feedback, let's say,

03:54or a catharsis that I have had with Manitas and Emilia.

03:59I don't know if you are following the great passionate fan of the Brazilians,

04:03I'm still here, who is winning some awards in the same category as Emilia Pérez.

04:07How are you receiving this Brazilian fan of this other film?

04:11How do you receive the fans from other countries,

04:14such as Mexico and France, which have a more direct relationship with Emilia Pérez?

04:17Look, the reality is that everyone,

04:19the professional world as well as the general public in all countries,

04:24receives the film in a wonderful way,

04:28as it deserves, and that's why there are the nominations,

04:31and that's why it is praised by the critics.

04:34And there are other people who don't have to like it,

04:36because they don't have to like the same thing as everyone else.

04:39I love Brazil, I come dressed as a Brazilian,

04:45I love many things from here to where you can't imagine,

04:51from the caipiraña that I serve to all my friends every time they come to my house,

04:55going through the tribalistas,

04:57going through the fact that I am from Real Madrid, a football lover,

05:00and for me Brazil is football.

05:03I have seen wonderful films that have been made here,

05:05I wish Fernanda Torres the best, I know her personally,

05:09to the film of I am here too,

05:11I think that one thing does not take away the other,

05:15obviously Fernanda, I know her,

05:17I can't imagine her saying anything bad about Emilia Pérez,

05:20or saying no like I do about her,

05:22but there is a group of people who probably work in certain departments,

05:26who join a social group,

05:29and we know what social group it is,

05:31that hates the film simply because the protagonist is Carla Sofía Gascon,

05:35and represents something that they hate.

05:38And as Emily Curtis said a while ago in an interview with her daughter,

05:43they hate my daughter simply for existing.

05:47And the same thing happens to me.

05:49You talked about Fernanda Torres,

05:51she said that you were very welcoming with her,

05:53in all this campaign, that there is a rush,

05:55that you have to participate in a lot of things,

05:57how was this exchange with her?

05:59Well, I met her in Hollywood,

06:01in a place that almost caught fire the next two days,

06:06with the fires of Hollywood.

06:08We were at a party, I don't remember which magazine,

06:12where we were all,

06:14I was talking to Nicole Kidman,

06:16and I saw Fernanda and I said,

06:17Hey Fernanda, how are you?

06:19Because obviously we all know who we are.

06:21And I also introduced her to many people,

06:24a very kind woman,

06:26I think she is a wonderful actress,

06:28there is no doubt about that,

06:30very respectful,

06:32that she was having a great time there,

06:35and that she wished her the best in the world.

06:38You know what I want?

06:39That we work together.

06:41That would be wonderful.

06:43And that we make Pelé 2.

Category

Transcript

Recommended