Gj_Bh-12-Ahmedabad_Paaro_Thayo_Byte_16-58-35

ETVBHARAT

11 months ago

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Transcript

00:00The purity of the character, as I said two days ago, is the standard of today's generation.

00:09Which was based on the Hindi film Vivaah.

00:12I think that was the first film in which Rajshri had written the rights.

00:17And in four languages, he made it as it is.

00:19And Vivaah is the reverse version of the standard.

00:22In the standard, there is a tragedy with a boy.

00:25Here, they have converted it to a tragedy with a girl.

00:28So, what will happen?

00:30I said that the purity of the character, as I said two days ago, is the standard of today's generation.

00:41You have said that there is no instruction in this film.

00:44This film is to be believed and to live with it.

00:47You have lived with this film for three hours.

00:49So, what is it that a person lives with his love?

00:54See, it is a very basic thing.

00:57In the beginning of life, we meet our partner.

01:00The excitement of meeting him is difficult.

01:03Once you meet him, you give him everything to make him happy.

01:08So that he is very happy.

01:09We forget that to live together, it is very important to live with each other.

01:16After giving him everything for years, you realize that

01:21I have given so much time to the person for whom I started this race.

01:25If you look back, you will see that the weather has deteriorated.

01:29Can you live with the deteriorated weather or not?

01:32That is why this film is for you.

01:34Kedar and Mitali, as a lover, as a person and as a companion,

01:40why should the audience watch the film?

01:43Because Kedar and Mitali are stuck in everyone's house.

01:49When a person starts his life,

01:51as long as he is not tired of his child,

01:54he has time for both of them.

01:57But as soon as a generation is formed,

01:59you all get separated.

02:01And as you get separated, you go so far,

02:04for whom you have done so much.

02:06As a partner, you live as a father.

02:09You live in other religions as a mother.

02:12But you yourself, from where you started,

02:14the person in your heart,

02:16the man and the woman,

02:18the two companions with whom you started the journey,

02:20how much did you live with them?

02:22This is a question that people ask

02:24when they watch a two-hour-and-15-minute film.

02:27You will change inside,

02:29but when you reach home,

02:31you realize it and try to tell your companion clearly

02:34that it is yours.

02:35There is another definition of yours.

02:37I am in your love.

02:39This is very simple and very common.

02:42Everyone keeps saying, I love you, I love you, I love you.

02:44When you say, I love you,

02:46do you love me?

02:48I love you. Do you love me?

02:50Do you love me?

02:52It is an expectation.

02:54There is no expectation in your happening.

02:56I am yours.

02:58Do whatever you want to do.

03:00Whatever situation you bring, bring it.

03:02I am yours. There is no expectation.

03:04This event is always for the woman.

03:06What can a man do?

03:08It is for her.

03:10It is not just about that generation.

03:12Newly married, 22-23 years old,

03:14young boys,

03:16what is marriage? What is love?

03:18What can be done to maintain the essence of love?

03:20It is a story of four layers.

03:22It is a story of four lives.

03:24It is a story of four lives.

03:26And this music,

03:28the presence of love,

03:30the audience will have to accept it

03:32and watch it.

03:34And then the audience will say,

03:36I am also yours.

03:38With cameraman Mukesh Dhodia,

03:40Parishad of ETV Bharat, Ahmedabad.

04:08In this film, love is central.

04:10What is the story in your character?

04:14The story of my character is

04:16that what is going on in the audience's mind,

04:18Antara will be showing

04:20on the screen.

04:22Antara observes

04:24in this film.

04:26There are four couples.

04:28Antara observes

04:30Kedar Mitali's character.

04:32She observes the relationships

04:34in her family.

04:36The way the audience moves forward

04:38with the film,

04:40Antara's character moves forward in the film.

04:42Antara is a conversation.

04:44The weather has changed.

04:46I don't want to live again.

04:48As long as it is in this film.

04:50Can a person live in such a weather?

04:52If you want to live

04:54in any weather,

04:56then

04:58whenever you realize

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