સપ્તક દિવસ 12 : તબલા - ઢોલક અને મૃદંગમની જુગલબંદી થઇ તો સારંગીએ એક સૂરે બાંધ્યા

11 months ago

અમદાવાદમાં સપ્તકના 12મા દિવસે હરીશ તિવારી, વિકાસ પરીખ, રોનુ મજુમદાર અને ફઝલ કુરેશી જેવા દિગ્ગજ લોકોએ પરફોર્મ કર્યુ.

सोनीपत के राजलू गढ़ी खेल मैदान की हालत जर्जर, बना शराबियों का अड्डा, महिला खिलाड़ियों की बढ़ी परेशानीयां, अधिकारियों पर लापरवाही का आरोप

ETVBHARAT

37 minutes ago

ગુજરાતીઓની ભાવના છે "લાલો: શ્રી કૃષ્ણ સદા સહાયતે" : અંકિત સખીયા

ETVBHARAT

43 minutes ago

Transcript

00:00I am a resident of Uttar Pradesh, in the Devaraya district.

00:05I am a resident of a village.

00:07We did not have music at home.

00:09My uncle encouraged me.

00:12I sent my first guru, Pandit Thakur Chaubey, to Devaraya.

00:17Then I went to Benaras, in Bhechu.

00:21There, I learnt music from Pandit Ajit Bhattacharya and Ashaar-e-Nandan.

00:27He was a student of Pandit Omkarnath.

00:31Omkarnath was from Gujarat, from Suratkar.

00:34He was a student of him.

00:37Then I learnt Punjabi music from Pandit Kundanlal.

00:44My last guru was Pandit Bhimsen Joshi.

00:47I learnt from him in Pune.

00:51This is how our journey started.

00:54Sir, if you look at classical music,

00:57people who come from a musical background,

00:59they move forward in music.

01:02Sir, do you have a musical background?

01:08In our house?

01:10I did not start it.

01:13It is not necessary that you become a good artist only when you are born.

01:19It is not like that.

01:21You should have a good environment.

01:24You should have a teacher, a guru.

01:28You should have a good environment.

01:30You should have good education.

01:34You should do sadhana with them.

01:36Anyone can become a guru.

01:39It is important to have education and truthfulness.

01:43You should have devotion towards your guru.

01:48Only then you will take the subject seriously.

01:52You will take their words seriously.

01:54You will start your sadhana accordingly.

01:57It is important for this.

01:59Sir, what was the level of your life when you started classical music?

02:04What was the time?

02:07Time is done with passion.

02:11First you should have passion in you.

02:14You have to do it.

02:17You have to learn this knowledge.

02:21You have to learn it well.

02:23You have to learn it well.

02:26It is important for us to listen to the artist and know that he is an artist of this tradition.

02:35This is the truth of education.

02:38Sir, this is the 45th year of your musical career.

02:4245th?

02:44Yes, 45th.

02:46Today you are going to give a presentation.

02:48What kind of presentation will you give?

02:50First of all, I have come here for the first time.

02:53I have come to Gujarat for the first time.

02:55I have come to this program for the first time.

02:59I am feeling very good here.

03:03I am a little sad that Manju Mehta is not here.

03:10We thought that we would get to listen to the great artists like Ustad Zakir Hussain.

03:18All these things have been left incomplete.

03:21I am feeling very good that I got this opportunity in my 45th year.

03:29I thank Haital Mehta ji and Sandeep ji from the bottom of my heart for giving me this opportunity.

03:38Sir, what will you do in the presentation?

03:41In the presentation, today we will present Raag Maru Bihag.

03:47We will present two compositions.

03:50The first composition is in one taal, Rashiya Ho Naja.

03:53The second composition is in the third taal.

03:55The words are Parimuri Naav Majhdhara.

03:59All these were sung by my guru Pandit Bhimsen Joshi.

04:03He immortalized this bandish.

04:06This bandish was sung by him.

04:09He has sung it with Mannadej in a film.

04:14Basant Bhaar was made in that film.

04:16Ketaki Gulab Johi Champak Ban Phule.

04:19This composition is in one taal.

04:22Ustad had asked me to present this to him.

04:26So, I will present this to him.

04:32Sir, what is your name?

04:34I am Vikas Parikh.

04:36I am the singer of Mewati Gharana.

04:40I am a disciple of Pandit Jasraj and my father, Krishnakant Parikh.

04:46I run Swaralaya Academy.

04:54I have been teaching since my guru-disciple relationship.

05:00Sir, what do you mean by guru-disciple relationship?

05:04Guru-disciple relationship is taught in the same way in Saptak.

05:11In earlier times, one had to go to the guru's house or gurukul and teach.

05:22One could not go to the guru's house or perform outside the guru's house.

05:32There were certain rules.

05:36There was no exam method.

05:40Guru is the final statement.

05:47Sir, can there be a parallel to the guru-disciple relationship?

05:53Not in music.

05:54In music, there are examinations.

05:58There are exams for Visharad, Alankar, MA, BA, and PhD.

06:06But in that, my opinion is that there is only knowledge.

06:12If you want to progress in performance,

06:16The guru-disciple relationship is the best of the best.

06:22Even today.

06:24Sir, today is Saptak.

06:27It is the 13th day of Saptak in the country.

06:30How do you feel about it?

06:32I am not just an Ambedkar. I am a citizen.

06:37I feel very proud that we have been able to organise such a wonderful festival.

06:45I tell everyone that if you go to see a 13 day festival,

06:53You will not find it anywhere else.

06:57I have not heard of any 13 day festival.

07:01We are very fortunate that such great artists have participated in it.

07:10We get the opportunity to sit face to face and listen to them.

07:15We are very fortunate.

07:21Sir, what is your name?

07:23I am Ronu Majumdar.

07:26I play the basuri. You all know that.

07:30I have come to Saptak.

07:33Sir, you have played Hariprasad Chaurasia on the stage of Saptak two days ago.

07:41Will you play it today?

07:43I am not playing it today. I have been playing it for 35 years.

07:46The only difference is that Manju sister is not here this time.

07:49I have been serving since 1991.

07:54Almost every year since Nandan Bhai's time.

07:57Earlier it used to be in Kashi Ram Hall.

07:59Now it is here.

08:02I have played a lot of items here.

08:05I have also introduced many artists who had not come before.

08:12Saptak is a great yagya where everyone offers their aahuti.

08:23Our guruji, Bharat Ratna Pandit Ravi Shankar ji has also come to Saptak.

08:33Ustad Ali Akbar Khan sahib, Bheeshma Pitamahs have also come here.

08:40Ustad Zakir Hussain has also not come physically.

08:51Ustad Zakir Bhai had played two CDs with me.

08:54Heart to Heart and Ethereal Rhythms.

08:57He had played these two CDs with me.

08:59The third CD's planning was going on.

09:02And this time my composition, with the blessings of all of you,

09:09is called Samvedh.

09:13The song sung together is called Samvedh.

09:16My name has been recorded in the Guinness Book of World Records.

09:20A week ago.

09:22So I am sharing this news with you.

09:25With the audience of Ahmedabad.

09:27This is Guru Kripa.

09:30The special thing was that I conducted and composed the largest Indian orchestra.

09:36But the special thing was that the three raags composed by Sangeet Samrat Tansen,

09:42I had combined them.

09:45One is Mia Malhar, one is Mia Ki Todi and Darbari Kanada.

09:50Darbari was composed by Tansen in Akbar's Darbar.

09:55He had taken Darbari from Adana.

09:58So that is why I am sharing this big news with you today.

10:09Sir, tell us about your performance today.

10:12We haven't seen a tabla performance like this before.

10:16You played the tabla with your mouth.

10:19We should do something new.

10:21We do a lot of performances.

10:25So we should do something new in which the audience feels it is something new.

10:29Like you said, we have never seen anything like this.

10:31So we were having a conversation with the tabla syllables.

10:36Between me, Naveen and Shridhar.

10:40We were showing our playfulness,

10:44We were showing our playfulness,

10:46We were showing our playfulness,

10:49We were showing our playfulness,

10:54and we didn't decide anything.

10:56What you heard was happening on the spot.

10:58What you heard was happening on the spot.

11:0395% of classical music is improvised.

11:08Only 5% is raga, which is fixed.

11:12Only 5% is raga, which is fixed.

11:13The rest is happening on the spot.

11:16The rest is happening on the spot.

11:17Sir, can you give us a name for your performance today?

11:24Sir, can you give us a name for your performance today?

11:27No, nothing like that.

11:28We thought we should do something new.

11:30We thought we should do something new.

11:32These tabla syllables that we call rap,

11:35these tabla syllables that we call rap,

11:37have been around for thousands of years.

11:39have been around for thousands of years.

11:41This is a gift of Indian classical music.

11:44This is a gift of Indian classical music.

11:46Whatever you are playing, you are saying it.

11:48Whatever you are playing, you are saying it.

11:50Whatever you are playing, you are saying it.

11:52It becomes a language for us.

11:54We can have a conversation with each other.

11:59I was thinking that there were three different styles of percussion.

12:06Tabla is North Indian.

12:08Mridangam is South Indian.

12:10And dholak is used more in folk and films.

12:16These three styles are coming together.

12:19And who is tying it?

12:21And who is tying it?

12:22Sarangi.

12:23Sarangi was tying us.

12:25Sarangi was tying us.

12:27We were having a conversation with each other.

12:30We were discussing how we could play together.

12:32We were discussing how we could play together.

12:34We were discussing how we could play together.

12:36Music is one.

12:38Taal is one.

12:40Whether we are from the South, North or folk,

12:42we are all one.

12:44We showed how we can become one.

12:48Tell us about saptak.

12:50You have been playing saptak for so many years.

12:52You have been playing saptak for so many years.

12:54Today is the saptak of this year.

12:56It is dedicated to Saqib Hussain.

12:58It is dedicated to Saqib Hussain.

13:00Saptak has been playing for so many years.

13:03For the last 45 years.

13:04I myself have been playing for 35 years.

13:06This is the only festival that has been running for so long.

13:11This has been happening for long.

13:14Running for 12-13 days is not easy.

13:19Asaan baat nahi hai, aur yeh isme jo organizer hain, un log ka itna shrey jaata hai unko,

13:26Nandan bhai ko jaata hai, Manju bhai unko jaata hai, ab yeh log, young log jo hain,

13:31Sandeep hai, Hetal hai, Purvi hai, yeh log aage badha rahe hain.

13:36To in log ko jaata hai.

13:37To main sab tak ko, main unko, main unko, matlab kehta nahi hai ki parivaar ki tarah

13:43hai.

13:44Zakir bhai bhi aise hi soshte the.

13:46Zakir bhai yahan pe itne saal se baja rahe hain, itne saal se unhone yahan pe performances

13:51diya hai.

13:52Sab abhi yaad karte hain unka jo performance.

13:55To it is like a family to me and I will be coming, whether they call me or not, I will

14:00be here.

14:01Sir, ek aakhari sawal, sir, Shastriya Sangeet mein aage ki journey aapko kaise lag rahi

14:07hai?

14:08Nahi log kaise jhudayenge?

14:11Sir, aamtoor par dekhene to abhi bhi jo log jhud rahe hain, wo kahi na kahi Sangeet

14:15ke background se hote hain.

14:16Toh nahi log nahi jhud rahe hain.

14:18Dekhiye, nahi log jhud rahe the aur jhud rahe jhud rahenge mere isaap se.

14:22Ab jaise kalakar jaise Zakir bhai the, ki jo music ke logon ko jo music bhi nahi, jaise

14:28kisi ne mujhe posha hai ki Zakir bhai ki speciality kya hai?

14:32Mene ka speciality yeh hai ki jab wo concert karte the, jo aage jo connoisseurs, jo jaanne

14:38wale jo baithe hain, wo bhi enjoy kar rahe hain aur jo peechhe jo baithe hain, jinko

14:42music ke baare mein kuch nahi pata, wo bhi enjoy kar rahe hain.

14:45Toh yeh khasiyat thi unki aur aise wajah se itne saare log aate hain.

14:50Aaj bhi dekhiye, kaafi log baithe hain aur program sun rahe hain aur baara din se,

14:54tera din se aaya aaya karke baithe hain aur sun rahe hain.

14:57Toh kalakar jo hai, wo Shrota pe depend karta hai aur Shrota jo hai, wo kalakar pe.

15:04Toh ek doosre pe dependent hain, symbiosis jaise hota hai.

15:08Aur yeh sab tak, yeh classical music mein dekha jaata hai.

15:12Toh main yeh nahi keh raha hai ki abhi kitne log aakar ke mujhe mile hai, abhi itna chota

15:16bachcha aakar ke bol rahe hai, main bhi tabla seekh rahe ho.

15:18Toh yeh mujhe, jab inn logon ko dekhta hoon, toh I get very confidence ke bhai yeh hamara

15:23music aur aage padhega.

15:24Mujhe pata hai.

સપ્તક દિવસ 12 : તબલા - ઢોલક અને મૃદંગમની જુગલબંદી થઇ તો સારંગીએ એક સૂરે બાંધ્યા

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