સપ્તક સંગીત સમારોહ દિવસ 11: નાદ, નૃત્ય અને તાલના સંયોજને શ્રોતાઓને અવિસ્મરણીય પ્રસ્તુતિ કરવી

ETVBHARAT

સપ્તક સંગીત મહોત્સવનો અગિયારમાં દિવસના આરંભમાં કથક, બાદ ભક્તિ ગાન અને અંતે સંતુરના સૂર થકી સપ્તકની 11મી રાત રસપ્રધાન બની રહી હતી.

Transcript

00:00Music

00:19On the 11th day of Saptak, in the first Satra,

00:23Kathak dance was performed and Ishira Parikh,

00:26an artist by the name of Khyat, performed with him.

00:29Ishira, first of all, what is Kathak?

00:34What is Kathak? Please tell us about it.

00:37Kathak is a classical dance.

00:40In India, there are 7-8 types of classical dances.

00:45Kathak is the only dance from North India.

00:50The word Kathak means,

00:53if you say Katha, you say Kathak.

00:56So, Kathak is the one who tells a story.

00:59So, basically, it originated from Kathavachan.

01:02And that too in North India.

01:05In earlier times, there were no means of communication or entertainment.

01:11There were Kathakars.

01:13And Kathakars used to tell different stories.

01:16And while telling stories, they developed different facial expressions.

01:26And that is how Kathak dance originated.

01:32Ishira, what did you say in the first Satra, and what was the story?

01:39Every classical dance has a special way of presenting it.

01:46So, Kathak dance has a traditional way of presenting it.

01:54That is how we presented Kathak today.

01:57In the beginning, we performed a piece called Anantnath.

02:01It was a celestial orchestra.

02:05So, the different Gods and Goddesses,

02:09who are associated with music and dance,

02:12imagine that they are dancing together.

02:20Shiva's Damru, Krishna's Basuri, Sharda's Veena,

02:24and Ganesha's Chaturanga Swarupa.

02:28We performed such a piece.

02:31And then, we performed three dances.

02:34There are different types of dances in classical dance.

02:38We performed three dances out of the sixteen popular dances.

02:45For Kathak, it is said that he first went to the temple,

02:49and then to the royal court.

02:51So, how did he come to Gujarat?

02:54In Gujarat, the cultural ethos of Gujarat,

03:04is more similar to that of North and Central India.

03:09So, the tradition of Kathak,

03:11the tradition of Kathak dance,

03:13can be adopted very easily.

03:17Even in Bhavai, we can see so many movements of Kathak.

03:27We can also see the words of Kathak.

03:29But we cannot say that Kathak is a Gujarati dance.

03:33But Gujarat has adopted it very easily.

03:37Because culturally, it is very close to us.

03:42From the perspective of language,

03:44or from the perspective of movement,

03:47or from the perspective of the queen,

03:49it is very similar to the queen of Gujarat,

03:52and to the cultural ethos of Gujarat.

03:56Kathak dances are from Lucknow, Jaipur, and Benaras.

03:59So, which dances are popular in Gujarat,

04:02and which are taught by the new youth?

04:04The dance that we perform is from Lucknow.

04:10Our guru has taught it to the gurus of Lucknow.

04:13But the dance of Lucknow and Jaipur,

04:16both these types of dances are now popular in Gujarat.

04:21So, we cannot say that there is only one dance of Gharana.

04:27But one thing is very true,

04:30that the demarcation of Gharana has become very fused.

04:35Some Gharana dancers from Jaipur

04:38perform Kathak and Lucknow Gharana dances,

04:43and some Gharana dancers from Lucknow

04:45perform Jaipur and Bolo dances.

04:48So, the demarcation has become less.

04:51Because the dance has become decentralized.

04:56There is no dance from one place.

04:58There is no dance in Delhi,

05:00there is no dance in North India.

05:02There is dance in Ahmedabad,

05:04there is dance in Kolkata,

05:06there is dance in Bangalore in the South,

05:08there is dance in Kathak, there is dance in Chennai.

05:10So, the place where a person performs,

05:13the cultural influence of that place

05:17has to be given.

05:19So, the demarcation of Gharana has become less.

05:24But we can call it the Gharana of Lucknow.

05:29So, the question is,

05:31the founder of Saptak,

05:33who has been performing Saptak for the last 30 years,

05:35Pandit Jhaki Roshan,

05:37he was also coming.

05:39So, both of you were not present.

05:43So, what did you feel as an artist?

05:45Pujya Manju Bhai,

05:49we had such a deep cultural connection,

05:54that she was part of our family.

05:57It's a great loss.

05:59Not only professionally,

06:01but personally also,

06:03it is a great loss.

06:05Her personality was also such,

06:07that she had a lot of flaws.

06:11She had her own contribution,

06:15and it had a big impact on my personal life.

06:22And what can I say about Ustad Sakhir Hussain Khasaab?

06:26He was the greatest musician in the world.

06:30Tal Samrat.

06:32He also had a very happy personality.

06:37He used to get along with everyone.

06:40And he used to come to Saptak every year.

06:43We know that he used to come to Saptak every year.

06:47And when he used to come,

06:49people used to gather here.

06:51People used to come to meet him.

06:54He had a star value.

06:57He was a very learned tabla player.

07:01But his star value was also great.

07:04So, he had a lot of flaws,

07:07in the world of music.

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