00:00we focus on Juliet's story and then we go back to the silo
00:03in the next one.
00:04Was that a decision that was in the structure since day one?
00:08Or was that something that in the writing process
00:10you sort of found?
00:11When I was a 12-year-old boy, I said, one day I want to know.
00:14I mean, we landed on that pretty quickly.
00:18I'll be honest.
00:19There was a brief time where we thought
00:20about alternating episodes for like six episodes.
00:24And then we said, no, that's crazy making.
00:27And it's going to be frustrating to the audience.
00:30We need to cut back and forth.
00:31But first, let's establish their stories.
00:34So we just knew we wanted to get to Juliet.
00:37There's no sort of playing around with whether or not
00:39she's alive.
00:40Because we saw her alive at the end of the series.
00:42So stringing that out would be a mistake.
00:45But we did come up with this prologue idea
00:48that would then feed into her returning to the screen.
00:52And then we knew we wanted to roll back the clock.
00:57So we see her story in Silos 17 that plays out maybe five
01:02days, something like that.
01:03Now we roll back to the moment right after she
01:06walked over the hill.
01:07But we're with Bernard.
01:08Pretty much the moment, 10 minutes later.
01:10And we thought, oh, that's cool.
01:12We can do that.
01:13The audience will know exactly where we are.
01:15And that was fun.
01:17It was fun.
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