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adorocinema
  • 1 year ago
Transcript
00:00THE ORIVAL CAIMAN
00:05Excuse me, standing up.
00:08His name is said standing up.
00:10Dorival Caiman.
00:18I would like to have many things, Caiman.
00:20Tranquility, amuse-vous-vous.
00:22The ability of concision.
00:24Three, four movements.
00:26Describe an entire landscape.
00:29A genius.
00:30Drummond loved Caiman.
00:32He said to me,
00:33Brazilian popular music is Dorival Caiman.
00:35He was admired by Vila-Lobos,
00:37he was admired by all the great musicians.
00:40It was very important for Brazilian music in the world,
00:43before Bossa Nova.
00:52He directed Carmen, that recording.
00:54I was on point there,
00:56and Carmen Miranda made that number
00:58that is still in the archives of the cinema.
01:20I was transforming the characters of that fisherman's life
01:24into song characters with changed names.
01:29All mixed up, right?
01:35This is the street style that I captured in my city,
01:38in our São Salvador.
01:41I'm going to Maracanã.
01:42I'm going to Maracanã.
01:43It was a song that blew up at the carnival
01:45and is on Tom Jobim's last album.
01:47What he did in painting
01:49was as genuine as what he did in music.
01:54If he wasn't the composer, the singer he is,
01:57he would be a first-class plastic artist.
02:10He took care of that,
02:11he took care of simplicity.
02:13Simplicity for him had a supreme value.
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