00:00You look very shy when you are in front of the camera.
00:06Even when you talk to someone, you feel very shy.
00:13You can't even talk properly.
00:15What surprises me is that,
00:18after watching this trailer,
00:20Sri Vishnu Nai made this film.
00:23The body language has changed, the looks have changed,
00:26the behavior has changed.
00:27These are all the feelings that you get from a small point of view.
00:32What happens to your body when you are in front of the camera?
00:39The character gets influenced.
00:46I got used to going into the character.
00:53If you inspire the character so much,
00:55you can observe the small details.
00:59They do that in this film as well.
01:00In all the characters as well.
01:02They have done it with that in mind.
01:04You will definitely see a new type of acting.
01:08Out of these four characters, which one is your favorite?
01:13Which one is your favorite and which one is difficult?
01:16Actually, apart from the lion character,
01:19everything else is difficult.
01:21The character in the present generation is easy.
01:26This is very difficult.
01:28It takes time to make up,
01:30it takes time to speak the language.
01:32It is very difficult.
01:34This character is for seven to eight girls.
01:39It is a father's role.
01:41It is very heavy.
01:43We have to show what we don't know.
01:45We shouldn't be playful.
01:48Mentally, it is very challenging.
01:53But his story is very beautiful.
01:56It is a bonus.
01:58The film is like that.
02:00The stage changes once.
02:03It grows 10 feet in the same stretch.
02:07It is a character like that.
02:09We have done a deep involvement.
02:11All the actors in that story
02:14have done a great job.
02:19Everyone should watch it in theatres.
02:21Usually, for many heroes,
02:23the costume drama is rare.
02:29For a person like Chiranjeevi,
02:31after her male lead role,
02:33the costume drama came in her 4th or 5th film.
02:36She said she couldn't do it in her entire career.
02:40You had a chance to do it.
02:43How did you mould it as an artist?
02:49I got it.
02:51When I was hungry,
02:53I got a laddu.
02:55I didn't leave it.
02:58How was the preparation?
03:00I never did double action.
03:05Psychologically, I had to be strong.
03:09I had to be prepared.
03:11It is easy to go for a shoot
03:13and get ready with make-up.
03:17It took me 4-5 hours to get ready.
03:19I had to sit.
03:21Those 4-5 hours are very important to me.
03:24I had to think about the character.
03:26Once everything was ready,
03:28I would go there.
03:30Along with the additionals,
03:32I had to think about
03:35how to convey the dialogues
03:37as if it were his own body.
03:43I had to be strong.
03:47I am a bit mature.
03:49I look mature on the outside,
03:51but I have a lot of patience.
03:55I had to give a mid-take
03:57to what he had written.
03:59I didn't take a line
04:01as a light for this film.
04:04You can understand
04:06the hard work,
04:08the preparation,
04:10the joy and seriousness
04:12when you watch the film.
04:18The core point of this film
04:20is the father-son relationship.
04:24What do you believe in?
04:28In our nativity,
04:30we have to listen to our mother
04:33and our father.
04:35Even if we don't see our mother,
04:37it will be great.
04:43We have the name of our father's house.
04:45We don't have the name of our mother's house.
04:47In our nativity,
04:49we have the name of our mother's house.
04:51Even now,
04:53in some families in Kerala
04:55and Meghalaya,
04:57we have the name of our mother's house
04:59with female initials.
05:02So,
05:04that is our conflict
05:06in the film.
05:08It's not about
05:10whether to use female initials
05:12or male initials.
05:14It's about who has the authority
05:16and control.
05:18In our family,
05:20a lot of families
05:22have women's initials.
05:24Everyone can have it,
05:26except for one or two.
05:28The male has to take care of everything
05:31for the sake of the family.
05:33But,
05:35no matter who is upper
05:37or lower,
05:39they will obviously
05:41do what is best
05:43for the family.
05:45At the same time,
05:47we have to give respect
05:49to the women.
05:51They will obviously give it to us.
05:53In that way,
05:55they can be at the top
05:57and we can be at the bottom.
06:00If we guide this properly,
06:02we can be sure
06:04that the name of our mother's house
06:06will be remembered.
06:08It's easy in the city,
06:10but I don't know
06:12how it is in the village.
06:14When I was young,
06:16when I was in the village,
06:18I saw a lot of resemblance
06:20while making the film.
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