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Kaiketsu | movie | 2021 | Official Featurette
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9/28/2024
A samurai travels to America to seek revenge for the death of his master. | dG1fc0NvMDJYSjZORTQ
Category
🎥
Short film
Transcript
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00:00
Hi, my name is Joseph Cusick.
00:07
I am the director, co-writer, and producer of Kaetsu.
00:11
Kaetsu is my senior project, and it's about a samurai who witnesses the death of his master
00:16
and goes on a quest of revenge and hope to find inner peace, but it's in that quest to
00:20
find inner peace that he realizes that mercy is one of the biggest lessons to be learned
00:24
because being a samurai isn't necessarily an eye for an eye, but rather the idea of
00:29
when to strike and when to show mercy.
00:31
And so for me, it was just like, ever since I was a kid, I've been fascinated with history
00:35
and the story of these people and stuff like that.
00:38
And I've also always wanted to do a Western, and that's one of the biggest influences on
00:41
this film is a Western.
00:43
I've always liked the idea of a cowboy, and a cowboy and a samurai have so many things
00:48
in common.
00:49
A lot of the times they're loners, they come to a town that needs help, and they help out
00:53
the town.
00:54
I had this idea of like, what if my samurai protagonist meets my cowboy protagonist?
01:00
And then that's where the story came from.
01:02
I mentioned it to my buddy Ryan Thee about it, and he looked at me and he went, Joe,
01:08
get out of my brain.
01:10
And I was like, wait, what?
01:11
And he was like, oh no, I've had the same idea.
01:14
And we started talking about it, and the more and more we talked about Kurosawa, John Ford,
01:19
and just ideas in general for how the story should be, it became more and more clear that
01:24
we should write this together.
01:26
We thought it'd be a cool matchup to mixed cultures, mixed American versus Japanese culture.
01:31
Joe has the Bushido code in his house, and so we were just kind of skimming through it,
01:38
looking for ideas.
01:39
And the way how we went about writing it was that I wrote one page, Ryan would write another,
01:44
and then I would write another.
01:45
And so I wrote the first page, and Ryan read it, and he was like, oh, okay, mm-hmm, that's
01:51
the film we're doing.
01:52
Okay, I'll write the second page.
01:53
And he wrote the second page, and it was like, oh, okay, okay, Ryan, that's the movie
01:56
we're doing.
01:57
And it all came from wanting to one-up each other and trying to make the best script that
02:00
we possibly could.
02:02
And that's why I think we'd gotten this far, was simply because the script that Ryan and
02:05
I wrote was because we were trying 100% for each page.
02:09
Going to the process before the pitch, it just came down to, am I passionate enough
02:14
to sell this project?
02:16
Because that's how it fundamentally is going to be.
02:18
It's not about, like, why is your team capable enough to do this picture?
02:22
It's why are you capable to do this?
02:25
Are you confident in your abilities as a filmmaker, as a storyteller, in order to tell this story?
02:30
And that's the biggest thing, too, is that we don't want to just make a samurai film
02:33
on a student level and make it seem like a student film.
02:35
The goal with this is to make it feel like a movie.
02:38
And the thing I'm most excited about in the next few months is the possibility of nailing
02:42
down a type of actor that we're looking for.
02:45
And not just for the samurai, but for the master and the cowboy, and I can't wait to
02:49
find out who those people are going to be.
02:51
And so for me, that's what I'm most excited about, is actually being a director and working
02:55
with actors to tailor a performance, and I can't wait to see what they do.
02:59
So the next few months, it's all about finding those definitives of finding how much is this
03:03
going to cost?
03:04
Can we shoot here?
03:05
Is this person on board?
03:07
And that's what we're doing.
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