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khyber Beats Classic !! Pushto Music History Program Part 1 !! Sardar Ali Takkar Say About Pushto Muisc History ..
Sardar Ali Takkar
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1 year ago
khyber Beats Classic !! Pushto Music History Program !! Sardar Ali Takkar Say About Pushto Muisc History ..
GUST : Sardar Ali Takkar
Category
📚
Learning
Transcript
Display full video transcript
00:00
As-salamu alaikum, dear viewers. I am Harkalewa from Khyber Beats Classics.
00:06
Before we start our program, I would like to tell you something about Khyber Beats Classics.
00:13
Our program Khyber Beats Classics is about historical music, historical poets, and historical musicians.
00:24
We will talk about them, we will talk to you on the phone, we will listen to your opinions.
00:32
In this program, we will discuss different topics.
00:39
Our guest today is a very important guest. He is Sardar Ali Takar.
00:48
Let's talk to him. Sardar Ali Takar.
00:52
Mr. Takar, I am Harkalewa in this program.
00:57
As I said, this is not a historical program, but we will talk about the history of music.
01:04
We will talk about poets, how poets came together.
01:11
We will talk about different types of music.
01:20
But before we start, I would like to tell you that we will start from the beginning, from the history of music.
01:32
Mr. Takar, as you know, there is a lot of history.
01:36
How and when did historical music start?
01:43
There is a lot of history in Pushto music, but there is also a lot of history in Pushto music.
01:51
One of the most well-known figures, or authentic information, is that the Pushto drum singer was Toriyawana.
02:05
He is mentioned in the Rigveda Vedas.
02:10
In the Rigveda Vedas, it is said that he was a very good singer in the universe, in the living creatures.
02:19
He was a very good singer.
02:22
Indra Mahadevi was a very good singer.
02:31
Because he was a warrior, he fought wars.
02:36
Indra Mahadevi helped him fight against the Shia and the Pidan tribes.
02:45
In that war, Indra Mahadevi fought with Indra Mahadevi.
02:49
Indra Mahadevi saved Indra Mahadevi from the enemy.
02:55
Indra Mahadevi was a very good singer.
02:58
One of the drummers was Toriyawana.
03:03
When we came to Kanishka, we met another musician.
03:08
His name was Aswa Kosha.
03:12
He was a Buddhist.
03:15
He had a very beautiful voice.
03:17
He had a very beautiful composition.
03:20
He preached Buddhism through his beautiful voice and composition.
03:27
He brought people to Buddhism.
03:30
This was the time when Islam came to light.
03:33
At that time, there were other people too.
03:36
But this is just an example.
03:38
During this time, another person came.
03:41
When Islam came, after Islam,
03:43
apart from other people,
03:45
apart from the common people who were interested in music,
03:48
apart from them, there were a few names.
03:50
One of them was Adil Shah Soori.
03:53
He was from Shir Shah Soori.
03:55
The other was Islam Shah Soori.
03:57
And the last one was Baaz Mohamed Aaf Malwa.
04:00
These were the people who worked hard for music.
04:05
This was the result of the hard work and struggle of these people
04:12
that has led us to today's Pushto music.
04:16
You said that Soori came to Afghanistan.
04:25
In return, you will tell us how he became a singer in Afghanistan
04:32
and how he came to our region.
04:38
I will tell you something about Afghanistan.
04:46
In Afghanistan, the music of the Rumba school was established in 1911.
04:55
This was when Malalai came to the school.
04:58
His teacher was Khalid Rajabbaig.
05:02
His art teacher was Mahmood Farah Afandi.
05:06
He was one of them.
05:08
Nadir Shah's brother, Shah Wali, started this school during his time.
05:13
Nadir Shah's brother, Shah Wali, started this school during his time.
05:19
The second school was established in 1911.
05:24
It was established in Babur Pabagh.
05:27
The teacher was Khalid Rajabbaig.
05:30
His art teacher was Mahmood Farah Afandi.
05:37
In the early days of Afghanistan, music was established as an institution.
05:44
It is not fully established in Pakistan.
05:48
There is no proper institution for music in Pakistan.
05:52
Apart from the National College of Arts, there is no such institution.
05:57
There is no such business.
05:59
This was established in Afghanistan at that time.
06:02
Afghanistan moved to Saghir.
06:07
I have a question about Saghir.
06:12
Dear viewers, I would like to ask you to look at this set.
06:17
You will get a special feeling.
06:21
Will you get it or not?
06:23
Very beautiful environment.
06:27
The people who live in different parts of the world,
06:34
UAE, Dubai, Saudi Arabia,
06:38
there are many such countries.
06:41
If you look at this set,
06:43
you will get the feeling that you are with us.
06:48
You are with ABT.
06:50
You are here with us.
06:52
You are chatting with us.
06:54
You are chatting with us.
06:57
We are also here with you.
06:59
You are chatting with us.
07:01
I would like to tell you that this is a historical program.
07:07
It is a historical music program.
07:09
It is very important for you to live it.
07:13
You should live it.
07:15
If I live it, you should live it.
07:18
Mr. Takar,
07:20
when we came to Saghir from Afghanistan,
07:23
I was not able to understand
07:28
how the first song of Pushto was recorded in Saghir.
07:34
I will ask this question to you.
07:36
I will continue from Afghanistan.
07:39
Before that, I will ask this question to you.
07:42
Then we will continue.
07:46
There are different music schools in Afghanistan.
07:51
One is Kandahar Music School.
07:53
The other is Nengarhar Music School.
07:56
The third is Logar Music School.
07:58
And the fourth is Paktia Music School.
08:02
Now, when I ask you about Saghir,
08:06
about Pushto and about our region,
08:10
I will tell you that
08:12
until now,
08:14
as far as I know,
08:16
and as far as we have heard from our elders,
08:18
from our teachers,
08:20
the longest song that was recorded here
08:24
was recorded in 1905.
08:26
The singer's name was Gauhar Jan.
08:30
Do you remember the song?
08:34
I do not remember the song.
08:36
It was recorded by Gauhar Jan in 1905.
08:42
After that,
08:44
there was a series of recordings in Delhi.
08:46
Two of our famous singers have recorded in Delhi.
08:50
There are many examples of those singers.
08:52
The music that we play
08:56
is divided into three parts.
09:00
One part is the part that was recorded in Delhi.
09:04
At that time, there were many famous singers.
09:08
Abdullah Jan, Ustad Sabzali Khan,
09:10
Inzar Gul, Akram Khan,
09:12
Mobin, Chishti Chaman Jan,
09:14
Mehrunaisa.
09:16
Then there was Uzair Khan.
09:20
Everyone has their own department.
09:24
For example,
09:26
I will talk about Abdullah Jan.
09:30
Abdullah Jan has become a famous singer in Pakistan.
09:34
The music that he played at that time
09:38
was not played by our people today.
09:42
Why?
09:44
He had a lot of talent.
09:48
He had a lot of talent.
09:50
That music was composed by his father.
09:54
His father's music was composed by Bajan.
09:56
He had composed Bajan, the Indian religions song.
10:02
That was written in a temple.
10:04
That was written in a temple.
10:06
That was written in a temple.
10:10
That was composed by his father.
10:12
That was his style.
10:14
In his own mouth,
10:16
that was his style.
10:18
That was his style.
10:22
Abdullah Jan used both of his songs,
10:24
Inshallah, when we have the next program, we will talk about the singers one by one.
10:32
Dear friends, I would like to tell you that in every program we talk about the singers,
10:37
about the musicians, about the singers, about the poets.
10:44
We talk about them in detail in every program.
10:49
Mr. Takar, please tell us about the musical genres in Bar-e-Saghir.
10:55
Especially in Bar-e-Saghir, there are different genres of music.
11:00
What are those genres and how did they develop?
11:03
And what are their characteristics?
11:07
First of all, as I said, this is the time when we have the least number of recordings.
11:13
When we had the least number of recordings,
11:16
at that time Radio Pakistan was in its infancy.
11:19
Now, Radio Pakistan is in its infancy and this is what has been recorded.
11:24
This is the time when we have the least number of recordings.
11:27
I gave you an example of how Zarkhan, Muzaffar Khan, Inzer Gul, Sobat,
11:33
Sobat from Margoz, Tershi Chaman from Sholayab, Nisa Sholayab.
11:39
All of them were recorded at that time.
11:42
And they have reached the level of Radio Pakistan.
11:47
Some of them have made recordings with Radio Pakistan.
11:50
Many people have continued their recordings.
11:54
At that time, because the tradition was of Charbet, Sandoor, Bagat, Tape,
12:02
and Ulasi Sandoor.
12:05
So, this was a period.
12:08
And then there was another period.
12:11
I remember one story.
12:14
I have heard that Tape was given the name because
12:21
when this Tape was recorded,
12:24
as you know, when this Tape was recorded,
12:27
at that time it was in its infancy.
12:30
And when the Qurban was recorded, it was Tape.
12:33
So, this Tape was given the name because of that.
12:37
Was it like that or not?
12:39
I don't know about that.
12:42
I don't know about history.
12:45
And if you remember that story,
12:48
you don't use this Tape.
12:51
You put it in your mouth,
12:54
and you use it like a headphone.
12:57
You put it in your mouth,
13:00
and you use it like a headphone.
13:03
So, inshallah, we will come to this topic one by one.
13:07
We will talk about Tape, Sandoor,
13:10
Nimaki, Bagat, Charbet,
13:13
Nazm, Ghazal.
13:16
Inshallah, this is just the beginning.
13:19
We will talk about all of them.
13:22
This was one period.
13:25
The second period was Radio Pakistan.
13:28
Radio Pakistan was known for its music.
13:31
It was known for its services.
13:34
This was the period
13:37
when Ghazal entered our music.
13:40
Ghazal entered our music.
13:43
And this was a big stone,
13:46
a big stone,
13:49
because our music was very fast.
13:52
It was very fast music.
13:55
Charbet, Badala,
13:58
the story we told you,
14:01
Nimaki, Bagat,
14:04
this was our music.
14:07
Nimaki,
14:10
the first part was Nimawi,
14:13
and Bagat is a nation, right?
14:16
and Bagat is a nation, right?
14:19
Bagat is a song,
14:22
but this was also used
14:25
by Mujahideen.
14:28
For example,
14:31
in Afghanistan,
14:34
they say,
14:37
this was used for humor.
14:40
This was used for humor and romance.
14:43
Inshallah, we will talk about this
14:46
in the show.
14:49
This is the intro.
14:52
We will give you a general view.
14:55
Dear viewers,
14:58
this is an introductory program
15:01
of Khyber Beats Classics.
15:04
We will discuss one topic
15:07
in detail.
15:10
One day we will talk about Tapa,
15:13
another day we will talk about poetry,
15:16
and now we will talk about
15:19
each topic in detail,
15:22
and we will talk about
15:25
everything.
15:28
We will talk about Tapa,
15:31
poetry,
15:34
and music.
15:37
We will talk about
15:39
Shinkhalay Nare,
15:42
Babu Lala, Kakri Ghare.
15:45
It is a song of love, and it is the name of the song of Kakal.
15:51
When the name of Kakal is taken from his father,
15:56
it is the story of his brother's marriage to his enemy.
16:01
It is in his song.
16:04
The people of Kakal call him Angeh and Mataloon.
16:09
Angeh Mataloon!
16:13
It is a song that is the name of the wedding day.
16:18
It is a song of separation,
16:22
separation of father and son,
16:26
separation of husband and wife,
16:30
separation of husband and wife,
16:34
separation of husband and wife,
16:38
How did you start with Ghazal?
16:41
This was the second phase of music in Pakistan.
16:45
In Afghanistan, if you look at a Lehwani singer,
16:52
a Lehwansar or a Majzoob type of person,
16:55
they sing Ghazal in a very different way.
17:00
When Ghazal started in Pakistan,
17:04
Khilwamad Hidayatullah Ahmad Khan
17:11
started Ghazal and then Khilwamad and Hidayatullah.
17:18
There was a lot of contribution to Ghazal at that time.
17:20
Gulnar Begum was also Ghazal.
17:23
When Ghazal came to Pakistan,
17:26
we wrote letters to the people
17:29
asking them to listen to Ghazal on the radio.
17:35
You mean to say that there was no Ghazal concept before?
17:42
No, not at all.
17:44
Ghazal in music is like a poem.
17:46
Ghazal in music is like a poem.
17:49
Ghazal in music is like a poem.
17:51
Ghazal in music is like a poem.
17:53
Ghazal in music is like a poem.
17:54
Ghazal in music is like a poem.
17:55
Ghazal in music is like a poem.
17:56
Ghazal in music is like a poem.
17:57
Ghazal in music is like a poem.
17:58
Ghazal in music is like a poem.
17:59
Ghazal in music is like a poem.
18:00
Ghazal in music is like a poem.
18:01
Ghazal in music is like a poem.
18:02
Ghazal in music is like a poem.
18:03
Ghazal in music is like a poem.
18:04
Ghazal in music is like a poem.
18:05
Ghazal in music is like a poem.
18:06
Ghazal in music is like a poem.
18:07
Ghazal in music is like a poem.
18:08
Ghazal in music is like a poem.
18:09
Ghazal in music is like a poem.
18:10
Ghazal in music is like a poem.
18:11
Ghazal in music is like a poem.
18:12
Ghazal in music is like a poem.
18:13
Ghazal in music is like a poem.
18:14
Ghazal in music is like a poem.
18:15
Ghazal in music is like a poem.
18:16
Ghazal in music is like a poem.
18:17
Ghazal in music is like a poem.
18:18
Ghazal in music is like a poem.
18:19
Ghazal in music is like a poem.
18:20
Ghazal in music is like a poem.
18:21
Ghazal in music is like a poem.
18:22
Ghazal in music is like a poem.
18:23
Ghazal in music is like a poem.
18:24
Ghazal in music is like a poem.
18:25
Ghazal in music is like a poem.
18:26
Ghazal in music is like a poem.
18:28
Ghazal in music is like a poem.
18:29
Ghazal in music is like a poem.
18:30
Ghazal in music is like a poem.
18:31
Ghazal in music is like a poem.
18:32
Ghazal in music is like a poem.
18:33
Ghazal in music is like a poem.
18:34
Ghazal in music is like a poem.
18:35
Ghazal in music is like a poem.
18:36
Ghazal in music is like a poem.
18:37
Ghazal in music is like a poem.
18:38
Ghazal in music is like a poem.
18:39
Ghazal in music is like a poem.
18:40
Ghazal in music is like a poem.
18:41
Ghazal in music is like a poem.
18:42
Ghazal in music is like a poem.
18:43
Ghazal in music is like a poem.
18:44
Ghazal in music is like a poem.
18:45
Ghazal in music is like a poem.
18:47
Ghazal in music is like a poem.
18:48
Ghazal in music is like a poem.
18:49
Ghazal in music is like a poem.
18:50
Ghazal in music is like a poem.
18:51
Ghazal in music is like a poem.
18:52
Ghazal in music is like a poem.
18:53
Ghazal in music is like a poem.
18:54
Ghazal in music is like a poem.
18:55
Ghazal in music is like a poem.
18:56
Ghazal in music is like a poem.
18:57
Ghazal in music is like a poem.
18:58
Ghazal in music is like a poem.
18:59
Ghazal in music is like a poem.
19:00
Ghazal in music is like a poem.
19:01
Ghazal in music is like a poem.
19:02
Ghazal in music is like a poem.
19:03
Ghazal in music is like a poem.
19:04
Ghazal in music is like a poem.
19:06
Ghazal in music is like a poem.
19:07
Ghazal in music is like a poem.
19:08
Ghazal in music is like a poem.
19:09
Ghazal in music is like a poem.
19:10
Ghazal in music is like a poem.
19:11
Ghazal in music is like a poem.
19:12
Ghazal in music is like a poem.
19:13
Ghazal in music is like a poem.
19:14
Ghazal in music is like a poem.
19:15
Ghazal in music is like a poem.
19:16
Ghazal in music is like a poem.
19:17
Ghazal in music is like a poem.
19:18
Ghazal in music is like a poem.
19:19
Ghazal in music is like a poem.
19:20
Ghazal in music is like a poem.
19:21
Ghazal in music is like a poem.
19:22
Ghazal in music is like a poem.
19:23
Ghazal in music is like a poem.
19:25
Ghazal in music is like a poem.
19:26
Ghazal in music is like a poem.
19:27
Ghazal in music is like a poem.
19:28
Ghazal in music is like a poem.
19:29
Ghazal in music is like a poem.
19:30
Ghazal in music is like a poem.
19:31
Ghazal in music is like a poem.
19:32
Ghazal in music is like a poem.
19:33
Ghazal in music is like a poem.
19:34
Ghazal in music is like a poem.
19:35
Ghazal in music is like a poem.
19:36
Ghazal in music is like a poem.
19:37
Ghazal in music is like a poem.
19:38
Ghazal in music is like a poem.
19:39
Ghazal in music is like a poem.
19:40
Ghazal in music is like a poem.
19:41
Ghazal in music is like a poem.
19:42
Ghazal in music is like a poem.
19:43
Ghazal in music is like a poem.
19:44
Ghazal in music is like a poem.
19:45
Ghazal in music is like a poem.
19:46
Ghazal in music is like a poem.
19:47
Ghazal in music is like a poem.
19:48
Ghazal in music is like a poem.
19:49
Ghazal in music is like a poem.
19:50
Ghazal in music is like a poem.
19:51
Ghazal in music is like a poem.
19:52
Ghazal in music is like a poem.
19:53
Ghazal in music is like a poem.
19:54
Ghazal in music is like a poem.
19:55
Ghazal in music is like a poem.
19:56
Ghazal in music is like a poem.
19:57
Ghazal in music is like a poem.
19:58
Ghazal in music is like a poem.
19:59
Ghazal in music is like a poem.
20:00
Ghazal in music is like a poem.
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