00:00We're going to do a quick press up now.
00:14Keep your thumbs up.
00:19I'm going to walk to the camera.
00:20Same one.
00:23Okay, high five.
00:31Camera.
00:33Action.
01:01Let's go.
01:23I'm getting the motivation.
01:25I'm getting the motivation in the video.
01:30I'm getting the motivation.
01:50Okay.
01:51Let's go.
02:00Ready.
02:02Aftab ji.
02:04Ready.
02:30Okay.
02:41Close the door.
02:43One.
02:44Two.
02:46One.
02:47Two.
02:48Three.
02:49Four.
02:50Five.
02:51Six.
02:55Cut.
03:01Yeah.
03:02Correct.
03:06Right.
03:07These are good.
03:12Ready.
03:17One.
03:18Two.
03:19Okay.
03:23Ready.
03:24Order.
03:25Sir.
03:31Camera.
03:32One.
03:33Two.
03:35One.
03:36Two.
03:37Three.
03:38Four.
03:39Five.
03:40Six.
03:43Cut.
03:44Okay.
03:50I'm feeling a little uncomfortable.
03:54But it's very normal.
03:56Right.
03:57Not so quickly.
03:58Yeah.
03:59Let's go.
04:03Camera.
04:04One.
04:05Two.
04:07One.
04:08Two.
04:09Three.
04:10Four.
04:11Five.
04:12Six.
04:14Cut.
04:16Okay.
04:17Wonderful.
04:19My role in Kasur is that of a lawyer.
04:24But in a wider sense, I guess you could say she's a very strong individual.
04:30A very strong female character.
04:44That's my character in the film.
04:48It's very beautiful.
04:49It's very different music.
04:50Because it's not the usual teeny-bopper, regular fast-track music.
04:55It's a little slower.
04:56More on the romantic side.
04:58More on the romance at a later age kind of music.
05:02It has a different feel.
05:04Initially, people didn't like the music.
05:08But slowly, I'm sure it'll grow on them.
05:10Once they hear it over and over again.
05:12The music is really, really, really beautiful.
05:15There's a lot of meaning in the lyrics.
05:18The melodies are very romantic.
05:22It's quite different from a lot of the film music that you're hearing these days.
05:39This is actually the beginning of one of the songs.
05:42One of the rather important songs.
05:44Because it marks a change in my relationship with Aftab.
05:49With Aftab's character.
05:51His name is Shekhar in the film.
05:53So, it is rather an important piece of the song.
05:56We finished most of the songs.
05:58But this is one of the last pieces we have.
06:15One, two.
06:18One, two, three, four, five.
06:29Okay.
06:45Yeah, yeah, yeah.
06:46One second, sir. I'm cutting.
06:52No, no, no.
06:53Move, move, move.
06:58Oh, the crane's shade is coming.
07:00I'll do it again.
07:05Don't cut it.
07:07Don't cut it.
07:08It's okay.
07:14Yes, tell me.
07:17More?
07:18Yes, that's it.
07:29Hold the net in your hand.
07:30Hold it.
07:31Hold it.
07:35Yes, okay.
07:36Take the net.
07:37Hold it.
07:38Hold it.
07:41Hold the big one.
07:42Hold the big one.
07:43No, hold the big one.
08:03Mohit.
08:07Hold on.
08:16Yes, pass it back to me.
08:17Stay here.
08:20A little bit more.
08:21Hold it like this.
08:23Hold it.
08:24Hold it like this.
08:28Hold it.
08:29Hold it.
09:07How's the gun?
09:13Sound. Ready.
09:22Camera.
09:23Action.
09:28Cut.
09:30Too early, sorry.
09:34Wait. Take.
09:37Take.
09:43Camera.
09:44Action.
09:48Cut.
09:52Camera.
09:54Action.
10:01Take.
10:02Cut.
10:07Cut.
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