- 2 years ago
The phrase "nearest and dearest" often evokes a sense of warmth, family, and close relationships. It's a term that brings to mind the people we hold closest to our hearts—our family, friends, and loved ones. However, in the context of British television, "Nearest and Dearest" takes on a different meaning, referring to a classic sitcom that captured the hearts of many.
"Nearest and Dearest" was a British television sitcom that aired from 1968 to 1973. The show starred Hylda Baker and Jimmy Jewel as Nellie and Eli Pledge, siblings who inherit their father's pickle business in Colne, Lancashire. The series was known for its humor derived from the characters' squabbles, malapropisms, and the unique dynamics of a family-run business.
The premise of the show was simple yet effective: Nellie, a hard-working spinster, and Eli, a womanizing slacker, must run the family business together to inherit their father's fortune. This setup led to comedic situations and memorable catchphrases that are still recognized by fans of classic British comedy.
Despite the on-screen chemistry between Baker and Jewel, it was widely reported that the two did not get along off-screen, adding a layer of intrigue to the show's history. Their tumultuous relationship is often cited as one of the most toxic in British sitcom history.
"Nearest and Dearest" also serves as a cultural touchstone, reflecting the era's social norms and the changing landscape of British comedy. It's a show that, while rooted in the 1960s and 70s, continues to find new audiences who appreciate its wit and charm.
For those who grew up watching "Nearest and Dearest," the show remains a nostalgic reminder of a bygone era of television. And for newcomers, it offers a glimpse into the rich tapestry of British humor and the timeless appeal of family dynamics in storytelling.
Whether you're revisiting the series or discovering it for the first time, "Nearest and Dearest" stands as a testament to the enduring nature of well-crafted comedy and the universal themes of family and ambition. It's a piece of television history that continues to be nearest and dearest to many viewers' hearts.
Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon
Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
"Nearest and Dearest" was a British television sitcom that aired from 1968 to 1973. The show starred Hylda Baker and Jimmy Jewel as Nellie and Eli Pledge, siblings who inherit their father's pickle business in Colne, Lancashire. The series was known for its humor derived from the characters' squabbles, malapropisms, and the unique dynamics of a family-run business.
The premise of the show was simple yet effective: Nellie, a hard-working spinster, and Eli, a womanizing slacker, must run the family business together to inherit their father's fortune. This setup led to comedic situations and memorable catchphrases that are still recognized by fans of classic British comedy.
Despite the on-screen chemistry between Baker and Jewel, it was widely reported that the two did not get along off-screen, adding a layer of intrigue to the show's history. Their tumultuous relationship is often cited as one of the most toxic in British sitcom history.
"Nearest and Dearest" also serves as a cultural touchstone, reflecting the era's social norms and the changing landscape of British comedy. It's a show that, while rooted in the 1960s and 70s, continues to find new audiences who appreciate its wit and charm.
For those who grew up watching "Nearest and Dearest," the show remains a nostalgic reminder of a bygone era of television. And for newcomers, it offers a glimpse into the rich tapestry of British humor and the timeless appeal of family dynamics in storytelling.
Whether you're revisiting the series or discovering it for the first time, "Nearest and Dearest" stands as a testament to the enduring nature of well-crafted comedy and the universal themes of family and ambition. It's a piece of television history that continues to be nearest and dearest to many viewers' hearts.
Listen to our radio station Old Time Radio https://link.radioking.com/otradio
Listen to other Shows at My Classic Radio https://www.myclassicradio.net/
Entertainment Radio | Broadcasting Classic Radio Shows | Patreon
Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
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FunTranscript
00:30Be enough, Nellie.
00:37Sorry.
00:39Two, isn't it?
00:42Yes, two.
00:44A tea, Nellie!
00:48What are you doing?
00:51I'm sorry. I'm not myself tonight.
00:54I'm miles away.
00:56I thought you were cogitating.
00:58I'm just thinking a think.
01:01What were you thinking, Nellie?
01:03Thoughts.
01:05Penny for them.
01:07Not you, Walt, is it?
01:11What's to do with you today? Haven't you been?
01:15I think he's been.
01:17I'm not one to pry, Nellie love.
01:19But if you've got something on your mind,
01:22that's what relatives are for, isn't it?
01:25I suppose I could tell you.
01:28See, it was this fella came to our door,
01:31and he said, you have been chosen as a special offer.
01:36Open only unto desirable young ladies who are single.
01:41What did he want with you, then?
01:43It wasn't what he wanted with me.
01:45It was what he thought somebody else might want with me,
01:48and he said I could have it through a machine.
01:52What do you mean?
01:54Well, he said it was a pity a lady as elephant as me
01:58should not have a soul mate, you see.
02:01And I said, well, I couldn't possibly marry a stranger
02:04unless I knew him very well.
02:08So he's put me into the machine,
02:10and the right person has come out the other end.
02:13Oh, you mean a computer.
02:16Well, I don't know what religion he is, but I'm seeing him today.
02:20Like a blind date, is it?
02:22That's how me and Walter met, you know.
02:24You know what things like were like in the war time.
02:27Yeah, so a lot of funny things happened in the blackout.
02:30I'll never forget it.
02:32As soon as Walter set eyes on me, something clicked.
02:37And he hasn't had it seen to yet, has he?
02:41Well, this fella that I'm seeing too,
02:44he says he's mature, a single fella, director of his own business,
02:48generous and pleasant disposition, size 12s in shoes.
02:53Hey, I could fancy him myself.
02:55Hey, you keep off. You've got your hands full with Walter.
02:59I mean, after all, you've got one already.
03:01I mean, there's those of us who have never had one.
03:05I mean, we're entitled to it, you know.
03:07I mean, just the same as you.
03:10Oh, the tide rushes in.
03:16Oh.
03:19Bye, Al, Eli.
03:21Still a lot to be proud of in this country.
03:25You've worn well, Eli, I pledge.
03:28You'll be a wonderful catch for some lucky lass.
03:31Mind you, I don't know what's going to happen to you if I do get wed.
03:41Oh.
03:47Oh, I'm sorry, Miss Nelly.
03:50Come here, you four-eyed old git.
03:54Oh, it's you, Mr Eli.
03:57I thought it was Miss Nelly.
04:00Either your eyes are getting worse or there's something the matter with me.
04:04Hey, Mr Eli. What?
04:06Are you feeling a bit funny?
04:08I'm not feeling anything.
04:10Then what are you having a bath for?
04:12Because I'm going out tonight.
04:14Where do you go out every night?
04:16Ah, this is something special. This is a lady.
04:19Hey.
04:21Is that that smashing blonde barmaid from Frozen Crown?
04:24What, Big Rita? No.
04:26She does nothing for me.
04:28I've asked her, but she won't do out.
04:30No, this is a real lady.
04:32Something very special is this.
04:34She's very refined, attractive, home-loving, with a little business of her own.
04:38What's her name?
04:40Oh, shh. Can't tell you her name. Mum's the word.
04:43Whose mum is it, then?
04:45Nobody's mum.
04:47That's the old git.
04:50But I live in hopes, you know.
04:52Remember the old saying, Stanley?
04:54What old saying?
04:56Roses are red, violets are blue.
04:58If you let me, I'll let you.
05:01Let me what?
05:03I'm not kidding.
05:05Deft old twerp, you are.
05:07Not kidding you.
05:09Hey, if everything goes all right tonight...
05:13I might get married!
05:17Hey, you only a lad, you heli.
05:20Before you settle down, you want to have a fling.
05:24Stanley, I flung it everywhere I'm gonna fling it.
05:29This is the time to settle down with a good woman.
05:33Why bring marriage into it?
05:35Oh, stop yattering on. This bathwater's going cold.
05:38Get that kettle and pour some hot water on my feet, will you?
05:51Get off! Get off!
05:54Oh, you've cooked me bloody goose!
05:57I feel better now. I've made a clean chest of it.
06:01This here fella you're meeting tonight, you don't know his name, then?
06:05Oh, no, I shan't know it till I get to the memoriam at six o'clock.
06:09How romantic.
06:11Yes, until then, he's just plain Mr X.
06:15And he'll turn out to be Mr Right.
06:17What do you mean?
06:19That four-legged fella that waits on at the horse and jockey?
06:23He's married with four children.
06:25No, love, you don't understand.
06:27I mean Mr Right.
06:29Is he the right man or the right man for you?
06:32Oh, I hope so.
06:35How will I know?
06:37How will you know what?
06:38If he's Mr Right.
06:40Oh, well, when you meet him tonight, something inside you will sort of stir.
06:45Oh.
06:47It's a wonderful feeling, Nellie.
06:50Oh, yes. And is that, Walter, what Walter made you feel?
06:54Eh? I'm just saying, Walter, did you make her feel it?
07:00He knows how to keep me going, does Walter.
07:05He just has to take one look at me with them bedroom eyes of his.
07:10What?
07:12No, bedroom eyes.
07:18See what you mean? Something's gone to sleep inside his head.
07:23Now, this fella you're meeting tonight, love,
07:25now you'll have to watch him if he's anything like Walter.
07:28He'll only be interested in one thing.
07:30Oh, that's all right.
07:32Because right next to the memoriam you see there's the public toilets.
07:49I wonder where he is.
07:51It's quarter to.
07:53I must get a little hamperton this watch.
07:58Yes.
08:29Oh, sorry, sir.
08:31What do you mean, sir?
08:33What the hell are you doing here?
08:35Oh, just out for a bit of a stroll while I get some fresh air.
08:38What, er, what are you doing here, then?
08:41Oh, well, I...
08:43Well, I've just come to see if Uncle Harry's getting on all right.
08:49He's been there for 50 years.
08:51If he's not all right now, he never bloody will be, will he?
08:55Would you mind pushing up, Cinderella?
08:58Because I'm waiting for somebody, you see, and I...
09:01I want to create a good impression.
09:04Right.
09:06What are you talking about?
09:08You're not the only one that's waiting for somebody.
09:10I'm waiting for somebody as well.
09:12Oh, are you?
09:14Yeah.
09:15Chap?
09:16Yeah, chap.
09:18I suppose you're waiting for a woman.
09:22I suppose you're waiting for a woman, as usual.
09:27Are you not, by any chance, waiting for a quiet, refined lady?
09:33Attractive and home-loving, with her own business?
09:45You wouldn't be waiting for a mature, single chap, would you?
09:49She's got her own business.
09:51Kind and generous disposition.
09:59Generous disposition?
10:01Quiet, refined.
10:03Mature? More like manure, you...
10:06Oh!
10:07Yeah, you bitches!
10:20APPLAUSE
10:27Oh, I don't know.
10:29I'll never be able to hold my head up in that flaming pub again.
10:32You can't hold your head up as it is.
10:34Four pints and you're flat on your back.
10:36What about me, eh?
10:37What about me when our Lily hears about this, eh?
10:40Eh?
10:41She'll laugh her stocking tops off.
10:43Hold your flaming pot, you know.
10:45Telling them lies on your phone.
10:47I didn't say any lies on my phone at all.
10:49Yes, you did.
10:50You said you were an attractive woman, quiet and refined.
10:53I am quiet and refined, you big fleas-ard.
10:56Oh!
10:58And what about you, saying kind and generous disposition?
11:01Well, I have got a kind and generous disposition.
11:03You flaming old ratbag!
11:05Look, look, that's too quill at the spout, innit?
11:08They're no good to us now, innit? I'll put them on fire.
11:10Stop it off, that.
11:11They don't grow on trees, you know, these flowers.
11:17Take your chair, Dad.
11:18And keep your eyes on them, love.
11:20Until I come and see you at the cemetery tomorrow.
11:23And while I'm there, I'll see if they've got a place for me.
11:28Oh, gee old morning, Nellie. It's that end of flaming world.
11:31I'm fed up.
11:32I get up in the morning, I'm pickling all day until it goes dark.
11:37Nothing else but bed and work.
11:40I don't know.
11:41One of these nights you'll come home and you'll find me at the bottom of the canal.
11:45Nellie, you've got to look on the bright side.
11:48When I said none of you, you still got me.
11:50Yes.
11:51I'd have been at the bottom of that canal now if it hadn't been raining.
11:56Look, Nellie, I thought you were happy.
11:57I mean, what do you want a fella for?
12:00Because everybody has a fella.
12:02Our Lily has Walter, hasn't she?
12:04Aye.
12:05You can always find somebody worse off than yourself.
12:08I'm just fed up of coming home and finding you here.
12:11I want a man about the house.
12:12Oh, well, I don't understand. You are.
12:15Look, I mean, I'd have been married long ago.
12:17Wouldn't I then have stopped at home with me dad?
12:20I mean, I've had plenty of offers.
12:22Aye, fought themself.
12:25Offers of marriage, I mean.
12:26Oh.
12:27What about that fella, every time he went by my window, he used to throw pebbles at it.
12:31He was an outlaw, dear, after he'd bloody rent.
12:34All right, what about that butcher? Eh?
12:37During the last war, when it was rationed? Eh?
12:40He never said anything, but he always used to slip me a sausage on the side.
12:47You and 74 other women, they'd put him away for that.
12:51Aye, you're hard, that's what you are.
12:53It's all right for you, roaming the streets like a mangy tomcat.
12:59I'm not really like that, Nanny.
13:01I've always fancied a wife.
13:03Trouble is, if her husband catches you.
13:05There you are, there you go again, you see.
13:07Joking about holy mattress money.
13:10What's going to happen to you when I've gone?
13:14Where you going?
13:16Well, I'm talking about when I've gone to the great behind.
13:22You'll be a lonely old man.
13:25A lonely, dirty old man.
13:29Not so much of the flaming old.
13:31I've always wanted to get married.
13:33Just finding the right woman.
13:35Or the right fella.
13:36Oh, no, it'd have to be a woman.
13:39You're talking about me, you big girl's blouse.
13:41Oh, she's good to be.
13:42Hey, Nelly, I've got an idea.
13:44Yeah?
13:45Why don't we, you and I, look through the yellow pages?
13:54There's nobody in.
13:55Let's go on.
13:56No, go on, get in.
13:57It's your idea, this is.
13:59Get in, you daft old haybag.
14:01Shop!
14:02Good afternoon.
14:03Good night.
14:05Yeah.
14:06This is your idea and you're going through with it.
14:08Come on.
14:10Good afternoon.
14:11We've come to put our names down to get married, you see.
14:13We want lifelong partners.
14:17You supply them, don't you?
14:19That is so.
14:22Oh, Mr. Wellplant.
14:23Two clients for you.
14:24Ah, good, good.
14:25Thank you, Miss Nesbitt.
14:28Oh, Mr. Wellplant.
14:29Two clients for you.
14:30Ah, good, good.
14:32Now, who have we here?
14:34Well, I'm Eli Pledge and this is our Nelly.
14:36Yes.
14:37This is a marriage bureau, you know, not marriage guidance.
14:39Oh, we're not married.
14:40No, we just live together.
14:44Well, I would have thought it a little late in the day for me to perform an introduction.
14:48Oh, you've got a misconstruction there.
14:51I'm Miss Nelly Pledge and this here, here, is my brother Eli Pledge.
14:55Oh, I do beg your pardon.
14:57I do think so.
14:59Any more of that, you know, knuckle sandwich, son.
15:04Take no notice of our Eli.
15:05He's just a bundle of nerves.
15:07You take no notice of our Nelly.
15:08She's just a bundle.
15:11Oh, yes.
15:12Well, let's see what we can do for you.
15:13Do sit down.
15:14Yes, certainly.
15:15Ladies first.
15:16All right.
15:17I'll sit there.
15:18You go and find one.
15:19Get out.
15:20Watch it, son.
15:21Watch it.
15:22I hope you'd like to make yourselves comfortable.
15:24I have some cards here.
15:26Kindly fill these in.
15:27Some personal details for our files.
15:31What a nice office you've got, eh?
15:33Nice contemptible decorations.
15:37Mr. Well-blessed.
15:43Well-beloved.
15:44Pardon?
15:45Be-loved.
15:46Be-loved.
15:50I like that.
15:53That's what we've come for.
15:57Yes, well, I take it that one or indeed both of you are intent on matter
15:59and wish the Lonely Hearts Marriage Bureau to help,
16:02and that is why I am here.
16:04Well, I've all been about the bushcock.
16:06I want a nice bit of crackling,
16:075,000 quid a year,
16:09and a little pub of her own.
16:11Well, at least you're Frank.
16:13No, his name's Eli.
16:16Yes, well, let's see what we can do.
16:18Name, Eli Pledge.
16:19Occupation, director.
16:21Hobbies, BBC.
16:23Birds, booze and crumpet.
16:26Your writing's rather hard to decipher.
16:28What's this you've written under the next heading, sex?
16:31Yes, please.
16:33The answer I required, Mr. Pledge, was male.
16:35Oh.
16:36Now I take it you are a bachelor.
16:38Oh, yes, he's not tied a knot in it.
16:42Not yet.
16:46No previous marriages?
16:48No, untouched by human hand.
16:51You haven't filled in this question, age.
16:55Past 21.
16:58Several times.
17:00Couldn't you be a little more particular?
17:03I'm not so particular, so long as it's a fella.
17:06I'm afraid I must ask you to be more specific.
17:09Oh, I gargled with that this morning.
17:11It seems very good to me.
17:12It's right down here, you know, and it's...
17:14Oi, great head.
17:15He wants to know your age.
17:17I'm talking to the engineer, not the oil rag.
17:21Please, please, please, please.
17:23Have you got a headache?
17:24Would you like a vinegar rag on?
17:28Now, what I shall do for each of you is to arrange a meeting
17:30with a prospective partner of the opposite sex.
17:33Oh.
17:37Such a meeting, of course, will be purely tentative.
17:40Oh, like camping out?
17:44I mean the meeting will be experimentally.
17:47It doesn't mean that you will be committed.
17:49I think I know I should be.
17:52Committed.
17:53Now, I must warn you both that matrimony is a serious matter,
17:56one which requires careful consideration.
17:58You may meet several prospective partners
18:00before finding that truly blessed union of two minds.
18:03Well, there's just one thing, Mr Well-Endowed.
18:08When we meet these partners of the opposite thingy,
18:13I'd like us all to do it together.
18:17I beg your pardon?
18:18Well, I'd like our Eli to be there
18:20with his partner of the opposite thingy as well.
18:23Oh, you mean a foursome, a double date?
18:26Sounds like the makings of a very nice little orgy.
18:31I should have had this caught clean, you know.
18:33Is me flower straight?
18:35Your flower's all right, it's your face that's crooked.
18:38What about yours? It's got so many lines in it,
18:40I could drive an engine through it.
18:42Oh, give over, Mithrin.
18:44Oh, give over, Mithrin.
18:46I mean, I want to feel me best.
18:48Well, I'll feel it for you, if you like.
18:50Eh?
18:51Which one is it? Oh, shut up.
18:53Listen, none of that dirty talk you know
18:55when this gentleman gets here.
18:57Nelly, I will be the soul of discretion.
19:00I will be proper blase.
19:02That's what I'll be.
19:09Did you get all of that up your nose?
19:12You'd show yourself up in a Chinese chip shop.
19:16Listen, will you promise to behave yourself?
19:19Look, it's not the Duke of Edinburgh you're meeting.
19:21His name is Albert Ranshaw, and he works for Gasworks.
19:24But he must be in a high position, you know,
19:27because I know for a fact he works on the seventh floor.
19:32When we get a bit friendly with him, like,
19:34I'll ask him how we can fiddle our gas meter.
19:36You will? I'll split your head open if you do.
19:40Hey, and don't you go telling her out about me when she comes.
19:44You mean about that woman traffic warden?
19:47Hey, shut up.
19:48Certainly fed her a meter for it, didn't he?
19:51I'll kill you. I'll kill you.
19:54Excuse me. Why, what have you done?
19:57My name's Albert Ranshaw. I take it you are...
20:00Yes. You haven't had the pleasure of me, have you?
20:07I'm Miss Nelly Pledge. How do you do?
20:09And this is my brother, Eli.
20:12Yeah, so think on. No hanky-panky, we are Nelly.
20:15I wouldn't dream of any hanky-panky with your Nelly.
20:18See? What do you mean?
20:20Mr Eli Pledge.
20:22Oh, no, I'm afraid not.
20:24No, I'm Mr Eli Pledge. Look.
20:27Oh. You must be Miss Crabtree.
20:29Yes. And my first name is Ivy.
20:32Oh, I bet you're very clinging.
20:35You can climb up my brickwork any time you like.
20:39I'm his sister, Miss Nelly Pledge.
20:41He likes good, plain home cooking.
20:44Yes, I can see that.
20:48And this is Mr Ranshaw, and he's with me.
20:50Hello. Hello.
20:53Can you see that?
20:56Hard-faced.
20:58I bet she's all fur coat and no knickers.
21:03I bloody hope so.
21:06Excuse me. I suppose with you working on the gas board,
21:10you'll be fed up with looking at old boilers.
21:14Oh, I beg your pardon, Miss Pledge.
21:16Oh, call me Nelly. What shall we do next?
21:19Well, perhaps I could tempt you to a knickerbocker glory.
21:22Oh.
21:24Hey. Mr Rumrod.
21:28Hey, where have you been all my life?
21:30I shouldn't think I was born for the first half of it.
21:35Well, what are your hobbies, Miss Pledge?
21:37I mean, do you go to night classes by any chance?
21:40I go to adult education.
21:42Oh, I don't need any lessons in adultery.
21:47You couldn't find a bloody teacher.
21:49I take pottery for beginners.
21:51Really? You know, I take accountancy.
21:53Do you take anything?
21:55Me? Oh, yes, I take a drink.
21:57And snuff. Sure.
22:00I take...
22:02I'm more in sort of the artistic line myself.
22:05I mean, if anybody asks me, I'm always willing to do a turn.
22:11Thank you, Pop.
22:13Oh, I'd do a turn for you now, only I haven't got my piano with me.
22:16Oh, they go mad when I sing.
22:18There are too many in my life
22:21And I am his brother
22:23And he is one as well
22:26I've done it wrong.
22:29Shut up, Maria Callas.
22:31You and I seem to have something in common, Miss Crabtree.
22:34Yes, we do, Mr Ramshaw.
22:36Shall we go? Yes.
22:39It's been very interesting meeting you, Miss Pledge.
22:45Goodbye, Mr Pledge.
22:46Hey, wait a minute. Hang about. The night's still young.
22:48Well, it's more than I can say for you.
22:55That wasn't very nice, was it?
22:57No.
22:58She did smile when she said it, though.
23:02And I fancied her and all.
23:04He wasn't so bad, either, for his height.
23:06Anyway, Nellie, he's not the right fella for you.
23:09She's not the right one for you, either.
23:11What? Note a pound, that one.
23:14Hey, who needs them, anyway?
23:17You've said it.
23:19Who needs them? Not us.
23:21I mean, still got me, our Nellie.
23:24Yeah, and you've still got me.
23:26Yeah.
23:34You knock-kneed, knackered old man.
23:39You bow-legged, big-bellied brewer's boy.
23:42You and your four-legged date.
23:44It's quite your fault, darling.
23:56APPLAUSE
24:26THE END
24:56THE END
25:26THE END
25:30Be enough, Nellie.
25:32Oh, sorry.
25:36Two, isn't it? Yes, two.
25:42The tea, Nellie!
25:44Nellie! What are you doing?
25:46Oh, I'm sorry. I'm not myself tonight.
25:49I'm miles away.
25:51I thought you were cogitating.
25:53Oh, no. I'm just thinking a think.
25:56What were you thinking, Nellie?
25:58Thoughts.
26:00Penny for them.
26:02Not you, Walter, sit down.
26:06What's to do with you today? Haven't you been?
26:10I don't think he's been.
26:12Now, I'm not one to pry, Nellie, love,
26:15but if you've got something on your mind,
26:17now that's what relatives are for, now, isn't it?
26:20Oh, well, I suppose I could tell you.
26:23See, it was this fella came to our door
26:26and he said, you have been chosen as a special offer.
26:32Open only unto desirable young ladies who are single.
26:37What did he want with you, then?
26:39It wasn't what he wanted with me.
26:41It was what he thought somebody else might want with me
26:44and he said I could have it through a machine.
26:47What do you mean?
26:49Well, he said it was a pity a lady as elephant as me
26:53should not have a soul mate, you see,
26:56and I said, well, I couldn't possibly marry a stranger
26:59unless I knew him very well.
27:03So he's put me into the machine
27:05and the right person has come out the other end.
27:08Oh, you mean a computer.
27:11Well, I don't know what religion he is, but I'm seeing him today.
27:15Like a blind date, is it?
27:17That's how me and Walter met, you know.
27:19You know what things were like in the war time.
27:22Yeah, so a lot of funny things happened in the blackout.
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