Salón de té La Moderna - Ep 190
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00:00A few hours later
00:17Excuse me
00:30You've been very brave
00:38When will my uncle come? He told me he had called him
00:46Don Fermín! Inés! Inés!
00:51I've come as fast as I could. Are you okay?
00:55No, I'm not okay
00:56What a fright! But nothing compared to what you've been through
01:01My God! How could there have been a shooting here in Madrid?
01:06I don't know
01:08At the entrance I came across the dead bodies. There were two bodies. Who were they?
01:14Apparently they were two gunmen
01:16Two gunmen?
01:19What were you doing here?
01:20I wanted to talk to César and suddenly some men came in and...
01:27And what did they want?
01:30They wanted to kill César but they couldn't
01:34When the police arrived, César was no longer there
01:37They've been looking for him everywhere and in fact they're still looking for him
01:43But judging by the bloodstain, César must be seriously injured
01:48Another possibility is that those two gunmen were with other people and took César against his will
01:56Inés, I'd like to know why those men wanted to kill César
02:01And why did César have a gun? And what was the relationship between them?
02:06Uncle, César asked me to go out through the back door and I called the police
02:13But the important thing is that César saved my life
02:15No, Inés, the important thing is that he put you in danger again
02:19Mr. Fermi, the police have interrogated him
02:24I'm sorry, darling, I'm sorry
02:28Can you hug me, please?
02:38Come on, Clarita, when you finish the milk, we'll go to bed and if you want, we'll read together
02:45I have a book in my room called Great Hopes, by Charles Dickens
02:50I'm not sleepy yet
02:53Besides, I'm not going to sleep until Íñigo arrives
02:58Why did he run away?
03:01They called him from Madrid Cabaret because there was a fire
03:05But nothing serious, he just had to go and put some order
03:09Go to bed and as soon as he comes back, I'll let you know
03:11Okay, but if I fall asleep, you wake me up
03:15Yes
03:17Hey, Clarita, I thought that maybe you don't have to go to class tomorrow
03:22We'll both stay here and I'll give you the lesson
03:25It's because of what's in the newspapers, because of what they say about Íñigo
03:29Yes
03:31Has any of your classmates messed with me?
03:34Yes, but only one or two
03:37And what did they tell you?
03:38My sister's husband has killed a woman
03:42He's a bad man and you have to be careful with him
03:46I'll talk to them tomorrow, well, better with their parents
03:50Yes? And when did it happen? What did you do? Did you talk to the teacher?
03:54Why? So that they accuse me of being a whore?
03:58I ran away and hid until I got over it
04:02But I didn't get over it
04:04Let's do something, Clarita
04:05You're going to stay a couple of days without going to class
04:08You're going to stay here, I'm going to get my homework
04:11And we'll do it together in the morning
04:13And in the afternoon, if you want, you can go to Susana's friend's house
04:16What do you say?
04:18Matilde, I don't like to hide
04:20Not in school, not here
04:24Could it be Íñigo?
04:26No, Íñigo has keys
04:35Let's go
04:57I'm sorry, it's late
04:59What's wrong? Are you okay?
05:01No, no, I'm fine, don't worry
05:05I'll get them
05:08I'm glad to see you too, Clarita
05:11How are you? I'm sorry to disappoint you, it's very difficult to compete with Íñigo
05:15I just came to be with him
05:18I guess the fire in Madrid-Cabaret wasn't very serious, right?
05:24No, nothing, a spark that jumped from the electrical installation, but nothing important
05:28In fact, Íñigo must be about to arrive
05:32Well, Matilde, remember your promise
05:35If I fall asleep, you wake me up
05:38And let me know when Íñigo arrives
05:40Yes
05:43Good night, Jacob
05:45Good night, Clarita
05:53One shot, uncle, and two dead
05:55Cesar?
05:57No trace of the manager, everything seems to indicate that he was injured
06:01What is clear is that he was involved in some mess
06:05But Matilde, calm down, because the police are convinced that Íñigo has nothing to do with this
06:10They won't need Jacob
06:12I'm sure someone took advantage of what happened to continue tarnishing his reputation
06:17And we both know who he is
06:36Rutilante Madrid-Cabaret, owned by Mr. Íñigo Peñalver, suspected of a recent murder, still under investigation, has become the scene of an alleged account adjustment
06:48Can you repeat it? The first part
06:53Rutilante Madrid-Cabaret, owned by Mr. Íñigo Peñalver, suspected of a recent murder, still...
06:58No, they are completely wrong
07:02They should say, it is owned by the murderer, Mr. Íñigo Peñalver
07:09Keep reading
07:11In fact, the police consider the possibility of an account adjustment between organizations
07:18Look, honestly, I don't know what Íñigo has to do with all this
07:21And what does that matter?
07:23This is his place, where his own manager has killed two people
07:29Fabio, don't you realize? The scandal is served
07:34Yeah, the silver platter
07:37And from now on, no one will be able to doubt the reality in which he belongs
07:43Much less that he is my daughter's murderer
07:45No, of course, the prosecutor will take it into account
07:49I hope so, because the public opinion would not understand that he spends one more minute in freedom
07:55What are they waiting for to arrest him? What else does he have to do? Set the city on fire?
08:00No, we trust that Inspector Jiménez will do his job
08:05That is precisely what worries me the most
08:09Yesterday, I had to fire him
08:11Did you talk to him? And you haven't told me anything? What happened?
08:16We had a heated discussion, at least for my part
08:21I insisted that there was too much evidence to arrest Íñigo
08:25However, I didn't see it that way
08:28And his arguments to defend his position seemed insulting to me
08:33Especially for Carla's memory
08:35But Bárbara, don't you think it's a good idea to put us against the police in charge of the investigation?
08:41On the contrary, it's time to do what needs to be done
08:45Make them feel our pressure, force them to do their duty
08:50And make them do justice, once and for all
08:54And what can I do?
08:56Get this shooting to stop
08:58Make them do justice, once and for all
09:02And what can I do?
09:04Get this shooting, which has come to us like a ring on the finger, to be the icing on the cake
09:10Talk to whoever you have to talk to
09:13Get them to link Íñigo with that gang of criminals
09:25Dear God
09:28What?
09:35Did you hear about the Madrid-Cabaret?
09:38A shooting and two dead
09:40And the worst thing is that Inés, Don Fermín's niece, was there too
09:43Of course, everyone talks about the same thing
09:46Thank God we weren't there, I haven't stopped thinking about it
09:49I thought these things only happened in the movies, Miguel
09:52By the way, how are the sales going?
09:54Well, about the mail section, it has been the balsam of Fierabrás
09:59I already have 12 orders, and the best thing is that once it's on sale, I don't have to worry about anything
10:04Well, Virgen Santa, Miguel, it seems that this time you have hit the nail on the head
10:09Yes, well, the Bibles, the truth is that they are to fix the soul, but it seems that people prefer to fix their bodies
10:15Well seen
10:17In addition, Madame Lafajete is not only a leader in fajas and corsets, but also in service
10:21The orders are made with due discretion
10:25If your right hand buys a faja, let your left hand not know
10:28I'm glad for you and for your clients, whoever they are
10:33Well, Miguel
10:35Elias, is something wrong?
10:37Since you came in, I notice you are tense, it even seems that it is difficult for you to breathe and you walk like a duck
10:42Let's see, the truth is that I will deny it for the rest of my life, Miguel, even if they torture me to death
10:48But yes, indeed, I am wearing a faja of Madame Lafajete, but of a gentleman, obviously
10:56As you say, have you bought it from another merchant?
10:58Of course not, man, what I have done has been the order under another name, yes, under the name of the husband of the owner of the mansion
11:05If your right hand buys a faja, let your left hand not know
11:10I will be a grave, and are you happy with the acquisition?
11:14I would not be surprised if they confused you with a movie star
11:15I regret that if I have decided to buy the faja, it is only to hold my kidneys well
11:21You know that I stand for many hours, Miguel, I do not need to stylize my figure because I have a natural gift that is ...
11:30Excuse me, excuse me
11:34La Goleda de las Letras, tell me
11:36Ah, Don Salvador, yes, right now I was with a client but I can talk
11:41Yes, yes
11:42Yes
11:44Hello
11:48My mother, if I do not believe it, because what Matilde was missing
11:53And that the newspaper relates Ñigo with the incident, even if it is veiled, seems temerary to me
11:59I was talking to him and he was as embarrassed as me
12:02And how is your niece? I understand that she was present when those armed men entered
12:08Inés?
12:09Yes
12:10I did not know
12:12Well, as they say, they were in the wrong place at the wrong time
12:16And also with the wrong person
12:19Are you referring to Cesar, the manager of the salon who was involved in the shooting?
12:23Yes, yes, yes, to Cesar, but well, fortunately he escaped safe and sound, although he is still impressed with what he has lived
12:30Imagine in the middle of a shooting
12:35Is something wrong with you, Mrs. Lazara?
12:38Excuse me, I do not feel very well, my stomach has been upset
12:42The truth is that just to put me in his niece's place, I ...
12:46Well, thank God, everything ended well, although it could have been much worse, of course
12:53Well, yes, because the place could have been open to the public
12:56Yes
12:57Mrs. Lazara, if you like, we finish dispatching the issues of the day
13:01And so we forget that unpleasant topic, even if it is only for a moment
13:05Teresa, if you excuse us
13:07No, wait a minute, Teresa, I'm the one who's leaving
13:12Mrs. Lazara
13:13Please, I would prefer that Teresa dispatched with you
13:17After all, there are only a few orders left to close
13:22Yes, yes, of course, if you need to take a break or not, of course
13:26Thank you very much, it is very considerate of you
13:29If you excuse me
13:35Do you understand?
13:37No, no, I don't think it should be a problem ...
13:41Of course
13:43Of course
13:45Good morning, Don Salvador
13:51I'm lost, Elias
13:53Don't tell me that Don Salvador has realized that you are a double agent
13:57That you work double-time, I mean, double-time
14:00What are you talking about?
14:01I'm talking about the demonstration the other day
14:04To see if it was too risky, for example
14:06And if Teresa has called Don Salvador to tell him
14:09No, Teresa would never do something like that
14:10Besides, it has nothing to do with that, but with something much worse
14:14Don Salvador wants to incorporate an assistant
14:16So that he can start working tomorrow in the bookshop
14:18Well, much better, so you have more time to betray him
14:22I mean, for the money
14:23No, quite the opposite, because I'm going to have to be on top of that assistant
14:26And I'm afraid that he ...
14:27No, quite the opposite, because I'm going to have to be on top of that assistant
14:30And I'm afraid that he ...
14:31On top of me
14:32And do you know why?
14:33No
14:34Because it's about Salvita, Don Salvador's son
14:36Damn!
14:37No, and wait, now comes the good part
14:38He wants me to teach him the trade
14:41Well, he has entrusted you to his son, right?
14:44You should be a little proud
14:45Proud? But you don't realize the trick
14:47As soon as I have taught him, Salvita will be in charge
14:49And I will go to the street
14:51Ah, well, you're right
14:52Because I would do exactly the same as Don Salvador
14:54You would teach Salvita and then to the street, continuing with the saga
14:58Have you seen how beautiful?
14:59Precisely now I can not afford to lose this job
15:02But why not?
15:03But if so, you would have ...
15:04Think about it, Miguel
15:05You would have all the time to dedicate yourself exclusively to the trades
15:08Huh?
15:09Also, if you are a single man, huh?
15:11That has no shortage to feed
15:13You will have no problem getting ahead well
15:16What I don't understand is why you need two jobs
15:18Let's see if you're going to get anxious and you're going to end up having a telele
15:21You're right
15:23Yes, yes, yes, there is no harm in not coming
15:25Adaptation period, you say, right?
15:28What?
15:52Quiet!
16:04Why you walk as if you were folded?
16:06Because...
16:08you confuse...
16:10elegance with tightness
16:12and a duck with a swan
16:13Let's see...
16:14Why you've asked me to take you out?
16:15Man...
16:16Because every detective
16:17has to have an assistant so he can tell you
16:20all that he's discovering
16:22And I'm going to unmask the thief of the bottle of cognac.
16:26But then are you sure it wasn't Marta?
16:28Man, as sure as you're on a train.
16:31Let's go.
16:34Look.
16:40What do you see there?
16:42Well, let's see. I don't want to get my fingers caught either,
16:45but everything points to that it's an oil stain.
16:48Of course, just like the one we saw at the reservoir.
16:51Do you remember?
16:53And who can leave an oil stain here?
16:56Well, the dirty people.
16:58No, man.
16:59The vans that park right here.
17:03Oh, no one beats me at this.
17:05Well, you're not going to get away with it,
17:07because since yesterday you've been walking around all over the place.
17:11What? Have you discovered something new?
17:13Can I see your notes?
17:14No, no, no.
17:15No, calm down.
17:16No, no, man.
17:17Hey, and you don't fool me.
17:19Something's wrong with you.
17:20Apart from walking like a duck, you're crumpled.
17:24Well, because of the constipation, I've lost weight.
17:27Well, no one beats me at this.
17:29You must have bought yourself a girdle, madam.
17:31The girdle, right?
17:32What are you saying?
17:33But what things do you have, woman?
17:35I don't know what you're talking about.
17:37You have to see.
17:39One thing is to discover a stain,
17:41but a very different one is to discover that a gentleman wears a girdle.
17:44Open your vest.
17:45Lift your shirt.
17:46But what vest or what shirt?
17:48You see, someone like me, with the body I have,
17:50that nature has given me,
17:52I'm going to need to wear one of those things.
17:54Besides, you ignore that I was a model for the students of fine arts.
18:00I've brought you your favorite pastas.
18:06Inés, your sister told me that you didn't have dinner yesterday
18:08and that you haven't had breakfast today either.
18:10You can't go on with the empty stomach.
18:12Uncle, I'm not hungry.
18:14Honey, look,
18:16yesterday I didn't want to harass you with questions
18:19because I knew you had to rest.
18:21But...
18:22I know, uncle, I know.
18:24I'm aware of the seriousness of the facts.
18:26So?
18:28Well, I can't get rid of the image of those men shooting.
18:32As far as I know,
18:33since you had the fatal accident,
18:36you haven't worked there anymore.
18:39So what were you doing at the Madrid Cavalé?
18:41But uncle, I've already told you.
18:43I had an appointment with César.
18:45We had a pending conversation.
18:48And you didn't know what he was up to?
18:50It doesn't matter, it doesn't matter, it doesn't matter.
18:52Fortunately, that man won't hurt you again.
18:57Hurt?
18:59But uncle, César saved my life.
19:02Yes, but before he also put you in danger.
19:04But it doesn't matter, it doesn't matter.
19:06The police will find out what you don't want to tell me.
19:09And it's César's relationship with those gunmen.
19:12And that's the only thing that matters to him.
19:14No, Inés, no.
19:16The only thing that matters to me is you.
19:18But I don't think it's a coincidence that Cazapiano
19:20almost died of poisoning in a week.
19:22And yesterday, in a shooting,
19:23in a place where you shouldn't be.
19:25Uncle, I've already told you, please.
19:26I'm sorry, I'm sorry, Cayo, I'm sorry.
19:28César, you need to rest.
19:30No.
19:31No, I need you to stop pressuring me.
19:34And please leave me alone.
19:37Inés...
19:38Uncle, please, I need to be alone.
19:42Please.
19:56And can you share your hypothesis with me?
20:00I'm wetting the spot.
20:04As soon as Mrs. Lázara comes out, her hair falls off.
20:07Esperanza, if you want, I've finished at the lab.
20:09I'm going to clean up.
20:10Again.
20:11Don't interrupt her now, teacher,
20:12because she's about to solve the case.
20:14What case?
20:15But, well, what world does she live in?
20:17Well, the case of the theft of the bottle of cognac
20:19and also the one to blame Marta.
20:21But it's not possible, huh?
20:23That she's always the suspect of everything bad.
20:26Yes, exactly, Pietro.
20:28Because this is like when someone kills a mother-in-law
20:30and is called a mother-in-law all her life.
20:33I understand you, but I don't think it's the best example.
20:37What's wrong with your mouth?
20:39Oh, nothing.
20:41I open my mouth and my big toe hurts.
20:44But it's nothing serious.
20:48Esperanza, tell me, what have you found out so far?
20:51Silence!
20:59Don't interrupt her now, teacher.
21:03Because she sees things that we don't.
21:07What?
21:09I don't know.
21:12I know who spilled the bottle of cognac.
21:16Or a driver of the van.
21:20Or a dump guy.
21:30Uncle, I didn't know you were here.
21:33How is Inés?
21:35Bad, very bad.
21:37It's my fault.
21:38I have pressured her with too many questions
21:40and the only thing I have achieved is that she doesn't want to talk to me.
21:44But it's César.
21:46How did we not see how dangerous that man was?
21:50Well, never mind.
21:52Please tell her to forgive me.
21:54I love her very much.
21:56Don't worry, Inés knows enough.
22:00By the way, Laurita,
22:02I was talking to Agustín Comas
22:04and I made sure that what happened between you two
22:07was just a misunderstanding.
22:09No, no, it doesn't matter.
22:11Thank you for being interested.
22:12Wait, I was also talking to someone.
22:16With Antonia.
22:17She's very sorry for having to leave the Modern.
22:20And I am too.
22:22Wait a minute.
22:24Don't take it the wrong way,
22:26but it's so difficult to eliminate that norm
22:28and don't tell me again that it's an aggravation
22:30for the old employees.
22:31That's exactly what it is.
22:33It's an aggravation, in addition to an injustice.
22:36Yeah, man, but I can break your theory in a blink of an eye.
22:40Why don't you ask any of the old employees
22:42if she would feel upset
22:44because Antonia could continue working at the Modern
22:46after getting married.
22:47Matilde herself.
22:48She doesn't realize that with that absurd norm
22:50what she's going to achieve is losing the people she cares about.
22:53Do you really think she'll find someone better than Pietro
22:56or Antonia to work at the Modern?
22:58You always say we're a family.
23:00Do you really want to break it?
23:03It's easier to ask all those questions.
23:05No, it's easier to answer them.
23:12Will you take care of your sister?
23:14Yes, I've taken the afternoon off.
23:16Okay.
23:17Give me a kiss.
23:20Goodbye, darling.
23:33Bye.
23:39I almost screwed it up.
23:45You were right.
23:46It's time for me to quit my job.
23:51Are you sure?
23:53You know what I think, but you didn't look very convinced.
23:56I'm not.
23:59I was thinking.
24:03The decision has been made.
24:05I'm going to leave the Modern.
24:07I can't say I don't regret your decision,
24:09but it's the best thing you could do.
24:11You can't keep hiding your pregnancy,
24:13or your marriage.
24:14That couldn't end well.
24:16I guess.
24:18But I don't know, when I think about it,
24:21I don't know what to do.
24:23I don't know what to do.
24:25But I don't know, when I think about it,
24:28everything seems so easy.
24:30I enter Mr. Fermin's office,
24:32I tell him right away,
24:34but then, when I get in,
24:38I don't know, it's like the candle is burning.
24:40I don't know if I'll be able to do it.
24:42No.
24:43What's the worst that could happen to you?
24:45That he fires you because you lied to him?
24:47What's worse?
24:48If you're the one who wants to leave.
24:49Yes, it seems very easy,
24:51but I don't know.
24:54I'm ashamed,
24:56and I'm afraid,
24:57I'm ashamed because Mr. Fermin doesn't deserve
24:59that I lied to him like that.
25:01Neither he nor you.
25:03And I'm afraid because, in the end,
25:05I've never left a job.
25:06Never.
25:08And this place, well,
25:10it's my home.
25:13My home.
25:14And you,
25:16you're my family.
25:19I don't know, I'm pregnant and I get sentimental.
25:22Don't be silly, woman.
25:24That you're not here doesn't mean that we're not going to take care of you.
25:28Do you want me to walk you to the office later?
25:29No.
25:30I want you to leave me alone for a while.
25:32I'm going to do it today,
25:34before the end of the day.
25:37Phew.
25:48The manager surprised me today with a maneuver
25:50that I didn't quite understand.
25:52What did Mrs. Lázara do to you this time?
25:55Well, not me, not me.
25:56She did it to Mr. Fermin.
25:59Since he arrived, she hasn't stopped dancing to him
26:01and now, all of a sudden, she's stopped doing it.
26:04And what do you mean by that?
26:06Well, that she's distanced herself.
26:08Or that's what I think.
26:11And that worries you?
26:13A few days ago, you said she was cheating
26:15because they had gone shopping together.
26:17Teresa, one thing can't bother you,
26:19and also the opposite.
26:21Oh.
26:23Yeah, that's true.
26:25Maybe I'm the problem.
26:28Or the thing is that there's no problem.
26:30Why don't you forget about it?
26:32Oh, Cañete, because I can't.
26:34Because this situation is unsustainable.
26:36I have to make a decision and I have to make it now.
26:38Decision? What decision?
26:40Aren't you thinking about going and leaving Moderna?
26:43Well.
26:54Well, at least you could eat something.
26:57The guy was worried.
27:00Wait, I'll help you.
27:03And he keeps telling me about that guy.
27:06Well, that.
27:07That instead of the cashier, he was the owner of the place.
27:09And instead of apologizing,
27:11he decided to keep feeding the confusion.
27:13I don't know, maybe he thought it was funny to laugh at me,
27:16but I didn't find it funny.
27:18Me neither.
27:19Well, let's not waste time with someone like that.
27:21Do you want me to make you an infusion?
27:23The doctor said it would be good for you.
27:25No, I don't feel like it.
27:27But I appreciate that you stayed with me.
27:29You're the best sister I can have right now.
27:32One and the only, right?
27:34You're always when I need you.
27:36And you don't ask me uncomfortable questions like our uncle.
27:40Inés, if I don't ask you questions, it's so I don't insist.
27:44But I stay with my will.
27:46What happened is very serious.
27:47And if the guy asks you, it's because he feels responsible for not protecting you.
27:51Yeah, but I don't need his protection.
27:53Besides, he would never understand what César did for me.
27:57All he cares about is that I had a gun.
28:01Are you okay?
28:05Do you want to go to the doctor?
28:08Inés, everything will be fine.
28:11You'll recover and you'll be able to sing.
28:14The truth is that I'm very worried about César.
28:18The police said he could be dead or kidnapped and...
28:25I'll go.
28:35Hello.
28:36Thank you very much.
28:43Inés, this is for you.
28:47From César.
28:49Thank you.
28:54But this date is three days ago.
29:03Don't force your voice. I read it.
29:09Dear Inés, I'm writing these letters to inform you about what I'm going to do next.
29:14Something I'm doing for me, but especially for you.
29:17For us.
29:18For us.
29:19Through the embassy, I've contacted the French gendarmerie.
29:22And I'm going to give them all the evidence I have against Marcel and the clan he works for.
29:27The Marseillaise clan.
29:29To do this, I only ask that I be released from prison.
29:32And so, finally, I'll be able to go to America.
29:35Our dream.
29:37But if you don't want to know anything else about me, I'll understand.
29:39And I won't bother you again, even if you're what I want most in this world.
29:45I grabbed the cap.
29:47I went back to the alley.
29:49And there I found the empty bottle.
29:51I put it in a bucket.
29:53I just had to ask our night watchman.
29:57And he did?
29:58Yes.
29:59And what did he say?
30:00That the driver of the delivery truck had asked him permission to go to the bathroom.
30:06So, of course.
30:08That's when I realized that the mess I'd been following had every reason in the world.
30:14Yes, yes, yes, of course it had every reason in the world.
30:17But there's something I don't understand.
30:19Exactly how did he do it?
30:21Let's see.
30:22He snuck into the reserve.
30:23He broke the bottle.
30:24He didn't know it was worth a damn.
30:26He took it and drank it with his partner.
30:29Of course, he thought we weren't going to realize there was a bottle missing.
30:34That is, word for word, what your boss has told you.
30:38Which, by the way, he just called me to apologize.
30:42Just that?
30:43In addition to two checks.
30:46One to pay for the import of the bottle and another in terms of damages and damages.
30:51That's better.
30:54You know what I'm telling you, Esperanza?
30:56That the police force has lost a great detective with you.
31:00Although for that they should accept women, of course.
31:04There are so many rules that make no sense.
31:08Yeah.
31:09Well, I just wanted to clear Marta's name.
31:12As the head of my department and responsible,
31:15I couldn't tolerate her being questioned.
31:18Man.
31:20Yes?
31:22Did you want to see me, Mr. Fermin?
31:24Yes, come in, come in, Marta.
31:25Sit down, please.
31:26Sit down.
31:30Well, Mr. Fermin, as for stealing the bottle ...
31:32You see, Marta, you don't have to justify anything.
31:35Because thanks to Esperanza's investigation, we have discovered the real culprit.
31:41So I deeply regret that the shadow of doubt has engulfed you.
31:47And I hope you accept my most sincere apologies.
31:50It would be missing more, Mr. Fermin.
31:53One cannot erase their past with a pen, right?
31:57The only thing that has hurt me is that many have thought badly of me.
32:01I understand and I'm sorry.
32:03Without you, all the reason.
32:05But hey, let's keep the link.
32:08Esperanza, congratulations again.
32:15Alleged killer.
32:18Owner of a place in Madrid where there is a shooting and two people die.
32:25Don't tell me it's not morbid.
32:28Hello.
32:30Where have you been?
32:31Hello.
32:33I just left Clarita at her friend's house.
32:35Sit down.
32:36Yes.
32:37Some colleagues got involved with her, accusing Íñigo.
32:40You can imagine.
32:42It's not the first time it happens.
32:44Well, any news?
32:46No, none.
32:47They insist on relating me to the facts.
32:50How is it possible that whatever we do, they will never give us a break?
32:54When are they going to leave us alone?
32:56I don't know.
32:59I think Mrs. Bárbara has nothing to do with the Marseillais.
33:03Well, I guess so.
33:04But I wouldn't be surprised if she were, through Fabio, pressuring the newspapers.
33:08It's the second time your name has appeared in the papers in two weeks.
33:11That's true, yes.
33:13As true as in a few weeks another news will come out that they have to sell.
33:18And everything about Madrid-Cabaret will be history.
33:20Not to say that you are not accused of anything at the moment.
33:27Ah!
33:29Jaco, we would like to tell you something.
33:32What?
33:33It's about the local of Seville.
33:35What's wrong with the local?
33:37Well, we think he shouldn't delay his trip.
33:40We are worried that he may lose it.
33:46Do you really think that I'm going to leave you alone right now?
33:49Seriously?
33:51Because if that's the case, come on, you don't know me at all.
33:55Precisely because we know you, we think it's best for you.
33:59And you're right.
34:00You have nothing against Iñigo.
34:02And the newspapers will end up forgetting us.
34:04But what we have to do is...
34:07Well, protect Clarita and endure the storm.
34:10And unfortunately we have experience in that.
34:14So please, listen to us.
34:16Go to Semilla, look at the place and if you like it, make an offer to the seller.
34:21And what will it take? A few days?
34:23Will he find us as he left us?
34:26We will not accept a no for an answer.
34:32The truth is that when they agree, it is very difficult to take the opposite.
34:38Okay, yes, yes, yes, I'll go to Seville.
34:41The sooner I go, the sooner I'll be back.
34:44Of course, please, I ask both of you.
34:48If something happens, let me know, please.
34:51Be careful.
34:56Do you think going to the police has helped?
34:59But why do you say that?
35:01They have read the letter, they have listened to us and they have assured us that they will do everything in their power to clarify this matter.
35:08Everything in their power?
35:10Yes, even contact the gendarmerie to collaborate.
35:14Do you think the French will admit that the leak of the pact that César had made has come out of them?
35:23It is better not to get your hopes up.
35:25That gang of criminals has a lot of power, even the police.
35:28Well, Inés, but they have assured us that they are looking for him.
35:32Yeah, but I don't know if that's good or bad.
35:35Why do you say that?
35:38Well, because if they find him, they might turn him over to the Marseillais.
35:42If the French police have an infiltrator, then ours could also have one, right?
35:47No, no, but why do you get into the worst?
35:51Well, because I have a feeling that I will never see César again.
35:56I didn't know I loved him so much, Laurita.
35:58Come.
36:06Don Fermín,
36:09I want to tell you
36:12I want to tell you
36:16that you have a wonderful mustache
36:19and that you look like an archiduke.
36:43Calm down, please, calm down.
36:47Don Fermín,
36:50Don Fermín,
36:51hello,
36:52I want to tell you that
36:57I have been working here for many years,
37:01the best of my life, I would say,
37:03and that this has become my home,
37:10my home.
37:13And that you are like my family
37:18and that I feel very, very, very, very grateful.
37:24You can't cry, Trini, please.
37:27Hold on.
37:39Don Fermín,
37:43I have an allergy to the subway
37:46and I have found a chocolate shop
37:51where I could work
37:54and it is very close to my house,
37:56so I could go to work walking
37:59and nothing, that's it, I wanted to tell you.
38:08How can I tell you?
38:13Don Fermín,
38:16I don't have any allergies
38:18and there is no chocolate shop near my house,
38:21it doesn't exist, I made it up
38:23and I just wanted to tell you this, that...
38:27What?
38:29Ah,
38:31yes, of course, of course,
38:34that you are not believing my explanations.
38:38Yes, that you think I'm hiding something from you, right?
38:41Well, I don't know, what could it be?
38:43Because surely it won't be that I'm married
38:47or that I'm pregnant and that I'm going to be a mother.
39:01Are you sure you don't want to do the meeting here in the hotel?
39:05Are you sure you don't want to do the meeting here in the office?
39:08No, I prefer that we go out,
39:10take just a moment and so you won't feel intimidated.
39:15He has finally solved his dilemma.
39:18What dilemma do you mean?
39:20Well, that he doesn't want to abstain from Antonia or Pietro,
39:23but he doesn't want to give up and break the rule either.
39:26Well, now he will know.
39:28Let's go.
39:33Here you have it, Don Fermin.
39:38And Trini?
39:40She's in the ICU, she's not feeling very well.
39:44I will be brief and concise.
39:50I have in front of me my most veteran employees,
39:53all those who have accompanied me on this adventure since it began,
39:57the most faithful workers and my most loyal employees.
40:01And your cleaning lady boss?
40:04That's right.
40:05And of course, the best pastry chef you could ever dream of.
40:12Anyway, thanks to my niece,
40:15I have realized that times are changing
40:17and it is ridiculous to look the other way.
40:21So I have made a decision
40:24that will fully affect the squad.
40:27Don't tell me you've thought about retiring, Mr. Fermin.
40:29Or transferring the business.
40:30Well, he'll be with us inside, right?
40:32Well, if we let him talk, maybe he'll tell us.
40:36Thank you, Teresa.
40:37A little respect, please.
40:39Go ahead, Mr. Fermin.
40:41I wish I were a wise man, but I'm not.
40:44And yet I will allow myself to rectify.
40:48Antonia, Pietro,
40:52this is your home
40:55and you will continue to do so.
40:58The rule by which the employees of La Moderna
41:01could not be married is broken.
41:09She just said what I think she just said.
41:12So, can we keep working while we're married?
41:15You can and you must.
41:18I congratulate you on this decision, Mr. Fermin.
41:21I also congratulate you,
41:23although I don't know how it benefits me.
41:26How can you not know? You know it perfectly.
41:28Without Pietro and Antonia, who would you fuck?
41:33And now, if you'll excuse me.
41:48Yes, I appreciate it.
41:52I'll stop by as soon as I can.
41:57Take care.
41:58Goodbye.
42:03I was watching Jacob leave in a taxi.
42:06I'm glad we convinced him.
42:09Who were you talking to?
42:10A waiter from Madrid Cabaret.
42:12In the absence of Cesar,
42:14now that they have to take care of the place.
42:17By the way, I've been thinking about going back to work.
42:21Would you agree?
42:23That's great news.
42:26At a good time.
42:28But I thought that in La Moderna married women can't work.
42:33Yes, but I have a proposal for Mr. Fermin.
42:37It would be, for example,
42:39to organize some kind of event in the upper part of the hall,
42:42like the photographic exhibition that Laurita and Celia did.
42:45Do you remember?
42:46Of course I remember.
42:47Even the writer Luisa Carnes went to visit her.
42:49It was a success.
42:51And what are you thinking about?
42:52I don't know yet. I have some ideas,
42:54but I would like you to help me shape them.
42:59Of course I'll help you.
43:01I'm glad to see you so excited.
43:06Hey, but being busy won't be because you're bored with me, right?
43:12Bored with you?
43:14With a person who appears in the newspapers?
43:16Impossible.
43:21When all this is over,
43:23we'll start our life.
43:26And you know why?
43:29Because no one will be able to be with us.
43:32Never.
43:35Never.
43:47I never imagined that removing that ban would cause so much joy.
43:53It's clear that the rules must arise from common sense, right?
43:59Is something wrong, Mrs. Lázara?
44:02She's not very talkative.
44:04Excuse me.
44:05I was finishing writing down the flour order.
44:09By the way, Mr. Fermín,
44:12I forgot to tell you that I have to take care of a personal matter.
44:17I should have left a little earlier.
44:19It would be necessary.
44:21Thank you.
44:23I hope it's not a personal matter.
44:26No, it's not.
44:30Wait a moment, Mrs. Lázara.
44:34If you're not in a hurry,
44:37I'd like to ask you something.
44:45The afternoon we spent together,
44:47when we went to the inauguration of the Toros de las Ventas square,
44:50I found it...
44:53very unpleasant.
44:55And I think...
44:57it was unpleasant for you, too.
45:03And yet, since then,
45:05I've noticed you avoid me more and more.
45:08Tell me if I'm wrong.
45:10Avoid you?
45:11Yes.
45:13What do you mean?
45:16That if you have a problem with me,
45:18or I've said or done something that could have bothered you,
45:22I wouldn't like to know.
45:24There's nothing to know.
45:26Well, I think I'm the same as always.
45:28No.
45:30No, you're not.
45:33No.
45:36But, well,
45:38I thought our level of trust would allow me to ask,
45:41but now I see that it's not like that.
45:44Sorry for the interruption.
45:46You can go.
45:50Don Fermin.
45:54I'm sorry,
45:56but you're right.
45:59Since the day we went to Las Ventas,
46:03I'm not the same person.
46:05I've tried...
46:07I've tried
46:09to hide the sadness I carry inside,
46:11but it seems I haven't.
46:16What do you mean by sadness?
46:21You can tell me if you want.
46:24I'm not convinced that this is a good idea,
46:28since...
46:31since it has to do with you.
46:34With me?
46:38I'd better go.
46:40No, no, no.
46:47Please,
46:49go on.
46:51You said that sadness
46:53has to do with me.
46:57What's going on?
47:01Well, it's very simple, Don Fermin.
47:04It's just that...
47:09I'm in love with you.
47:20No.
47:22No.
47:25No, no, no. I don't know what to say.
47:28You don't have to say anything.
47:30I have no right to tell you how I feel,
47:33and I apologize.
47:35I understand that you don't feel the same as I do.
47:38I'm sorry.
47:43Don Fermin, I need to talk to you.
47:46I need to tell you something urgently.
47:48Something that, if I don't tell you now,
47:50is that in the end...
47:55I'm leaving La Moderna.
48:08I'm leaving.
48:38I'm leaving.
49:08I'm leaving.
49:34Mother.
49:37Everything is going as we planned.
49:40Well, even better.
49:43The siege against the enemy is getting closer.
49:46And against me too, Mother.
49:52When will I get out of here?
49:55Have a little patience.
49:57I assure you that the sacrifice will be worth it.
50:06And I'm not going to hide.
50:08I'm going to show my face.
50:10And for that, I'm going to organize a party
50:12to celebrate the reopening of Madrid Cabaret.
50:14The press is helping us corner Íñigo.
50:17I want to finish with Íñigo and above all with Matilde as soon as possible.
50:21Of course.
50:23We will.
50:25But we can't rush it.
50:27Nor lose the cold blood.
50:29Otherwise, everything will go to hell.
50:30It's just that when Antonia and Pietro
50:32meet on the altar,
50:34will they come to live together?
50:36Antonia considers you like a daughter.
50:38She will surely take you to live with them.
50:40Why don't you ask her?
50:41No, no, no.
50:42I wouldn't ask her or allow her.
50:44Maybe it's time for me to go on my own.
50:47Don Fermín is waiting for her in his office.
50:49He's been looking for her.
50:50But since he couldn't find her,
50:51he asked me to pass the message to her.
50:53Why didn't he tell me before?
50:54Because he didn't let me.
50:56What a shame, Trini, that you lost it.
50:58Lose what?
50:59Don Fermín has broken the rule
51:01that single women could get married.
51:04But...
51:05When I asked you if your intention was to leave La Moderna,
51:08you made a lot of noise in the forum.
51:10Have you already made a decision?
51:11My son Salvita not only needs to learn a trade.
51:15He needs to learn about life,
51:17about a man made and right like you.
51:19But wasn't he studying to be a lawyer?
51:21That's a lot to assume,
51:23since he hasn't even passed a miserable high school.
51:26It's all his.
51:28Are you sure Pietro doesn't care
51:30that you're wearing the same dress as at the wedding with Ramón?
51:33I haven't told him yet.
51:34But so many things have happened to us that I'm going to tell him.
51:37Nobody wants to do business with a supposed murderer.
51:40Yes, it's completely unfair,
51:42but understandable that certain people have their reluctance.
51:46That's why I want to reopen.
51:48And now you want me to talk to my own supplier?
51:51Don Fermín, I just need to be ready for the party.
51:54After that night, everything will go back to normal.
51:58At least you also doubt me.
52:02My heart broke when I heard at the police station
52:05that I was accused of the two homicides of the Madrid-Cabret
52:08and that I belonged to a criminal organization.
52:11I am the link of the police with the French gendarmerie.
52:14And I have been commissioned to look for César Morel in Spain.
52:17I know very well who you are and the relationship I had with him.
52:21Covering up a criminal
52:23will not bring him any benefit, but quite the opposite.
52:26Don Salvador has asked me to teach him about business.
52:29And you know what that means.
52:31As soon as you teach him everything, he kicks you.
52:34No, Miguel, something will happen to us.
52:36The truth is that you are wonderful at getting into trouble.
52:39Since when?
52:40Since when I feel attracted to you.
52:44From the beginning.
52:46I'm not going to leave here.
52:48Not until Íñigo and Matilde receive their punishment.
52:51But daughter ...
52:52Nothing or nobody is going to make me change my mind.
52:54I want to see them dead, mother.
52:56Do you understand?
52:57Dead.