00:00How are you doing your roles as a housewife?
00:09What kind of person are you, baby?
00:12I'm the most brave, slightly grumpy,
00:18I have a low voice, and I can't lose my temper.
00:23That's true.
00:25Okay, so that's baby.
00:27Let's go to Maria.
00:30Maria is really smart.
00:35She doesn't really get it.
00:38She really doesn't.
00:40She just follows orders from her mom and her boss.
00:44They are the ones at fault.
00:46Yes, they are.
00:47You know, she listens to her mom and her boss.
00:49Ma'am, sir. Thank you. Hello.
00:51So, it's not really a problem for Maria?
00:53No, it's not.
00:54She really has a different understanding of orders.
00:58Wow!
00:59Yes.
01:00Let me speak in English, sir.
01:02Okay.
01:03So, that's how she is.
01:05But in Pipito, it's really about family.
01:09Correct.
01:10Yes, that's what we were able to build.
01:11Really together.
01:12How about Berta, the neighbor?
01:15The neighbor doesn't have emotions,
01:17she doesn't get angry,
01:18she doesn't have much respect for you.
01:20No, you're also a housewife.
01:21Yes, I'm a housewife.
01:22She doesn't have emotions.
01:23No.
01:24Yes.
01:25I'm a housewife.
01:26What?
01:27I'm a housewife.
01:28Yes.
01:29And Pipito is recovering.
01:32There are only lapses.
01:33So, you'll see that.
01:35Okay.
01:36Bitoy, Michael V., was a co-actor for a long time.
01:41Yes.
01:42And I think over a year ago, he became a director.
01:45Yes.
01:46Correct?
01:47Yes.
01:48How was that?
01:49As a co-actor, and how is he now as a director?
01:53For me, that was a big transition, Uncle Boy.
01:57Because, actually, I opened that up to your mother.
02:01Do you remember?
02:02I said, I'm too shy to call Kuya Bitoy, direct.
02:06Okay.
02:07Of course, for the longest time, since 2010,
02:10I was used to calling him Kuya.
02:13So, there were times that,
02:15Kuya.
02:16So, that's how it was.
02:18But, really, I salute him for his multi-tasking.
02:24Even editing, he was focused.
02:26That's how he loves his craft.
02:29And at the same time, his show in Pipito Manal.
02:32That's what you call commitment, right?
02:34Yes.
02:35How about you?
02:36For me, I thought, thank God we did all of this.
02:41Because, I feel sorry for BK Bitoy,
02:45because he's already multi-tasking.
02:47Yes, that's true.
02:48He's an actor, director, creative director.
02:50Sometimes, he even writes.
02:52There was a time when I was his idol.
02:56You know, I even saw him writing on a jute board.
03:01He notes.
03:02He notes.
03:03So, for me, I thought, we just need to take one, take two.
03:08Because, it would take up more time for him,
03:12and for the whole staff.
03:14It's a big help.
03:15Because, it's a multi-tasking when Direct Burt is gone.
03:17But, he's a fan, an idol.
03:20I can't say anything.
03:21He's an amazing person.
03:23How about you, Jen?
03:24He's amazing.
03:25Because, everything.
03:26Even in creating, he's with us.
03:29So, he's really now in charge of the whole show, right?
03:34Yes.
03:35Sometimes, when I found out,
03:37because, I really like Direct Burt.
03:39So, even if I'm not there, I'll just carry on.
03:41I told him, oh my God.
03:43There's a bit of pressure.
03:44There's pressure.
03:45I don't want him to be annoyed.
03:47The cause of delay.
03:48But, there's no pressure.
03:49B-Toy is good because,
03:51he can set aside our co-actor on the set.
03:54He's an actor.
03:55Very professional.
03:56He's the director.
03:57He's different.
03:58I have an experience.
03:59I guested on Bubble Gang.
04:01You're really good there.
04:03I watched it here.
04:04Thank you very much.
04:05I want you to walk.
04:06You're a contrarian.
04:07Correct.
04:08It's necessary.
04:09But, when B-Toy directs,
04:11he's serious.
04:12Yes.
04:13So, here.
04:14Okay.
04:15You walk here.
04:16You need the camera, right?
04:17He's like that.
04:18As a co-actor, when he shifts,
04:20he's different.
04:21Yes.
04:22He's hardworking, right?
04:23Yes.
04:24His dedication, his commitment.
04:25Maybe, we're all laughing
04:26because of his attitude.
04:28When he's with you.
04:29Yes.
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