SoCal Scene
Category
🎥
Short filmTranscript
00:00 [no audio]
00:08 Look, you want to save the world? You're the great humanitarian? Take the gun.
00:12 [rock music]
00:21 I woke up one morning wondering what's wrong with me. I'm in my mid-40s, I have kids, I have a job,
00:28 but I refuse to stop skateboarding and I refuse to stop going to live punk shows.
00:33 None of my old friends do. They have all but one grown-up and pronounced the scene dead.
00:38 The only friend that I know of from the day 77 or 80 or 82 is an ex-hippie. He's now 60.
00:45 He doesn't skate, but he never turns down an offer to go to a show.
00:48 Whether it's some dingy warehouse or a club set in a mini-mall, he's game.
00:53 I don't play an instrument, so I thought I'd ask the hippie this question,
00:56 and I asked him, "What's wrong with us?" And he said, "Well, we aren't dead yet."
01:00 [rock music]
01:12 So this is really an exploration and sharing with my favorite local bands.
01:17 I decided to ask them a bunch of questions that might help me come up with an answer.
01:23 [rock music]
01:41 This motherfucker moved from Brooklyn to start an LA hardcore band when LA hardcore was not
01:48 happening in LA at all in 2001. I joined in summer of 2002 when we were called The Problem,
01:56 and there was these two guys were in it. He joined in summer 2006.
02:01 I'm Philip Vocals, and we've been together for three years.
02:07 - Three years. - Chad Miller, Battle Flask, three years.
02:11 I'm Timmy, and I play guitars.
02:16 Franklin W. Bullachilli, bass.
02:18 Two years now.
02:21 Drew, been in the band about a year and eight months.
02:26 Donnie.
02:27 Hello, my name is John Foddy.
02:31 Travis.
02:32 Guitardo.
02:35 I'm Tim, I play drums.
02:38 Ten.
02:41 Fourteen years.
02:42 - What year is it? - Fourteen years.
02:43 Ninety.
02:44 Ninety-five.
02:46 He's checking your math.
02:47 He is, it's 1995.
02:50 Dave Drive, drums.
02:51 Kid Spike, guitar.
02:53 Mike Manifold, bass.
02:55 And Axl Swerve.
02:55 Axl's looking for his girlfriend.
02:57 Thirty years.
02:58 On and off.
03:01 Yeah, there's been some lapses, but...
03:02 And there's Axl.
03:04 I was born in Florida, that's it.
03:06 So was I, so...
03:07 And we had decided we'd start a band called The Skulls, so we did, and that was in '77.
03:11 Very short-lived scene at the mask, and here we are now in 2009, almost 2010.
03:17 And in 2007 I put together a band, The Billy Bones, with my good friend here, Mr. Alex Gomez.
03:24 I played with several different bands, US Bombs, The Authority, The Livingstons.
03:28 My name is Drew Milford, and I'm playing with Billy Bones.
03:34 Where the Stitches started in 1993.
03:37 I'm Skibbs, I play drums.
03:39 I'm Johnny, I play guitar.
03:40 My name is Mike, and I sing.
03:43 My name is Mike.
03:44 You're huckleberry chins.
03:45 My name's Pete, I play bass.
03:47 Okay, get ready for some of the baddest motherfuckers ever to come out of a hi-hat party.
03:54 The Gears!
03:55 The first time I saw The Gears was at the Santa Monica Civic.
04:01 They played with X and The Blasters.
04:03 It was 1981.
04:04 They bent one of my fingers.
04:06 It's 1981.
04:07 They've been one of my favorite bands ever since.
04:10 Just good fun.
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07:02 Alright, thank you very much.
07:06 We're Mad Max here.
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08:54 Today's your birthday.
09:04 That's right. Happy Birthday.
09:06 That's right.
09:08 Care to say how old you are?
09:10 38 years old.
09:12 Are you going to keep playing until you're 70?
09:14 That depends on whether or not I move to Bishop or not.
09:16 If the Gears could keep playing, we sure can.
09:20 That's true.
09:22 That's right.
09:24 We just played with them last night.
09:26 There are measures.
09:28 When the Gears quit, we'll quit.
09:30 Exactly the same amount of time after that.
09:32 Personally, I think I'm going to die next week.
09:36 Actually, on the 30th I'm dying.
09:38 How many more gigs we got?
09:40 We got two more gigs, so after that we don't know.
09:42 We're up for hire if anybody has a good party.
09:46 Yeah, but if you got a backyard party we could play.
09:48 If I live until 70, I will play punk rock until 70.
09:50 Absolutely.
09:52 Wow.
09:54 Anthony will keep watching.
09:56 We're not a pull-up contest on that shit right now.
09:58 We'll be dead before that, hopefully.
10:00 I try to quit once a week,
10:02 but Johnny tells me I owe the band too much money,
10:04 so I can't quit.
10:06 Like Charlie Harper.
10:08 Charlie Harper.
10:10 I'm not going to quit.
10:12 I'm going to keep playing.
10:14 I'm going to keep playing.
10:16 I'm going to keep playing Charlie Harper.
10:18 You're just having this discussion.
10:20 You guys got to be 70.
10:22 I would do it even if I didn't get paid.
10:24 I've been doing it for six years now,
10:26 since I was 14.
10:28 Actually, you do do it and you don't get paid.
10:30 Yeah, I've been doing it
10:32 and I didn't get paid for years.
10:34 The only thing that stopped me
10:36 was if I was in bed and I couldn't move.
10:38 I had some kind of weird disease
10:40 where my arms and legs fell off or something.
10:42 If I had the energy,
10:44 if I'm still alive when I'm 70,
10:46 if I have the energy,
10:48 if I'm like Billy Bones
10:50 and I can still jump around
10:52 and do punk rock,
10:54 I definitely will.
10:56 I'm going to do music for as long as I can.
10:58 What works for me is punk rock.
11:00 In whatever way that I do do it,
11:02 I am going to keep doing it.
11:04 When I'm 70,
11:06 yeah, why not?
11:08 If I'm healthy
11:10 and I can do it,
11:12 why not, man?
11:14 There's no reason to stop.
11:16 It's what keeps you alive.
11:18 Music is a universal language,
11:20 as cliche as that sounds,
11:22 but it's so true, man.
11:24 It keeps you alive.
11:26 It's something to look forward to.
11:28 New music, old music.
11:30 You'll bury me with playing music.
11:32 That's the way it is, man.
11:34 Absolutely. Ditto.
11:36 [cheering]
11:38 What do you say we do a game of Mighty Animals?
11:40 [cheering]
11:42 Do you remember the animals?
11:44 [cheering]
11:46 Awesome.
11:48 [music]
11:50 [music]
11:52 ♪ Oh, oh, oh, oh ♪
11:57 ♪ Oh, oh, oh, oh ♪
12:03 ♪ I'm not gonna show ♪
12:08 ♪ I'm not gonna live anymore ♪
12:12 ♪ You can hear me on the radio tonight ♪
12:15 ♪ I want you baby, I'm coming ♪
12:19 ♪ One night, tonight ♪
12:22 ♪ Oh, oh, oh, oh ♪
12:25 ♪ I don't think there's more to life ♪
12:43 ♪ Than catching a movie all tonight ♪
12:47 ♪ And now I'm feeling a little down ♪
12:50 ♪ I want you baby, I'm coming ♪
12:54 ♪ One night, tonight ♪
12:57 ♪ Oh, oh, oh, oh ♪
13:01 ♪ Oh, oh, oh, oh ♪
13:04 ♪ I don't think there's more to life ♪
13:09 ♪ Than catching a movie all tonight ♪
13:15 ♪ Oh, oh, oh, oh ♪
13:20 ♪ Oh, oh, oh, oh ♪
13:26 ♪ I don't think there's more to life ♪
13:31 ♪ Than catching a movie all tonight ♪
13:35 ♪ And now I'm feeling a little down ♪
13:38 ♪ I want you baby, I'm coming ♪
13:41 ♪ One night, tonight ♪
13:45 ♪ Oh, oh, oh, oh ♪
13:48 ♪ I don't think there's more to life ♪
13:56 ♪ Than catching a movie all tonight ♪
14:00 ♪ And now I'm feeling a little down ♪
14:04 ♪ I want you baby, I'm coming ♪
14:08 ♪ One night, tonight ♪
14:11 ♪ Oh, oh, oh, oh ♪
14:14 (crowd cheering)
14:21 - I had a really fun time with the Billy Bones
14:29 as they laid down basic tracks
14:31 at Greg Hetson's Gourmet Studios.
14:33 - All right, this is the Velvet Boys.
14:36 (rock music)
14:38 ♪ I've been so drunk, I'm a cartoon clown ♪
14:41 ♪ I can't read what I'm drawn to see the stars ♪
14:44 ♪ And I thought I'd just make a big song ♪
14:46 ♪ Well, I've got a blackout and a whiskey bomb ♪
14:49 ♪ Oh, oh, oh, oh ♪
14:52 ♪ I've been so drunk, I'm a cartoon clown ♪
14:55 ♪ I can't read what I'm drawn to see the stars ♪
14:58 ♪ And I thought I'd just make a big song ♪
15:00 ♪ Well, I've got a blackout and a whiskey bomb ♪
15:03 ♪ Oh, oh, oh, oh ♪
15:06 ♪ I'm always drunk with the Velvet Boys ♪
15:11 ♪ Always drunk with the Velvet Boys ♪
15:16 ♪ While we're teaching papers to the poet ♪
15:22 ♪ Writing on a wooden horse in a human style ♪
15:25 ♪ Don't look back, don't look down ♪
15:27 ♪ A man in the flesh, a man in the flesh ♪
15:29 ♪ I'm always drunk with the Velvet Boys ♪
15:34 ♪ Always drunk with the Velvet Boys ♪
15:39 ♪ Oh, yeah, uh-huh, that way, all right ♪
15:43 ♪ Oh, yeah, uh-huh, that way, all right ♪
15:47 ♪ All right, all right ♪
15:50 (upbeat rock music)
15:53 ♪ Oh, geez, I'm nipping down ♪
16:17 ♪ I guess I'll take a post-punk modern for a while ♪
16:19 ♪ I'm taking it easy, I'm taking it hard ♪
16:21 ♪ Just for the sound of the Velvet Boys ♪
16:24 ♪ Always drunk with the Velvet Boys ♪
16:28 ♪ Always drunk with the Velvet Boys ♪
16:32 ♪ Oh, yeah, uh-huh, that way, all right ♪
16:37 ♪ Oh, yeah, uh-huh, that way, all right ♪
16:41 ♪ Always drunk with the Velvet Boys ♪
16:46 ♪ Always drunk with the Velvet Boys ♪
16:51 ♪ Always drunk with the Velvet Boys ♪
16:55 ♪ Always drunk ♪
16:58 For the Velvet Boys.
17:07 (upbeat rock music)
17:11 (upbeat rock music)
17:14 Los Lobos.
17:19 Because they got me drunk last weekend.
17:23 (laughing)
17:24 Prima Donna.
17:25 That'll do it.
17:26 That's always a good reason.
17:28 (laughing)
17:29 My favorite band is Disguster.
17:31 When you turn me on, though, who's that?
17:33 It's the Cozzy Boy.
17:35 Yeah, I think I'm really into the Cozzy Boy.
17:37 I think they're awesome.
17:39 Of course, I'm a Prima Donna fan.
17:40 I like the Spooky.
17:42 The Regulation, Sweden.
17:44 It is.
17:45 Dempsey, Wim, Bartels.
17:46 Is there other bands?
17:48 (laughing)
17:49 Guilty Faces, I think, from Connecticut are really good.
17:52 I really like Government Warning and Timberscore.
17:56 I like Waste of Time.
17:57 I like Brutal Attack, No Remorse, Screwdriver, Johnny Rebel.
18:04 My favorite one is Johnny Cash.
18:06 Suburbs.
18:07 Tattooed Cripple.
18:09 I think it's the Region, really good.
18:11 They're a German band.
18:13 Dillinger 4, but if I had to pick, you know, most listening right now,
18:17 it'd probably be the Minute Men.
18:19 Rush or Dillinger 4.
18:22 Adolescence.
18:23 The Cures.
18:24 The Cures.
18:25 Ah, the Damned.
18:26 (music)
18:28 There's nothing like Smogtown's Cures of the New Wave
18:31 and everything they have released since.
18:33 It just brings home that OC Beach and skate punk sound.
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21:43 ♪
22:03 Did you skateboard?
22:04 I did not.
22:05 Okay.
22:06 Next question.
22:07 Ha!
22:08 Tried it.
22:09 Yes.
22:11 This is where the bone popped out of my skin
22:15 the last time I skateboarded.
22:17 Yeah, that's wild.
22:19 Yeah.
22:20 Pools or stuff and stuff or
22:22 green stitches, whatever we can find
22:24 in the form of skate parks,
22:25 wherever is most convenient at the time.
22:28 These three right here.
22:30 I skate like dirt and pools,
22:32 and these are more of streets and
22:34 stuff like that.
22:35 Yes.
22:36 No.
22:38 Yes, I do.
22:39 And Johnny Ray,
22:40 who was one of the base players
22:42 in our other group of DIs,
22:43 had a motorized skateboard,
22:45 and I happened to make it
22:46 from Silver Lake to Glass Hill Park
22:49 at about 4 o'clock in the morning
22:52 with a trigger
22:54 in about an hour and a half.
23:00 It was really cool.
23:01 It was a longboard.
23:03 The Stitches play at Billy
23:06 and Christina Bones
23:07 30th wedding anniversary.
23:10 Happy anniversary.
23:15 We love you.
23:17 We love you.
23:19 Maybe stick together another 30--
23:21 I don't want to stick together
23:22 for 30 years,
23:23 but maybe like 27 and a half.
23:26 We'll stick together.
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28:11 Why do you guys play punk rock
28:13 instead of say metal or rap or country?
28:15 It's a lot more fun.
28:17 And we're not trailer trash,
28:18 we're not shit kickers or gang bangers.
28:20 Speak for yourself.
28:23 I'd love to be trailer trash.
28:24 I'm sub-chunk trailer trash.
28:27 Just the energy of punk music,
28:28 you know, what it creates.
28:30 So, yeah, I wouldn't do anything else.
28:32 I'm always going to do,
28:33 whatever I do is going to be
28:34 with an edge anyway.
28:35 So if I was to do country,
28:36 it'd have an edge to it.
28:37 That would be interesting.
28:38 I play rock and roll.
28:39 You know what I mean?
28:40 I don't really categorize it
28:41 as punk, thrash, whatever.
28:44 I play punk rock because
28:46 that's kind of what I grew up with.
28:48 Punk is just, you know,
28:50 basically singing your complaints
28:52 in society, you know.
28:53 It's just what it is.
28:55 It's just what you feel.
28:57 It's what you feel.
28:58 Oh, hell yeah.
28:59 That's what we like.
29:00 It's what's in our repertoire.
29:04 It's the only thing
29:05 that's skateboard through,
29:06 you know, like Antscape
29:07 or the Cranberries.
29:08 No, I've skated to jazz, dude.
29:09 I've skated to jazz.
29:10 It was pretty badass.
29:11 But it's just what's in our repertoire.
29:14 It's like what we can play.
29:15 That's what we know how to do.
29:17 That's what we train at.
29:19 That's what we feel like playing,
29:20 you know.
29:21 It's just like musically,
29:22 lyrically, the scene.
29:24 It's like that's what
29:26 we want to play.
29:28 I play because it's
29:30 what I listen to
29:31 and what I grew up on
29:34 and what, you know,
29:35 changed my life when I was a kid.
29:37 Hardcore and like punk
29:39 is just like it talks about
29:41 real things happening
29:42 to real people
29:43 and it's not, you know, fake.
29:45 Bad Reaction from Los Angeles, California.
29:48 Come on, Shatterface.
29:51 Bad Reaction.
29:52 Wow, what a band.
29:54 Simply my favorite hardcore band around.
29:57 Awesome.
29:59 Harsh, but awesome.
30:03 This is off our album.
30:04 It's called Alienate.
30:08 It's for Sydney.
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32:37 Alright, alright.
32:39 That one's a cover.
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32:45 Oh, these guys are old now.
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34:21 We played Safari Sam's about an hour ago.
34:24 We just played Safari Sam's. They tried to kill us all.
34:27 It was fucking fast.
34:29 We didn't get to show the Knitting Factory. That was solid.
34:32 Yeah, we usually play like the scene, Knitting Factory.
34:35 Showcase Theater, Dumb House Blues, the Key Club.
34:38 Fitzgerald's, yeah, I think Fitzgerald's.
34:41 We're playing with Mr. T's, all the major clubs.
34:46 Cobalt Cafe, before then we were playing at Rock and Roll Pizza.
34:51 We used to play at the Nauvoo Inn before that closed.
34:54 DP Otis.
34:57 The Airliner.
34:58 DP Otis.
35:00 Winter Sissle's Parking Lot.
35:02 Popeye's Pub in Peatskill, New York.
35:05 It really pisses me off that these owners, club owners and stuff
35:09 are like making kids sell tickets to play in their venue.
35:12 They're making a fucking fortune.
35:14 I think it's just ridiculous, man.
35:17 You've got a talent, you should be able to put it out there.
35:20 You shouldn't have to pay to show what you've been working so hard to do,
35:24 to get somewhere.
35:26 That's just me, and I'm sure Alex probably feels the same way.
35:29 We're musicians, we don't like to see people taking advantage of us.
35:33 Clubs that take advantage of bands that want to make good music.
35:37 Pay to play.
35:38 Yeah, pay to play type stuff.
35:40 For me, that's my pet peeve.
35:42 That should never happen to anybody.
35:44 If a band shows up and there's people paying,
35:47 they should get paid accordingly.
35:49 The Knitting Factory was almost going to get closed.
35:52 The clinic got closed down, the cops came down on the showcase.
35:56 All the cities that have venues in them are starting to come down on the venues.
36:01 I don't know why, but we had the clinic,
36:03 and little by little more kids would show up and get into it.
36:08 And the clinic, at the end of the last show, I played there.
36:12 There was all local bands, all new bands,
36:16 and there was like 200, almost, there was like 250 kids at least.
36:23 [music]
36:29 So guys,
36:33 you guys, no praise for our team's death.
36:38 Just to hear you all do good, guys.
36:41 You have a good life.
36:42 I first met Philippe at a party in Van Nuys,
36:44 years before he founded Battle Flask.
36:47 People were jamming, doing covers,
36:49 and Philippe was out there singing any song someone from the room shouted.
36:53 I asked my friend Mikey,
36:54 "Who's this French guy who knows all these old L.A. punk songs?"
36:58 It was amazing.
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42:05 Everyone says that every single time,
42:07 "Is the scene dead?"
42:08 It's been dead the whole time.
42:10 Absolutely not.
42:12 These guys, they just started.
42:14 These guys right here, put the camera on them.
42:16 This is the scene right here.
42:18 This is on the real.
42:21 Fucking, there are better bands now.
42:24 I'm fucking older than all these little pussy motherfuckers right here.
42:28 There are better bands now than there have been
42:30 in the whole fucking time I've been listening to punk
42:32 for the last 20 fucking years of some bullshit.
42:35 There's always somebody else coming out with something new
42:37 and different and cool and stuff.
42:39 And there's always going to be, you know,
42:42 the cats like myself, man.
42:45 I just want to keep it going because we love what we do
42:47 and we just keep doing it, you know.
42:49 I just want to keep it going.
42:51 Shit's not dead, dude.
42:53 Shit's not dead.
42:55 No.
42:56 I hope not.
42:58 That's us.
43:00 Definitely not.
43:01 Fucking my dude, man.
43:02 Definitely not.
43:03 It's just changed.
43:04 It's not dead.
43:05 It's just, I mean, every five or ten years or so
43:07 it goes through a change.
43:09 It's basically just the natural process of it.
43:12 It's not like there's a lack of inspiration
43:15 to write songs that have punk lyrics to it.
43:21 But things have definitely changed.
43:23 People are, the kids are different
43:25 from how they were back then
43:27 and people can decide whether or not they like that.
43:30 It really doesn't matter though
43:32 because things change.
43:33 You just have to accept that.
43:35 It's the way it is.
43:36 It's still around.
43:37 It's just not exactly the same as it meant.
43:39 Remember it.
43:40 And if you're 40 years old or 50 years old
43:43 and you were there when it started
43:45 and you don't like the fact that it changed,
43:47 well, tough shit.
43:49 It's dead once it gets loud
43:51 and out of control in the urinal.
43:54 Fallujah 71 reminds me of when I was a teenager
43:57 going to all those shows.
43:59 Most of the bands I went to see,
44:01 the band members were still in high school,
44:03 just like these guys.
44:05 ♪ ♪ ♪
44:22 ♪ I play the lead, I get drunk, I go to heaven ♪
44:27 ♪ I play the drums, I'm a asshole, I go to heaven ♪
44:32 ♪ I'm a paramedic, I'm a lawyer, I'm a biopsy, I go to heaven ♪
44:37 ♪ I'm a straight boy, a diss, and I get the time, I go to heaven ♪
44:42 ♪ Now I know what time it was for me ♪
44:45 ♪ I'm going to be a good critic ♪
44:49 ♪ I go to heaven ♪
44:52 ♪ Can't walk it down the street ♪
44:54 ♪ I go to heaven ♪
44:57 ♪ I'll waver, you just stay up to it ♪
45:00 ♪ I go to heaven ♪
45:03 ♪ Now I know what time it was for me ♪
45:06 ♪ I'm going to be a good critic ♪
45:09 ♪ I go to heaven ♪
45:12 ♪ ♪ ♪
45:30 (upbeat music)
45:33 (upbeat music)
45:36 ♪ Psycho never, psycho never ♪
45:41 ♪ Psycho never, psycho never ♪
45:46 ♪ Psycho never, psycho never ♪
45:51 ♪ Psycho never, psycho never ♪
45:56 ♪ Psycho never, psycho never ♪
46:00 - All right, this is our last song.
46:08 But first we'd like to thank G-Club, Agent Orange,
46:12 and of course, beer for putting this whole thing on.
46:15 (crowd cheering)
46:17 And we'd like to thank you for singing to Billy Bones,
46:21 who we wanted for helping us get our new album produced.
46:25 It's called "Wayne, No. 103".
46:26 It'll be coming out soon.
46:28 This is the final track.
46:32 ("Wayne, No. 103" by G-Club)
46:37 ♪ I am a broad-eyed, all-in-one ♪
46:43 ♪ That's the area where we make the call ♪
46:45 ♪ Now I'm calling out the wrong names ♪
46:46 ♪ I'm calling out where they're from ♪
46:48 ♪ 'Cause they're not who I really want ♪
46:50 ♪ They take my love from the bottom ♪
46:52 ♪ 'Cause they're not who I really want ♪
46:55 ♪ I'm calling out where they're from ♪
46:57 ♪ 'Cause they're not who I really want ♪
46:59 ♪ They take my love from the bottom ♪
47:01 ♪ 'Cause they're not who I really want ♪
47:03 ♪ I'm calling out where they're from ♪
47:05 ♪ 'Cause they're not who I really want ♪
47:07 ♪ They take my love from the bottom ♪
47:09 ♪ 'Cause they're not who I really want ♪
47:11 ♪ I'm calling out where they're from ♪
47:13 ♪ 'Cause they're not who I really want ♪
47:15 ♪ I'm calling out where they're from ♪
47:17 ♪ 'Cause they're not who I really want ♪
47:19 ♪ I'm calling out where they're from ♪
47:21 ♪ 'Cause they're not who I really want ♪
47:23 ♪ I'm calling out where they're from ♪
47:25 ♪ 'Cause they're not who I really want ♪
47:27 ♪ I'm calling out where they're from ♪
47:29 ♪ 'Cause they're not who I really want ♪
47:31 ♪ I'm calling out where they're from ♪
47:33 ♪ 'Cause they're not who I really want ♪
47:35 ♪ I'm calling out where they're from ♪
47:37 ♪ 'Cause they're not who I really want ♪
47:39 ♪ I'm calling out where they're from ♪
47:41 ♪ 'Cause they're not who I really want ♪
47:43 ♪ I'm calling out where they're from ♪
47:45 ♪ 'Cause they're not who I really want ♪
47:47 ♪ I'm calling out where they're from ♪
47:49 ♪ 'Cause they're not who I really want ♪
47:51 ♪ I'm calling out where they're from ♪
47:53 [applause]
48:01 Go to work.
48:02 Nothing.
48:03 Then go check out a Taekwondo forum class.
48:06 Maybe run by the CVS, 'cause a 12-er.
48:09 I'll hit Ralph's, 'cause I'm gonna have to get some kind of Johnson's spicy Italian sausage,
48:16 or a head of lettuce.
48:18 Maybe a white onion.
48:20 Maybe a stalk of green onions.
48:23 Just cook some kind of dinner for two spaz-freakin' kids.
48:28 And, uh...
48:30 Cap it off with some History Channel.
48:34 Six or seven bong hits, three beers, and stare at some shit in my garage.
48:40 I work at a grocery store.
48:42 I'm a stage hand, which basically means Tuesdays I wake up on Cassius' couch,
48:47 watch a little, uh...
48:50 Maybe put together a stage for Warrant, or some bullshit.
48:54 The Warrant Union show.
48:56 Wasp. Warrant.
48:59 White Snake. White Lion.
49:03 I work in the basement of a big Hollywood agency.
49:07 Yeah, we all work our fuckin' asses off.
49:12 Pay the bills, run out of bongs.
49:15 I teach showbiz to be literate, not to be fuckin' retards,
49:19 with the hope that they won't blow the earth over.
49:22 Yeah, a typical Tuesday night, I'd probably be out on the town.
49:27 I'd probably go to an establishment called the Green Door.
49:31 They have a nice jazz night on Tuesdays.
49:34 And I would probably get myself a Stella and a Jameson.
49:41 Yeah, but you know, we're actually real punk rockers.
49:45 We work sloppily and stuff.
49:47 Go in late, talk back to our bosses.
49:50 Try to be as punk as possible, still at this old age.
49:53 Well, all the kids went home it looks like.
49:57 I mean, the little kids.
49:59 So we can get nasty.
50:01 Bang the drums, baby.
50:05 Bang the drums.
50:07 [music]
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50:29 ♪
50:34 ♪future and I felt it♪
50:37 ♪future and I felt it♪
50:39 ♪future and I felt it♪
50:42 ♪and I think I'm out of here tonight♪
50:45 ♪I'm gonna get fired tonight♪
50:48 ♪
50:52 ♪I'm tryin' and I'm lovin' it♪
50:55 ♪I'm tryin' and I'm lovin' it♪
50:59 ♪future and I♪
51:01 ♪future and I♪
51:04 ♪I'm gonna get fired tonight♪
51:06 ♪I'm gonna get fired tonight♪
51:08 ♪I'm gonna get fired tonight♪
51:10 ♪I'm gonna get fired tonight♪
51:12 ♪I'm gonna get fired tonight♪
51:14 ♪I'm gonna get fired tonight♪
51:16 ♪I'm gonna get fired tonight♪
51:18 ♪I'm gonna get fired tonight♪
51:20 ♪I'm gonna get fired tonight♪
51:22 ♪I'm gonna get fired tonight♪
51:24 ♪I'm gonna get fired tonight♪
51:26 ♪I'm gonna get fired tonight♪
51:28 ♪I'm gonna get fired tonight♪
51:30 ♪I'm gonna get fired tonight♪
51:32 ♪I'm gonna get fired tonight♪
51:34 ♪I'm gonna get fired tonight♪
51:36 ♪I'm gonna get fired tonight♪
51:38 ♪
51:40 [cheering]
51:42 [applause]
51:44 [cheering]
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58:31 (crowd cheering)
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58:36 (crowd cheering)
58:39 - Apparently you guys have been good to the beach.