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Lilet Matias, Attorney-At-Law: Lilet, hindi pinatulog ng salarin! (Full Episode 37) April 25, 2024
GMA Network
Follow
2 years ago
Aired (April 25, 2024): Lilet (Jo Berry) grapples with the decision to reveal the true identity of the suspect involved in the hit-and-run. #GMANetwork #GMADrama #Kapuso
Category
😹
Fun
Transcript
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00:00
[Music]
00:12
[Music]
00:22
[Music]
00:25
[Music]
00:26
[Music]
00:46
[Music]
00:48
[Music]
00:50
[Music]
01:01
[Music]
01:13
[Music]
01:23
[Music]
01:33
[Music]
01:43
[Music]
01:53
[Music]
02:01
[Music]
02:11
[Music]
02:21
[Music]
02:23
[Music]
02:25
[Music]
02:27
[Music]
02:29
[Music]
02:32
[Music]
02:36
[Music]
02:40
[Music]
02:44
[Music]
02:48
[Music]
02:53
[Music]
03:03
[Music]
03:05
[Music]
03:06
Hello, babe.
03:08
Thank God you finally answered.
03:11
We've been worrying about you, especially your mom.
03:15
Where are you?
03:17
Are you okay?
03:19
[Crying]
03:34
Babe, if you have a problem, just tell me.
03:37
I'm your boyfriend.
03:38
I'm ready to go with you.
03:40
Uh...
03:43
Babe, I need your help, okay?
03:49
I'll text you my location.
03:51
And you need to be here as fast as you can.
03:54
Okay, babe?
03:57
[Music]
04:13
[Crying]
04:27
What happened?
04:34
I don't know.
04:35
Wait, I'll go check.
04:36
Excuse me, miss.
04:40
What's the commotion about?
04:42
Ma'am, there's an accident on the road near here.
04:45
The victim's body is lying on the ground.
04:47
Oh my God.
04:48
Lara!
04:50
[Music]
05:10
Lara!
05:11
What happened? Are you okay?
05:14
Babe, I was stranded here for almost an hour.
05:21
My tire was flat.
05:24
And I didn't have any spare tire.
05:27
Are you sure?
05:30
You sound like something bad happened to you.
05:33
[Screaming]
05:39
[Music]
06:06
You need to focus, Ira.
06:08
[Music]
06:33
I'm so scared, babe.
06:35
I'm the only one here.
06:37
I don't know who will ask for help.
06:39
There's no one here.
06:40
No one's walking.
06:41
Babe, babe.
06:42
Don't worry about your car.
06:43
I'll take care of this.
06:44
Okay?
06:45
I'll just pull over.
06:46
So, get on the van.
06:47
I'll take you back to the hotel.
06:48
But please, when you get there,
06:49
I'll go with you because she's so worried about you.
06:52
Let's go, let's go.
06:56
Let's go.
06:57
I'll take care of it.
06:58
Let's go.
07:05
[Music]
07:08
[Speaking Spanish]
07:10
[Music]
07:29
[Siren]
07:34
Lillet, did you see what happened here?
07:37
Lillet,
07:43
I feel sorry for the old man.
07:46
But, actually, I'm thankful to God that it wasn't Erayong
07:53
because I thought he had an accident.
07:55
That's why I ran here.
07:58
I couldn't find him.
07:59
Why can't you talk?
08:19
Do you want to say something?
08:23
I need to tell you something.
08:27
I saw your son.
08:28
Huh? You saw Erayong?
08:30
Where is he?
08:32
I've been looking for him.
08:34
He was in a hurry to get in his car.
08:38
He's the one who hit him when he was old.
08:43
Huh?
08:45
No,
08:49
Erayong wouldn't do that.
08:51
Lillet,
08:54
get back what you said.
08:56
Auntie Nhi, I'm telling the truth.
08:58
I saw him after I heard that there was a car that hit the old man.
09:04
He could have just passed by,
09:09
but he still left the old man in that situation.
09:13
No, my daughter will not do anything like that.
09:17
That's impossible.
09:18
Auntie Nhi, I really saw him in the accident.
09:24
You'll never know, Lillet, if he saw him,
09:27
after he panicked, he left.
09:29
Did you say anything else?
09:34
Nothing, just you.
09:36
Okay, that's good.
09:39
Can you stop saying "anyone"
09:43
until I can talk to Erayong?
09:46
I need to hear her side.
09:51
Let's clarify what really happened.
09:54
But, Auntie Nhi,
09:56
don't I need to report it right away
09:59
so that we can investigate and prove if there's a solution to Erayong's death?
10:04
Lillet,
10:08
you didn't actually see that the car Erayong was in was hit by an old man, right?
10:18
But, there was no other car there, Auntie Nhi.
10:21
It was just a car, Ira.
10:23
You'll never know if he just panicked.
10:26
He saw what happened,
10:29
then he ran away.
10:32
There was really no other car there at that time.
10:37
It was just a car.
10:39
I will not consent if my daughter really did that.
10:47
But, please, Lillet,
10:49
let me talk to Ira first
10:52
before you say "anyone".
10:55
Can you let me investigate first?
11:00
I'm talking to you.
11:04
Please, let me talk to her.
11:06
Please.
11:07
We already talked to the victim.
11:20
He doesn't remember which car hit him.
11:23
The resident said that in the area where the crime took place,
11:26
you were the first person to see the old man.
11:29
Can you tell us what you learned?
11:35
Atty.,
11:36
can you tell us who hit the victim?
11:40
Lillet,
11:45
why are there police officers here?
11:49
What do you want?
11:50
Atty. Matcha witnessed the hit and run incident earlier.
11:53
We're just asking what he learned.
11:56
[Police radio chatter]
11:59
I can't see anything.
12:09
[Police radio chatter]
12:11
Can you please not say "anyone"
12:31
until I talk to Ira?
12:35
I need to hear her side.
12:38
Let's clarify first what really happened.
12:42
Sir,
12:47
can I just give my statement next time?
12:52
I just feel bad.
12:55
Excuse me.
12:57
Excuse me, sir.
12:58
Okay.
12:59
Of course.
13:15
Anything to get more donors for the Big Hugs Foundation, dear.
13:20
You know, I've been supporting your cause
13:23
ever since I won Miss Light of Manila.
13:26
And do I still have to say this,
13:29
but I do miss all the photo shoots.
13:32
Okay, I'll see you. Bye.
13:36
Oh, it's Ino again.
13:42
Mom,
13:45
why do you always notice my social media activities?
13:50
Well,
13:55
did you tell him that his mother, Lorena,
14:01
and even his dad are familiar with your dad's work?
14:06
Do they even know about you?
14:09
No.
14:11
I'm not bringing it up, Mom.
14:14
And why would I?
14:15
He might think that I'm insinuating that I'll meet the parents right away.
14:19
That this is something serious.
14:21
Wait.
14:25
Does Ino's mom know that we have something going on?
14:28
No.
14:29
I don't want to come across as if I'm desperate to have a connection
14:35
and feel close to them.
14:37
Everything will have its proper time for that.
14:42
And I think that's where Lorena will take us.
14:45
As soon as her relationship with Ino is defined.
14:52
Are you saying that you're not against our relationship with Ino?
14:56
Well, being acquainted with Lorena De Leon
15:00
can only help boost my philanthropy and celebrity status.
15:06
So, it's a bonus that Lilet will be removed from their lives.
15:13
But Lilet's loyalists are like that.
15:18
You know what to do.
15:21
Just keep earning Ino's trust and keep him close to you.
15:27
And eventually, I'll be close to his family.
15:32
And we'll be able to destroy Lilet.
15:35
I swear, Chicks.
15:39
Lilet will regret for the rest of her life
15:44
that she destroyed our family
15:47
and she became a daughter of your dad.
15:49
Poor, hopeless, and thorny Lilet.
15:52
I wish somewhere, someone is teaching her
15:56
that she should not be destroying relationships.
16:16
(sighs)
16:17
Ira!
16:19
Where have you been?
16:21
I've been calling you but you didn't answer your phone.
16:25
I'm sorry, Mom.
16:28
I was just quite upset after our argument earlier
16:31
so I drove around to cool my head.
16:34
Are you sure that's all that happened?
16:38
You don't have anything to tell me?
16:41
What do you mean, Mom?
16:45
(dramatic music)
16:48
Someone saw you
16:54
in the scene where and when
17:00
the old balut vendor got hit and run.
17:04
Don't tell me you were the one who got hit and run by the old man.
17:08
(dramatic music)
17:13
(dramatic music)
17:16
Lilet.
17:27
Is there a problem?
17:31
Are you okay?
17:40
Are you okay?
17:41
Yes, I'm fine.
17:44
Why did you ask?
17:46
Earlier, we arrived
17:49
and I heard something from the police
17:52
and then you suddenly called me.
17:56
What happened? Did you really see something?
18:01
Yes, Bonnie.
18:08
I saw someone who was running from the old man.
18:11
Why did you tell the police?
18:17
I get confused.
18:24
I feel sorry for the victim
18:28
but I also know that if I teach the suspect a lesson,
18:36
his future could be ruined.
18:38
(dramatic music)
18:42
Why can't you answer?
18:49
Are you the one who hit the old man?
18:54
Mom, how can you accuse me of something like that?
19:04
Do I look like a criminal?
19:06
Just answer my question.
19:10
No, I wasn't.
19:15
I didn't do anything.
19:17
And just like what I said,
19:20
I drove around and then my tire got flat
19:23
and I was stranded for an hour because I didn't have a spare tire.
19:26
Mom, I just got home because I was able to contact Bonnie.
19:33
That's it.
19:34
Mom, don't you believe me?
19:38
We should have brought Bonnie here
19:42
because she's the one who will prove that I'm telling the truth.
19:45
Because someone else came to me.
19:53
Mom, you don't trust me.
20:02
I would never lie to you.
20:04
I had nothing to do with that accident.
20:08
Who's your source?
20:12
I believe you, my child.
20:19
And I'm sorry for doubting you.
20:23
(dramatic music)
20:30
(dramatic music)
20:33
(dramatic music)
20:38
(dramatic music)
20:43
(dramatic music)
20:48
(dramatic music)
20:53
(dramatic music)
20:55
(shouting in foreign language)
20:58
(shouting in foreign language)
21:00
(shouting in foreign language)
21:02
(shouting in foreign language)
21:03
(shouting in foreign language)
21:05
(shouting in foreign language)
21:07
(dramatic music)
21:10
I really have to do the right thing.
21:13
(speaking in foreign language)
21:17
(speaking in foreign language)
21:19
(speaking in foreign language)
21:21
(speaking in foreign language)
21:23
(dramatic music)
21:29
(speaking in foreign language)
21:32
(dramatic music)
21:44
(wind blowing)
21:57
(wind blowing)
22:00
(speaking in foreign language)
22:06
(speaking in foreign language)
22:08
(speaking in foreign language)
22:10
(speaking in foreign language)
22:12
(speaking in foreign language)
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(speaking in foreign language)
22:16
(speaking in foreign language)
22:18
(speaking in foreign language)
22:20
(speaking in foreign language)
22:22
(speaking in foreign language)
22:24
(speaking in foreign language)
22:26
(speaking in foreign language)
22:27
(dramatic music)
22:31
(speaking in foreign language)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
23:00
(dramatic music)
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(speaking in foreign language)
23:04
(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
23:12
(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
24:00
(dramatic music)
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(speaking in foreign language)
24:04
(dramatic music)
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(speaking in foreign language)
24:08
(dramatic music)
24:10
(speaking in foreign language)
24:12
(dramatic music)
24:14
(singing in foreign language)
24:16
(dramatic music)
24:18
(singing in foreign language)
24:20
(speaking in foreign language)
24:22
(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
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(dramatic music)
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(speaking in foreign language)
25:00
(dramatic music)
25:02
(singing in foreign language)
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(dramatic music)
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(singing in foreign language)
25:08
(dramatic music)
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(singing in foreign language)
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(dramatic music)
25:14
(singing in foreign language)
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