00:00 "Oh, this is new."
00:01 And of course, it's a Viva Max film.
00:02 This is also the Tedest movie that you were like, "Oh, this is new."
00:10 Because the genre is new to you.
00:12 All movies have that.
00:15 When you start a new project,
00:16 you have that feeling that, "Oh, this is new again."
00:20 So, you don't lose that excitement.
00:22 "Oh, it's a new role again. A new script.
00:25 New colleagues."
00:27 So, I kind of treat every project like it's new.
00:30 So, Aldie, I'll ask you this.
00:33 This is also part of our questions.
00:35 How did you get the answer to yes?
00:36 Or how did you decide to accept that role?
00:39 Although in Los Bastardos,
00:41 there are some small parts,
00:43 but it's still tame compared to other movies, right?
00:48 Of course, it's far.
00:49 Because, number one, Los Bastardos is on TV.
00:52 It's free TV.
00:53 So, the presence of MTRCV is heavy on free TV.
00:58 Compared to...
00:59 It's a movie, and it's on a digital platform.
01:02 So, you know...
01:04 And of course, it's a Viva Max film.
01:06 So, you know those three already.
01:10 But of course, when I heard that it's a direct job,
01:13 I wasn't afraid anymore.
01:14 Of course.
01:15 It was my third time working with him, shooting that.
01:19 I've worked with him four times total now.
01:22 I'm going to do a fifth one.
01:23 Actually, tomorrow, I'm going to do a press con.
01:27 So...
01:28 Mm-hmm.
01:29 Yeah.
01:30 Well...
01:31 Nothing.
01:32 When I asked Joel if I could do it,
01:36 it's hard to say no to the project.
01:38 Especially when you're going to be in the script, right?
01:41 So, it means that you came into the project
01:44 when you were ready to do what you needed to do.
01:48 Of course.
01:49 It's not like you're not going to be in the project
01:52 when you're ready to do what you need to do.
01:55 (upbeat music)
01:57 (upbeat music)
