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Sino si Maria “Iyang” Rodrigo? (La Bulaqueña Episode 3) | Dapat Alam Mo!
GMA Public Affairs
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2 years ago
Aired (March 20, 2024): Maganda, matapang at kasapi ng kilusang nagpalaya sa bayan — ‘yan si Maria Rodrigo mula sa bayan ng Bulakan sa lalalawigan ng Bulacan. Siya nga ba ang ‘La Bulaqueña’? Alamin sa video.
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Fun
Transcript
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00:00
[music]
00:02
[music]
00:04
[music]
00:33
[music]
00:41
I'm scared because it's becoming real to me.
00:44
It's a moving portrait for me because all the images, all the people in the picture have a meaning.
00:50
Until I was mesmerized by another work of Manduna.
00:55
[music]
01:02
She is La Bulakenya or Una Bulakenya.
01:06
Manduna believed in the mysterious woman in November 1895,
01:13
a few years before the revolution against the Spanish government.
01:17
Many people thought that the woman in the picture is Maria Clara,
01:21
the main character in the novel by José Rizal, which is not limited to her because of her dress.
01:26
And she is holding a panolito and a banito.
01:30
The woman is standing in the picture while her feet are moving in a long dress with a tapis.
01:37
Like the mystery that surrounds the famous painting of Mona Lisa in Paris,
01:43
La Bulakenya's true personality is also unknown.
01:47
Aside from her round face and eyes,
01:51
her nose is round and her lips are red,
01:54
her hair is curly and her eyebrows are curly,
01:57
there is no clear identity to La Bulakenya.
02:01
It seems that her true name was hidden in history.
02:06
It is still not clear if the woman in the picture really came from the province of Bulacan.
02:12
Because La Bulakenya is considered a masterpiece,
02:17
many people say that the woman became an important part of Juan Luna's life
02:23
so that he could create this beautiful painting.
02:26
After many years,
02:28
120 years in fact,
02:31
La Bulakenya's lips remain round in her true personality.
02:37
Who is La Bulakenya?
02:42
One of the mysteries of La Bulakenya
02:51
is its salvation from the destruction of the Second World War.
02:56
I am currently making a drama series based on our history, "Ang Tulang Araw".
03:04
This is about the time of the Japanese occupation of our country.
03:08
But it's not just the people who became victims of the war.
03:11
There are also some historical scenes.
03:13
For many decades,
03:15
La Bulakenya has been silent and just hanging on a wall of Malacanang.
03:20
Sometimes, it was even glorified as the leader of a former colony.
03:25
But the truth is,
03:26
nothing is still clear about the true personality of La Bulakenya.
03:31
One of the colorful stories about the true personality of La Bulakenya
03:37
is from the town of Bulacan, in the province of Bulacan.
03:41
La Bulakenya is Maria Rodrigo, who has a distant relative.
03:46
When we were young, our ancestors and grandmothers told us
03:52
that whenever there's an occasion in the family,
03:54
it's always accompanied by the stories of our grandmothers and grandfathers.
03:58
That the woman behind La Bulakenya or Una Bulakenya,
04:03
was Juan Luna, a Rodrigo, and our grandmother.
04:07
One of the prominent Bulakenyo is the great writer, Marcelo H. Del Pilar.
04:13
A close friend of Juan and Antonio Luna.
04:16
Riding a horse, Juan and Antonio's brother, Ilocos,
04:21
travels from Ilocos to bring Marcelo to Bulacan.
04:24
Believing in the occasional visit of Del Pilar,
04:28
the brother Luna might have seen Juan's beautiful wife, Maria,
04:32
or her, a close relative of Marcelo, who is good at estimating visitors.
04:37
The house is just in front of the relative's house.
04:39
Of course, the one who introduced her is her uncle.
04:41
Ian's heart became at ease to trust Juan Luna to be his model.
04:47
Who is La Bulakenya?
04:53
One of the colorful stories about the true identity of La Bulakenya
05:03
is from the town of Bulacan, in the province of Bulacan.
05:07
La Bulakenya is Maria Rodrigo, who has a relative named Ian.
05:12
When we were young, we were told by our aunts and grandmothers,
05:18
whenever there's an occasion in the family,
05:20
it's included in the stories told by our grandmothers and grandfathers,
05:24
that the woman behind La Bulakenya or Una Bulakenya,
05:29
of Juan Luna, is a Rodrigo and our grandmother.
05:33
One of the prominent Bulakenyo is the great writer Marcelo H. del Pilar,
05:39
a close friend of Juan and Antonio Luna.
05:43
Riding a horse, the brothers, Juan and Antonio, travel from Ilocos
05:48
to bring Marcelo to Bulacan.
05:51
The brother Luna was trusted by the occasional visit of the Del Pilar,
05:55
Juan might have seen Maria or her, a close relative of Marcelo,
06:01
who was able to estimate the number of visitors.
06:03
The house was just in front of the house,
06:05
of course, the one who introduced him was his relative.
06:08
Ian's feelings became broad,
06:10
so that Juan Luna would be trusted to be a model.
06:13
So if we look at the distance of looking at the window,
06:19
and if it's only on the other side of the road,
06:21
the so-called home of Maria Rodrigo or Ian,
06:24
the potential to remember her is that big,
06:28
because of the proximity of this place.
06:31
Juan wanders around the town to draw beautiful images.
06:36
While Marcelo and Antonio are talking about the movement,
06:41
it is possible that Juan had planted in his mind the beauty of Ian,
06:45
that's why he painted it.
06:47
At that time, the first time he drew it was just a sketch.
06:53
It was probably a pencil or charcoal.
06:58
It was only a few years after that he painted it.
07:03
It became an oil painting.
07:05
According to the story, the sketch session took place in the house of Marcelo and Del Pilar,
07:10
in front of the house of Maria Ian Rodrigo.
07:13
Why were the residents of Bulacan,
07:17
particularly in Bulacan, calling Maria Rodrigo?
07:20
Maybe because of the resemblance of her face,
07:23
which was proven by the Rodrigo family during that time.
07:26
One of the prominent Rodrigo, Senator Sok Rodrigo,
07:30
they say they have the same eyebrows.
07:33
Senator Sok Rodrigo is his nephew.
07:37
Although he has six children and is considered in a decent family,
07:42
it can be considered that he did not have a house in his time.
07:47
Sometimes he was seen by his fellow countrymen riding a horse
07:52
to join the fight in the battle of Bulacan.
07:55
That was the last time Ian saw life.
08:00
According to the stories of the town,
08:03
Ian joined the revolution as a newscaster for the Filipino movements
08:09
led by the young general Gregorio Del Pilar,
08:13
also known as General Goy.
08:15
He was a courier of the government.
08:18
If there are messages that he wants to deliver to the fellow countrymen,
08:23
Maria Rodrigo is one of the people who brings these writings or information
08:28
as a source of information to the people of the government.
08:32
Because of the news that Ian had delivered,
08:35
General Goy's horse was able to avoid the stronger forces of the Americans.
08:42
But the Filipino movements were not always victorious in the battle.
08:46
Many people lost their lives, men and women.
08:52
Many believe that Ian died in the battle that took place in the mountains of Bulacan.
08:59
If we look at the responsibility of a mother to her children,
09:03
and especially to her husband,
09:05
is to take care of her children inside the house
09:09
and not to interfere in any social discussions.
09:12
And if a woman does that,
09:15
she interferes in the social discussions
09:19
that only men have the right to.
09:22
And what was done that day is a great disgrace to their family.
09:26
The pictures are burned, the pictures are destroyed,
09:29
they are torn and thrown away.
09:31
They are removing the memories from their memories
09:35
of their husband and family, especially of a woman.
09:39
Of course, you will not lose your family if there is a conflict.
09:44
Why were you left behind?
09:46
You were replaced for one cause.
09:48
Instead of just being led by the family,
09:51
his feelings and heart went to fight for the country.
09:57
There is such a point of conflict, perhaps.
10:00
But it's not embarrassing.
10:05
Identity is very important
10:07
because it will give us a reference to our past.
10:11
How did a person like Juan Luna have a great connection
10:19
to history, not only to the history of the Philippines,
10:23
but also to the evolution or the development of the arts here in our country.
10:30
Maria Rodrigo is a reminder of the smile of a woman from Kenya,
10:36
especially of being a Filipino.
10:38
I have a strong feeling that she is the one.
10:43
She brought such an emotion that she is the one.
10:46
I believe that she is the one.
10:49
Maria Rodrigo, or Young, has a house and a mother.
10:57
She is beautiful and brave.
10:59
She is the one who fought for freedom in the country.
11:02
She is a strong flower.
11:04
Is she the one?
11:06
Aside from Young, there are several other women who are famous for their work in the Philippines.
11:15
One of the women is Emiliana Heriarte Trinidad of San Rafael.
11:19
We will tell her story next.
11:22
[music]
11:31
[music]
11:34
It would be great if we could know who was the one who was the basis of Juan Luna in La Bula, Kenya.
11:40
[music]
11:42
I believe that she is the one.
11:45
[music]
11:47
Identity is very important because it will guide us in our past.
11:52
[music]
11:54
[gunshots]
11:56
Someone died because of her hand.
11:59
[music]
12:01
Her face looks so sad.
12:03
[music]
12:06
We will prove that she is the one in the painting.
12:11
[music]
12:15
[music]
12:18
[music]
12:21
[music]
12:24
[music]
12:26
[music]
12:30
[music]
12:34
[music]
12:40
[BLANK_AUDIO]
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