#Santhanam #VadakkupattiRamasamy #Kollywood
~PR.51~CA.82~ED.256~HT.302~
~PR.51~CA.82~ED.256~HT.302~
~PR.51~CA.82~ED.256~HT.302~
~PR.51~CA.82~ED.256~HT.302~
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00:00 With humour as his signature, Sundarasi as an inspiration,
00:04 we invite the director of this film, Karthik Yogi, to speak.
00:10 Who wrote this speech?
00:20 I think it's Nasser sir's work.
00:22 Actually, I'm speaking very fast in the audio lance,
00:27 because I don't have time to thank everyone.
00:29 It will be a monotonous speech.
00:31 I don't have time to make a cringy speech.
00:33 But I have to thank many people.
00:34 Some people called me and got angry.
00:36 I cried when they thanked me.
00:38 So, it's okay if it's a formula.
00:41 I'm saying thank you.
00:42 So, bear with me.
00:43 So, first...
00:44 Thank you. Can you hear me?
00:46 First thank you goes to my producers in RMK.
00:51 The producer I know is Mr. Natraj.
00:54 I told you about Mr. Vishwaprasad in the office.
00:58 I told you about Mr. Vivek in the car.
01:00 He said, "Do it, dude. I'll take care of it."
01:02 He's still sitting here.
01:04 He often calls me and says,
01:06 "Dude, I think we've lost in the film industry."
01:08 He calls me often and says,
01:10 "This is not approved. This is an approval."
01:12 He has brought everything to the last minute
01:15 and has brought it to this point.
01:17 He has come to this success meet.
01:19 The reason is Natraj.
01:20 Thank you very much, Thalaiva.
01:22 Thank you very much.
01:23 Because, first...
01:25 Many people...
01:26 They said, "The writing is very good."
01:28 "This is not just a comedy film."
01:30 "The writing is very strong."
01:32 "How did you make all the characters so strong?"
01:34 So, of course, we saw a lot of work for the writing.
01:37 My screenplay writers,
01:39 Vignesh Babu and Vignesh Menon Kapal
01:41 are here.
01:42 I thank them very much.
01:44 The writing...
01:45 To convert on screen,
01:47 first you need freedom.
01:48 You need creative freedom.
01:49 For example,
01:50 that freedom...
01:51 I need to give what I ask for.
01:54 I need to keep Santhanam cool in the film.
01:56 Because he is doing his best.
01:59 If you want that freedom,
02:01 you shouldn't interfere in the creativity.
02:04 Not that you shouldn't interfere.
02:05 If you listen to the story and approve it,
02:06 you should have that confidence.
02:07 He gave me that confidence for 63 days.
02:09 I swear.
02:10 I thank him from my side.
02:13 Because, he didn't interfere in any shot.
02:15 "Take whatever you want, dude."
02:16 "Do whatever you want, dude."
02:18 Like that,
02:19 there is a suggestion.
02:20 In the trailer,
02:21 "This shot would be good."
02:22 "But he will say one or two things."
02:24 "I will keep that suggestion."
02:25 Because of that creative freedom,
02:28 it was converted on screen.
02:30 Because it was converted on screen,
02:31 it became a success.
02:32 So,
02:33 that creativity freedom...
02:35 I request all the producers,
02:39 if you give that creative freedom,
02:40 I will definitely give the quality in the film.
02:44 I guarantee that.
02:46 So, this is the thing.
02:47 And coming to technicians.
02:49 First, the hero of this film, Mr. Deepak.
02:52 He is sitting silently.
02:53 He...
02:54 He...
02:55 He brought a book.
02:58 I asked him, "Why did you bring a book?"
03:00 He said, "I read books in my free time."
03:03 He read only three pages.
03:05 He didn't finish the book.
03:06 I don't know where the book went.
03:08 That much...
03:09 He said, "You have done 63 days of my hard work."
03:12 He comes in a white and blue costume.
03:16 When he goes, he goes to Ujjala,
03:18 holding a sari and a sari,
03:20 he is standing there,
03:21 with a crow.
03:22 He has that kind of attire.
03:24 So, he has done a lot of hard work.
03:26 His team,
03:27 Sheriff,
03:28 assistant cameraman,
03:29 Felix,
03:30 the guys,
03:31 I thank them all.
03:33 And coming to the next one,
03:34 the art director, Rajesh.
03:36 If I tell you clearly about him,
03:39 he is an art director who doesn't suit cinema.
03:42 The reason I say that is,
03:44 he doesn't even speak.
03:46 He doesn't even speak with a mic.
03:48 But he is extraordinarily,
03:50 extremely professional.
03:51 He would stand like this in the morning.
03:53 He would stand like a normal setter.
03:55 So, to that extent,
03:56 his team,
03:57 Madan,
03:58 associate art director,
03:59 Madan and his team,
04:00 Settersons,
04:01 I thank them all.
04:02 And coming to the next technician,
04:04 let it be Sheriff Master,
04:06 let it be his team,
04:07 let it be Matthew Mahesh,
04:08 I thank them all.
04:10 And with this film,
04:11 apart from contributing to the shooting,
04:14 I can say two pillars of this film.
04:16 First is Sean Rolden.
04:18 Sean Rolden,
04:19 he has done many good films and music,
04:23 but he does it uniquely in the background score.
04:25 So, what he did extraordinarily in this film is,
04:27 he gave spacing.
04:28 If there is a 3 second space,
04:30 where he would place his leg in the mirror,
04:32 and then turn around and walk,
04:34 he would turn off the music for that space,
04:38 and he did it correctly in all the places.
04:41 He did extraordinary music.
04:42 I had used the reference BGM in the climax,
04:45 the BGM of KJF's film.
04:47 After listening to that BGM,
04:48 everyone understood.
04:49 We were thinking how to hit this BGM.
04:53 But he hit an extraordinary BGM,
04:56 and it has reached the people.
04:58 Thanks a lot Sean.
04:59 And another pillar is sitting at the end,
05:02 he is the one,
05:03 Editor Sivanantheswaran.
05:04 He is my friend Arunanath,
05:06 who is like my friend Arun Alexander.
05:09 He is a very close friend.
05:11 He is a person who is in that level of passion.
05:13 This is an extraordinary work.
05:15 You would have seen the film 'Deeran'.
05:17 He would have cut it very crisp.
05:20 He found out what is the lag in this film.
05:22 'This is enough, this is enough, this is enough.'
05:25 'No more than this.'
05:26 You would have seen the deleted scene.
05:28 We put a lot of effort to hide the cool series,
05:30 but they cut it.
05:31 But we left it in the deleted scene.
05:33 Because, as he said,
05:34 the hero character is going in a chasing,
05:38 and when he is going in the chasing,
05:40 he finds a lag in the cut drama.
05:42 He took away the minus from me.
05:45 That is why the grip of the film was superb.
05:48 And his assistant Abhishek,
05:50 I would like to tell him about him.
05:52 Abhishek is the one who worked equally
05:54 for my assistant director.
05:55 I would like to give him a special applause.
05:57 Because till today,
05:58 whatever out I asked,
05:59 whatever I did,
06:00 without sleeping, without killing,
06:01 he worked as my spot director,
06:04 and he is still working till now.
06:06 I would like to thank him.
06:08 And I think the technician team is also there.
06:10 So, this is the technician team.
06:12 I am coming back to the artist.
06:13 I will go there.
06:14 First, I would like to start with Nanda.
06:16 He is the light version of Arakara Petit.
06:19 This character is not mad.
06:21 There are many mad people in this film.
06:23 Ara mad, Kaala mad, Mooka mad, Mulu mad,
06:25 there are many mad people.
06:27 This character is not like that.
06:28 He is a dark person in a child's body.
06:31 You can see it when you touch Kul Suresh.
06:33 So, I have seen the sufferings of that crap
06:35 and not being able to review it for 3 weeks.
06:38 So, thank you very much Nanda.
06:39 Next, Jacqueline.
06:40 Jacqueline, super Jacqueline.
06:42 No problem, sit down.
06:43 Jacqueline is a very friendly person.
06:46 She has done many heroines.
06:48 When I asked her name,
06:50 she said Kul Suresh Prasanth.
06:52 She didn't know who Prasanth was.
06:54 But she saw a photo of Kul Suresh.
06:56 She didn't call me for 2-3 hours.
07:00 After that, she said,
07:02 "Ok, these are the couples."
07:06 and they did it.
07:08 Thank you.
07:09 And Kul Suresh,
07:10 Thalaiva,
07:11 I believe you have changed.
07:13 I have not spoken about my brother's parents.
07:17 His teacher,
07:18 his teacher was speaking at the veteran theatre.
07:22 I sent him all this.
07:24 You have gone beyond that teacher.
07:27 When he was a small boy,
07:29 he used to speak about his mother.
07:33 You have gone beyond that.
07:35 I can't.
07:36 So, thank you.
07:37 I don't think I will be able to shout in the theatre.
07:40 Thank you.
07:41 And Ravi Miryam sir,
07:42 he is the director.
07:43 I know that he has done 25 interviews.
07:46 This is the 26th.
07:48 But he registers many things.
07:52 I said it for fun.
07:54 He is a great performer.
07:56 He didn't call me yesterday.
07:58 He said, "My father's adventure."
08:00 All the struggles to make this film successful,
08:04 the starting of the film,
08:06 not just now,
08:07 from dubbing,
08:08 whenever I called him,
08:09 he came and did it.
08:10 Yesterday, when I called him for the show,
08:12 it was his wedding day.
08:13 He said, "Thalaiva, I am sitting with you on my wedding day."
08:16 So, he supported me like that.
08:18 Major,
08:19 greetings.
08:20 Major Chandrakant,
08:22 my darling,
08:23 he said one thing,
08:24 "Sir, your actors, your friends called you."
08:27 I said, "No, Thalaiva.
08:28 They switched off and slept."
08:30 I asked, "Why?"
08:31 He said, "I came back."
08:33 "I escaped from the eye-blinkers and came back."
08:36 I said, "What is this?
08:38 It was just a joke."
08:39 "My friends thought I was dead.
08:42 I came back. I am back."
08:44 He said, "Sir, you are not back.
08:46 You have been here for a month."
08:48 "Sir, I am here for a month.
08:50 I have been here for a month."
08:52 "Sir, I have been here for a month.
08:54 I have been here for a month."
08:56 "Sir, I have been here for a month.
08:58 I have been here for a month."
09:00 "Sir, I have been here for a month.
09:02 I have been here for a month."
09:04 "Sir, I have been here for a month.
09:06 I have been here for a month."
09:08 "Sir, I have been here for a month.
09:10 I have been here for a month."
09:12 "Sir, I have been here for a month.
09:14 I have been here for a month."
09:16 I told him a lot about him.
09:18 But I am telling him as a friend.
09:20 I said, "Thanks, Thalaiva.
09:22 Thank you very much.
09:24 Please finish it soon.
09:26 I don't know what it is."
09:28 I will come back to Deepak.
09:30 Ravi sir, Jeeva sir, the collector.
09:32 He was in a salt and pepper getup.
09:34 Thank you.
09:36 Seshu brother, the collector.
09:38 He bought a bangle for 2000 rupees.
09:40 I told him not to buy the bangle.
09:42 I kept it.
09:44 He is still asking for the money.
09:46 Please give him the money.
09:48 I will give it.
09:50 I told him not to buy the costume.
09:52 I will give it.
09:54 Thank you.
09:56 MS Bhaskar sir.
09:58 I don't want to talk about his performance.
10:00 I will talk about one thing.