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  • 10/01/2024
KYLIE MINOGUE — The World Stoped Spinning ● Disc One: WHITE DIAMOND FILM (Full length director's cut version) • (Filmed Between: August 2006 & March 2007)
Starring: Kylie Minogue

KYLIE MINOGUE — WHITE DIAMOND / HOMECOMING

Disc One: WHITE DIAMOND FILM (Full length director's cut version)
A PERSONAL PORTRAIT OF KYLIE MINOGUE
A BLINK TV PRODUCTION
BLINK TV
FOR AND IN ASSOCIATION WITH DARENOTE LTD. & TERRY BLAMEY MANAGEMENT LTD.
TBM
© 2007 Darenote Limited
the Showgirl: KYLIE MINOGUE: WHITE DIAMOND
Showgirl Homecoming
• Album: Kylie Minogue: White Diamond
Filmed Between: AUGUST 2006 & MARCH 2007

Disc One
WHITE DIAMOND FILM (Full length director's cut version)
A PERSONAL PORTRAIT OF KYLIE MINOGUE
A BLINK TV Production for DARENOTE A Film by WILLIAM BAKER
Film Editor: REG WRENCH
Director of Photography: JUSTIN MURPHY
Edit Producer: DAN SWIMER
Music Producer: STEVE ANDERSON
Produced by TOM COLBOURNE
Directed by WILLIAM BAKER
Executive Producers: BILL LORD and TERRY BLAMEY

WHITE DIAMOND
A PERSONAL PORTRAIT OF KYLIE MINOGUE
© 2007 EMI Records Ltd.
DISC 1
Label: Parlophone
Made in EU.
SDRM Biem, LC 0299. 50999
513032 9 7 (Sel no. 50999 513025 9 7). 513 0259. Dual Layer Disc.
Layer transition may trigger a slight pause.

2x DVD - 9 Discs
Picture format: 16:9
Audio 5.1 DTS
Surround , Dolby
Digital 5.1 and Stereo
'Dolby'and the Double D logo are trademarks of Dolby Laboratories Licensing Corporation Ltd.
DTS and the DTS Digital Surround logo are trademarks of Digital Theather Systems, Inc.
Dual Layer Discs: Layer break transition may trigger a slight pause. DVD Designed & produced by Abbey
© 2007 EMI Records Ltd. All rights reserved © 2007 EMI Records Ltd.
Executive Producers: TERRY BLAMEY, KYLIE MINOGUE
Label: Parlophone
Phonographic Copyright ℗ EMI Records Ltd.
Copyright © EMI Records Ltd.

Special thanks to: MADONNA , JOSÉ GONZÁLEZ
BLOSSOM DEARIE

• On 17th May 2005 Kylie Minogue was forced to cancel the Australian leg of her 'Showgirl' tour after being dognosed with breast cancer
This Is the story of her Homecoming.
White Diamond

Created, Directed and Designed by WILLIAM BAKER
Choreographers: RAFAEL BONACHELA, aKRAM KHAN, MICHAEL ROONEY
Music Directeur: STEVE ANDERSON
Music Co-production, M.D. & Drums: ANDREW SMALL
Keyboards: STEVE TURNER
Bass: CHRIS BROWN
Guitar: MARK JAIMES
Backing Vocals: VALERIE ETIENNE, HAZEL FERNANDEZ, JANET RAMUS
Director: WILLIAM BAKER
Producer: TOM COLBOURNE
Executive Producer: BILL LORD, TERRY BLAMEY
Disc One: Kylie Minogue — White Diamond Film (Full Length Director's Cut) · 2005 (Live in London)
White Diamond / Homecoming
• Filmed Between: AUGUST 2006 & MARCH 2007
On Locationin ENGLAND, FRANCE, ITALIE & AUSTRALIA
SADLER'S WELLS THEATRE
MUSICBANK REHEARSAL STUDIOS
SYDNEY ENTERTAINMENT CENTRE
BRISBANE ENTERTAINMENT CENTRE
SYDNEY SUPERDOME
ADELAIDE ENTERTAINMENT CENTRE
MELBOURNE ROD LAVER ARENA
WEMBLEY ARENA
WEMBLEY
MANCHESTER EVENING NEWS ARENA

Running Time: 8:12

Catégorie

🎵
Musique
Transcription
00:00 I'm here to look gorgeous.
00:02 Are you kidding?
00:03 You look gorgeous.
00:04 Hiya!
00:05 Alright.
00:06 Bums come out!
00:07 Here it is.
00:13 I remember this.
00:14 Have memories of this?
00:15 Yeah.
00:17 We're going to have a big afternoon of cooking up.
00:20 We're going to have a big afternoon of cooking up.
00:22 Yeah, it's a nice pitch.
00:23 That's good, thank you.
00:27 Get together!
00:31 Stage has been built on down there, then it gets wheeled under here when this goes up.
00:40 Which will happen a bit later on.
00:42 Mm-hmm.
00:43 Mm-hmm.
00:44 Mm-hmm.
00:45 Mm-hmm.
00:46 It was very weird last time because, you know, all this was going on.
00:54 This is like, um, scarily enough the moment that everything stopped.
01:00 I think we got to about this stage.
01:03 You know, the stage was built and everything was kind of flying up in the air.
01:12 And then everything just stopped.
01:16 Like, you know, everything just froze.
01:18 Like, the trusses stopped.
01:19 All the noise stopped.
01:21 And no one could quite believe it.
01:23 So it's kind of quite an emotional moment, yeah.
01:26 It's quite...
01:28 It sends shivers up my...
01:30 [indistinct chatter]
01:59 My memory and pictures of that period was...
02:03 Made it to the end of the London dates at Earls Court.
02:09 Thank you very much, good night.
02:11 Made the journey to Australia.
02:15 Of course, everyone else had arrived in Sydney, the stage was being made.
02:19 I was going to say resurrected, but it didn't know quite how resurrected it would eventually be.
02:26 And then my diagnosis, and...
02:30 Let alone the tour, everything just collapsed, everything.
02:35 Like, the world kind of stopped spinning.
02:38 And so, yeah, I always thought about it, even in really dark moments.
02:44 I thought, I just want to...
02:48 To aim for that.
02:51 I didn't actually know if I could do it.
02:55 Oh, that's that one.
02:57 We'll have to watch our fucking language, because he swears like a fucking trooper,
03:06 and everything is just fucking beep, beep, beep, beep, fuckity fuck, fuck, fuck.
03:10 We've managed to move, I think, 30-something tonnes.
03:13 37 tonnes.
03:14 37 tonnes of stuff.
03:15 And change from London to Sydney.
03:18 And we can't get...
03:20 Now we're going out, yeah.
03:21 From Sydney to Sydney.
03:23 Because the contest package is ground-breaking.
03:25 Unfortunately, there was a strike.
03:26 There you go, up the workers' leg.
03:28 Yes, that's one way of putting it.
03:30 My stomach's cramping really bad, and then my head feels like...
03:46 My brain's pushing on my skull just now.
03:50 THE BATTLE OF THE BATTLEFIELD
03:53 What was that?
03:57 A base.
03:59 Where's the rest of the mannequin?
04:02 Are you coughing?
04:05 Yeah.
04:06 Coughing stuff up?
04:07 No.
04:08 Do you have a fever?
04:10 The back line's late, the video's late,
04:13 the costumes are late, and the dominoes are falling over.
04:17 The dancers are dropping like flies, and one of them's not...
04:21 It'll probably just be her left.
04:24 Surely pop's this way.
04:33 The dancers are upstairs.
04:36 Have we heard anything from MTA?
04:40 Not yet, no.
04:41 I won't find out for about another three or four hours
04:44 till it weighs up.
04:45 All right. Shall we go up and...?
04:48 Do you want to talk through some stuff with them?
04:51 We should have a plan ready, like, if Andile's not going to come.
04:56 Yeah, but I don't think we should get into alarm bells
04:59 until literally we find out that he's...
05:01 I'd love to go up there.
05:02 Until we find out that he's coming or not, yeah.
05:04 We might start thinking about another Andile.
05:10 We've got those three hours.
05:12 That's a big turd.
05:14 He went to get his visa stamped,
05:16 and the Home Office kept his passport.
05:19 Why people just can't go where they want is a bit beyond me.
05:24 It's stupid, cos that means I'm not going to be taken out of my numbers.
05:29 I have no idea.
05:31 If he's not going to make it, I don't know what's going to happen.
05:34 You want to kill him?
05:38 Yeah. You want to kill him, we all want to kill him.
05:42 (INDISTINCT CHATTER)
05:44 I don't know, it's not brain surgery.
05:47 We're not...
05:48 ..shnooking and kind of rescuing people from villages.
05:52 It's not... In the scheme of things, it's not that important.
05:55 But in that moment, we're so caught in this little world, and...
06:00 ..yeah, everyone gets quite on edge when a show...
06:06 (WHISPERS) The show...
06:08 ..has a few hiccups.
06:10 (DRAMATIC MUSIC)
06:12 I think everyone's having these little emotional moments,
06:18 apart from Kylie. (LAUGHS)
06:20 Who kind of just comes on stage and is fine.
06:23 She's always smiley Kylie to the world.
06:27 She doesn't let people see her pain,
06:31 or see what's going on.
06:34 By pain, I mean, you know, emotional state, really.
06:37 I don't really know how she can be there, here, at this point in time,
06:41 just out of being completely hysterical myself.
06:44 At the end of the day, it...
06:47 ..it comes down to me, and if I lose it,
06:50 the whole thing will completely fall apart.
06:53 # And look at the two of us in single view
07:01 # And sometimes ecstasy
07:04 # Words mean so little and money less
07:08 # When you're lying next to me
07:12 # Look at my hopes, look at my dreams
07:17 # The currency we've spent
07:20 # I love you, you pay my rent
07:25 # Oh, I love you, you pay my rent
07:33 # Look at my hopes, look at my dreams
07:38 # The currency we've spent
07:41 # I love you, you pay my rent
07:45 # Oh, I love you, you pay my rent
08:02 # You pay my rent. #
08:07 # You pay my rent. #
08:10 (dramatic music)

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