00:00 I'm here to look gorgeous.
00:02 Are you kidding?
00:03 You look gorgeous.
00:04 Hiya!
00:05 Alright.
00:06 Bums come out!
00:07 Here it is.
00:13 I remember this.
00:14 Have memories of this?
00:15 Yeah.
00:17 We're going to have a big afternoon of cooking up.
00:20 We're going to have a big afternoon of cooking up.
00:22 Yeah, it's a nice pitch.
00:23 That's good, thank you.
00:27 Get together!
00:31 Stage has been built on down there, then it gets wheeled under here when this goes up.
00:40 Which will happen a bit later on.
00:42 Mm-hmm.
00:43 Mm-hmm.
00:44 Mm-hmm.
00:45 Mm-hmm.
00:46 It was very weird last time because, you know, all this was going on.
00:54 This is like, um, scarily enough the moment that everything stopped.
01:00 I think we got to about this stage.
01:03 You know, the stage was built and everything was kind of flying up in the air.
01:12 And then everything just stopped.
01:16 Like, you know, everything just froze.
01:18 Like, the trusses stopped.
01:19 All the noise stopped.
01:21 And no one could quite believe it.
01:23 So it's kind of quite an emotional moment, yeah.
01:26 It's quite...
01:28 It sends shivers up my...
01:30 [indistinct chatter]
01:59 My memory and pictures of that period was...
02:03 Made it to the end of the London dates at Earls Court.
02:09 Thank you very much, good night.
02:11 Made the journey to Australia.
02:15 Of course, everyone else had arrived in Sydney, the stage was being made.
02:19 I was going to say resurrected, but it didn't know quite how resurrected it would eventually be.
02:26 And then my diagnosis, and...
02:30 Let alone the tour, everything just collapsed, everything.
02:35 Like, the world kind of stopped spinning.
02:38 And so, yeah, I always thought about it, even in really dark moments.
02:44 I thought, I just want to...
02:48 To aim for that.
02:51 I didn't actually know if I could do it.
02:55 Oh, that's that one.
02:57 We'll have to watch our fucking language, because he swears like a fucking trooper,
03:06 and everything is just fucking beep, beep, beep, beep, fuckity fuck, fuck, fuck.
03:10 We've managed to move, I think, 30-something tonnes.
03:13 37 tonnes.
03:14 37 tonnes of stuff.
03:15 And change from London to Sydney.
03:18 And we can't get...
03:20 Now we're going out, yeah.
03:21 From Sydney to Sydney.
03:23 Because the contest package is ground-breaking.
03:25 Unfortunately, there was a strike.
03:26 There you go, up the workers' leg.
03:28 Yes, that's one way of putting it.
03:30 My stomach's cramping really bad, and then my head feels like...
03:46 My brain's pushing on my skull just now.
03:50 THE BATTLE OF THE BATTLEFIELD
03:53 What was that?
03:57 A base.
03:59 Where's the rest of the mannequin?
04:02 Are you coughing?
04:05 Yeah.
04:06 Coughing stuff up?
04:07 No.
04:08 Do you have a fever?
04:10 The back line's late, the video's late,
04:13 the costumes are late, and the dominoes are falling over.
04:17 The dancers are dropping like flies, and one of them's not...
04:21 It'll probably just be her left.
04:24 Surely pop's this way.
04:33 The dancers are upstairs.
04:36 Have we heard anything from MTA?
04:40 Not yet, no.
04:41 I won't find out for about another three or four hours
04:44 till it weighs up.
04:45 All right. Shall we go up and...?
04:48 Do you want to talk through some stuff with them?
04:51 We should have a plan ready, like, if Andile's not going to come.
04:56 Yeah, but I don't think we should get into alarm bells
04:59 until literally we find out that he's...
05:01 I'd love to go up there.
05:02 Until we find out that he's coming or not, yeah.
05:04 We might start thinking about another Andile.
05:10 We've got those three hours.
05:12 That's a big turd.
05:14 He went to get his visa stamped,
05:16 and the Home Office kept his passport.
05:19 Why people just can't go where they want is a bit beyond me.
05:24 It's stupid, cos that means I'm not going to be taken out of my numbers.
05:29 I have no idea.
05:31 If he's not going to make it, I don't know what's going to happen.
05:34 You want to kill him?
05:38 Yeah. You want to kill him, we all want to kill him.
05:42 (INDISTINCT CHATTER)
05:44 I don't know, it's not brain surgery.
05:47 We're not...
05:48 ..shnooking and kind of rescuing people from villages.
05:52 It's not... In the scheme of things, it's not that important.
05:55 But in that moment, we're so caught in this little world, and...
06:00 ..yeah, everyone gets quite on edge when a show...
06:06 (WHISPERS) The show...
06:08 ..has a few hiccups.
06:10 (DRAMATIC MUSIC)
06:12 I think everyone's having these little emotional moments,
06:18 apart from Kylie. (LAUGHS)
06:20 Who kind of just comes on stage and is fine.
06:23 She's always smiley Kylie to the world.
06:27 She doesn't let people see her pain,
06:31 or see what's going on.
06:34 By pain, I mean, you know, emotional state, really.
06:37 I don't really know how she can be there, here, at this point in time,
06:41 just out of being completely hysterical myself.
06:44 At the end of the day, it...
06:47 ..it comes down to me, and if I lose it,
06:50 the whole thing will completely fall apart.
06:53 # And look at the two of us in single view
07:01 # And sometimes ecstasy
07:04 # Words mean so little and money less
07:08 # When you're lying next to me
07:12 # Look at my hopes, look at my dreams
07:17 # The currency we've spent
07:20 # I love you, you pay my rent
07:25 # Oh, I love you, you pay my rent
07:33 # Look at my hopes, look at my dreams
07:38 # The currency we've spent
07:41 # I love you, you pay my rent
07:45 # Oh, I love you, you pay my rent
08:02 # You pay my rent. #
08:07 # You pay my rent. #
08:10 (dramatic music)
Commentaires