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The 10 Best TV Shows of 2023
TIME
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2 years ago
Here are the 10 television series that stood out in 2023.
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00:00
(upbeat music)
00:02
Here are the 10 television series that stood out in 2023.
00:09
Poker Face.
00:11
Natasha Lyonne stars as a rumpled citizen detective
00:15
in a Columbo homage created by Rian Johnson.
00:18
The show could have been made on autopilot
00:20
and still charmed viewers.
00:22
Instead, we got 10 episodes of case of the week magic
00:26
that sent Lyonne's human polygraph
00:28
on a cross-country road trip,
00:30
pausing to solve murders at barbecue joints,
00:33
retirement communities, and more.
00:36
Each stop was its own social world,
00:38
populated by delightful guest stars
00:41
like Chloe Sevigny, Nick Nolte, and Hong Chao.
00:45
And before the mysteries could get too cozy,
00:47
Johnson upped the stakes
00:49
and challenged Lyonne's wabi-sabi sage persona,
00:52
setting up a second season that's bound to surprise.
00:55
(gun cocks)
00:56
(man screams)
00:58
- Hey!
00:59
- Would you be mad if I went somewhere anti-gay
01:00
for my honeymoon?
01:02
- Hello, sweet sister.
01:04
- The Other Two.
01:06
The Other Two premiered with a narrow premise.
01:09
A teen finds overnight fame as a Justin Bieber clone
01:12
and his underachieving adult siblings ride his coattails.
01:16
But it evolved into a sharp, consistently hilarious satire
01:19
of the entertainment industry at large.
01:21
Matriarch Pat became a window into the cult
01:24
of the daytime talk show queen.
01:26
Eldest son, Carrie, exemplified the humiliations
01:29
of the D-list actor and would-be gay icon.
01:33
And sister, Brooke, learned to swim
01:35
in shark-infested boardrooms.
01:37
The show's third and final season
01:39
was the biggest and smartest of all,
01:41
capturing the demented ambition, streaming fatigue,
01:45
and fickle politics that define contemporary Hollywood.
01:48
Dead Ringers.
01:51
The year's most unlikely reboot was also its most inspired.
01:55
In repurposing David Cronenberg's 1988 horror movie
01:58
about twin OB/GYNs torn asunder
02:01
when one falls for a glamorous patient,
02:03
creator Alice Birch entrusted the brilliant Rachel Wise
02:07
with the dual role originated by Jeremy Irons.
02:10
No shallow gender flip, the adjustment endowed the allegory
02:13
with new layers of meaning.
02:15
This Dead Ringers meets a moment
02:17
when women's bodies are a battleground,
02:20
a humane birth experience has become a luxury item,
02:23
and the ghosts of brutal reproductive research past
02:26
cast dark shadows over the high-tech obstetrics
02:29
of the present.
02:30
Telemarketers.
02:34
True crime docuseries are more numerous
02:36
but also more formulaic than ever.
02:39
Telemarketers is different.
02:41
Drawing on wild footage he shot of fellow employees
02:44
cutting up at the anything-goes offices
02:46
of a notorious telemarketing company,
02:49
co-director Sam Lipman Stern embarks on a quest
02:52
to expose an industry that's even shadier than it seems.
02:56
While the series' mood is light,
02:58
the investigation couldn't be more serious.
03:01
With former co-worker Patrick J. Pespis
03:04
as citizen journalist and moral beacon,
03:06
Lipman Stern unravels a web of amoral entrepreneurs,
03:11
corrupt police organizations, and government cowardice.
03:14
- You know you can tell me anything, right?
03:18
- Of course.
03:21
The curse.
03:22
Nathan Fielder follows last year's
03:24
brain-breaking The Rehearsal
03:26
by teaming up with Benny Safdie and Emma Stone
03:29
for a scripted series that burrows even deeper
03:31
into the fraught relationships
03:33
between reality TV and reality.
03:36
In dissecting the interactions of a couple
03:38
shooting an eco-conscious real estate series for HGTV,
03:42
Fielder and co-creator Safdie touch third-rail issues
03:46
like gentrification, cultural appropriation,
03:49
and colonialism.
03:51
The precision with which each episode provokes and unsettles
03:55
echoes such masters of productive discomfort
03:58
as Hitchcock and Kafka.
03:59
- What is your problem? What?
04:06
- Beef.
04:11
What could be more timely than a show about anger?
04:14
Creator Lee Seung Jin casts Ali Wong and Steven Yeun
04:18
as LA drivers whose road rage encounter
04:21
escalates into a prank war
04:23
that threatens to ruin both of their lives.
04:25
Each party's fury is rooted in a lifetime of repression.
04:30
While the show isn't about Asian American identities per se,
04:33
it's grounded in the ethnic communities
04:35
to which the characters belong
04:37
and specific to protagonists grappling
04:40
with inequality, stereotyping,
04:42
and the expectations of immigrant parents.
04:45
Darkly hilarious but also profoundly observant,
04:48
Beef pairs the racially-tinged negative emotions
04:51
that the poet Cathy Park Hong famously named
04:54
"minor feelings" with major stakes.
04:57
[horn honks]
04:58
- Hey! Are you guys leaving,
05:00
or are you just gonna sit there?
05:01
- What'd you say? What'd you say?
05:02
- Say it again! I dare you to say it again!
05:04
- "Rain Dogs."
05:07
- I promise you I will write us out of here.
05:11
- No, don't promise. Just try.
05:13
- An intimate portrait of a fascinatingly
05:15
unconventional family,
05:17
"Rain Dogs" follows a peep show dancer and aspiring writer
05:21
struggling to support her tween daughter
05:23
with dubious help from her recently-incarcerated
05:26
gay best friend.
05:27
He comes from a posh family.
05:29
She can rarely make rent.
05:31
He's a sadist.
05:32
She has masochistic tendencies.
05:35
They're toxic together, and they know it,
05:37
but they can't stand to be apart.
05:39
Creator Cash Carraway strikes the perfect balance
05:42
of grit, warmth, and scathing British humor,
05:45
ensuring that this dramedy
05:46
neither trivializes its character's pain
05:49
nor devolves into a pity party.
05:51
"I'm a Virgo."
05:56
The streaming arm of a megacorp
05:58
led by one of the world's richest people
06:00
kicked off 2023's hot labor summer
06:03
with this flagrantly anti-capitalist comedy
06:07
from radical rapper and "Sorry to Bother You"
06:09
filmmaker Boots Riley.
06:12
His surreal allegory casts Jharrel Jerome as Cootie,
06:15
a 13-foot-tall teen folk hero for our times
06:19
and a gentle giant who must learn
06:21
that powerful forces within American society
06:24
will always see a strong Black man as a thug and a threat.
06:28
Riley's secret weapons are humor and humanism.
06:32
His message may be militant,
06:34
but he delivers it in a package cushioned by laughs,
06:38
love, and a lively vision of liberation.
06:41
"Succession" and "Reservation Dogs."
06:49
This was the rare year when two series brilliantly
06:53
in their own ways fulfilled the potential of television.
06:56
"Succession," an Emmy-winning drama
06:58
that drove water-cooler conversation,
07:00
was the obvious choice.
07:02
Creator Jesse Armstrong and his virtuosic cast
07:05
didn't waste a second of the show's final arc,
07:08
which unfolded largely in the aftermath
07:10
of media mogul Logan Roy's
07:12
ingeniously executed midair death.
07:15
Every episode earned the fanfare that greeted it.
07:18
Swedish tech edgelord Lukas Madsen
07:20
waging psychological warfare on the Roy kids in Norway.
07:24
That white-knuckle election episode.
07:26
That tour-de-force funeral episode.
07:29
The bangers just kept coming.
07:31
And the finale made the biggest bang of all,
07:34
ending a race to the bottom that everyone,
07:36
especially the broken Roy siblings, won.
07:39
-Here to tell you a tale as old as time.
07:46
-"Reservation Dogs," by contrast,
07:48
never chased the zeitgeist.
07:51
Sterling Harjo's dramedy chronicled
07:53
the hijinks of outsiders,
07:55
Native American teens on a reservation
07:57
mourning a friend who died by suicide.
08:00
Profane, poignant, at times psychedelic,
08:03
the series moved fluidly between adolescent awkwardness,
08:07
small-town character comedy, indigenous spirituality,
08:11
and the righteous anger of the disenfranchised.
08:14
While the teenage "Res Dogs" remained at the show's center,
08:17
its circle kept expanding
08:19
until it encompassed the entire community,
08:22
young and old, living and spectral.
08:25
Yet the two shows had plenty in common.
08:27
Both were irreverent.
08:29
Both mixed poetically foul-mouthed comedy and tragedy.
08:33
Both had profound things to say
08:34
about the sociopolitical realities of our time,
08:38
insights they accessed through finely wrought characters
08:41
unique to their worlds,
08:43
lonely masters of the universe in one case,
08:46
members of a disadvantaged
08:48
but fiercely loving community in the other.
08:51
Together, they capture the polarized extreme
08:54
of American life in the year that was.
08:56
♪♪
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