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  • 2 years ago
Peter Morin' show, deliberately narrative, fantastical and symbolic, was calling for a cinematic transposition in which | dHNfY2xTb2JNUmsyZTg

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Transcript
00:00 Costello Jones!
00:01 We have an eviction notice.
00:02 Thing is, bubs, if you live an interesting life,
00:04 people are always gonna be chasing after you.
00:07 Should be illegal to ruin someone's life
00:09 before 9 a.m.
00:10 ♪ (MUSIC PLAYS) ♪
00:13 I really wanted to write something about family.
00:16 But I wanted to write about families
00:19 that are not connected by blood.
00:21 I ended up kind of writing about this weird group
00:24 of hustlers who sort of live on the outskirts of morality.
00:28 (HORN HONKS)
00:29 Do you think we can pull over?
00:30 I think she's going to be sick.
00:32 -Right, get ready to run. -I've got it, I've got it.
00:33 It's a twatty thing to do!
00:35 -Run! -Oi!
00:36 (LAUGHS)
00:38 Costello is an aspiring writer.
00:42 She's also a single mom.
00:43 She's gone from job to job.
00:46 As filthy as you like, it's all going in my arms.
00:49 (LAUGHS)
00:50 Trying to support her daughter.
00:51 You'll be all right.
00:53 How do you know?
00:54 She's like a lioness when it comes to Iris,
00:57 and is very protective.
00:59 Yet she fucks up, like all of us do as parents.
01:03 Would you be able to pick Iris up from school later?
01:05 You know I need to work.
01:07 Would you ever lie to me?
01:08 No, of course I would.
01:10 I love you.
01:12 (LAUGHS)
01:13 ♪ (DRAMATIC MUSIC PLAYS) ♪
01:15 There's different ways to be a mother.
01:18 We often see that kind of sanitized view.
01:21 She's all very middle class, very clean, very secure.
01:25 And these characters are not very secure.
01:27 Suppose you need money.
01:28 Can you let me sell?
01:30 You mean give?
01:31 Florian Selby is Costello's best friend,
01:38 and he loves her so much that he hates her.
01:41 God, you are so drunk.
01:43 And you could do better than him.
01:45 I think you two have got a very toxic relationship.
01:47 Thank you very much.
01:48 What makes that relationship toxic
01:51 is also what brings them together,
01:54 because they are both so unbelievably damaged.
01:57 By the way, how are your family?
01:59 Still dead.
02:00 They're just still very much walking around, aren't they?
02:02 I've always felt he's got a kind of nothing to lose
02:05 feel about him.
02:06 Isn't it time you actually thought of doing something
02:08 useful with your life?
02:10 I love you.
02:12 When I read Iris, I liked her a lot.
02:14 She's quite the adult.
02:15 She's a bit of the parent between Costello and Selby.
02:18 I love you, but you're both crazy.
02:21 The families in this show are definitely
02:23 not straightforward families.
02:25 Auntie June is mum whore.
02:26 Your mum's definitely not a whore.
02:28 But no families are straightforward families.
02:31 As if we haven't suffered enough already.
02:33 Nail this!
02:34 (CAMERA SHUTTER CLICKS)
02:35 ♪ (MUSIC PLAYS) ♪
02:38 What's so great is that the actors understood everything.
02:41 They knew who these characters were just from the dialogue.
02:44 Cash's scripts are incredibly specific
02:48 in references, in music choices.
02:50 Because it is those details that makes people go,
02:54 "My God, I know that character."
02:57 Everyone is dealing with their own ups,
03:01 downs, achievements, and failures.
03:04 Young lady, your Costello script.
03:07 I'm in so much trouble.
03:09 Real characters are much more interesting.
03:11 Life is much more interesting than people make out.
03:15 (LAUGHS)
03:16 They're all kind of searching for something.
03:17 They're searching for home and family.
03:20 Love. They find it with each other.
03:22 They can't find it with anyone else
03:23 because they're such outsiders.
03:25 And I think when a group of outsiders find each other...
03:28 it becomes something very beautiful.
03:31 ♪ (MUSIC CONCLUDES) ♪
03:33 ♪ (MUSIC CONCLUDES) ♪
03:36 ♪ (MUSIC CONCLUDES) ♪
03:38 ♪ (MUSIC CONCLUDES) ♪
03:40 ♪ (MUSIC CONCLUDES) ♪
03:42 ♪ (MUSIC CONCLUDES) ♪
03:44 [BLANK_AUDIO]
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